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SUMMARY:Exhibition:  One Art One Spirit
DESCRIPTION:CRS presents “One Art One Spirit (一音一絵)\,” a group exhibition of photography by Chakkiri\, pastel paintings by Sakurako Kataoka\, salt paintings by Senko Nishimura\, and recycled fiber art by Saco Yasuma. The exhibition will open on May 11\, 2018 with a concert by Kevin Nathanial and Tomchess and post-concert reception and will be on view until June 6\, 2018. There will also be a Reception and musical concert with the artists\, including a duet by Chakkiri and Sakurako\, on June 4\, 2018 from 7 – 9 pm following the USAATO natural clothing exhibition that afternoon. \nONE ART ONE SPIRIT ARTIST STATEMENT \nThere is an artist in everyone. Everyone is an artist! We just need to feel safe and brave enough to give ourselves permission to access and share our creativity. \nBe Inspired\, Be Creative\, Accept Ourselves\, and Enjoy! \nThis is an unusual art exhibition for CRS because none of the participating artists are so-called “Professional Visual Artists.” \nWe wanted more people to change their mindset and free themselves of limitations to wake up the artists within them since it is FUN and good for our hearts. We kept experiencing that when we are genuinely enjoying what we love\, a ripple of happiness spreads and bcomes amplified. So we have decided to show our art in public as it is. \nAt the reception\, One Note One Spirit\, our sister group\, will create a fun and safe space for everyone who attends to play music. We hope this show will encourage people to be creative and happy by enjoying making art and music! \n 
URL:https://crsny.org/event/exhibition-one-art-one-spirit/2018-06-01/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180602
DTEND;VALUE=DATE:20180603
DTSTAMP:20180504T224448Z
CREATED:20180426T195151Z
LAST-MODIFIED:20180504T224448Z
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SUMMARY:Exhibition:  One Art One Spirit
DESCRIPTION:CRS presents “One Art One Spirit (一音一絵)\,” a group exhibition of photography by Chakkiri\, pastel paintings by Sakurako Kataoka\, salt paintings by Senko Nishimura\, and recycled fiber art by Saco Yasuma. The exhibition will open on May 11\, 2018 with a concert by Kevin Nathanial and Tomchess and post-concert reception and will be on view until June 6\, 2018. There will also be a Reception and musical concert with the artists\, including a duet by Chakkiri and Sakurako\, on June 4\, 2018 from 7 – 9 pm following the USAATO natural clothing exhibition that afternoon. \nONE ART ONE SPIRIT ARTIST STATEMENT \nThere is an artist in everyone. Everyone is an artist! We just need to feel safe and brave enough to give ourselves permission to access and share our creativity. \nBe Inspired\, Be Creative\, Accept Ourselves\, and Enjoy! \nThis is an unusual art exhibition for CRS because none of the participating artists are so-called “Professional Visual Artists.” \nWe wanted more people to change their mindset and free themselves of limitations to wake up the artists within them since it is FUN and good for our hearts. We kept experiencing that when we are genuinely enjoying what we love\, a ripple of happiness spreads and bcomes amplified. So we have decided to show our art in public as it is. \nAt the reception\, One Note One Spirit\, our sister group\, will create a fun and safe space for everyone who attends to play music. We hope this show will encourage people to be creative and happy by enjoying making art and music! \n 
URL:https://crsny.org/event/exhibition-one-art-one-spirit/2018-06-02/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180603
DTEND;VALUE=DATE:20180604
DTSTAMP:20180504T224448Z
CREATED:20180426T195151Z
LAST-MODIFIED:20180504T224448Z
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SUMMARY:Exhibition:  One Art One Spirit
DESCRIPTION:CRS presents “One Art One Spirit (一音一絵)\,” a group exhibition of photography by Chakkiri\, pastel paintings by Sakurako Kataoka\, salt paintings by Senko Nishimura\, and recycled fiber art by Saco Yasuma. The exhibition will open on May 11\, 2018 with a concert by Kevin Nathanial and Tomchess and post-concert reception and will be on view until June 6\, 2018. There will also be a Reception and musical concert with the artists\, including a duet by Chakkiri and Sakurako\, on June 4\, 2018 from 7 – 9 pm following the USAATO natural clothing exhibition that afternoon. \nONE ART ONE SPIRIT ARTIST STATEMENT \nThere is an artist in everyone. Everyone is an artist! We just need to feel safe and brave enough to give ourselves permission to access and share our creativity. \nBe Inspired\, Be Creative\, Accept Ourselves\, and Enjoy! \nThis is an unusual art exhibition for CRS because none of the participating artists are so-called “Professional Visual Artists.” \nWe wanted more people to change their mindset and free themselves of limitations to wake up the artists within them since it is FUN and good for our hearts. We kept experiencing that when we are genuinely enjoying what we love\, a ripple of happiness spreads and bcomes amplified. So we have decided to show our art in public as it is. \nAt the reception\, One Note One Spirit\, our sister group\, will create a fun and safe space for everyone who attends to play music. We hope this show will encourage people to be creative and happy by enjoying making art and music! \n 
URL:https://crsny.org/event/exhibition-one-art-one-spirit/2018-06-03/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180604
DTEND;VALUE=DATE:20180605
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CREATED:20180426T195151Z
LAST-MODIFIED:20180504T224448Z
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SUMMARY:Exhibition:  One Art One Spirit
DESCRIPTION:CRS presents “One Art One Spirit (一音一絵)\,” a group exhibition of photography by Chakkiri\, pastel paintings by Sakurako Kataoka\, salt paintings by Senko Nishimura\, and recycled fiber art by Saco Yasuma. The exhibition will open on May 11\, 2018 with a concert by Kevin Nathanial and Tomchess and post-concert reception and will be on view until June 6\, 2018. There will also be a Reception and musical concert with the artists\, including a duet by Chakkiri and Sakurako\, on June 4\, 2018 from 7 – 9 pm following the USAATO natural clothing exhibition that afternoon. \nONE ART ONE SPIRIT ARTIST STATEMENT \nThere is an artist in everyone. Everyone is an artist! We just need to feel safe and brave enough to give ourselves permission to access and share our creativity. \nBe Inspired\, Be Creative\, Accept Ourselves\, and Enjoy! \nThis is an unusual art exhibition for CRS because none of the participating artists are so-called “Professional Visual Artists.” \nWe wanted more people to change their mindset and free themselves of limitations to wake up the artists within them since it is FUN and good for our hearts. We kept experiencing that when we are genuinely enjoying what we love\, a ripple of happiness spreads and bcomes amplified. So we have decided to show our art in public as it is. \nAt the reception\, One Note One Spirit\, our sister group\, will create a fun and safe space for everyone who attends to play music. We hope this show will encourage people to be creative and happy by enjoying making art and music! \n 
URL:https://crsny.org/event/exhibition-one-art-one-spirit/2018-06-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180604T130000
DTEND;TZID=America/New_York:20180604T180000
DTSTAMP:20180507T174133Z
CREATED:20180507T173232Z
LAST-MODIFIED:20180507T174133Z
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SUMMARY:USAATO Clothing Exhibition & Sale
DESCRIPTION:CRS welcomes you to the third exhibition of USAATO clothing at CRS on June 4 and 5\, 2018! Designer Mr. Usaburo will attend and will personally help to select and coordinate the garments that would suit you best. \nJune 4 from 1 – 6 pm and June 5 from 12 – 5 pm in the White Room \nUSAATO shares beautiful traditional clothes made in Chiang Mai\, Thailand. The clothing is designed by Japanese haute couture designer Usaburo Sato with fabrics made by the caring hands of the Thai people. The fabrics are mostly made of hand-spun cotton\, silk and hemp\, picked in mountains and villages\, naturally dyed from plants and fruits\, then made into clothes with traditional weaving machines by women in local villages of north and northeast Thailand and Laos. The attention\, time and passion put into the creation of these clothes give it a sense of energy that can be felt on your body and in your soul. Soft and warm\, relaxing wears suitable for both outside and home. \nAll fabrics are once gathered at “USAATO SIAM” in Chiang Mai and then delivered for the sewing process. USAATO clothes are sewn by individuals and groups outbound Chiang Mai\, not by the company’s factory. (One part of our products is from machine-weaving.) \nThe products are mostly women’s clothes but men’s clothes\, children’s clothes\, samue (monk’s working clothes)\, and rakui (pajamas) are also available. Approximate prices for tops are from $70 to $180 while bottoms are from $90 to $180. \nUSAATO clothes are selling all over the world at pop-up exhibitions organized by USAATO partners called coordinators. USSATO NEW YORK will hold exhibitions every few months at CRS. \nWearing hemp clothing promotes personal health in a variety of ways. Hemp/ cotton blends are both more absorbent humid and more mildew resistant than 100% cotton. Fabric made using 50% or higher of hemp will block more UV rays than non-hemp fabrics. And have you ever noticed that hemp-made garments don’t create static? That is because hemp has the same net static charge as human skin\, resonating perfectly with our electromagnetic fields. \nWe will have a music performance from 7pm in the CRS 2nd FL Studio. Performer Chakiri is a disciple of the world famous sitar player Rabbi Shankar. Chakkiri plays using numerous instruments\, some of them he made himself and many collected in his global travels\, that produce beautiful tones. Sakurako Kataoka will dance with his music. \nEnjoy Organic clothes and soul-shaking sound! \nContact : CRS 212-677-8621　or 914-703-8018 Senko or universalcreation1000@gmail.com \nhttp://www.usaato.com
URL:https://crsny.org/event/usaato-clothing-exhibition-sale-2/2018-06-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180605
DTEND;VALUE=DATE:20180606
DTSTAMP:20180504T224448Z
CREATED:20180426T195151Z
LAST-MODIFIED:20180504T224448Z
UID:10006285-1528156800-1528243199@crsny.org
SUMMARY:Exhibition:  One Art One Spirit
DESCRIPTION:CRS presents “One Art One Spirit (一音一絵)\,” a group exhibition of photography by Chakkiri\, pastel paintings by Sakurako Kataoka\, salt paintings by Senko Nishimura\, and recycled fiber art by Saco Yasuma. The exhibition will open on May 11\, 2018 with a concert by Kevin Nathanial and Tomchess and post-concert reception and will be on view until June 6\, 2018. There will also be a Reception and musical concert with the artists\, including a duet by Chakkiri and Sakurako\, on June 4\, 2018 from 7 – 9 pm following the USAATO natural clothing exhibition that afternoon. \nONE ART ONE SPIRIT ARTIST STATEMENT \nThere is an artist in everyone. Everyone is an artist! We just need to feel safe and brave enough to give ourselves permission to access and share our creativity. \nBe Inspired\, Be Creative\, Accept Ourselves\, and Enjoy! \nThis is an unusual art exhibition for CRS because none of the participating artists are so-called “Professional Visual Artists.” \nWe wanted more people to change their mindset and free themselves of limitations to wake up the artists within them since it is FUN and good for our hearts. We kept experiencing that when we are genuinely enjoying what we love\, a ripple of happiness spreads and bcomes amplified. So we have decided to show our art in public as it is. \nAt the reception\, One Note One Spirit\, our sister group\, will create a fun and safe space for everyone who attends to play music. We hope this show will encourage people to be creative and happy by enjoying making art and music! \n 
URL:https://crsny.org/event/exhibition-one-art-one-spirit/2018-06-05/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2018/04/90B2A451-E80C-474F-9719-F14BE7FA3297.jpeg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180605T130000
DTEND;TZID=America/New_York:20180605T170000
DTSTAMP:20180507T174133Z
CREATED:20180507T173232Z
LAST-MODIFIED:20180507T174133Z
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SUMMARY:USAATO Clothing Exhibition & Sale
DESCRIPTION:CRS welcomes you to the third exhibition of USAATO clothing at CRS on June 4 and 5\, 2018! Designer Mr. Usaburo will attend and will personally help to select and coordinate the garments that would suit you best. \nJune 4 from 1 – 6 pm and June 5 from 12 – 5 pm in the White Room \nUSAATO shares beautiful traditional clothes made in Chiang Mai\, Thailand. The clothing is designed by Japanese haute couture designer Usaburo Sato with fabrics made by the caring hands of the Thai people. The fabrics are mostly made of hand-spun cotton\, silk and hemp\, picked in mountains and villages\, naturally dyed from plants and fruits\, then made into clothes with traditional weaving machines by women in local villages of north and northeast Thailand and Laos. The attention\, time and passion put into the creation of these clothes give it a sense of energy that can be felt on your body and in your soul. Soft and warm\, relaxing wears suitable for both outside and home. \nAll fabrics are once gathered at “USAATO SIAM” in Chiang Mai and then delivered for the sewing process. USAATO clothes are sewn by individuals and groups outbound Chiang Mai\, not by the company’s factory. (One part of our products is from machine-weaving.) \nThe products are mostly women’s clothes but men’s clothes\, children’s clothes\, samue (monk’s working clothes)\, and rakui (pajamas) are also available. Approximate prices for tops are from $70 to $180 while bottoms are from $90 to $180. \nUSAATO clothes are selling all over the world at pop-up exhibitions organized by USAATO partners called coordinators. USSATO NEW YORK will hold exhibitions every few months at CRS. \nWearing hemp clothing promotes personal health in a variety of ways. Hemp/ cotton blends are both more absorbent humid and more mildew resistant than 100% cotton. Fabric made using 50% or higher of hemp will block more UV rays than non-hemp fabrics. And have you ever noticed that hemp-made garments don’t create static? That is because hemp has the same net static charge as human skin\, resonating perfectly with our electromagnetic fields. \nWe will have a music performance from 7pm in the CRS 2nd FL Studio. Performer Chakiri is a disciple of the world famous sitar player Rabbi Shankar. Chakkiri plays using numerous instruments\, some of them he made himself and many collected in his global travels\, that produce beautiful tones. Sakurako Kataoka will dance with his music. \nEnjoy Organic clothes and soul-shaking sound! \nContact : CRS 212-677-8621　or 914-703-8018 Senko or universalcreation1000@gmail.com \nhttp://www.usaato.com
URL:https://crsny.org/event/usaato-clothing-exhibition-sale-2/2018-06-05/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180606
DTEND;VALUE=DATE:20180607
DTSTAMP:20180504T224448Z
CREATED:20180426T195151Z
LAST-MODIFIED:20180504T224448Z
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SUMMARY:Exhibition:  One Art One Spirit
DESCRIPTION:CRS presents “One Art One Spirit (一音一絵)\,” a group exhibition of photography by Chakkiri\, pastel paintings by Sakurako Kataoka\, salt paintings by Senko Nishimura\, and recycled fiber art by Saco Yasuma. The exhibition will open on May 11\, 2018 with a concert by Kevin Nathanial and Tomchess and post-concert reception and will be on view until June 6\, 2018. There will also be a Reception and musical concert with the artists\, including a duet by Chakkiri and Sakurako\, on June 4\, 2018 from 7 – 9 pm following the USAATO natural clothing exhibition that afternoon. \nONE ART ONE SPIRIT ARTIST STATEMENT \nThere is an artist in everyone. Everyone is an artist! We just need to feel safe and brave enough to give ourselves permission to access and share our creativity. \nBe Inspired\, Be Creative\, Accept Ourselves\, and Enjoy! \nThis is an unusual art exhibition for CRS because none of the participating artists are so-called “Professional Visual Artists.” \nWe wanted more people to change their mindset and free themselves of limitations to wake up the artists within them since it is FUN and good for our hearts. We kept experiencing that when we are genuinely enjoying what we love\, a ripple of happiness spreads and bcomes amplified. So we have decided to show our art in public as it is. \nAt the reception\, One Note One Spirit\, our sister group\, will create a fun and safe space for everyone who attends to play music. We hope this show will encourage people to be creative and happy by enjoying making art and music! \n 
URL:https://crsny.org/event/exhibition-one-art-one-spirit/2018-06-06/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180609
DTEND;VALUE=DATE:20180610
DTSTAMP:20180522T202410Z
CREATED:20180522T202024Z
LAST-MODIFIED:20180522T202410Z
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-09/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
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DTSTART;VALUE=DATE:20180610
DTEND;VALUE=DATE:20180611
DTSTAMP:20180522T202410Z
CREATED:20180522T202024Z
LAST-MODIFIED:20180522T202410Z
UID:10010456-1528588800-1528675199@crsny.org
SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-10/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20180611
DTEND;VALUE=DATE:20180612
DTSTAMP:20180522T202410Z
CREATED:20180522T202024Z
LAST-MODIFIED:20180522T202410Z
UID:10010457-1528675200-1528761599@crsny.org
SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-11/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20180612
DTEND;VALUE=DATE:20180613
DTSTAMP:20180522T202410Z
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LAST-MODIFIED:20180522T202410Z
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-12/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20180613
DTEND;VALUE=DATE:20180614
DTSTAMP:20180522T202410Z
CREATED:20180522T202024Z
LAST-MODIFIED:20180522T202410Z
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-13/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20180614
DTEND;VALUE=DATE:20180615
DTSTAMP:20180522T202410Z
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-14/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20180615
DTEND;VALUE=DATE:20180616
DTSTAMP:20180522T202410Z
CREATED:20180522T202024Z
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-15/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20180616
DTEND;VALUE=DATE:20180617
DTSTAMP:20180522T202410Z
CREATED:20180522T202024Z
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-16/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-17/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-18/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20180619
DTEND;VALUE=DATE:20180620
DTSTAMP:20180522T202410Z
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-19/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTEND;VALUE=DATE:20180621
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-20/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-21/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-22/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-23/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-24/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20180625
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-25/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-26/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-27/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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UID:10010474-1530144000-1530230399@crsny.org
SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-28/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-29/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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UID:10010476-1530316800-1530403199@crsny.org
SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-30/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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