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DTSTART;VALUE=DATE:20250721
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SUMMARY:LIFE IS ART IS MOTHERHOOD IS ART Exhibition
DESCRIPTION:CRS (Center for Remembering & Sharing) presents LIFE IS ART IS MOTHERHOOD IS ART\, an exhibition of five artists who are mothers — Daniela Kostova (Bulgaria)\, Aline Müller (Brazil)\, Quynh “Alex” Nguyễn (Vietnam)\, Katie Heller Saltoun (USA)\, and Satomi Shirai (Japan). Curated by CRS co-founder Christopher Pelham\, the exhibition will be on view at Tenri Cultural Institute of New York from July 21 – 26\, 2025.  \nThis exhibition explores the profound interconnection between motherhood and art. These photographs and 2D works depict experiences and challenges—limited time\, institutional exclusion\, competing responsibilities\, societal expectations—that mother artists face every day\, ultimately reframing motherhood as an experience that requires constant creativity and is a radical\, generative force within artistic life. \nArt making and mothering are both rooted in nonjudgmental attention\, intuitive responsiveness\, and unconditional love. Both require the practitioner to notice what others may overlook and respond creatively with care. This exhibition\, along with the series of Mother Artist Salons being held in conjunction\, celebrates the creative labor of mothers and mother artists\, envisioning a culture that embraces caregiving\, inspiration\, and interdependence as central to both life and art. \nEXHIBITION HOURS\nMonday\, July 21 – July 26\, 2025 (closed July 25)\nMon – Thu 12 – 6 pm\, Sat 12 – 3 pm \nTENRI GALLERY LOCATION\nTenri Cultural Institute of New York\, 43A W 13th St\, New York\, NY 10011 \nIn addition to the above gallery hours\, the exhibition will be on view during several receptions and salons being held in conjunction with the exhibition. These are all free events and no RSVP is required. \nJuly 21 7 pm\nOpening Reception & Artist Salon featuring live music by mother artist Eunbi Kim + Q&A \nJuly 23 7pm\nThis Is a Movement Artist Salon featuring live music by mother artists Goussy Celestin and Amma Whatt + Q+A with artists and Niama Safia Sandy\, co-founder\, This Is a Movement \nJuly 24 7 pm\nArtist Salon featuring live music by mother artists Layale Chaker (violin) and Maeve Gilchrist (harp) + Q&A \nJuly 26 3 pm doors / 3:30 pm program starts\nClosing Reception & Artist Salon featuring live music by Sita Chay (violin) and Rema Hasumi (keyboard) + Q&A with the exhibition artists + talk by mother artist and author / peacemaker / philanthropist Le Ly Hayslip on Lessons Not Learned from the American War in Vietnam \n“Being an artist is to experience a vigorous\, experimental life of the mind and of the senses. Parenthood is another enriching experience: primal\, haptic and life-affirming. Why are the two still seen as incompatible?” — Jeffrey Boloten and Juliet Hacking\, Forward to How Not to Exclude Artist Mothers (and other parents) \nHow often do we ask a man how he balances work and parenting responsibilities? How frequently do we assume that a mother has no time for making art or that motherhood and child-raising are not only not creative but less worthy subjects for art? Of course\, it’s hardly shocking to announce that pregnancy and childcare require time and energy and that women supply the bulk of it. But this alone does not explain the relative paucity of mothers and women in general represented in galleries and museums. You might be surprised to learn that more women than men graduate from art schools today. We hope you will also be excited to learn that many obstacles facing female-identifying artists can be remedied. \nWhile the asymmetry between parenthood and the world of work is an issue for parents in any profession\, the art world – with its informal\, often temporary forms of relations – can be a particularly precarious environment in which to make one’s living. Artists rarely receive contracts of employment nor benefits such as maternity leave\, pay rises and pensions. Opportunities such as exhibitions and artist residencies come rarely\, and even once in a lifetime. Does one have to choose between creativity and family? \n— Jeffrey Boloten and Juliet Hacking\, Forward to How Not to Exclude Artist Mothers (and other parents) \nDespite societal demands\, stigmas\, and limitations that restrict a mother’s creative expression in the public realm\, mothers nevertheless exercise their creative faculties constantly. Just as creating a compelling work of art starts with seeing without judgment what others have overlooked and channeling one’s creative response into form\, nurturing a child requires seeing the child as he/she/they are and responding authentically and imaginatively. Both are intuitive processes of receiving and giving. Both are creative exercises of unconditional love. \n“…Motherhood and artistic practice have to be mutually enriching…. …Little does society know that these things actually can work really well together.” — Catherine Rickets\, from Artist/Mother Podcast: 160: The World Needs Art that Only Mothers Can Make with Catherine Ricketts\, Nov 4\, 2024 \nWe aim to bring greater visibility to their inspiring art and life-making work\, as well as to the creative and life-affirming contributions of mothers who are not professional artists. The exhibition will next be on view at Gallery Maronie in Kyoto\, Japan\, during Kyotographie from April 13 to May 10\, 2026\, and then at Le Deco Gallery in Tokyo\, Japan from May 18 – 24\, 2026. \nABOUT THE ARTISTS \nStuck by Daniela Kostova \nDaniela Kostova is an interdisciplinary artist whose work spans photography\, installation\, video\, and performance. She explores themes of geography\, cultural identity\, and the complexities of translation and communication across borders. Her projects have been exhibited internationally at institutions including the Queens Museum of Art\, Kunsthalle Wien\, Centre d’Art Contemporain (Geneva)\, and Kunsthalle Fridericianum (Kassel)\, among others. In 2019\, she created one of Europe’s largest public art installations\, Future Dreaming\, covering Vienna’s Ringturm building. \nKostova has received numerous awards and fellowships\, including the Unlimited Award for Contemporary Bulgarian Art and residencies at A.I.R. Gallery (NYC)\, ZK/U Berlin\, and ArtsLink at the Cleveland Institute of Art. She has also contributed as a curator\, notably leading the BioArt Initiative at RPI\, where she taught digital imaging. Her work has been featured in major publications such as The New York Times\, Brooklyn Rail\, and Art in America. Now based in New York City\, she has served as Director of Curatorial Projects at Radiator Gallery\, Artist Mentor at NYFA’s Immigrant Artist Program and Board Member of CEC Artslink. \nhttps://danielakostova.com \nPhoto by Aline Müller \nPhotographer Aline Müller\, born in the Brazilian Amazon and now working between Rio and New York\, brings an elemental understanding of nature’s power to her intimate portraits of women. In her series curated for Life is Art Motherhood is Art\, she captures mothers at different stages of their journey through evocative\, almost surreal photographs that reveal the mystical within the everyday of a mother. \nMüller’s mothers emerge water-soaked from rivers\, beaches\, and showers with goddess-like splendor. They inhabit moments of joyous presence captured in delicate close-ups that refuse to hide or pose\, but rather document dreamlike moments of maternal reality. \nWith her generous and almost metaphysical gaze\, Aline has the uncanny ability to depict what photography often editorializes out of women’s lives: fluids\, curves\, small gestures\, and all that seems small and menial in life\, yet speaks volumes to the internal world of women. \nhttps://www.alinemuller.com \n  \n  \nPhoto by Alex Nguyễn \nQuỳnh “Alex” Nguyễn is a writer\, photographer\, and independent cultural practitioner based in Central Vietnam. Her interdisciplinary approach\, spanning journalism\, interviews\, photography\, artistic programs\, and nurturing of daily life itself\, stems from a desire to explore alternative narratives rather than accepting the mainstream\, deemed self-evident. She believes that the interpretations we hear profoundly shape our beliefs and responses to life’s issues. Furthermore\, the challenges faced by modern society are inherently interconnected as consequences of the many problems layered atop one another. Through flexible artistic forms\, she seeks to expand the possibilities of alternative narratives\, guiding those around her and her readers to explore new dimensions of contemporary issues. \nhttps://alexnguyen.contently.com \n\n  \n  \n\nStudio Interruptions by Katie Heller Saltoun \nKatie Heller Saltoun is a visual artist based in DUMBO\, Brooklyn\, New York. Her work primarily utilizes oil paint\, ink\, photographic collages\, and woodcut printing to explore the multifaceted experiences of motherhood and caregiving. Saltoun captures the humor\, frustration\, monotony\, and profound love inherent in caregiving\, drawing inspiration from her own life and the diverse narratives of mothers and caretakers she encounters. Her compositions often depict dynamic scenes of energy and chaos\, as well as repetitive imagery such as refrigerator shelves\, spice racks\, and rows of snacks\, reflecting the repetitive yet vital tasks of domestic life. \nSaltoun holds a BFA from the University of Michigan\, an MA from Columbia University\, and an MFA from Pratt Institute. Her recent exhibition\, “Bifocal: Motherhood and Creativity\,” was held at the Elza Kayal Gallery in Tribeca\, New York. This multidisciplinary show explored the intricate interplay between creativity and motherhood\, highlighting the often-overlooked experiences of artists who navigate both roles. Additionally\, her work was featured in The American Scholar magazine in an article titled “Tenderness and Grit.” \nSaltoun continues to create and exhibit work that resonates with audiences\, offering a profound and authentic portrayal of the complexities inherent in caregiving and domestic life. For more information and to view her portfolio\, please visit her website at www.katiehellersaltoun.com. \nhttps://www.katiehellersaltoun.com/ \nPhoto by Satomi Shirai \nSatomi Shirai playfully explores themes of cultural identity\, feminism\, motherhood\, and the evolving meaning of home\, both in the context of migration and as a universal psycho-spiritual experience. Her photographs\, often set in domestic spaces\, reveal the quiet tensions between order and chaos\, belonging and estrangement\, the visible and the unseen. \nShirai’s work has been exhibited widely\, including at the Tokyo Metropolitan Museum of Photography\, the National Portrait Gallery in London\, and the Smithsonian National Portrait Gallery in Washington\, D.C. Her photographs are held in the collections of the Tokyo Metropolitan Museum of Photography and the Kiyosato Museum of Photographic Arts (K’MoPA). \nAfter earning a Full-Time Certificate from the International Center of Photography in 2007 and an MFA from Hunter College (CUNY) in 2010\, Shirai lived and worked in New York City for over a decade. In 2015\, she returned to Japan to raise her daughter and now lives and works in Tokyo and Chiba Prefecture. Though she has exhibited less frequently since her return\, she continues to create new work\, often in collaboration with her daughter. \nhttps://satomishirai.com
URL:https://crsny.org/event/life-is-art-is-motherhood-is-art-exhibition/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, 10011
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20200321
DTEND;VALUE=DATE:20200322
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SUMMARY:Exhibition:  Wooded Tales of Phantasy — A Photography Series by Troy Stallman
DESCRIPTION:CRS presents Wooded Tales of Phantasy\, an exhibition of photography by Troy Stallman. This new series of photographs focuses on capturing the “vital force” of wooded environments\, imploring the observer to interpret imagery through the waking lens of the imagination. We are called to remember the emotional connection that harmonizes the conscious space between our fantasy world\, higher self\, and interwoven spiritual channels of the natural world. Through this cosmic dialogue\, we are offered a chance to reflect on how majestic life-death cycles create deeper meaning\, balance and appreciation of nature in our lives\, leaving us with a resounding impression that nourishes the soul and re-inspires the inner visionary. \nThe exhibition will be on view from March 14\, 2020 – April 30\, 2020. The public is invited to meet the artist at the Songs of Awakening Concert by Kristin Hoffmann & Friends on March 14\, 2020 at 7:30 pm. A reception for ticket holders will follow the show. Tickets to the concert and reception are $20 and are available here:\nhttps://www.eventbrite.com/e/songs-of-awakening-concert-with-kristin-hoffmann-friends-tickets-95773909341 \nARTIST STATEMENT \n“To capture and accentuate creations of terrestrial origin and transcend limitations of the mind”…This is my central focus as photographer.  Through my work I have the opportunity to energetically inspire others to re-connect with the mystery and harmony rooted in raw\, majestic Earth.  In today’s techno-industrialized\, fast paced world\, our living planet’s boundless beauty and natural offerings often go unnoticed and unappreciated.   We forget to stop\, look\, listen\, feel and take time to wonder at Her elemental perfection in awe.  My photographic crusade is to invoke a continued gratefulness and stewardship for sacred Earth’s infinite forms of expression\, from the grandest scale to the subtlest detail.  Master painters throughout the ages have taken the time to appreciate and experience our world in this precious manner.\nIt is in us all to be masters…in our own ways. \nI rise to the calling. — Troy Stallman (Rise of Troy)
URL:https://crsny.org/event/exhibition-wooded-tales-of-phantasy-a-photography-series-by-troy-stallman/2020-03-21/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20191215T130000
DTEND;TZID=America/New_York:20191215T170000
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SUMMARY:USAATO Clothing Exhibition & Sale
DESCRIPTION:CRS welcomes you to the winter exhibition of USAATO eco clothing. The USAATO staff will personally help to select and coordinate the garments that would suit you best! \nUSAATO shares beautiful traditional clothes made in Chiang Mai\, Thailand. The clothing is designed by Japanese haute couture designer Usaburo Sato with fabrics made by the caring hands of the Thai people. The fabrics are mostly made of hand-spun cotton\, silk and hemp\, picked in mountains and villages\, naturally dyed from plants and fruits\, then made into clothes with traditional weaving machines by women in local villages of north and northeast Thailand and Laos. The attention\, time and passion put into the creation of these clothes give it a sense of energy that can be felt on your body and in your soul. Soft and warm\, relaxing wears suitable for both outside and home. \nNatural and local\, handmade incense by Queen of Incense (QOI) will also be on sale! \n \nAll fabrics are gathered at “USAATO SIAM” in Chiang Mai and then delivered for the sewing process. USAATO clothes are sewn by individuals and groups outside Chiang Mai. (One part of our products is from machine-weaving.) \nThe products are mostly women’s clothes\, but men’s clothes\, children’s clothes\, samue (monk’s working clothes)\, and rakui (pajamas) and accessories are also available. Approximate prices for tops are from $70 to $180 while bottoms are from $90 to $180. \nUSAATO clothes are selling all over the world at pop-up exhibitions organized by USAATO partners called coordinators. USSATO NEW YORK holds exhibitions every few months at CRS. \nWearing hemp clothing promotes personal health in a variety of ways. Hemp/ cotton blends are both more absorbent humid and more mildew resistant than 100% cotton. Fabric made using 50% or higher of hemp will block more UV rays than non-hemp fabrics. And have you ever noticed that hemp-made garments don’t create static? That is because hemp has the same net static charge as human skin\, resonating perfectly with our electromagnetic fields. \nContact : CRS 212-677-8621　or 914-703-8018 Senko or universalcreation1000@gmail.com \nhttp://www.usaato.com
URL:https://crsny.org/event/usaato-clothing-exhibition-sale-6/2019-12-15/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Exhibition,Guest Event
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DTSTART;VALUE=DATE:20191211
DTEND;VALUE=DATE:20191212
DTSTAMP:20260427T222101
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LAST-MODIFIED:20200309T185935Z
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SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2019-12-11/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20191206T190000
DTEND;TZID=America/New_York:20191206T210000
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SUMMARY:Vibration: SAORI KANDA Art Performance with LÄLE SAYOKO
DESCRIPTION:CRS (Center for Remembering & Sharing) presents VIBRATION: SAORI KANDA art performance with Sufi Dance artist LÄLE SAYOKO on Friday\, Dec 6 2019 from 7 – 9 pm. VIBRATION brings together two internationally touring artists known for improvisationally translating music into visual art and movement. In conjunction with the live performance\, an exhibition of Kanda’s paintings will be on view in the CRS lobby. \nPainting with bare hands\, brushes\, sometimes throwing paint\, 2019 Independent Tokyo Contemporary Art Fair Audience Award Winner SAORI KANDA brings to life delicious large-scale scenes of nature and fantasy inspired by her love of Japanese art (both traditional and modern) as well as the flowing Arabesques to which she was exposed growing up in the Middle East. While SAORI paints\, LÄLE SAYOKO\, in a free-spirited approach to the Sufi practice known as sema (spiritual listening)\, follows the music’s vibrations to unfold the ever-flowing movements of nature\, such as the opening and closing of a flower dancing in the wind (lâle means tulip in Turkish). \nTickets are $25 in advance and $30 at the door and are available online and at CRS. Students and seniors are $20. A limited number of free tickets for children 12 and under accompanied by an adult are available online. \nThis event is supported by the GLOBUS RYOKAN ARTIST-IN-RESIDENCE program and is one of a series of events in early December featuring Saori Kanda across the city. \nThe Globus Ryokan Artist-in-Residence program seeks to stimulate cross-cultural dialogue by providing opportunities for Japanese artists to live and exhibit in New York City. The GLOBUS FAMILY has long been associated with cultural interchange between Japan and United States. They have sponsored events at eminent institutions including Japan Society and Asia Society. Their scope spans dance\, theater\, cinema\, art\, craft\, and performance groups. For more information\, visit: www.nycwashitsu.com/ \nABOUT ARTIST / CONTEMPORARY ART PERFORMER SAORI KANDA \nA visual artist and live painting performer presented around the world by numerous festivals\, museums and companies (Nissan\, Maserati\, Cartier\, etc.)\, Saori Kanda uses her entire body to feel the waves of music and draw her unique piece of art on a large canvas as if she dances. It is reminiscent of the style of abstract expressionism such as Jackson Pollock and Willem de Kooning.She breathes a life into the canvas. Her work grows and become filled with freewheeling spirits by experiencing the cycle of destruction and rebirth. She\, as a painter\, becomes a part of her own work and her outstanding performance attracts offers from all over the world.\nsaorian.com/ \nSaori Kanda’s work and performance will also be presented in: \nTOKYO EMERGENCE:  an exhibition of 10 artists from Japan presented by Tagboat\nOpening Reception:  Tuesday\, December 3 from 5:30 – 7:30 pm\nOpening Art Performance by SAORI KANDA with SIVA:  Tuesday\, December 3 from 7:30 – 8 pm\nVenue:  WhiteBox\, 213 E 121st St\, New York\, NY 10035\ntagboat.com/store/about/en/ \nABOUT SUFI DANCE ARTIST LÄLE SAYOKO \nLäle Sayoko lives to embody and transmit the voice of spirit through music and dance. As CRS resident Sufi Dance instructor\, choreographer\, performing artist\, and musical curator\, she loves to welcome people into this holy practice to explore and share their own divinity. She intermittently tours internationally with BELLA GAIA\, a live concert blending music\, dance\, technology\, and NASA satellite imagery inspired by the experience of astronauts viewing the earth from space. “Sublime” — Village Voice. \nOne of the founding members of Japan’s famous SAMANYOLU professional belly dance group in Tokyo\, Läle went on to a long solo career performing throughout the northeastern USA and touring with United Kingdom’s Mugenkyo Taiko Drummers on over a 100 city tour encompassing the U.K.\, as well as Turkey’s Baba Zula. About six years ago\, she was forced to retire to support her young daughter through a life-threatening medical crisis. Several years later she discovered that she could whirl as a form of prayer to support her daughter and began studying Sufi Dance with Paris-based Sufi Artist Rana Gorgani. In April 2018 Gorgani awarded her the International Sufi Dance Certification Of Cid UNESCO\, granting her authority to teach Gorgani’s method of Sufi Dance training. She currently teaches Sufi Dance classes at CRS every first Thursday of the month from 7 – 8:30 pm and leads the CRS Healing Circles + Whirling Prayer that take place every third Thursday of the month from 7:15 – 9 pm. facebook.com/lale.sayoko \nMORE ABOUT ARTIST / CONTEMPORARY ART PERFORMER SAORI KANDA \nDance\, Destruction\, and Creation \nI let my body move with the energy of that moment \nI let my body dance and paint \nAnd I express the primitive joy of human being \nTranscending nationalities\, races\, sexes\, and ages of those who I encounter \nI share the joy and paint the light of joy \nAs the moon gently shines \nI believe the light revives upon any darkness \n— SAORI KANDA \n\n\n\nART PERFORMANCE \nFUJIROCK FESTIVAL\, O.Z.O.R.A. festival\, Oregon global eclipse gathering\, and RED ROCKS (U.S.A) w/ SHPONGLE\, tours in India\, Hong Kong\, Taiwan\, Myanmar\, France\, Switzerland\, and U.S.A. \nSOLO EXHIBITON \nMuseums in Kazakhstan\, Hong Kong\, Taiwan\, and Tokyo. \nCOLLABORATION \nCanon\, Toyota\, Nissan\, Maserati\, Alfa Romeo\, Taittinger\, Cartier\, Chaumet\, Carl F. Bucherer\, Vivienne Tam\, MDNA SKIN\, Shu Uemura\, etc. \nLIFE PAINT — Saori Kanda’s Creation \nSaori Kanda calls her own creative work ‘LIFE PAINT.’ \nTo draw life. To draw throughout her life. Or to draw staking her life. \nYou may take her words however you can. \nTo draw. \nFor her\, it is not just to create artworks but it is to record her encounters and her growth. What you see in her work always is a festival of lines and colors that breathes heavily holding enthusiasm within. It is like a flower\, like a body\, or like a landscape of an unknown country. \nWho is Saori Kanda that creates this? \nHaving spent her childhood in Baghdad and Dubai\, she says she always had a longing for Japan\, a far country from where she was. Certainly\, in her work\, it seems that influences from Arabic world and elements of Japanese roots are inseparably interwoven in her depiction of human body\, detailed patterns\, and the curves of her flowing brushstrokes. \nShe does live with unbridled enthusiasm. She draws\, longs for encounters with people and places\, travels\, talks\, listens\, gets worried\, breaks\, laughs\, creates\, sheds tears\, lives\, communicates\, and again\, draws. With all her strength and all her heart. \nIt does not matter if it is a live painting performance\, a creation of tableau\, or a collaboration with other fields such as music\, fashion\, and so on. She does what she does. \nShe jumps into the encounter throughout her body\, communes with it\, and devotes herself to it. Then\, she lets her brushes run. \nThe ‘heat’ that is boiling in all Saori Kanda’s work is the ‘heat’ liberated in a chemical reaction of the encounters with people\, things\, and places throughout her life. \nLIFE PAINT. To live out her life is to draw. \n(text by Chiori Fujita / Curator at Tokyo National Museum\,Translated by Kenjiro Otani) \nAwards \n\n2019 Contemporary Art Fair [ Independent Tokyo ] Audience Award\n2016 CARL.F.BUCHERER ‘Pathos Woman Award’ Pathos Princess\n2013 A’DESIGN AWARD (Milan Italy)Graphics and VisualCommunication Design\n\nActivity history \n\n2019\nFeatured on French film ” Variations Kawase ” film by Yves Montmayeur\n2019\nCollaboration w/ W hotel Shanghai\n2019\nCollaboration w/ Xgames China\n2018\nART performance & exhibition at TOKYO ILLUSION presented by Gallery tagboat/ Taiwan\n2018\nGroup exhibition/BUREAK ZENYA /Shibuya Bunkamura Gallery\n2017\nSolo exhibition/TOKYO/ASJTOKYO\n2017\nTAITTINGER / Tokyo National Museum / ART PERFORMANCE\n2017\nOKINAWA/world Heritage NAKAGUSUKU / ART PERFORMANCE\n2017\nART PERFORMANCE / Oregon global eclipse gathering/session with SHPONGLE\n2017\nART Dedication for OKAYAMA / KIBITSUHIKO shrine\n2017\nOrganize for TSUKIYOI MATSURI in Yoron island\n2017\nSingapore/ Ritz Carlton party / ART PERFORMANCE\n2016\nART PERFORMANCE / Hungary O.Z.O.R.A festival /session with SHPONGLE\n2016\nGifu/NAKATSUGAWA THE SOLAR BUDOKAN/ART PERFORMANCE\n2016\nTokyo National Museum/Cartier launch party / ART PERFORMANCE\n2016\nTaiwan/ opening ceremony / ART PERFORMANCE\n2016\nTOKYO/ SMF/ART PERFORMANCE with VINI VICHI\, SYSTEM7\, Juno Reactor
URL:https://crsny.org/event/vibration-saori-kanda-art-performance-with-lale-sayoko/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents,Exhibition
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DTEND;TZID=America/New_York:20191012T200000
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SUMMARY:Opening Reception for the Exhibition Electricity — Works by Fanny Pérez Gutiérrez
DESCRIPTION:CRS invites you to an Opening Reception on Saturday\, October 12\, 2019 from 6:30 – 8 pm for the exhibition ELECTRICITY\, recent works by artist and dancer Fanny Pérez Gutiérrez inspired by her personal experiences and visions that have come to her revealing the light connecting all of creation. There will be a live performance by the artist with video projection. \nThe exhibition will remain on view from October 4 – November 25\, 2019. \nCONCEPT \n“The day when we shall know exactly what “electricity” is\, will chronicle an event probably greater\, more important than any other recorded in the history of the human race.” — N. Tesla \nOn my 25th birthday I attended a ceremony where I was taught a lesson about love. I was shown a line of women: a mom and her daughter\, then my grandmother\, then my mom\, I could feel something building up inside me\, and then the dog that lived with us since I was 15 appeared. Her eyes like a well staring back at me\, a love so giving that expected nothing in return\, pure. I exploded. Out of me came thousands\, millions of rays of light until I saw myself as a star\, sitting in space. I understood that that’s where I am and always will be\, and that from there\, I could go wherever\, whenever because every single point in space and time is connected\, by the light. \nIn mysticism\, as in modern physics\, light is a recurrent theme\, but it wasn’t until I had a direct experience that I began noticing. What you see in this series are depictions of my learning. Each one is a tribute to honor the knowledge that has manifested. \n— Fanny \nARTIST STATEMENT \nOne of the definitions of art is that it is the expression or application of human creative skill and imagination. I like it because it puts so much of what I think art is simply into one sentence. Art is so much more that whatever we put on an empty canvas and it’s important to recognize its multidimensionality. By doing so\, not only do we highlight the existence of art outside of what/where we normally consider it to be\, but we are reminded of the transient nature of the state of things. \nIt’s difficult to name one’s identity with a single noun\, or by what one does at a specific moment; exclusion by naming is dire. I consider art to be part of our humanity\, one that develops best when in harmony with our environment. It is our birthright to have room to express ourselves\, and with that\, push forward new ideas that change the shape of things. I become an artist to bring what I experience in other planes to this plane.  \nARTIST BIOGRAPHY \nFanny Pérez Gutiérrez was born in Mexico City in December 1989 to Fanny and Beto. She grew up dancing and arrived in NYC at 18. After school\, she became involved in the non-profit art world\, then for a couple of years taught art and dance to kids. For the last year has been dedicated to aligning herself with her passions\, which are dancing & impulsing the demystification of important aspects of life that we’ve been conditioned to undermine.
URL:https://crsny.org/event/opening-reception-for-the-exhibition-electricity-works-by-fanny-perez-gutierrez/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20191004
DTEND;VALUE=DATE:20191005
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SUMMARY:Exhibition: Electricity — Works by Fanny Pérez Gutiérrez
DESCRIPTION:CRS presents an exhibition of recent works by artist and dancer Fanny Pérez Gutiérrez inspired by her personal\,experiences and visions that have come to her revealing the light connecting all of creation. \nThe exhibition will be on view from October 4 – November 25\, 2019. An opening reception with live performance by the artist will take place on Saturday\, October 12\, 2019 from 6:30 – 8 pm. \nCONCEPT \n“The day when we shall know exactly what “electricity” is\, will chronicle an event probably greater\, more important than any other recorded in the history of the human race.” — N. Tesla \nOn my 25th birthday I attended a ceremony where I was taught a lesson about love. I was shown a line of women: a mom and her daughter\, then my grandmother\, then my mom\, I could feel something building up inside me\, and then the dog that lived with us since I was 15 appeared. Her eyes like a well staring back at me\, a love so giving that expected nothing in return\, pure. I exploded. Out of me came thousands\, millions of rays of light until I saw myself as a star\, sitting in space. I understood that that’s where I am and always will be\, and that from there\, I could go wherever\, whenever because every single point in space and time is connected\, by the light. \nIn mysticism\, as in modern physics\, light is a recurrent theme\, but it wasn’t until I had a direct experience that I began noticing. What you see in this series are depictions of my learning. Each one is a tribute to honor the knowledge that has manifested. \n— Fanny \nARTIST STATEMENT \nOne of the definitions of art is that it is the expression or application of human creative skill and imagination. I like it because it puts so much of what I think art is simply into one sentence. Art is so much more that whatever we put on an empty canvas and it’s important to recognize its multidimensionality. By doing so\, not only do we highlight the existence of art outside of what/where we normally consider it to be\, but we are reminded of the transient nature of the state of things. \nIt’s difficult to name one’s identity with a single noun\, or by what one does at a specific moment; exclusion by naming is dire. I consider art to be part of our humanity\, one that develops best when in harmony with our environment. It is our birthright to have room to express ourselves\, and with that\, push forward new ideas that change the shape of things. I become an artist to bring what I experience in other planes to this plane.  \nARTIST BIOGRAPHY \nFanny Pérez Gutiérrez was born in Mexico City in December 1989 to Fanny and Beto. She grew up dancing and arrived in NYC at 18. After school\, she became involved in the non-profit art world\, then for a couple of years taught art and dance to kids. For the last year has been dedicated to aligning herself with her passions\, which are dancing & impulsing the demystification of important aspects of life that we’ve been conditioned to undermine.
URL:https://crsny.org/event/exhibition-electricity-works-by-fanny-perez-gutierrez/2019-10-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190531
DTEND;VALUE=DATE:20190601
DTSTAMP:20260427T222102
CREATED:20190515T224542Z
LAST-MODIFIED:20190516T195915Z
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SUMMARY:Exhibition: Celestial Mandala — Works on Paper by Heejung Kim
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Celestial Mandala\,” an exhibition featuring recent ink works on paper by Korean artist Heejung Kim. Her art is influenced by Tibetan Mandala paintings\, especially by the patterns and symbols found in them. Her star-like images come from actual dreams she has had since her childhood. Using repetition like the mantras in meditation\, Heejung pushes her creative visions into a hypnotic space carrying the viewer into a surreal sense of illusion and the feeling of moving through a vast void. The exhibition will be on view from May 31 – July 31\, 2019. \nThere will be an Opening Reception with short talk by the artist on May 31 from 7:30 – 8:30 pm in conjunction with Crossing Boundaries Concert Series Vol. 5 featuring Korean Traditional Music at 8:30 pm. This program has been curated by gamin\, with assistance from Suechung Koh\, Exhibitions Director & Curator at Gallery Yonhee at the Korean Community Center in NJ. \nAbout Artist Heejung Kim \nHeejung Kim produces both 2-D and 3-D artworks and the themes of her artworks stemmed from Buddhism\, her dream images\, and her own experiences. Kim has had numerous exhibitions nationally and her art has been reviewed in The New York Times and The Star-Ledger. Kim obtained an MA in Art Education from the University of Illinois at Urbana-Champaign and her MFA from SUNY at Stony Brook. She currently teaches at the Raritan Valley Community College. heejungkim.weebly.com \nHer artist statement can be found here.
URL:https://crsny.org/event/exhibition-by-heejung-kim/2019-05-31/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20190416
DTEND;VALUE=DATE:20190417
DTSTAMP:20260427T222102
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SUMMARY:Exhibition:  Matter — Paintings & Photographs by Takeshi Inoue
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Matter\,” an exhibition of 12 painted 3D collages and black and white photographs by Takeshi Inoue. The works reflect the essence of matter as being something constantly subject to transformation. Surfaces crack\, decay\, rust\, burn\, soften\, harden\, accumulate\, become. Space arises allowing for something new to enter. The marks created by the passage of time create patterns of surprising beauty. These images compel us to face the ephemerality of matter while their beauty speaks to our memory of what is timeless\, inviting us to reflect on who and what we are. \nThe exhibition will open on April 16\, 2019 and will remain on view through May 28\, 2019. \nTakeshi Inoue was born in Saitama\, Japan. He has a bachelors degree in history from Sophia University\, Tokyo\, Japan. He later studied Fine Art at The Glasgow School of Art in Scotland\, U.K. He currently works and lives in NY. \nARTIST STATEMENT \nThe work that I make is basically all process based\, and therefore I am never aware at the starting point what exactly I am creating. I constantly have ideas surfacing in my mind\, which I put forth and as a result may or may not work out. Either way\, the work itself is very much based on ideas\, but it’s not necessarily about putting a certain idea forward. There is a great deal of chance involved\, and I will know when something has come to fruit. I have a lot of influences from music\, film\, and books that I would be engaged into at the moment that I am making the work. Also\, the environment such as where I live\, the people that I meet\, the kind of conversation that I have with them\, what I feel on a day to day basis\, my state of mind\, these thing all feed into the work. In that sense the work is very personal\, and is about myself.
URL:https://crsny.org/event/exhibition-matter-paintings-photographs-by-takeshi-inoue/2019-04-16/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20190310T113000
DTEND;TZID=America/New_York:20190310T170000
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SUMMARY:USAATO Clothing Exhibition & Sale
DESCRIPTION:CRS welcomes you to the seventh exhibition of USAATO clothing at CRS on March 10\, 2019! Designer Mr. Usaburo will give a talk from 12:30 – 1:30 pm and then the exhibition will be on view for shopping until 5 pm. Mr. Usaboro will personally help to select and coordinate the garments that would suit you best! \nUSAATO shares beautiful traditional clothes made in Chiang Mai\, Thailand. The clothing is designed by Japanese haute couture designer Usaburo Sato with fabrics made by the caring hands of the Thai people. The fabrics are mostly made of hand-spun cotton\, silk and hemp\, picked in mountains and villages\, naturally dyed from plants and fruits\, then made into clothes with traditional weaving machines by women in local villages of north and northeast Thailand and Laos. The attention\, time and passion put into the creation of these clothes give it a sense of energy that can be felt on your body and in your soul. Soft and warm\, relaxing wears suitable for both outside and home. \nAll fabrics are once gathered at “USAATO SIAM” in Chiang Mai and then delivered for the sewing process. USAATO clothes are sewn by individuals and groups outbound Chiang Mai\, not by the company’s factory. (One part of our products is from machine-weaving.) \nThe products are mostly women’s clothes but men’s clothes\, children’s clothes\, samue (monk’s working clothes)\, and rakui (pajamas) are also available. Approximate prices for tops are from $70 to $180 while bottoms are from $90 to $180. \nUSAATO clothes are selling all over the world at pop-up exhibitions organized by USAATO partners called coordinators. USSATO NEW YORK will hold exhibitions every few months at CRS. \nWearing hemp clothing promotes personal health in a variety of ways. Hemp/ cotton blends are both more absorbent humid and more mildew resistant than 100% cotton. Fabric made using 50% or higher of hemp will block more UV rays than non-hemp fabrics. And have you ever noticed that hemp-made garments don’t create static? That is because hemp has the same net static charge as human skin\, resonating perfectly with our electromagnetic fields. \nContact : CRS 212-677-8621　or 914-703-8018 Senko or universalcreation1000@gmail.com \nhttp://www.usaato.com
URL:https://crsny.org/event/usaato-clothing-exhibition-sale-5/2019-03-10/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Exhibition,Guest Event
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DTSTART;VALUE=DATE:20190211
DTEND;VALUE=DATE:20190212
DTSTAMP:20260427T222102
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-11/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20181208T130000
DTEND;TZID=America/New_York:20181208T160000
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CREATED:20181128T021300Z
LAST-MODIFIED:20181128T021300Z
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SUMMARY:USAATO Clothing Exhibition & Sale
DESCRIPTION:CRS welcomes you to the sixth exhibition of USAATO clothing at CRS on Dec 8 & 9\, 2018! Designer Mr. Usaburo’s staff will personally help to select and coordinate the garments that would suit you best. \nDec 8 from 11 am – 5 pm in the award-winning White Room\nDec 9 in the 2nd FL Healing Room \nUSAATO shares beautiful traditional clothes made in Chiang Mai\, Thailand. The clothing is designed by Japanese haute couture designer Usaburo Sato with fabrics made by the caring hands of the Thai people. The fabrics are mostly made of hand-spun cotton\, silk and hemp\, picked in mountains and villages\, naturally dyed from plants and fruits\, then made into clothes with traditional weaving machines by women in local villages of north and northeast Thailand and Laos. The attention\, time and passion put into the creation of these clothes give it a sense of energy that can be felt on your body and in your soul. Soft and warm\, relaxing wears suitable for both outside and home. \nAll fabrics are once gathered at “USAATO SIAM” in Chiang Mai and then delivered for the sewing process. USAATO clothes are sewn by individuals and groups outbound Chiang Mai\, not by the company’s factory. (One part of our products is from machine-weaving.) \nThe products are mostly women’s clothes but men’s clothes\, children’s clothes\, samue (monk’s working clothes)\, and rakui (pajamas) are also available. Approximate prices for tops are from $70 to $180 while bottoms are from $90 to $180. \nUSAATO clothes are selling all over the world at pop-up exhibitions organized by USAATO partners called coordinators. USSATO NEW YORK will hold exhibitions every few months at CRS. \nWearing hemp clothing promotes personal health in a variety of ways. Hemp/ cotton blends are both more absorbent humid and more mildew resistant than 100% cotton. Fabric made using 50% or higher of hemp will block more UV rays than non-hemp fabrics. And have you ever noticed that hemp-made garments don’t create static? That is because hemp has the same net static charge as human skin\, resonating perfectly with our electromagnetic fields. \nFollowing the exhibition there will be a concert by world musician Chakkiri at 7 pm. Chakkiri plays using numerous instruments\, some of them he made himself and many collected in his global travels\, that produce beautiful tones. He learned Classical Indian Raga Music from Kishor Gosh\, who studied under world-renowned Ravi Shankar. He has been in on a journey to create and share borderless music drawing improvisationally on various traditional music forms and contemporary styles to create musical conversations from spirit and of the moment. He also regularly teachers workshops and offers own unique form of music therapy. \nEnjoy Organic clothes and soul-shaking sound! \nContact : CRS 212-677-8621　or 914-703-8018 Senko or universalcreation1000@gmail.com \nhttp://www.usaato.com
URL:https://crsny.org/event/usaato-clothing-exhibition-sale-4/2018-12-08/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Exhibition,Guest Event
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20181203
DTEND;VALUE=DATE:20181204
DTSTAMP:20260427T222102
CREATED:20181031T233255Z
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SUMMARY:Exhibition:  Nature in Motion — Paintings by Ayako Bando
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Nature in Motion\,” an exhibition of abstract acrylic paintings by Ayako Bando expressing the energy and colors of the four seasons. Although Ms. Bando has had many exhibitions the past dozen years\, these older works from 2011–12 have not been shown together until now. The exhibition will open on December 3\, 2018 and will remain on view until February 9\, 2018. You are invited to meet the artist at the CRS Holiday Program & Reception on Saturday\, December 8\, 2018 from 6 – 9:30 pm. \nWhile most of Ms. Bando’s paintings are abstract\, one can feel a strong presence of light energy in many of her works\, a feature that became even more central in her newest works recently shown in the solo exhibition “Eternal Light.” But even in the earlier works featured in “Nature in Motion\,” areas of white or light color contrast with and reach toward darker areas and suggest the play of sunshine on water or plants or clouds. One might feel the presence of a cosmic energy or intelligence animating and giving life to these abstract structures and patterns\, energizing them\, setting them in motion\, transforming them just as the light reflecting off the pigments reaches out to our eyes and enlivens our own minds and spirits. \nArtist Statement \nFor this series\, I’m trying to express the energy the nature’s atmosphere contains. And I always give my work movement. Nature has played a very big part in my desire to paint\, the sky\, the trees\, the earth and elements of this sort. There’s much good energy to absorb into one’s body\, delivered by the earth and its natural wonders\, such as the play of sunlight\, in its powerful gentle sky and the dancing leaves. In my case\, very often it is the little things in life that we see everyday but take for granted that trigger my imagination to paint. And I believe that nature is a pure presence. The light lights up the heart and brings purity. The power of nature is endless\, and I value its greatness with my body & soul. \nAbout the Artist \nAyako Bando was born in the country town of Tokushima in Japan. She was blessed to be surrounded by the beauty of nature such as mountains\, rivers\, trees and flowers. After graduating from high school she moved to Osaka to study as a Medical Coding Specialist. She worked at the hospital for four years. During this time her passion was always to paint. After leaving the hospital she studied Art in Osaka\, London\, Tokyo and New York. She has exhibited in various venues in the United States\, Japan\, Germany and Italy. In 2017 she was the recipient of Namura Award and Honorable mention for the Modern Japan Art Society Exhibition at the Tokyo Metropolitan Art Museum. Her solo exhibition “Eternal Light” was exhibited at Saint Peter’s Church in NYC in 2018 and 2017. \nhttps://ayako-bando.jimdo.com/painting/ \nEducation \n2000 Aug Art school in Osaka Painting course\n2001 Sep Blake college in London Fine art course\n2007 Jan Art school Ginza Painting course in Tokyo\n2014 Sep The National Academy School in NY \nAward \n2017 Nov Namura Award for 44th Modern Japan Art Society Exhibition\n2017 July Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2017 Feb Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2016 Oct Orion Award for 43rd Modern Japan Art Society Exhibition\n2015 Oct Excellent Award for 42nd Modern Japan Art Society Exhibition\n2014 Oct Excellent Award for 41st Modern Japan Art Society Exhibition\n2013 Oct Japan Art Academy Award for 40th Modern Japan Art Society Exhibition\n2007 July Excellent work for The 24th Fukui ThumbHole Art Exhibition \nPermanent Collection\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Apri Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY \nSolo Exhibition \n2018 Dec “ Nature in motion” at CRS\, NY\n2018 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2018 Jun “Towanohikari-Eternal Light- at International Center of CCCS\, NY\n2018 May “Lotus” at Hypnosis & Reiki Center\, NY\n2018 Feb “Towanohikari-Eternal Light- at YN\, NY\n2017 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2017 Jun “Humanity” at Hypnosis & Reiki Center\, NY\n2016 Dec “Winter Nature” at Hypnosis & Reiki Center\, NY\n2016 Oct “Fall Nature” at Hypnosis & Reiki Center\, NY\n2016 May “Summer Nature” at Hypnosis & Reiki Center\, NY\n2015 Nov Ayako Bando at Black Cat LES \, NY\n2015 Apr “Spring Nature” at Hypnosis & Reiki Center\, NY\n2013 Jun “Nature” at Hypnosis & Reiki Center\, NY\n2010.Mar ” Nature in Motion” at Ouchi Gallery in Brooklyn\, NY\n2009.Dec Solo exhibition at Linn restaurant in Queens\, NY\n2005.July ” emotions” at Gekkoso Ginza in Tokyo\, Japan \nGroup Exhibition \n2018 Nov The 45th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2018 Oct SJAC Exhibition 2018 at Gallery Max New York\, NY\n2018 Aug PEACE 2018 at International Center of CCCS\, NY\n2018 Jun Juried Paper Works 2018 at Upstream Gallery\, NY\n2018 May 17th Annual Postcard show at AIR gallery in Brooklyn\, NY\n2018 Mar 2nd Annual International Women’s Day Art Fair at One Art Space\, NY\n2018 Jan 19th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2018 Jan JCAT Showcase at One Art Space Gallery\, NY\n2018 Jan Small works show at Upstream gallery\, NY\n2017 Dec ” A Political Apolitical Holiday Show” at Viridian Artists\, NY\n2017 Nov The 44th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Oct Small Art Show vol.3 at Studio 34 in Queens\, NY\n2017 Oct ALL Art + Exhibition at Van Der Plas Gallery\, NY\n2017 Sep WAH Celebrates Volunteers at Williamsburg Art &Historical Center in Brooklyn\, NY\n2017 Jul JCAT Small Show Case at Gallery Max New York\, NY\n2017 Jul Small Art show in Nagano and NY at Shoshinkan Gallery in Nagano\, Japan\n2017 Jul Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Mar International Women’s day Art FAIR at One Art Space\, NY\n2017 Feb Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Feb 11th 100 artists exhibition at Ouchi Gallery in Brooklyn\, NY\n2017 Jan The 18th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2017 Jan Modernism3 at ARTSPACE Patchogue in Patchogue\, NY\n2017 Jan Members show at Garrison Art Center in Garrison\, NY\n2017 Jan The 8th Annual small works show at Manhattan Brought Presidents Office\, NY\n2017 Jan Juried Small Work show at Upstream Gallery in Hastings on Hudson\, NY \n2016 Nov Slide Slamming:A Long Island Collaboration at Patchogue Arts Council in\nPatochogue\, NY\n2016 Nov Open call 2 Holiday Salon show at Lorimoto in Brooklyn\, NY\n2016 Oct The 43rd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2016 Oct Color of Fall at Ouchi Gallery in Brooklyn\, NY\n2016 Aug A.I.R gallery’s15th Annual Postcard show at Interstate projects in Brooklyn\, NY\n2016 May Mail Art at Karuizawa New Art Museum in Japan\n2016 Apr 100 Works On Paper Benefit at Kentler International Drawing Space in Brooklyn\, NY\n2016 Feb Modern Japan Art Society Kantou Art Exhibition at Tokyo Metropolitan Art\nMuseum in Tokyo\, Japan\n2016 Jan 18th Annual Postcards Edge at Sikkema Jenkins & Co. in NY\n2016 Jan The 17th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2015 Nov East & East Affordable Art Show at Gallery onetwentyeight \, NY\n2015 Oct The 42nd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2015 Aug Raciality at Gallery onetwentyeight \, NY\n2015 Jun Summer Show Rules at Gallery onetwentyeight \, NY\n2015 May WAH Bridges Self at Williamsburg Art &Historical Center in Brooklyn\, NY\n2015 Feb 13th Thumbhole Exhibition at Tokyo Kotsu Kaikan\, Japan\n2015 Jan The 16th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Dec Over the Edge Paper Works Unbound Part2 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct The 41st Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct International Art Festival at the Highline Loft Gallery\,NY\n2014 July Classical Realism Exhibition at Manhattan Borough President’s Office\, NY\n2014 July Come rain or Come shine at Gallery onetwentyeight \, NY\n2014 Jun Mash Up: Collages in Mixed Media at Islip Museum in Islip\, NY\n2014 May 8th AiB Bushwick Open Studios Benefit at Storefront Ten Eyck in Brooklyn\, NY\n2014 Feb JART4th at Williamsburg Art &Historical Center in Brooklyn\, NY\n2014 Jan The sketchbook Project in Miami\, FL\n2013 Dec Fridge Art Fair NYC:The Miami Popsicle Project in Miami \,FL\n2013 Oct The 40th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2013 Aug Delicious Summer at Gallery SANSQUOI in Okayama Japan\n2013 July Summer show at Gallery onetwentyeight \, NY\n2013 May Annual Small Works Juried Competition at Greenpoint Gallery in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 7th 100 Artists Exhibition at Ouchi Gallery in Brooklyn\, NY\n2013 Jan 19th Juried Small Works Show at Upstream Gallery\, NY\n2012 Dec Window Dressing presented by the Islip Art Council in Syiville\, NY\n2012 Dec Holiday Show at Gallery onetwentyeight \, NY\n2012 Oct Grand Harvest International Juried Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Oct The 39th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2012 Aug Parallax Art Fair \, NY\n2012 July Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 July The 6th 100 artist Exhibition at Sala dei Templari \, Italy\n(planed by Ouchi Gallery)\n2012 Apr Drawing Matters at Gallery onetwentyeight \, NY\n2012 Apr Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY\n2012 Mar Puzzle Project at MI gallery in OSAKA\, Japan\n2012 Mar Puzzle Project at Umeda Sky Building in OSAKA\, Japan\n2012 Feb Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 Feb the 25 Years Anniversary Show Part 1 at Gallery onetwentyeight \, NY\n2012 Jan 13th Annual WAH Salon Art Club Show at Williamsburg Art\n&Historical Center in Brooklyn\, NY\n2011 Dec We Are One at Camel Art Space in Brooklyn\, NY\n2011 Dec The 3rd Annual Small Works Exhibition at Manhattan Borough President’s\nOffice\, NY\n2011 Nov Wave…The Tides of Time at Gallery onetwentyeight\, NY\n2011 Oct 100-Tage-Kunst \, Germany\n2011 Aug Planet Alert at Gallery onetwentyeight\, NY\n2011 Jun Art Rescue Team for Japan at Williamsburg Art &Historical center in Brooklyn\, NY\n2011 Apr Artists selected for the Peace Art online Exhibition\n2011 Apr Fantastic fund at Bronx Art Space in Bronx\, NY\n2011 Apr Art love Japan at In Rivers Gallery in Brooklyn\, NY\n2011 Apr Pray for Japan at National Academy School\, NY\n2011 Mar Ashita: Artist for Japan at the great hall in Toront\, Canada\n2011 Mar What every perason can do at Ouchi gallery in Brooklyn\, NY\n2011 Feb The sketchbook project at Brooklyn art library in Brooklyn\, NY\n2011 Jan New year New works “the year of rabbit” at Gallery onetwentyeight \, NY\n2010 Dec Art for gift at Ouchi Gallery in Brooklyn\, NY\n2010 Sep Art for Tibet at the Union Gallery\, NY\n2010 Jun Group exhibition “1000 original postcard exhibition” at Ouchi Gallery in Brooklyn\, NY\n2009 Mar Group Exhibition “Super Competition” at Ouchi Gallery in Brooklyn\, NY\n2008 Nov Japan Arts Matsuri in Brooklyn\, NY\n2007 July Fukui ThumbHole Art exhibition in Fukui\, Japan\n2006 Aug group exhibition at Spacekids Aoyama in Tokyo\, Japan
URL:https://crsny.org/event/exhibition-ayako-bando/2018-12-03/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20181022
DTEND;VALUE=DATE:20181023
DTSTAMP:20260427T222102
CREATED:20180822T172409Z
LAST-MODIFIED:20181105T175544Z
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SUMMARY:Exhibition:  Ne-ko — Paintings by Hiroki Otsuka
DESCRIPTION:CRS is proud to present “Ne-Ko\,” an exhibition featuring a selection of sumi-e or ink paintings by Japanese artist and illustrator Hiroki Otsuka. Fusing traditional black ink wash with fluid brushwork reminiscent of Japan’s rich artistic legacy with playful portrayals of cats\, Otsuka produces a striking visual formula that is both whimsical and refined. This exhibition will open on October 22 and will be on view through November 30. There will be an opening reception with the artist on Saturday\, November 10\, 2018 from 6 – 8 pm. \nCats are beloved in Japanese culture as symbols of good fortune\, and have long claimed a monopoly on cuteness in mainstream media. Otsuka employs the varying shades and subtle tones of ink washes alongside animated brush strokes to capture the vibrant spirit\, graceful movement\, poise\, and yes\, cuteness\, of the world’s favorite felines. \nABOUT HIROKI OTSUKA  \nA professional comic book illustrator since 1994\, Brooklyn-based Japanese artist/illustrator Hiroki Otsuka has illustrated for a number of major Japanese publications. In 2005\, Hiroki Otsuka’s focus shifted from graphic to fine arts\, working predominantly with traditional sumi ink used in Japanese calligraphy. Hiroki Otsuka’s debut solo show at Brooklyn’s Stay Gold Gallery in 2005 prompted The New Yorker to write that his works “push the populist youth quotient through the roof.” Since then\, his work has appeared in galleries throughout the United States and Japan\, and has been featured in international art fairs in New York\, Tokyo and Basel\, Switzerland. He’s been exhibited at major art institutions such as The Museum of Contemporary Art\, Los Angeles (Nothing Moments\, 2007) and in academic settings such as Pittsburgh University Art Gallery (Making Faces: Depiction of Women in Japan from Edo to Today\, 2009). In 2007\, Hiroki Otsuka was featured in Japan Society’s centennial exhibition Making a Home\, curated by Eric C. Shiner\, that highlighted 33 Japanese contemporary artists living and working in New York. Berlin’s Kunstraum Richard Sorge held a major exhibition of Hiroki Otsuka’s paintings and murals in 2009 entitled Everything to More. The same year\, Otsuka provided the integrated illustrations for choreographer Jeremy Wade’s critically acclaimed multimedia dance there is no end to more\, a Japan Society commission which had its world premiere in New York in December 2009. Hiroki Otsuka served as Japan Society’s first-ever manga artist-in-residence during the exhibition Graphic Heroes\, Magic Monsters: Japanese Prints by Utagawa Kuniyoshi from the Arthur R. Miller Collection. Most recently\, a show of new work\, “Men and Cats\,” has been hung at the Wayfarers Gallery in Brooklyn\, and in the Woodland/Shimko Galleries in Provincetown\, Mass. and Palm Springs. https://www.hirokiotsuka.nyc \nARTIST STATEMENT \nNe-Ko \nCats have captivated Japanese artists for more than a thousand years. In the Tale of Genji\, the masterwork of 11th century literature\, a cat sets the plot in motion by knocking over a screen\, and the moment has been captured time and again in prints and paintings. With the arrival of ukiyo-e\, the woodblock printing style of the 17th century\, the homes of Japan became populated by the world’s first great wave of cat art\, featuring the animals both in their natural form and walking upright in kimonos. Perhaps it is not surprising that Hello Kitty\, the most famous illustrated feline\, also comes from Japan. \nHiroki Otsuka’s work consistently mixes the media and methods of high and popular art. In “Ne-Ko\,” which means cat in Japanese\, he approaches this time-honored subject. Otsuka uses the traditional\, black-ink style of sumi painting to capture the animals’ pose and self-possession. But it is his eye as a manga cartoonist of 25 years that gives his subjects the motion and playfulness that has endeared them to their human companions. \nABOUT THE CURATOR \nExhibition Curator Reina Miyake is a recent graduate of Vassar College with a BA in Art History. She is a lifelong resident of NYC\, which cultivated her love of visual art and the color black. This is her first time curating an exhibition.
URL:https://crsny.org/event/exhibition-otsuka/2018-10-22/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180906
DTEND;VALUE=DATE:20180907
DTSTAMP:20260427T222102
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LAST-MODIFIED:20180901T021201Z
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SUMMARY:Exhibition:  Small Voyage by Ayane Kurai
DESCRIPTION:CRS presents Small Voyage\, an exhibition of oil paintings by Ayane Kurai. The exhibition will open Thursday\, September 6\, 2018 and will remain on view through October 20\, 2018. An Opening Reception with the artist will be held on Thursday\, September 13\, 2018 from 6:30 – 8:30 pm. Pictured above:  Women March 2018 copyright © 2018 by Ayane Kurai. \nThough the works in this exhibition are large for CRS\, they are nevertheless among the smallest works created by Kurai. Thickly layered and heavily textured\, these expressionistic oil paintings vary in subject matter and degree of abstraction. What holds constant and what distinguishes Kurai’s works is their intensity of color and texture and the immediacy of their evocation of the colors and textures of a life fully experienced. \nThis is the second solo show by Kurai at CRS. The first\, “Yuko’s Spring Has Come” in 2010\, mostly featured works created around the time of the birth and early childhood of her two children\, and celebrated the life of her friend the artist Yuko Sueta\, who had recently passed away. As Kurai’s children have gotten older\, she has become increasingly active again and has been steadily exhibiting new works in many shows. \nABOUT THE ARTIST \nAyane Kurai was born in 1969 in Hyogo\, Japan. In 1988 she entered the department of paintings\, College of Art and Design\, Musashino Art University in Tokyo. She has been living and working in New York City since 1990. She received The Joan MItchel Foundation Grand Award in 1999 and had many solo and group shows in Japan\, the U.S.A. and Brazil.\nhttp://ayanekurai.com/ \nARTIST STATEMENT \nI am a human first\nI happen to be a painter and japanese born\nTo display life\,\nand to develop a Big heart\nare the most important techniques and goals for me.\nI believe\nthat my paintings follow me and grow\nwith me\n…just because\npainting is the voice of my soul. \nRECENT EXHIBITIONS \n2018 Musashino Consortium 2018\, Gallery Onetwentyeight\, New York\, NY \n2017 Pink Ribbon Project\, Tree Haus Mima\, New York\, NY \n2017 SJAC NY\, Gallery Max  New York\, New York\, NY \n2016 Musabi Ten\, Gallery Max New York\, New York\, NY \n2015 Musabi Ten\, Gallery MC\, New York\, NY \n2014 Purple Yam Restaurant – Stirring The Madd Brick\, Brooklyn\, NY \n2012 La Mama International\, New York \n2012 GO Brooklyn\, A Community curated open studio project\, Brooklyn\, NY \n2012 Musabi Ten\, Musashino Art University Alumni Association\, RESOBOX\, LIC\, NY \n2006 – 2017 Bushwick Open Studios\, Brooklyn\, NY \n2010 CRS Gallery\, New York \n2006 Gallery IDF\, Nagoya \n2005 Tsubaki Modern Gallery\, Shinjuku\, Tokyo \n2003 Museo de Arte Moderna\, “Ayane Kurai and Garance Show”\, Salvador\, Bahia\, Brazil \n2002 Gallery IDF\, Nagoya \n2002 Tsubaki Modern Gallery\, Shinjuku\, Tokyo \n1996 Tsubaki Modern Gallery\, Shinjuku\, Tokyo \n1995 SKYDOOR Gallery\, Aoyama\, Tokyo \n1993 Laporte Hall\, “Ayane Kurai: Contemporary Paintings at Laporte 7th Anniversary Music and Art Festival””\, Ashiya City\, Hyogo \n1993 Tsubaki Modern Gallery\, Shinjuku\, Tokyo \n1991 Soho Art House\, “Rod Norman and Ayane Kurai” Joint Show\, New York City \nplus other group shows
URL:https://crsny.org/event/exhibition-small-voyage-by-ayane-kurai/2018-09-06/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20180804T110000
DTEND;TZID=America/New_York:20180804T170000
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CREATED:20180613T182127Z
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SUMMARY:USAATO Clothing Exhibition & Sale
DESCRIPTION:CRS welcomes you to the fourth exhibition of USAATO clothing at CRS on August 4\, 2018! Designer Mr. Usaburo’s staff will personally help to select and coordinate the garments that would suit you best. \nAugust 4 from 11 am – 5 pm in the award-winning White Room \nUSAATO shares beautiful traditional clothes made in Chiang Mai\, Thailand. The clothing is designed by Japanese haute couture designer Usaburo Sato with fabrics made by the caring hands of the Thai people. The fabrics are mostly made of hand-spun cotton\, silk and hemp\, picked in mountains and villages\, naturally dyed from plants and fruits\, then made into clothes with traditional weaving machines by women in local villages of north and northeast Thailand and Laos. The attention\, time and passion put into the creation of these clothes give it a sense of energy that can be felt on your body and in your soul. Soft and warm\, relaxing wears suitable for both outside and home. \nAll fabrics are once gathered at “USAATO SIAM” in Chiang Mai and then delivered for the sewing process. USAATO clothes are sewn by individuals and groups outbound Chiang Mai\, not by the company’s factory. (One part of our products is from machine-weaving.) \nThe products are mostly women’s clothes but men’s clothes\, children’s clothes\, samue (monk’s working clothes)\, and rakui (pajamas) are also available. Approximate prices for tops are from $70 to $180 while bottoms are from $90 to $180. \nUSAATO clothes are selling all over the world at pop-up exhibitions organized by USAATO partners called coordinators. USSATO NEW YORK will hold exhibitions every few months at CRS. \nWearing hemp clothing promotes personal health in a variety of ways. Hemp/ cotton blends are both more absorbent humid and more mildew resistant than 100% cotton. Fabric made using 50% or higher of hemp will block more UV rays than non-hemp fabrics. And have you ever noticed that hemp-made garments don’t create static? That is because hemp has the same net static charge as human skin\, resonating perfectly with our electromagnetic fields. \nFollowing the exhibition there will be a concert by world musician Chakkiri at 7 pm. Chakkiri plays using numerous instruments\, some of them he made himself and many collected in his global travels\, that produce beautiful tones. He learned Classical Indian Raga Music from Kishor Gosh\, who studied under world-renowned Ravi Shankar. He has been in on a journey to create and share borderless music drawing improvisationally on various traditional music forms and contemporary styles to create musical conversations from spirit and of the moment. He also regularly teachers workshops and offers own unique form of music therapy. \nEnjoy Organic clothes and soul-shaking sound! \nContact : CRS 212-677-8621　or 914-703-8018 Senko or universalcreation1000@gmail.com \nhttp://www.usaato.com
URL:https://crsny.org/event/usaato-clothing-exhibition-sale-3/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180707
DTEND;VALUE=DATE:20180708
DTSTAMP:20260427T222102
CREATED:20180629T000830Z
LAST-MODIFIED:20180810T175314Z
UID:30170-1530921600-1531007999@crsny.org
SUMMARY:Exhibition: Love Planet - sending love of the plants all over the world through photography
DESCRIPTION:CRS presents Love Planet —  sending love of the plants all over the world through photography\, an exhibition by photographer yukko＊. The exhibition will open Saturday\, July 7\, 2018 and will remain on view through August 30\, 2018. An Opening Reception with live music by the artist will be held on July 7 from 5 – 7 pm. \nConcept \n‘Love Planet Project’ was created by photographer yukko＊ to share love of plants all over the world through photography. \nThe aim of this project is for the plants in yukko＊’s photo postcards to be delivered all over the world by those who join this project by ‘pay-it-forwarding’. \nIn this show the original prints of the postcards and posters of the 16 selected photos used for the project postcards as well as the actual postcards themselves will be displayed. \n All her photos were taken with a film camera\, and none of them have been re-touched by the computer. \nArtist Statement \nPlants have always seemed to be very close to me since I was a child.  Without recognizing it\, I started taking photos and naturally I became a photographer specializing in pictures of plants. Gradually I noticed that I always felt the affection and graciousness of the plants while taking photos\, and started to want to try to transform the plants’ energy of love into light through photography. At the same time I started to talk to the plants when taking photos saying\, “Please let me deliver your love to those who need it.” \nHaving seen visitors to my photo exhibition shed tears while looking at my photos\, it became certain to me that the wave of love of plants can be passed on to us human beings\, and I decided to deliver the love of plants all over the world through photography.  As a start\, I have launched this ‘Love Planet Project’ in New York through this photo exhibition at CRS. \nBio \nyukko＊ was born and raised in Sapporo\, Japan. She became interested in different cultures when she saw a lot of foreign guests at the winter Olympic games in her hometown when she was a child. She kept this interest in the world and became an English translator at the local government after she studied at Kings College\, London. During her career as a translator she came to understand the cultural diversity as well as re-recognizing the spiritual nature of Japanese people. \nAfter being transferred to the suburbs to work as a government staff member in charge of tourism\, she started to take photographs as a part of her work. Before long she became absorbed in photography and came to recognize that photos reflect what the photographer sees and feels. \nShe experienced depression during her career in government and decided to quit and start her new career as a photographer based in Osaka. \nNow she holds photo exhibitions in various places in Japan as well as photo classes and portrait shooting.  She also works as a personal fashion-consultant and also as a singer.  She is an integrated artist supporting people to live honestly according to their nature. \nhttp://yukko-web.net/love-planet-project/jp \n 
URL:https://crsny.org/event/exhibition-love-planet-sending-love-of-the-plants-all-over-the-world-through-photography-2-2018-07-08/2018-07-07/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180609
DTEND;VALUE=DATE:20180610
DTSTAMP:20260427T222102
CREATED:20180522T202024Z
LAST-MODIFIED:20180522T202410Z
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SUMMARY:Exhibition:  CODE — a drawing like poetry like drawing
DESCRIPTION:CRS presents CODE — a drawing like poetry like drawing\, an exhibition of small works on paper by visual artist and poet Teo Yamamoto. The exhibition will open Saturday\, June 9\, 2018 and will remain on view through July 5\, 2018. An Opening Reception with poetry reading by the artist will be held on June 9 from 6 – 8 pm. \nThe types and combinations of ink and paper are a secret\, an alchemical code discovered through much labor and treasured by the artist for its synergistic luminescence. The subjects\, too\, suggest codes\, celestial constellations flickering incompletely into view\, half-decoded ideograms tuned in from some scrambled frequency broadcast perhaps by nature itself\, like the mysterious photons emitted by all DNA. Look closer and you’ll find that the suggested figures and structures themselves are built up out of smaller code-like patterns of similar shapes. Sometimes we sense a pattern without recognizing it. Sometimes one person’s pattern is another’s noise. What’s organic at one level may appear mechanistic up close. In Yamamoto’s work\, the familiar visual distinctions between the organic and inorganic\, and between the patterned and the chaotic break down. \nArtist Statement \nI’m a poet as well as a visual artist. Since I was little\, I began drawing pictures instinctively\, just as naturally as talking to myself. \nI am fascinated with “dots’ and the way dots connect to each other to become a “line.” Lines attract me even more. I am always impressed that the world\, as I see it\, is made up of lines. These lines\, straight or curved\, intersect\, merge and mix\, creating new forms\, morphing into geometric shaped objects. \nIn my mind’s eye these objects change their scale\, their distance and speed\, floating\, hovering\, then pass by\, disappear\, pop and freeze. They hold codes for me to decipher. \nAnimals\, plants\, stones\, clouds\, my love of the natural world all motivate me to make art. So\, too\, my awe of man-made marvels and creations like skyscrapers\, brick buildings\, stone churches\, common houses\, boats and roads inspire me immeasurably. \nI have been writing poems for a long time and started creating visual poetry in 2007. Through accumulated experience\, I discovered how to draw pictures using the same techniques and processes for writing poetry. I shift my focus inward to my mind\, and as I do\, objects become simplified; their meanings dissolve and float in space. Then\, slowly\, the freely structured poetic world is revealed. \nIn pockets\, I believe everyone holds a key that can open them to both see and feel my art. I wish that when people look at my drawings they can also enjoy a poetic experience. \nAbout Teo Yamamoto \nTeo Yamamoto was born in Japan and has been living in New York City since 1988. She has been producing and publishing a variety of art and has been involved as visual artist\, designer\, poet and writer with many projects based in New York\, Tokyo\, and Europe. \n“CODE – a drawing like poetry like drawing” is an on-going series that Yamamoto began creating in 2007 and exhibiting in 2011 and continues to the present. As the title suggests\, Yamamoto focuses on the secret of drawing pictures as if writing poetry. Exhibitions of the CODE series have been held in New York\, Paris and Tokyo. Yamamoto’s works of visual poetry and objet d’art have also been shown in various group shows. \nAs a poet\, Yamamoto has published several books of poetry\, including her bilingual Japanese and English collections An Ordinary Tomorrow and Funny Tail\, which also feature her exquisite drawings. She performs her readings with live music collaborations. \nTwo of her earlier books of poems\, Running God and Blue Elf Weed\, were published in Japan. She also produced a series of chapbooks\, including  CODE\, which was issued in conjunction with her first exhibition at CRS in 2011. The series of her visual poetry called “Breath” was published in the poetry magazine Gui. \nhttp://teoyamamoto.com/
URL:https://crsny.org/event/exhibition-code-a-drawing-like-poetry-like-drawing/2018-06-09/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180604T130000
DTEND;TZID=America/New_York:20180604T180000
DTSTAMP:20260427T222102
CREATED:20180507T173232Z
LAST-MODIFIED:20180507T174133Z
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SUMMARY:USAATO Clothing Exhibition & Sale
DESCRIPTION:CRS welcomes you to the third exhibition of USAATO clothing at CRS on June 4 and 5\, 2018! Designer Mr. Usaburo will attend and will personally help to select and coordinate the garments that would suit you best. \nJune 4 from 1 – 6 pm and June 5 from 12 – 5 pm in the White Room \nUSAATO shares beautiful traditional clothes made in Chiang Mai\, Thailand. The clothing is designed by Japanese haute couture designer Usaburo Sato with fabrics made by the caring hands of the Thai people. The fabrics are mostly made of hand-spun cotton\, silk and hemp\, picked in mountains and villages\, naturally dyed from plants and fruits\, then made into clothes with traditional weaving machines by women in local villages of north and northeast Thailand and Laos. The attention\, time and passion put into the creation of these clothes give it a sense of energy that can be felt on your body and in your soul. Soft and warm\, relaxing wears suitable for both outside and home. \nAll fabrics are once gathered at “USAATO SIAM” in Chiang Mai and then delivered for the sewing process. USAATO clothes are sewn by individuals and groups outbound Chiang Mai\, not by the company’s factory. (One part of our products is from machine-weaving.) \nThe products are mostly women’s clothes but men’s clothes\, children’s clothes\, samue (monk’s working clothes)\, and rakui (pajamas) are also available. Approximate prices for tops are from $70 to $180 while bottoms are from $90 to $180. \nUSAATO clothes are selling all over the world at pop-up exhibitions organized by USAATO partners called coordinators. USSATO NEW YORK will hold exhibitions every few months at CRS. \nWearing hemp clothing promotes personal health in a variety of ways. Hemp/ cotton blends are both more absorbent humid and more mildew resistant than 100% cotton. Fabric made using 50% or higher of hemp will block more UV rays than non-hemp fabrics. And have you ever noticed that hemp-made garments don’t create static? That is because hemp has the same net static charge as human skin\, resonating perfectly with our electromagnetic fields. \nWe will have a music performance from 7pm in the CRS 2nd FL Studio. Performer Chakiri is a disciple of the world famous sitar player Rabbi Shankar. Chakkiri plays using numerous instruments\, some of them he made himself and many collected in his global travels\, that produce beautiful tones. Sakurako Kataoka will dance with his music. \nEnjoy Organic clothes and soul-shaking sound! \nContact : CRS 212-677-8621　or 914-703-8018 Senko or universalcreation1000@gmail.com \nhttp://www.usaato.com
URL:https://crsny.org/event/usaato-clothing-exhibition-sale-2/2018-06-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180511
DTEND;VALUE=DATE:20180512
DTSTAMP:20260427T222102
CREATED:20180426T195151Z
LAST-MODIFIED:20180504T224448Z
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SUMMARY:Exhibition:  One Art One Spirit
DESCRIPTION:CRS presents “One Art One Spirit (一音一絵)\,” a group exhibition of photography by Chakkiri\, pastel paintings by Sakurako Kataoka\, salt paintings by Senko Nishimura\, and recycled fiber art by Saco Yasuma. The exhibition will open on May 11\, 2018 with a concert by Kevin Nathanial and Tomchess and post-concert reception and will be on view until June 6\, 2018. There will also be a Reception and musical concert with the artists\, including a duet by Chakkiri and Sakurako\, on June 4\, 2018 from 7 – 9 pm following the USAATO natural clothing exhibition that afternoon. \nONE ART ONE SPIRIT ARTIST STATEMENT \nThere is an artist in everyone. Everyone is an artist! We just need to feel safe and brave enough to give ourselves permission to access and share our creativity. \nBe Inspired\, Be Creative\, Accept Ourselves\, and Enjoy! \nThis is an unusual art exhibition for CRS because none of the participating artists are so-called “Professional Visual Artists.” \nWe wanted more people to change their mindset and free themselves of limitations to wake up the artists within them since it is FUN and good for our hearts. We kept experiencing that when we are genuinely enjoying what we love\, a ripple of happiness spreads and bcomes amplified. So we have decided to show our art in public as it is. \nAt the reception\, One Note One Spirit\, our sister group\, will create a fun and safe space for everyone who attends to play music. We hope this show will encourage people to be creative and happy by enjoying making art and music! \n 
URL:https://crsny.org/event/exhibition-one-art-one-spirit/2018-05-11/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180320T120000
DTEND;TZID=America/New_York:20180320T193000
DTSTAMP:20260427T222102
CREATED:20180212T182730Z
LAST-MODIFIED:20180228T225158Z
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SUMMARY:USAATO Clothing Exhibition & Sale
DESCRIPTION:CRS welcomes you to the second exhibition of USAATO clothing at CRS! USAATO shares beautiful traditional clothes made in Chiang Mai\, Thailand. The clothing is designed by Japanese haute couture designer Usaburo Sato with fabrics made by the caring hands of the Thai people. The fabrics are made of cotton\, silk and hemp\, picked in mountains and villages\, naturally dyed from plants and fruits\, then made into clothes with traditional weaving machines by women in local villages of Thailand and Laos. The attention\, time and passion put into the creation of these clothes give it a sense of energy that can be felt on your body and in your soul. Soft and warm\, relaxing wears suitable for both outside and home. \nAll fabrics are once gathered at “USAATO SIAM” in Chiang Mai and then delivered for the sewing process. USAATO clothes are sewn by individuals and groups outbound Chiang Mai\, not by the company’s factory. (One part of our products is from machine-weaving.) \nThe products are mostly women’s clothes but men’s clothes\, children’s clothes\, samue (monk’s working clothes)\, and rakui (pajamas) are also available. Approximate prices for tops are from $70 to $180 while bottoms are from $90 to $180. \nUSAATO clothes are selling all over the world at pop-up exhibitions organized by USAATO partners called coordinators. USSATO NEW YORK will hold exhibitions every 3 months at CRS. \nMarch 20 Tue 12 noon ~ 7 pm\, from 7pm Sayoko Lale and Tomchess’s performance starts. Whirling dance with Nay (mid-eastern flute) \nMarch 21 Wed 12 noon ~ 6 pm \nIn the White Room at CRS \nContact : CRS 212-677-8621　or 914-703-8018 Senko or universalcreation1000@gmail.com \nhttp://www.usaato.com
URL:https://crsny.org/event/usaato-clothing-exhibition-sale/2018-03-20/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180310
DTEND;VALUE=DATE:20180311
DTSTAMP:20260427T222102
CREATED:20180129T210550Z
LAST-MODIFIED:20180129T210550Z
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SUMMARY:Exhibition:  The Color of Energy — Recent Paintings by Janet Morgan
DESCRIPTION:CRS presents “The Color of Energy — Recent Paintings by Janet Morgan. The exhibition will open on March 10\, 2018 and will be on view until May 8\, 2018. There will be an Opening Reception with the artist on March 10 from 6 – 8 pm. \nARTIST STATEMENT \nWe think of our bodies as solid\, enclosed\, finite\, self sufficient\, contained. But we share many things\, visible and not\, with the world around us. We share energy of all kinds with other beings\, plants\, machines\, nature and the cosmos. We take for granted our life partner — our physical being — who makes life possible and carries us through this world for decades and sometimes for a century. We move not through the world but as part of it\, sharing breath\, resources\, spirit and life energy. \nMy artwork is grounded in the body\, the kinesthetic: movement\, music\, and dance — and in the body’s subtle forces — emotional\, spiritual and healing energies. The quest for the underlying energy source runs through all of my work — like the Sufis I find no separation between the divine and the body. And why is this work be important? We live in a time of much anger and violence\, and communication is often disembodied. The disconnect between ourselves and the natural world is causing serious problems. We need to come home to our bodies\, our animal-ness\, our human-ness\, our body-temples. \nMy artistic practice covers a vast range of work\, mainly painting and drawing\, but also community environmental art and collaboration. The art includes landscapes painted all over the world\, and a few large series of works grounded in the body: 200 large watercolors of traditional and new deities (I teach a workshop on making your own deities)\, wild women\, dancers and now art about the body’s energy. I have enjoyed collaborations with dancers\, scientists\, movement teachers\, and writers. I have taught at the Rubin Museum of Art\, The Chapel of Sacred Mirrors\, the Art Students League and the Canyons of Utah. \nhttp://www.janetmorgan-art.net \n 
URL:https://crsny.org/event/exhibition-color-energy-recent-paintings-janet-morgan/2018-03-10/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180208
DTEND;VALUE=DATE:20180209
DTSTAMP:20260427T222102
CREATED:20180124T201548Z
LAST-MODIFIED:20180215T235332Z
UID:28692-1518048000-1518134399@crsny.org
SUMMARY:Exhibition: Happy Peace —  Paintings by Kimi Tea
DESCRIPTION:CRS presents Happy Peace\, an exhibition of 13 paintings by CRS A Course in Miracles student Kimi Tea (Kimiko Tsukada). Angels\, dancers\, healers\, mermaids\, animals\, and lovers populate Kimi’s dreamy landscapes\, evoking the fanatical delights of the inner world of childhood — or perhaps an idyllic adulthood liberated from anger\, guilt and fear. The paintings will be on view from February 8 – March 8\, 2018. An Opening Reception will be held on February 8\, 2018 from 8:30 – 9:30 pm. \nA web designer by trade\, Kimi was sent by her office to Los Angeles in 2014 and was diagnosed with cancer shortly thereafter. Faced with this challenge\, she decided in March 2016 to begin something she had always wanted to pursue: painting. Her newfound passion became her prayer\, for herself and for the world. As her painting developed\, she began to receive opportunities to share her work. Last fall her illustration graced the poster and program cover of Zai\, a live dance/music/theatre production created by members of the CRS community. While Kimi was recently referred to hospice\, the beauty of her creations continues to inspire\, demonstrating that love’s power transcends any limitations of the body. \nhttps://www.facebook.com/pg/hapiePeace \nhttps://www.facebook.com/kimitea
URL:https://crsny.org/event/exhibition-happy-peace-paintings-kimi-tea/2018-02-08/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171210T110000
DTEND;TZID=America/New_York:20171210T200000
DTSTAMP:20260427T222102
CREATED:20171018T003446Z
LAST-MODIFIED:20171019T162942Z
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SUMMARY:USAATO Clothing Exhibition & Sale
DESCRIPTION:CRS welcomes you to the second exhibition of USAATO clothing at CRS! USAATO shares beautiful traditional clothes made in Chiang Mai\, Thailand. The clothing is designed by Japanese haute couture designer Usaburo Sato with fabrics made by the caring hands of the Thai people. The fabrics are made of cotton\, silk and hemp\, picked in mountains and villages\, naturally dyed from plants and fruits\, then made into clothes with traditional weaving machines by women in local villages of Thailand and Laos. The attention\, time and passion put into the creation of these clothes give it a sense of energy that can be felt on your body and in your soul. Soft and warm\, relaxing wears suitable for both outside and home. \nAll fabrics are once gathered at “USAATO SIAM” in Chiang Mai and then delivered for the sewing process. USAATO clothes are sewn by individuals and groups outbound Chiang Mai\, not by the company’s factory. (One part of our products is from machine-weaving.) \nThe products are mostly women’s clothes but men’s clothes\, children’s clothes\, samue (monk’s working clothes)\, and rakui (pajamas) are also available. Approximate prices for tops are from $70 to $180 while bottoms are from $90 to $180. \nhttp://www.usaato.com
URL:https://crsny.org/event/28033/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20171204
DTEND;VALUE=DATE:20171205
DTSTAMP:20260427T222102
CREATED:20171119T223125Z
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SUMMARY:Exhibition:  Paintings by Yoshihiro Youkee Nishida
DESCRIPTION:CRS presents “The Only Person in the Vast World! Practice Accessing Vital Source Through Art\,” an exhibition of acrylic paintings on burlap by Yoshihiro Youkee Nishida that explores the relationship between materials and between materials and artist. The exhibition will be on view from December 4\, 2017 – February 6\, 2018. \nThink of the painted object dancing. In this art series the painting and the burlap are dancing together as one object in space. The painting and the burlap exist in a symbiotic relationship with each other. Without both together the art would not exist. The confluence of energy\, like the Dance of Shiva\, is the cause of creation. A reciprocity exists between the materials\, textures\, colors\, paint and media used in this series. One might say this of the materials of any art works; here\, the artist asks us to focus on it and enter into relationship with the energies of the materials. We might feel some life force in the materials\, some sense of their participation in the creation\, of their volition even\, and of the artist’s gratitude. We might feel as if the artist is collaborating with the materials\, and that we\, by meditating on this\, join in the relationship. \nMaterials: Burlap\, Acrylic paint marker\, Acrylic \nArtist Statment: \n“Art de Genki” is the name I have given to my art. It means Art through Vital Energy. My approach to art changed after moving to New York City and working full time as a gardener. Previously I was a full time artist working inside a studio. Now I am a part time artist. As a gardener in Battery Park City Parks\, I work outside in all seasons and in all weather conditions. Since 2006\, from April through October on weekends and holidays I create chalk drawings in the park. This is one of my major forms of Art. The park itself has become my studio and the pavement is my canvas. \nI am very aware of Nature all around me:  sky\, river\, clouds\, trees\, plants\, flowers\, animals\, and many people. I sense the energy of the world around me. \nWhile creating my drawings in public I feel that I am also a performance artist as people are watching my creative process. I am also observing myself drawing. Yet while I am drawing I am not so much aware of the chalk\, the pavement or the movement of my hands. More deeply\, I am open to the Vital Energy flowing through me and around me. I am practicing deeply and delivering my energy over my art. Art has become my Spiritual Practice. \nBIO: \nYoukee was born in Kyoto\, Japan. After receiving a law degree from Kwansei Gakuin University\, he decided to pursue his true passion – art – which brought him to the United States. He has completed MFA programs in printmaking and lithography at the Otis Art Institute and Cranbrook Academy of Art\, and currently lives in New York. \nHis solo shows over the past 20 years have included exhibitions at the following venues: \n\n2004 Gallery MOMO in Tokyo\, Japan\n2004 Osaka Sogo Design School in Osaka\, Japan\n1999 Maruka Moko Show Room in Hiroshima\, Japan\n1998 Osaka Contemporary Art Center in Osaka\, Japan\n1998 Pinpoint Art Gallery in Tokyo\, Japan\n1997 Kumamoto Pref. Art Museum in Kumamoto\, Japan\n1997 Osaka Contemporary Art Center in Osaka\, Japan\n1996 LA FONTE Gallery in Utsunomiya\, Tochigi\, Japan\n1994 OJAI Center For The Arts\, Ojai\, Calif.\n1991 Dentsu AD Gallery in Tokyo\, Japan\n1990 HALS Gallery in Tokyo\, Japan\n1990 TOSO Show Room in Tokyo\, Japan\n1986 ARTSPACE INC. Gallery in Los Angeles\, Calif.\n1986 MM SHINO Gallery in Los Angeles\, Calif.\n1984 ATHEN Gallery in Tokyo in Japan\n1984 ATHEN Gallery in Tokyo in Japan\n\nHe is often found creating art at Battery Park City Park on sunny days. \nYoukee’s complete resume can be read at CRS. His “soul profile” is below: \nWhen I was a student on the way home from my part time job one day\, I felt I would be a person to be alone with myself looking up over the sky! What did I mean by that? I just let it go without thinking deeper for a long time. After graduating from college\, I started studying art in Los Angeles. Then I moved to New York. As a street artist here after releasing myself from a limited studio to the open space in the park\, the Sun\, Wind\, Rain\, trees\, flowers\, birds\, all other nature\, including wild animals\, tourists\, walkers\, joggers\, in all other people and nature\, I continue drawing my paintings there patiently…. noticing and observing myself alone in such an environment…. \nAlas……this is “The Only person (being myself\, without anyone nor family) in the vast world!”\nNow I understood. \nBeing myself and being in the present moment by observing everything around me and my soul…from this comes oneness with the universe\, nothing needed! Just Be! \nhttp://www.artdegenki.com
URL:https://crsny.org/event/exhibition/2017-12-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170914
DTEND;VALUE=DATE:20171201
DTSTAMP:20260427T222102
CREATED:20170909T043822Z
LAST-MODIFIED:20170920T011219Z
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SUMMARY:Exhibition:  The Mortal Apparatus — Photographs of Flowers & Cityscapes by Chris Fiore
DESCRIPTION:CRS presents The Mortal Apparatus\, an exhibition of photographs of fading flowers and cityscapes by Chris Fiore. A mix of color and b&w\, the photographs are all clearly digitally manipulated and highlight the artificiality and intentionality of the photographic act. The images call attention to the often overlooked beauty that can be found in decaying objects\, natural and man-made\, suggesting how our minds look for signs of the eternal in the ephemeral and create new layers of meaning. Ultimately\, these works invite us to consider how our thoughts touch and re-make everything we look upon. \nThe exhibition opens on September 14\, 2017 and will remain on view until November 30\, 2017. An Opening Reception with the artist will take place on Friday\, September 22\, 2017 from 6:30 – 8:30 pm. \nIn conjunction with the exhibition\, two free evenings of screenings of film/video work by the artist will take place on October 13 (“Goodman” and “The Red Umbrella Diaries”) and on November 10 (world premiere of “The Ken Stones:  Miami” and A(DE)SCENT”) from 7:30 – 10 pm. Seating for these screenings is limited and available on a first come\, first serve basis. \nArtist’s Exhibition Statement: \nFrom time immemorial the nature of what we value most has been defined in human terms; our families\, our villages\, our rulers\, our religions\, have defined us in ways intrinsic to our nature as people\, as father\, mother\, sister\, brother\, friend\, and neighbor\, etc. We lived in a world of barter and local currencies defined by our communities and shared needs. \nThen the industrial revolution introduced a new set of values as we had an entirely new thing to measure ourselves against: the ubiquitous machine. Mechanical things that could weave\, move\, and manufacture faster than any human began to shape the lives of millions of people who moved from farms and villages to the cities (massive machines themselves) in search of factory work. This shaping of our lives by technology and factory work has since enveloped the world and affects every aspect of our lives. \nWilling or not\, we are supplicants to the mechanical and the cybernetic. From the moment our parents sat us down in front of a screen\, be it a television\, tablet\, or phone\, automation has literally shaped our minds\, our perception of reality\, and in turn\, what we value. We are no longer strictly human and the velocity of our technologies make us less so every day. In short\, we are already cyborgs. \nArtist Statement \nThe camera is my favorite machine. To me\, the camera has transcended its nature as a mechanical device and has become something verging on a magic instrument. Capable of capturing the fleeting and the ephemeral\, of freezing light and stopping time\, of making the intimate public\, of telling profound truths and fascinating lies\, of imbuing meaning into the mundane and transforming the precious into the mechanical\, the camera is a collective third eye that has shaped the perceptions of a species. \nArtist Profile: \nFilmmaker\, writer\, and artist Chris Fiore\, born 1959 in Norfolk\, Virginia\, received his BFA from Antioch College in 1984. In the late 80’s he was one of the founders of the Zone\, a artist collective occupying an abandoned warehouse at 104 South 4th St\, in Williamsburg\, Brooklyn. Fiore showed at the East Village’s KOAP gallery in the early 90’s and in 1995 directed the underground documentary Trip and Go Naked\, winner of the Excellence in Sexual Theater award at Arlene’s Grocery Picture Show. He went on to direct the feature documentary Backstage for Miramax\, a behind the scenes look at Jay Z’s Hard Knock Life Tour. The film had a profitable run in theaters and is still occasionally in rotation on the Showtime network 17 years after it was made. Fiore has also directed documentaries on the making of the Victoria’s Secret Christmas Catalog\, the band Paramore\, as well as two prime time specials for Fox Television. His most recent documentary\, Goodwoman\, tells the story of Debra Goodman\, an activist brutally arrested for filming the NYPD. Featured in several film festivals\, Goodwoman won the Grand Jury Award at the 2016 LA Film Invasion film festival. He’s currently directing a documentary and web series on artist Ken Hiratsuka. \nFiore’s first feature film script\, The Utopia Virus\, finished in the top ten of the 2005 Final Draft Big Break screenwriting contest. He also wrote the Wassup Obama ad\, described by Salon.com as one of the most creative of the 2008 presidential campaign and winner of a Cannes Lion. He’s currently working on a series of film treatments for a Beijing based production company. \nFiore’s film work has directly influenced his art over the years\, in his use of appropriated imagery\, presentation of sequential images\, and in the cinematically dynamic composition of his mosaic photography. Fiore is represented by the Ethan Pettit Gallery. \nWebsites: \nchrisfiore.nyc\ngoodwomanmovie.com\nthekenstones.com\nabillionbeautifuldays.com \nArt Resume \nEducation: \nBachelor of Fine Arts\, Antioch College\, Yellow Springs\, Ohio\, 1984. \nOne Person Show \n1991 Space Case Gallery\, P.S. 122: NYC \nGuest Artist: \n2017 Nobuko Tsuruta\, 12 Years\, Tenri Gallery\, NYC \nGroup Shows : \n2015 Spring Salon\, Ethan Pettit Gallery\, Brooklyn \n2015 Morphopolis\, Ethan Pettit Gallery\, Brooklyn \n2007 Sun Pictures to Megapixels\, WAH Art Center\, Brooklyn \n2004 Projekt30 : Juried online group show \n1999 triad: an observation of artist/friendship triangles\, Vibrant Gallery\, NYC \n1999 CG ART\, KOAP Gallery\, NYC \n1997 Trip\, Gallery T.Y.K-Two\, Tokyo\, Japan \n1997 Future in 3D\, KOAP Gallery\, NYC \n1996 Cupid\, KOAP Gallery\, NYC \n1995 Blood in the Heart\, KOAP Gallery\, NYC \n1990 Possible Photography\, Ward Nasse Gallery\, NYC \n1990 Epoche Sex Salon\, Epoche Gallery\, Williamsburg\, Brooklyn \n1989 The Gridlock Exhibit\, Minor Injury Gallery\, Williamsburg\, Brooklyn \n1988 CyberFunk\, The Zone\, Williamsburg\, Brooklyn \n1987 The Zone Show\, The Zone\, Williamsburg\, Brooklyn
URL:https://crsny.org/event/exhibition-mortal-apparatus-photographs-flowers-cityscapes-chris-fiore/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170713
DTEND;VALUE=DATE:20170914
DTSTAMP:20260427T222102
CREATED:20170705T011304Z
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SUMMARY:Exhibition:  Imaginary Mindscapes by Philippe Halaburda
DESCRIPTION:CRS presents an exhibition of paintings by French artist Philippe Halaburda. Philippe is a multidisciplinary artist who engages with the urban surroundings environment and emotions\, feelings or memories from his direct experiences\, mainly though colors. The exhibition will be on view from July 13 – September 13\, 2017. \nPhilippe’s work explores into his own unlimited and unconscious psychological territories and delves into the complex undercurrents of intimate and collective relationships.Through paintings\, abstracted photos and digital artworks\, he tries to address more broadly the emotional structures within ourselves in the attempt to examine our world. He is interested in developing a new visual language with which to describe the randomness of cities and their relationship to human experience. \nPhilippe Halaburda’s Bio \nPhilippe Halaburda was born in France in 1972. He received his Diploma in 1995\, Superior Degree Graphic Art School from the EDTA Sornas School\, Paris. He has lived in and exhibited from Paris (France) to Zurich and Berne (Switzerland). He spent 15 years in Aix-en-Provence working  as a graphic arts director. Halaburda’s paintings and drawings have been exhibited throughout the US\, in Canada\, Europe (France\, Italy\, Spain\, Ger- many\, Austria\, Belgium) and Australia. \nHe was a guest resident of the Villa Baulieu Workshop in Aix-en-Provence between 2008. His work is in the collection of many corporate and non-profit institutions including the Radar (Bayeux\, France)\, Draguignan permanent Art Collection (Draguignan\, France) and the Villa Baulieu Art Collection (Aix-en-Provence\, France). His work is in private collections in the United States\, France\, Belgium\, Spain\, Italy\, Switzerland\, Canada\, The Netherlands and China. He’s now represented by several galleries in the USA and France. \nHe lives in Williamsburg\, Brooklyn and works in the Brooklyn artist community of Bushwick at 56 Bogart Street. www.halaburda.com
URL:https://crsny.org/event/exhibition-imaginary-mindscapes-philippe-halaburda/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170503
DTEND;VALUE=DATE:20170504
DTSTAMP:20260427T222102
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
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SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-05-03/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170406
DTEND;VALUE=DATE:20170407
DTSTAMP:20260427T222102
CREATED:20170322T221643Z
LAST-MODIFIED:20170323T015940Z
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SUMMARY:Exhibition: Beyond Prayer — Paintings by Yuko Kasahara
DESCRIPTION:CRS announces Beyond Prayer\, an exhibition of abstract paintings by Yuko Kasahara of Japan. These paintings are like a record of Yuko’s prayers for the recovery of her mind following the shock of her parents’ separate deaths by suicide. Mainly using transparent watercolors and oil pastels\, she attempts to express and dialog with her feelings of loss and separation\, to move past them to reach something timeless and always shining in herself. The exhibition will be on view from April 6 – 25\, 2017. \nMessage from Yuko Kasahara About This Exhibition \nI think I always keep praying while I’m painting. Praying is to be honest\, to affirm the expression that came from within myself\, to change without fear\, and to confirm what is important to me. This is an exhibition of work that I made while interacting with my heart in that way. These works may be like personal journals. But I feel like when I dive deeply and deeply into my heart\, I can be reaching something like a sea of universality beyond individuals. I want to go there\, I want to meet you there. While making works\, I am praying like that. \nArtist Statement \nFor me\, painting is the same as living\, praying\, and forgiving. \nMy parents’ respective suicides were very shocking events for me. Because of that\, I lost my physical and mental condition. At that time\, I could only express desperate feelings in a self-destructive way. After a long period of time when I could not cry because too painful\, I could finally cry a little. I think that the next day I was able to make a drawing — one that could not be described as a proper picture — on a notebook with a ballpoint pen. \nFrom that day\, I drew\, drew and continued drawing. \nThis process naturally came to represent abstractly the feelings coming out from inside of me that I could not express through language. I use fine drawing a lot. During those times I draw every single stroke with prayer. \nAt first\, my purpose of painting was to just breathe through my emotions. But\, I discovered the power to organize and change my thoughts through painting. When I start painting\, I dare not plan what kind of work to make. As led by colors and shapes\, I draw allowing my hand to be guided moment by moment. To not plan is\, for me\, to keep my mind open to the possibilities. I listen carefully\, honestly\, keep opening my mind. Finished works always take me to a place that I had not thought of before. I feel that I have been living in that way. \nArtist Bio \n2016  Solo show (Kyoto\, Japan) \n2015  Group show (Kyoto\, Japan) \n2013  Start abstract painting with the current style \n2002  Graduated from Osaka University of Arts \n1977  Born in Osaka\, Japan \nI lost my father when I was 17 years old. I lost my mother when I was 35 years old. They both committed suicide. \nI myself have a developmental disorder (ADHD). \nI had a difficult time since childhood because of my family environment and because of my own character. Through studying A Course In Miracles painting\, and with the support of the people around me\, I deepened my connection to “Life\,” “Universality” and “Real thing” that cannot be lost\, and I regained the power to live. \nMy motto is “Various things happen in life\, but all is OK.”
URL:https://crsny.org/event/exhibition-beyond-prayer-paintings-yuko-kasahara/2017-04-06/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170203
DTEND;VALUE=DATE:20170205
DTSTAMP:20260427T222102
CREATED:20170301T213810Z
LAST-MODIFIED:20170301T213810Z
UID:26327-1486148400-1486234799@crsny.org
SUMMARY:Exhibition: Nagi — Photographs by Tomoko Iki
DESCRIPTION:CRS announces Nagi\, an exhibition of portraits of pregnant women by photographer Tomoko Iki. The exhibition will be on view from February 2 – April 5\, 2017. You are invited to attend an opening reception with the artist with performance by dancer Lale Sayoko\, one of Iki’s subjects\, and her family on February 4 from 6 – 8 pm. \nIki greatly enjoys her work and approaches her subjects with joy and reverence. As is evident in her portraits\, Iki is able to bring her subjects to a place of stillness and self awareness\, enabling them to accept\, explore and share the divine feminine within themselves. Iki does not appear inside the photographs but her loving presence is implied in the soft\, radiant expressions of her subjects. We don’t usually think of calmness as energetic\, but through these serene portraits we can bear witness to the limitless power\, strength and presence of spirit preparing to give birth. You can see more of her work at http://www.frauphoto.com. \nTHE ARTIST’S CONCEPT \nMystical\, primitive energy exuded by pregnant woman reminds me of the feeling I get when surrounded and embraced by mother nature. \nEqually powerful and inspiring pure gratitude emerges\, and I feel a sense of hope and light. \nThrough mysterious pregnant women there is a feeling of layers of life history and life force. \nThe word “Nagi” has two meanings.\nIn an old Native American language it means “soul.”\nIn the old Japanese language it means “calm and silence.” \n______ \nARTIST STATEMENT \nI started doing photography and dance when I was a university student. Inspiration from dance influences my photography. Above all\, I am interested in femininity and the modern human’s relationship with nature. I have been taking woman’s portraits and photographs of nature since the beginning. \nIn 2011\, I was really impressed by the beauty and power of my pregnant friend when I took her portrait. That was the impetus for launching my own studio for pregnant women. Since then\, I have taken portraits of more than 1000 pregnant women. \nIn 2016\, I moved to NY\, and I am continuing to create photography incorporating the themes of femininity\, nature and dance. \n______ \nBio \nBorn in Japan (1984) \nGraduated from Department of Human Environment Design\,\nSchool of Life Studies\, Sugiyama Jogakuen University.\nActivities now based in New York. \n2016 received the KAWABA NEW NATURE PHOTO AWARD in the category of Art in Nature.\n2013\, launched her own studio “Photo Salon Frau” in Tokyo.\n2013\, solo exhibition “mother” held at the Rhythm Warp in Nagoya.\n2011\, exhibited at the group exhibition “foto-n 2nd exhibition” (X Gallery at the Aichi Prefectural Museum of Art).\n2011\, launched her own studio “Photo Salon Frau” in Nagoya.\n2010\, solo exhibition “stile brau” held at the Valentine Drive in Nagoya.\n2007\, exhibited at the group exhibition “Kodo (Pulse)” at the Plastic Factory in Nagoya.\n2007\, started activities as a freelance photographer.
URL:https://crsny.org/event/exhibition-nagi-photographs-tomoko-iki/2017-02-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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