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SUMMARY:CRS presents Shoko Nagai’s Tokala with violinist Sita Chay & percussionist Satoshi Takeishi
DESCRIPTION:CRS (Center for Remembering & Sharing) presents Shoko Nagai’s TOKALA ensemble featuring Shoko Nagai(piano/accordion)\, Satoshi Takeishi (percussion) and Sita Chay (violin). Tokala explores the ancient connections between Japan and the Middle East established via the Silk Road; this conduit of cultural and commercial exchange left an imprint that became an integral part of Japanese culture.  \nBringing together Japanese and Korean folk\, pop music and Middle Eastern music\, Tokala illuminates and expands the centuries-old connections between these traditions.  \nTickets are $20 ($10 for students) and are available via Eventbrite and at the door (cash only). Proof of vaccination is not required but you are encouraged to wear a mask. \n“We have seen the art works\, instruments\, and other artistic objects from the Persian empire preserved in Imperial storage in Nara\, Japan. We can but only imagine what it was like for musicians of Japan to hear the sounds of Persian court music. We are sure that it has left strong imprints deep in the Japanese traditional culture.” — Shoko Nagai \nTokala received a grant from NYFA (New York Fine Arts) for City Artist Corps 2021. \nABOUT THE ARTISTS \nShoko Nagai is a versatile musical artist who improvises and performs with world-renowned musicians on piano and accordion and composes original scores for films and live performances. As a teenager in her native Japan\, Nagai was trained on Yamaha’s electronic organ\, the “Electone\,” to perform popular music. Since moving to the U.S. from Japan and studying classical\, jazz music\, and compositions at Berklee\, she has adapted her mastery of the keyboard to prepared piano\, accordions\, and other keyboard instruments\, often inspired by the minimalist approach of composer Toru Takemitsu. Whether she is performing Klezmer\, Balkan or experimental music\, Nagai is a charismatic presence onstage\, who hypnotizes audiences with her intense focus and virtuoso sound. http://www.shokonagai.net/ \n“Whether traipsing over a steady\, rolling rhythm or swimming through a collage of abstract sound\, Nagai\, a pianist\, treat every moment as an opportunity for deep synchronicity.” — GIOVANNI RUSSONELL\, New York Times \nSatoshi Takeishi\, drummer\, percussionist\, and arranger is a native of Mito\, Japan. He studied music at Berklee College of Music in Boston\, Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was ‘Macumbia’ with composer/arranger Francisco Zumaque in which traditional\, jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia\, Lucho Bermudes. In 1986 he returned to Miami\, U.S. where he began working as an arranger/producer as well as a performer. \nIn 1987 he produced ‘Morning Ride’ for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre\, from world music\, jazz\, contemporary classical music to experimental electronic music with musicians such as Ray Barretto\, Carlos ‘Patato’ Valdes\, Eliane Elias\, Marc Johnson\, Eddie Gomez\, Randy Brecker\, Dave Liebman\, Anthony Braxton\, Mark Murphy\, Herbie Mann\, Paul Winter Consort\, Rabih Abu Khalil\, Erik Friedlander\, Ned Rothenberg\, MIchael Attias\, Shoko Nagai\, Paul Giger\, Toshiko Akiyoshi Big Band\, Ying String Quartet\, Metamorphosen Chamber Orchestra\, Dhafer Youssef\, Lalo Schifrin and Pablo Ziegler to name a few. He continues to explore multi-cultural\, electronics and improvisational music with local musicians and composers in New York. \nSita Chay is a violinist\, composer\, and producer who won a 2017 Latin Grammy Award for Best Mariachi Album\, as violinist with the Flor de Toloache. She is also an awardee of New York Foundation for the Arts Women’s Fund\, NYSCA/NYFA Artist Fellowship\, New Music USA’s Creator Development Fund\, Joe’s Pub Working Group\, and Lower Manhattan Cultural Council’s Creative Engagement Grant for various projects she is envisioning. Ms. Chay is the director and a founder of the Korean Shaman Music Ritual\, SaaWee\, which was received by international critics as a “delicate powerhouse”. For SaaWee\, she has interwoven her theatrical experiences from Broadway shows\, folkloric spirituality from Korean shaman rituals\, and contemporary music flare from New York jazz scenes. SaaWee’s Return of Songbirds debuted at the Lincoln Center as part of #Retartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. She has appeared as a speaker and a lecturer at Chamber Music America Conference 2019\, New York Musical Festival 2018\, Seoul National University\, Colombia National University\, and Joong Ang University.  \nSita often performs at artistically acclaimed venues such as Carnegie Hall\, Lincoln Center\, Jazz at Lincoln Center\, The Blue Note\, Apollo Theater\,Madison Square Garden\, and was invited to the Montreal International Jazz Festival in 2015\, London K-Music Festival in 2018\, Global Fest 2018 and to the New York Sanjo Festival 2017 and 2018 to premiere her original and commissioned compositions. She has appeared as a guest violinist for critically acclaimed Broadway shows\, My Fair Lady\, Miss Saigon\, Ain’t Too Proud\, Hello Dolly\, Sweeney Todd\, On the Town\, Fiddler on the Roof and Sunset Boulevard. Frequent TV and NPR appearances include “Tonight Show”\, “Mozart in the Jungle\,” and Randy Cohen’s “Person Place Thing”. She has collaborated with such artists as the Lionel Loueke\, the Eagles\, Kenny Werner\, Billy Drewes\, Sandeep Das\, Frank London\, Edward Perez\, Balla Kouyate\, Emerson String Quartet\, Natalia Laforcade\, Duksoo Kim\, Bette Midler\, Alicia Hall Moran\, Alan Ferber\,Taebaek Lee\, Pamela Frank\, Nadia Solemo Sonenberg\, Frank Huang\, and Robert Craft\, the student of Stravinsky and Schoenberg. Her album credits include Stereography Project 1st and 2nd album\, Miho Hazama’s M Unit “Dancer in Nowhere\, Flor de Toloache “Las Caras Lindas.” http://www.sitachay.com \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a lead sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. https://crsny.org
URL:https://crsny.org/event/crs-presents-shoko-nagais-tokala-with-violinist-sita-chay-percussionist-satoshi-takeishi/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents
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SUMMARY:CRS Presents Hot Wrk Ensemble: WRKin it Out
DESCRIPTION:CRS (Center for Remembering & Sharing) presents the Hot Wrk Ensemble: WRKin It Out in the award-winning White Room at CRS on March 4\, 2023 at 4pm. With J Brooks Marcus (J Why) on percussion\, Lois Hicks-Wozniak on saxophones\, and Brad Hubbard on baritone sax & woodwinds\, Hot Wrk Ensemble performs diverse\, genre-busting chamber music — everything from Bach & Scarlatti to contemporary art music\, and jazz-like fusion with improvisation and compositions by ensemble members. Audience members are encouraged to ask questions\, share ideas\, and feel part of the music creation process. \nTickets are $30 ($15 for students and $20 for seniors) and are available via eventbrite.com and for cash only at the door. \nProof of vaccination is not required\, but we do strongly encourage you to wear a mask. Please note that CRS is only accessible by stairs. \nBrad Hubbard is a Composer who plays Baritone Saxophone\, Flute\, and Bass Clarinet. Brad has performed throughout the world in many diverse settings. In addition to performing as a solo recitalist and with the Hot Wrk Ensemble\, Brad is a member of 3rd Bell\, a quartet that combines jazz\, world\, and electronic music filtered through a singer/songwriter mentality. He is also a member of David Sanford’s Pittsburgh Collective an innovative 20 piece big band and Neil Alexander’s X Ensemble\, a modern Chamber Jazz Octet. He commissioned and premiered Benjamin Boone’s “Concerto for Baritone Saxophone and Orchestra” as well as pieces from Sherwood Shaffer\, Monica Ashton\, Mark Taylor and Michael Bellar. He is also involved as a composer and performer with Composers Concordance in New York City. As a sideman Brad has appeared with a broad range of artist including Corey Glover of Living Colour\, Nancy Wilson\, Pinetop Perkins\, Lew Tabackin\, Lenny Pickett\, Boots Randolph\, Roy Clark\, The Monica Ashton Jazz Band and various local groups in the Hudson Valley. \nBrad was a member of the New Century Saxophone Quartet from 1988-2004. During his tenure with the quartet\, the ensemble was the first of its kind to win the prestigious Concert Artist Guild competition in New York City in 1992. The quartet toured throughout the United States and the World performing in major concert venues including Carnegie Hall\, Chicago’s Pick-Staiger Concert Hall\, Atlanta’s Spivey Concert Hall\, Boston’s Symphony Hall and Isabella Stewart Gardner Museum\, New York’s Merkin Concert Hall and the Kosciuszko Foundation Townhouse\, Washington\, D.C’s Strathmore Hall\, Alaska’s Juneau Jazz and Classics Festival\, the Villla Schönberg in Zurich\, Switzerland\, the Conservatoire de Musique in Esch Luxembourg\, the Macau International Music Festival and the Academy for the Performing Arts in Hong Kong\, China. New Century was also the first saxophone quartet to perform at La Huaca del Complejo Atlapa in Panama City\, Panama. NCSQ has also appeared in unique concert settings including two command performances for President Clinton in the White House to a concerto performance with the United States Navy Band. Brad appears on the first 6 New Century recordings on the Channel Classics label. \nBrad is currently the Woodwind Instructor at The Beacon Music Factory in Beacon NY\, where he lives with his family. \nJ. Brooks Marcus (aka J Why) is a multi-instrumentalist and composer who studied jazz\, classical\, electronic and experimental music at California Institute of the Arts\, Berklee College of Music\, and San Francisco State University. He has composed for dance\, film\, puppet theater\, and podcasts. Collaborators have included: multi-instrumentalist and composer Julz A\, dance filmmaker Anna Brady Nuse\, and choreographer Sasha Welsh. J has composed music for filmmaker Amir Bar-Lev\, Los Angeles theater company About Productions\, dance filmmaker Susan Osberg\, and animator/puppet theater artist Susan Simpson. In 2017 he formed the collaborative production duo Obsidian Soundsystem with musician and engineer Jonny Taylor. As a performer\, he has played with Pamela Z\, Gwen Laster’s Gameboard\, and Andy Rinehart. J teaches composition at SUNY New Paltz and percussion\, clarinet and computer music at Beacon Music Factory. His music can be found at https://soundcloud.com/j-why-1 and https://obsidiansoundsystem.bandcamp.com/music. \nLois Hicks-Wozniak is an active concert saxophonist and educator in the New York Metropolitan and the Hudson Valley region\, committed to community engagement through new music and Global Music styles. A D’Addario Woodwinds Artist\, her many awards include winning the Special Presentation Winners Recital Series\, sponsored by Artists International Presentations; earning her a New York Recital Debut at Weill Recital Hall in Carnegie Hall. She is described in performance as having “tremendous technique and fidelity to tone without sacrificing musical line\,” and a “beautiful soprano saxophone sound…preserving the beauty and consistency of her sound regardless of the technical or musical demands of the moment” (Saxophone Symposium). An active soloist\, she has performed and recorded within many ensembles to include the Albany Symphony\, the Hudson Valley Philharmonic\, and with Pat Waing master\, Kyaw-Kyaw Naing and the first Burmese-American Hsiang Waing ensemble. Her album Playback: Music for Saxophone and Bass Trombone is with Matt Wozniak and Nadine Shank\, piano. She is a featured educator in the textbook\, World Music Pedagogy Vol VII: Teaching World Music in Higher Education (Routledge 2020). She co-founded the saxophone and percussion chamber group\, Hot Wrk Ensemble\, featuring improvisatory music\, arrangements\, and original works\, to include her own compositions. She previously served active duty in the U.S. Army as a saxophonist with the West Point Band and taught at Marist College\, Montclair State University\, and SUNY New Paltz. She holds degrees from Florida State University and Montclair State University. Her sixth grade band director suggested she play the saxophone\, and although she cried when she first saw the instrument\, she has no regrets.\nhttp://loishickswozniak.com/ \n 
URL:https://crsny.org/event/crs-presents-hot-wrk-ensemble-wrkin-it-out/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents
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SUMMARY:CRS Presents INTERWOVEN International Chamber Ensemble at Resobox
DESCRIPTION:CRS presents the international chamber music ensemble INTERWOVEN on Saturday\, March 11\, 2023 at 2pm at Resobox East Village\, our first collaboration with Resobox. INTERWOVEN’s Yoko Reikano Kimura (Shamisen/Voice)\, Andy Lin  (Erhu/Viola)\, Emilie-Anne Gendron (Violin)\, Keiko Tokunaga (Violin)\, and Nan-Cheng Chen (Cello) will perform a program featuring Japanese\, Chinese\, and western compositions such as “A Popular Tune” by JungYoon Wie\, “Sekiheki no Fu — Red Cliff” by Kin’ichi Nakanoshima\, “Chimera” by Theodore Wiprud\, “Crosscurrents” by Takuma Itoh\, and Ravel’s “String Quartet” (First and Second Mv). \nTickets are $30 ($15 for students and $20 for seniors) and are available via eventbrite.com or for cash at the door. \nFounded by Grammy-winner Keiko Tokunaga\, INTERWOVEN is a chamber ensemble whose mission is to bring together the sounds from different places and time. The ensemble name derives from the idea that music making is like creating a tapestry\, woven together with threads that represent and celebrate diverse origins\, traditions and materials. \nRESOBOX is a Japanese cultural center dedicated to sharing and celebrating Japanese influence in the arts. It offers a broad range of authentic Japanese activities\, events\, classes\, art exhibitions and even cuisines to spread to diverse audiences every day. \nThis concert falls on the 12th anniverary of the Great East Japan earthquake\, tsunami\, and ongoing nuclear disaster\, and we’d like to dedicate this concert to those who were lost\, those left behind\, and those who helped. We remember you. \n“I want to express how grateful we (Japanese) were to all the neighboring countries for helping us when we were most vulnerable\, and witnessing such kindness made me want to work towards a more harmonious relationship between all the Asian countries despite its complicated past.” — Keiko Tokunaga \nVENUE LOCATION:\nResobox East Village\n91 E 3rd St\nNew York\, NY 10003\n(212) 598-5993 \nDIRECTIONS:\nResobox EV is located in Manhattan’s East Village on the north side of E 3rd Street just west of 1st Avenue on the ground floor. \nNEAREST SUBWAY STATIONS:  \nF train to 1st/2nd Ave & Houston St\, 6 train to Bleecker St or Astor Place\, R/W to Prince St \nABOUT THE ARTISTS \nViolinist EMILIE-ANNE GENDRON\, lauded by the New York Times as a “brilliant soloist” and by Strad Magazine for her “marvellous and lyrical playing\,” enjoys a dynamic career based in New York City. Ms. Gendron is on the roster of the Marlboro Music Festival and the touring Musicians From Marlboro\, as well as acclaimed groups such as A Far Cry\, Argento Chamber Ensemble\, Chamber Music Society of Lincoln Center\, Chamber Orchestra of Philadelphia\, Iris Orchestra (as one of its concertmasters)\, Orpheus Chamber Orchestra\, Talea Ensemble\, and Sejong Soloists. She is a founding member of Ensemble Échappé\, a new-music sinfonietta\, and of Gamut Bach Ensemble\, in residence with the Philadelphia Chamber Music Society. A deeply committed chamber musician\, Ms. Gendron is a longtime member of the Momenta Quartet\, whose vision encompasses contemporary music of all backgrounds alongside great music from the past—currently quartet-in-residence at Binghamton University and most recently serving as Bates College’s 2019-20 Artists-in-Residence in Music. Other regular collaborations include the Melody and Company chamber series with pianist Melody Fader and the longstanding G-Sharp Duo\, founded with pianist Yelena Grinberg in 2003.  \nMs. Gendron is also a sought-after educator and clinician. She has been a member of the Toomai String Quintet\, specializing in innovative educational outreach and community engagement\, since 2009. Toomai\, one of the original pilot ensembles in Carnegie Hall’s “Musical Connections” program\, helped design composition and performance workshops with incarcerated men at Sing Sing Correctional Facility; has worked with student composers in the New York Philharmonic’s Very Young Composers Program and with NYC public school students through the “Midori and Friends” educational initiative; and presents at institutions across the U.S.\, ranging from grade school to university level. As a member of the Momenta Quartet\, Ms. Gendron gives guest masterclass and coaching appearances on their educational-performing circuit of nearly 40 institutions ranging from public and arts schools\, universities\, and conservatories in the U.S. and as far afield as Bolivia\, Indonesia\, and Mexico. Ms. Gendron has served as guest chamber music coach for the Juilliard School’s Music Advancement Program and at the Longy School of Music; as violin specialist for student composers at Juilliard’s Evening Division\, NYU\, and Fordham University; and as a chamber music and contemporary music coach and performer at the annual Brandeis Composers Conference. \nMs. Gendron’s extensively varied international appearances have included recitals in Sweden and at the Louvre in Paris; festivals in Russia\, Finland\, Indonesia\, South Korea\, and Jordan; and major venues across the Americas\, Europe\, and Asia\, in collaboration with such artists as Teddy Abrams\, Rachel Barton Pine\, Bruno Canino\, Leon Fleisher\, Richard Goode\, Anthony McGill\, Edgar Meyer\, Shlomo Mintz\, Anthony Newman\, Samuel Rhodes\, Marcy Rosen\, Gil Shaham\, and Jörg Widmann\, among many others. Her performances have been broadcast over radio and television in the U.S.\, U.K.\, Switzerland\, New Zealand\, Canada\, Denmark\, Japan\, and South Korea. She is a past winner of the Stulberg String Competition and took 2nd Prize and the Audience Prize at the Sion-Valais (formerly Tibor Varga) International Violin Competition.  \nBorn in the U.S. to Japanese and French-Canadian parents\, and a dual citizen of the U.S. and Canada\, Ms. Gendron began her violin studies at age 4 with Carl Shugart and Carol Sykes. Her subsequent training at the Juilliard School was overseen by teachers Dorothy DeLay\, Won-Bin Yim\, Hyo Kang\, David Chan\, and Axel Strauss. Ms. Gendron holds the distinction of being the first person in Juilliard’s history to be accepted simultaneously to its two most selective courses of study\, both the Doctor of Musical Arts and the Artist Diploma. She holds a B.A. in Classics (magna cum laude and with Phi Beta Kappa honors) from Columbia University\, and a Master of Music degree and the coveted Artist Diploma from Juilliard. \nemilieannegendron.com \nTaiwanese born violist and erhuist (Chinese violin) ANDY WEIYAN LIN is recognized as one of the most promising and the only active performers who specialized in both western and eastern instruments. \n“The great Molto adagio…..elicited some of the night’s most sensitive work\, especially from Wei-Yang Andy Lin on viola.” — Strad Magazine \n“Taiwanese-born violist Wei-Yang Andy Lin…..is also a virtuoso on the erhu\, and he gave a brilliant performance.” — New York Times \nAndy is the artistic director and co-founder of the New Asia Chamber Music Society. He holds his bachelor’s and master’s degrees from The Juilliard School and received his Doctor’s degree in Musical Arts from SUNY Stony Brook. He has won numerous competitions including Taiwan National Viola Competition and First Prize in the 2008 Juilliard Viola Concerto Competition. He has also appeared as a viola and/or erhu soloist with orchestras such as the Busan Metropolitan Traditional Music Orchestra\, Chamber Orchestra of Philadelphia\, Children’s Orchestra Society\, Grant Park Symphony Orchestra\, Incheon Philharmonic\, the Juilliard Orchestra\, Milwaukee Symphony\, New York Classical Players\, Orford Academy Orchestra\, Solisti Ensemble and Yonkers Philharmonic Orchestra. Andy is also a founding member of the award winning string quartet\, the Amphion String Quartet\, and a member of the Musicians of Lenox Hill and serves as principal violist of the New York Classical Players and the Solisti Ensemble. He has been invited to perform chamber music with Itzhak Perlman where The New York Times described “Mr. Perlman\, playing first violin… answered in kind by the violist Wei-Yang Andy Lin.” He has also been invited by the Metropolitan Museum to give recitals at their Gallery Concert Series and Patrons Lounge Concert\, as well as a recital at the Caramoor Center for the Music and the Arts. Andy plays on a viola made by one of his best friends Jacob Ho.  \nandylinviola.com \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance\, violinist KEIKO TOKUNAGA spends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed\, toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019\, and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure\, pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra\, Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021\, Keiko founded an online concert series\, Jukebox Concerts\, in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers\, but also to residents of nursing homes\, hospitals and assisted living facilities across the country. Later in the year\, she created INTERWOVEN\, a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians\, Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet\, the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance\, First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013\, and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road\, Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past\, she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute.\ninterwovenmusic.org \nCellist NAN-CHENG CHEN’s performance was described as “personable and smile-inducing” and “fine playing” by the Washington Post and “Beautiful Tone” by New York Concert Reviews. A chamber music enthusiast\, Nan-Cheng is the executive director and co-founder of the New Asia Chamber Music Society and was a member of Sonic Escape trio. As a soloist\, Nan-Cheng has collaborated with Simon Bolivar Orchestra\, Queens Symphony Orchestra\, Metro-West Symphony\, Quincy Symphony and Symphony Pro Musica\, and has toured North American\, South America\, Europe and Asia. His recent highlight include debuts with National Symphony Orchestra of Taiwan and Taipei Symphony Orchestra. Nan-Cheng’s festival participations includes Banff Centre Residency\, Sarasota Music Festival\, Heifetz Institute\, Encore School for Strings\, and Kneisel Hall. He was a guest-performing artist at Chautauqua Summer Music Festival\, a Kaplan Fellow at the Bowdoin International Music Festival and served as a teaching artist at the Annual Music Festival of Walnut Hill. As a music educator\, Nan-Cheng has given cello masterclasses at Penn State University\, University of Wisconsin\, University of Calgary as well as universities in Panama\, Colombia and Taiwan. Nan-Cheng holds a B.M. and M.M. from The Juilliard School\, and is enrolled as a doctoral candidate at CUNY Graduate Center. He taught at CUNY Queens College and now serves as a full-time college music faculty in New York. \nnewasiacms.org/nancheng-chen \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto\, shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama\, Akiko Nishigata and Senko Yamabiko\, a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo\, accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki\, NPR’s Performance Today and WKCR. As a koto soloist\, Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist\, she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works\, such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum\, Piestro Mascagni’s Iris by American Symphony Orchestra\, Basil Twist’s Dogugaeshi\, Yasuko Yokoshi’s Bell and many others. \nKimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015\, and featured at Chamber Music America’s 2016 National Conference\, and performed at the John F. Kennedy Center in 2017. In 2019\, the duo had its ten-year anniversary recital at Carnegie Hall.\nyokoreikanokimura.com | duoyumeno.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions.\ncrsny.org
URL:https://crsny.org/event/crs-presents-interwoven-international-chamber-ensemble-at-resobox/
LOCATION:Resobox East Village\, 91 E 3rd St\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS presents the international chamber music ensemble INTERWOVEN on Saturday March 11 2023 at 2pm at Resobox East Village our first collaboration with Resobox. INTERWOVEN’s Yoko Reikano Kimura (Shamisen/Voice) Andy Lin  (Erhu/Viola) Emilie-Anne Gendron (Violin) Keiko Tokunaga (Violin) and Nan-Cheng Chen (Cello) will perform a program featuring Japanese Chinese and western compositions such as “A Popular Tune” by JungYoon Wie “Sekiheki no Fu — Red Cliff” by Kin’ichi Nakanoshima “Chimera” by Theodore Wiprud “Crosscurrents” by Takuma Itoh and Ravel’s “String Quartet” (First and Second Mv). \nTickets are $30 ($15 for students and $20 for seniors) and are available via eventbrite.com or for cash at the door. \nFounded by Grammy-winner Keiko Tokunaga INTERWOVEN is a chamber ensemble whose mission is to bring together the sounds from different places and time. The ensemble name derives from the idea that music making is like creating a tapestry woven together with threads that represent and celebrate diverse origins traditions and materials. \nRESOBOX is a Japanese cultural center dedicated to sharing and celebrating Japanese influence in the arts. It offers a broad range of authentic Japanese activities events classes art exhibitions and even cuisines to spread to diverse audiences every day. \nThis concert falls on the 12th anniverary of the Great East Japan earthquake tsunami and ongoing nuclear disaster and we’d like to dedicate this concert to those who were lost those left behind and those who helped. We remember you. \n“I want to express how grateful we (Japanese) were to all the neighboring countries for helping us when we were most vulnerable and witnessing such kindness made me want to work towards a more harmonious relationship between all the Asian countries despite its complicated past.” — Keiko Tokunaga \nVENUE \nResobox East Village\n91 E 3rd St\nNew York NY 10003\n(212) 598-5993 \nDIRECTIONS:\nResobox EV is located in Manhattan’s East Village on the north side of E 3rd Street just west of 1st Avenue on the ground floor. \nNEAREST SUBWAY STATIONS:  \nF train to 1st/2nd Ave & Houston St 6 train to Bleecker St or Astor Place R/W to Prince St \nABOUT THE ARTISTS \nViolinist EMILIE-ANNE GENDRON lauded by the New York Times as a “brilliant soloist” and by Strad Magazine for her “marvellous and lyrical playing” enjoys a dynamic career based in New York City. Ms. Gendron is on the roster of the Marlboro Music Festival and the touring Musicians From Marlboro as well as acclaimed groups such as A Far Cry Argento Chamber Ensemble Chamber Music Society of Lincoln Center Chamber Orchestra of Philadelphia Iris Orchestra (as one of its concertmasters) Orpheus Chamber Orchestra Talea Ensemble and Sejong Soloists. She is a founding member of Ensemble Échappé a new-music sinfonietta and of Gamut Bach Ensemble in residence with the Philadelphia Chamber Music Society. A deeply committed chamber musician Ms. Gendron is a longtime member of the Momenta Quartet whose vision encompasses contemporary music of all backgrounds alongside great music from the past—currently quartet-in-residence at Binghamton University and most recently serving as Bates College’s 2019-20 Artists-in-Residence in Music. Other regular collaborations include the Melody and Company chamber series with pianist Melody Fader and the longstanding G-Sharp Duo founded with pianist Yelena Grinberg in 2003.  \nMs. Gendron is also a sought-after educator and clinician. She has been a member of the Toomai String Quintet specializing in innovative educational outreach and community engagement since 2009. Toomai one of the original pilot ensembles in Carnegie Hall’s “Musical Connections” program helped design composition and performance workshops with incarcerated men at Sing Sing Correctional Facility; has worked with student composers in the New York Philharmonic’s Very Young Composers Program and with NYC public school students through the “Midori and Friends” educational initiative; and presents at institutions across the U.S. ranging from grade school to university level. As a member of the Momenta Quartet Ms. Gendron gives guest masterclass and coaching appearances on their educational-performing circuit of nearly 40 institutions ranging from public and arts schools universities and conservatories in the U.S. and as far afield as Bolivia Indonesia and Mexico. Ms. Gendron has served as guest chamber music coach for the Juilliard School’s Music Advancement Program and at the Longy School of Music; as violin specialist for student composers at Juilliard’s Evening Division NYU and Fordham University; and as a chamber music and contemporary music coach and performer at the annual Brandeis Composers Conference. \nMs. Gendron’s extensively varied international appearances have included recitals in Sweden and at the Louvre in Paris; festivals in Russia Finland Indonesia South Korea and Jordan; and major venues across the Americas Europe and Asia in collaboration with such artists as Teddy Abrams Rachel Barton Pine Bruno Canino Leon Fleisher Richard Goode Anthony McGill Edgar Meyer Shlomo Mintz Anthony Newman Samuel Rhodes Marcy Rosen Gil Shaham and Jörg Widmann among many others. Her performances have been broadcast over radio and television in the U.S. U.K. Switzerland New Zealand Canada Denmark Japan and South Korea. She is a past winner of the Stulberg String Competition and took 2nd Prize and the Audience Prize at the Sion-Valais (formerly Tibor Varga) International Violin Competition.  \nBorn in the U.S. to Japanese and French-Canadian parents and a dual citizen of the U.S. and Canada Ms. Gendron began her violin studies at age 4 with Carl Shugart and Carol Sykes. Her subsequent training at the Juilliard School was overseen by teachers Dorothy DeLay Won-Bin Yim Hyo Kang David Chan and Axel Strauss. Ms. Gendron holds the distinction of being the first person in Juilliard’s history to be accepted simultaneously to its two most selective courses of study both the Doctor of Musical Arts and the Artist Diploma. She holds a B.A. in Classics (magna cum laude and with Phi Beta Kappa honors) from Columbia University and a Master of Music degree and the coveted Artist Diploma from Juilliard. \nemilieannegendron.com \nTaiwanese born violist and erhuist (Chinese violin) ANDY WEIYAN LIN is recognized as one of the most promising and the only active performers who specialized in both western and eastern instruments. \n“The great Molto adagio…..elicited some of the night’s most sensitive work especially from Wei-Yang Andy Lin on viola.” — Strad Magazine \n“Taiwanese-born violist Wei-Yang Andy Lin…..is also a virtuoso on the erhu and he gave a brilliant performance.” — New York Times \nAndy is the artistic director and co-founder of the New Asia Chamber Music Society. He holds his bachelor’s and master’s degrees from The Juilliard School and received his Doctor’s degree in Musical Arts from SUNY Stony Brook. He has won numerous competitions including Taiwan National Viola Competition and First Prize in the 2008 Juilliard Viola Concerto Competition. He has also appeared as a viola and/or erhu soloist with orchestras such as the Busan Metropolitan Traditional Music Orchestra Chamber Orchestra of Philadelphia Children’s Orchestra Society Grant Park Symphony Orchestra Incheon Philharmonic the Juilliard Orchestra Milwaukee Symphony New York Classical Players Orford Academy Orchestra Solisti Ensemble and Yonkers Philharmonic Orchestra. Andy is also a founding member of the award winning string quartet the Amphion String Quartet and a member of the Musicians of Lenox Hill and serves as principal violist of the New York Classical Players and the Solisti Ensemble. He has been invited to perform chamber music with Itzhak Perlman where The New York Times described “Mr. Perlman playing first violin… answered in kind by the violist Wei-Yang Andy Lin.” He has also been invited by the Metropolitan Museum to give recitals at their Gallery Concert Series and Patrons Lounge Concert as well as a recital at the Caramoor Center for the Music and the Arts. Andy plays on a viola made by one of his best friends Jacob Ho.  \nandylinviola.com \nWinner of the 2019 GRAMMY Award for Best Chamber Music/ Small Ensemble Performance violinist KEIKO TOKUNAGA spends most of her days touring and performing globally as a soloist and chamber musician. Keiko has performed toured and recorded extensively with the internationally acclaimed Attacca Quartet from 2005 to 2019 and has been praised by the Strings Magazine for possessing a sound “with probing quality that is supple and airborne” and for her “pure pellucid bow strokes”. She has soloed with various orchestras including the Spanish National Orchestra Orquestra Simfònica de Barcelona i Nacional de Catalunya and Virginia Arts Festival Chamber Orchestra. \nIn 2021 Keiko founded an online concert series Jukebox Concerts in order to provide artistic outlets for musicians who lost their engagements due to the COVID-19 pandemic. The performances were made available not only to the subscribers but also to residents of nursing homes hospitals and assisted living facilities across the country. Later in the year she created INTERWOVEN a multi-cultural ensemble whose mission is to eliminate discrimination against the AAAPI (Asians Asian Americans and Pacific Islanders) community by integrating the musical traditions of the East and West. \nWhile Keiko played the Attacca Quartet the ensemble won numerous prestigious awards including the GRAMMY Award for Best Small Ensemble Performance First Prize of the 7th Osaka International Chamber Music Competition in 2011; the Third Prize and the Australian Broadcast Corporation Classic FM Listener’s Choice Award of the 6th Melbourne International Chamber Music Competition in 2011. The Attacca Quartet served as the Graduate String Quartet in Residence at The Juilliard School from 2011 till 2013 and as artist-in-residence at the Metropolitan Museum of Art for the 2014-15 season. \nWhen she is not on the road Keiko enjoys her career as an educator. She is currently on faculty at Fordham University. In the past she taught at The Juilliard School Pre-College Division; the Hunter College of New York; New York University; the Port Townsend Chamber Music Festival; and Boston University’s Tanglewood Institute.\ninterwovenmusic.org \nCellist NAN-CHENG CHEN’s performance was described as “personable and smile-inducing” and “fine playing” by the Washington Post and “Beautiful Tone” by New York Concert Reviews. A chamber music enthusiast Nan-Cheng is the executive director and co-founder of the New Asia Chamber Music Society and was a member of Sonic Escape trio. As a soloist Nan-Cheng has collaborated with Simon Bolivar Orchestra Queens Symphony Orchestra Metro-West Symphony Quincy Symphony and Symphony Pro Musica and has toured North American South America Europe and Asia. His recent highlight include debuts with National Symphony Orchestra of Taiwan and Taipei Symphony Orchestra. Nan-Cheng’s festival participations includes Banff Centre Residency Sarasota Music Festival Heifetz Institute Encore School for Strings and Kneisel Hall. He was a guest-performing artist at Chautauqua Summer Music Festival a Kaplan Fellow at the Bowdoin International Music Festival and served as a teaching artist at the Annual Music Festival of Walnut Hill. As a music educator Nan-Cheng has given cello masterclasses at Penn State University University of Wisconsin University of Calgary as well as universities in Panama Colombia and Taiwan. Nan-Cheng holds a B.M. and M.M. from The Juilliard School and is enrolled as a doctoral candidate at CUNY Graduate Center. He taught at CUNY Queens College and now serves as a full-time college music faculty in New York. \nnewasiacms.org/nancheng-chen \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts she studied at Institute of Traditional Japanese Music an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama Akiko Nishigata and Senko Yamabiko a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki NPR’s Performance Today and WKCR. As a koto soloist Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum Piestro Mascagni’s Iris by American Symphony Orchestra Basil Twist’s Dogugaeshi Yasuko Yokoshi’s Bell and many others. \nKimura is a founder of Duo YUMENO with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015 and featured at Chamber Music America’s 2016 National Conference and performed at the John F. Kennedy Center in 2017. In 2019 the duo had its ten-year anniversary recital at Carnegie Hall.\nyokoreikanokimura.com | duoyumeno.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions.\ncrsny.org;X-APPLE-RADIUS=500;X-TITLE=91 E 3rd St:geo:-73.9877549,40.724831
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230315T183000
DTEND;TZID=America/New_York:20230315T190000
DTSTAMP:20260403T185710
CREATED:20221208T230819Z
LAST-MODIFIED:20230305T162204Z
UID:39967-1678905000-1678906800@crsny.org
SUMMARY:Guided Meditation with Yasuko Kasaki in English (on Zoom)
DESCRIPTION:Tuesdays from 6:30 – 7 pm from Jan 10 – March 28\, 2023 (except this week)\nFollowed by ACIM Class from 7 – 8 pm (same Zoom link) \nZoom Meeting Link:\nhttps://us02web.zoom.us/j/81541160040 \nCall-in info:\nMeeting ID: 815 4116 0040\nOne tap mobile: 1-929-436-2866 \nSuggested class donation $20 via PayPal to https://www.paypal.me/crsny\n(no one turned away due to lack of funds) \nPlease join me in the sharing of miracles. Here\, your mind can come to rest and you can remember true peace. No experience with meditation is required\, and everyone is welcome. I ask only that you make it your intention to sit still\, quiet in body and mind\, and to listen to\, receive\, and follow my instruction to the best of your ability. You will learn to meditate as you practice. \nEach week I will share with you a different inspirational message from Holy Spirit. This may take the form of creative visualization exercises\, or instruction about the nature and purpose of meditation\, or about our true nature and relationship to ourselves\, to one another\, and to the world. In a sense\, this is both a meditation practice and a meditation class. At the end of the meditation you will have a chance to respond briefly if you like. \nSome students have been practicing regularly for a number of years. Others drop in and out as they have time or need. Some come to learn and grow\, others more so simply to calm down\, to take time out from the frenetic pace of their busy lives. If you are new and feeling uncertain or shaky\, do not hesitate to introduce yourself to some of the other students\, to ask questions before or after. Try to observe and emulate the stillness and concentration of others around you whom you sense are most grounded. Soon\, you\, in turn\, may provide inspiration and guidance for others. \nWhile the principles are based on A Course in Miracles (ACIM)\, it does not matter if you are unfamiliar with ACIM or are not prepared to study it outside of this meditation. You can still take from this practice some very practical\, effective lessons\, tools\, and experiences that can enable you to lead a more peaceful\, purposeful\, fulfilling and loving life. \nABOUT YASUKO KASAKI \nYasuko Kasaki is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo. She is widely recognized as the person most responsible for the spread of A Course in Miraclesthroughout Japan. In 2004 she founded CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles in New York City. She has taught and worked with thousands of people from around the world to help resolve their mental and physical issues and witness miracles. She presents at the CMC’s annual ACIM Conferences in the U.S.\, and several times a year she gives large seminars throughout Japan. She has also been presented internationally at ACIM conferences and workshops in the U.K.\, Spain\, Germany\, and Israel. \nYasuko is the author of The Scales Fell from My Eyes: An Illustrated Course in Miracles and 17 books in Japanese about the Course\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and of books by Course teachers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister have also been published in Japan. Yasuko’s spiritual writing and lectures are celebrated for their clearly stated explanations of complex concepts illustrated by captivating personal stories of struggle and triumph\, drawn from her long career as a writer\, motorcyclist\, and spiritual counselor. Meditation and communication with Holy Spirit form the foundation of her practice.
URL:https://crsny.org/event/guided-meditation-with-yasuko-kasaki-in-english-on-zoom-4-2023-03-14/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230315T190000
DTEND;TZID=America/New_York:20230315T200000
DTSTAMP:20260403T185710
CREATED:20221208T231000Z
LAST-MODIFIED:20230305T162722Z
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SUMMARY:A Course in Miracles Class with Yasuko Kasaki (on Zoom)
DESCRIPTION:Tuesdays (except this week) from 7 – 8 pm from Jan 10 – March 28\, 2023\nPreceded by Guided Meditation from 6:30 – 7 pm (same Zoom link) \nTogether\, let’s come to rest and remember true peace. Each class usually contains some lecture on concepts from A Course in Miracles\, some discussion and Q&A\, and a meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. Students of all experience levels and backgrounds are welcome! \nZoom Meeting Link:\nhttps://us02web.zoom.us/j/81541160040 \nCall-in info:\nMeeting ID: 815 4116 0040\nOne tap mobile: 1-929-436-2866 \nSuggested donation $20 via PayPal to https://www.paypal.me/crsny\n(no one turned away due to lack of funds) \nYou can find the text of A Course in Miracles (ACIM) online here (http://en.wikisource.org/wiki/A_Course_in_Miracles)\, among other places. \nYasuko Kasaki is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo. She is widely recognized as the person most responsible for the spread of A Course in Miracles throughout Japan. In 2004 she founded CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles in New York City. She has taught and worked with thousands of people from around the world to help resolve their mental and physical issues and witness miracles. She presents at the CMC’s annual ACIM Conferences in the U.S.\, and several times a year she gives large seminars throughout Japan. She has also been presented internationally at ACIM conferences and workshops in the U.K.\, Spain\, Germany\, and Israel. \nYasuko is the author of The Scales Fell from My Eyes: An Illustrated Course in Miracles and 17 books in Japanese about the Course\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and of books by Course teachers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister have also been published in Japan. Yasuko’s spiritual writing and lectures are celebrated for their clearly stated explanations of complex concepts illustrated by captivating personal stories of struggle and triumph\, drawn from her long career as a writer\, motorcyclist\, and spiritual counselor. Meditation and communication with Holy Spirit form the foundation of her practice. \nYou can listen to a sampling of Yasuko’s recent guided meditations here:\nhttp://crsny.podbean.com
URL:https://crsny.org/event/a-course-in-miracles-class-with-yasuko-kasaki-on-zoom-6-2023-03-14/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230326T170000
DTEND;TZID=America/New_York:20230326T183000
DTSTAMP:20260403T185710
CREATED:20230217T230245Z
LAST-MODIFIED:20230217T230248Z
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SUMMARY:CRS Presents SACO & As It Is: Gratitude to Spring Concert
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Gratitude to Spring” with SACO & As It Is and special guest Kevin Nathanial (mbira). Let’s appreciate and embrace the nurturing energy of spring and celebrate it together with singing and dancing! \nAn eleven-piece\, cross-genre music ensemble\, SACO & As It Is creates uplifting and soothing sound experiences that unite people spontaneously. \nTickets are $20 and are available via Eventbrite and at the door (cash only). Seating is limited and advanced ticket purchase is highly recommended. Proof of vaccination is not required but you are strongly encouraged to wear a mask. \nSaco Myoji: Vocal\, Keyboard\, Mbira\, Kalimba \nSakurako Kataoka: Spoken-word \nMichael T.A. Thompson: Percussion \nONE NOTE ONE SPIRIT Choir: Chieko Palenberg\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nSpecial guest Kevin Nathaniel: Mbira \nThe multi-instrumentalist\, Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan. \nKevin Nathaniel is a visionary musician who\, with voice and ancient African instruments\, channels sound as a universal healing force. Together\, breathing rhythms to the beat of our synchronized hearts\, Kevin Nathaniel resonates songs of unity and the “big picture” of love in beautiful ways. A celebrated composer of healing music; a long-time practitioner of the healing arts of mbira\, kalimba\, circle song\, shekere\, dance\, meditation\, and yoga; a world-traveled music healer and performer\, sharing the medicine of the ancient\, the now\, and the beyond\, Kevin Nathaniel brings a fresh\, deep experience of the beauty of sound. \nKevin Nathaniel’s music is an invitation for us to come together\, to share in song\, laughter\, positivity\, movement\, and prayer. \nKevin Nathaniel is a Scholar of the House of Yale University. Following Yale\, Kevin intuitively devoted himself to the healing music of Africa\, especially mbira music. He began constructing instruments\, transitioning to vocal music\, the playing of various instruments of the African world\, dances of Africa\, and sacred healing music. His journey has led him to today\, where he is an innovative force in the development of a new kind of shamanic music\, performing music festivals and ceremonies the world over. His recordings have developed a strong following not only among lovers of uplifting dance grooves\, but also among the healing and natural medicine world\, while healers have verified that his recordings and performances helped heal trauma\, sleep disorders\, physical pain\, depression and anxiety. Kevin has worked with shamans\, channels\, doctors\, healers\, mystics\, and medicine people from Africa\, Asia\, South and North America. He has also worked with Alice Walker\, Oprah Winfrey\, Jonathan Demme\, Madonna\, Niles Rodgers\, Ephat Mujuru\, Dumisani Maraire\, Bobby McFerrin\, Maestro Manuel\, Tito La Rosa\, Nana Vasconcelos\, Carlos Roberto\, Miriam Makeba\, Thomas Mapfumo\, Dr. Mitch Gaynor\, Pedro Cruz Garcia\, Titos Sompa\, Chief Bey\, and Omega Institute (where he serves as musician-in-residence). \nkevinnathaniel.com/
URL:https://crsny.org/event/crs-presents-saco-as-it-is-gratitude-to-spring-concert/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents
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DTSTART;TZID=America/New_York:20230402T160000
DTEND;TZID=America/New_York:20230402T173000
DTSTAMP:20260403T185710
CREATED:20230221T181920Z
LAST-MODIFIED:20230221T181920Z
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SUMMARY:Four Seasons in NY: Gems of Japanese Music Vol. 27
DESCRIPTION:We invite you to celebrate the spring season with us at Four Seasons in New York: Gems of Japanese Music Vol. 27 by the acclaimed vocalist and koto and shamisen player Yoko Reikano Kimura\, with special guest composer and shakuhachi player James Nyoraku 如楽 Schlefer\, on Sunday\, April 2\, 2023 at 4pm in the award-winning White Room at CRS. This concert is presented by CRS (Center for Remembering & Sharing) and Yoko Reikano Kimura and is supported by Hogaku Journal and Mar Creation\, Inc. \n“James Nyoraku Schlefer occupies a special place in [New York City’s] cultural life\, composing and performing music that bridges Western and Japanese styles.” — The New Yorker \nTickets are $30 cash only at the door. To RSVP\, email info@yokoreikanokimura.com \n* Our top priority is the health and safety of the CRS audiences\, artists\, and staff. For this concert we ask that you wear a mask. Thank you for your kind understanding and corporation. \n“…Yoko Reikano Kimura\, playing the shamisen and singing\, is superb….” — New York Times\n“…Kimura’s voice was rich and full-bodied ….” — KC METROPLIS \nAbout Four Seasons in New York – Gems of Japanese Music \nNew York’s music scene reflects the diverse and vibrant culture of the city. Kimura\, together with CRS (Center for Remembering and Sharing)\, began this concert series in the fall of 2015. As a Japanese instrumentalist\, she hopes to introduce the brilliance of traditional Japanese music\, which is still being passed on to future generations after many centuries. Starting with the 2018-19 season\, the series has featured contemporary pieces composed by living composers as well. Since the first concert\, about 50 works from the classical repertoire have been introduced in the concert series. Please come and experience the sounds of koto and shamisen and enjoy the taste of the four seasons here in New York! \nAbout past performances: https://www.yokoreikanokimura.com/projects/fourseasons/ \nAbout the Artists \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto\, shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama\, Akiko Nishigata and Senko Yamabiko\, a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo\, accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki\, NPR’s Performance Today and WKCR. As a koto soloist\, Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist\, she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works\, such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum\, Piestro Mascagni’s Iris by American Symphony Orchestra\, Basil Twist’s Dogugaeshi\, Yasuko Yokoshi’s Bell and many others. \nKimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015\, and featured at Chamber Music America’s 2016 National Conference\, and performed at the John F. Kennedy Center in 2017. In 2019\, the duo had its ten-year anniversary recital at Carnegie Hall.\nyokoreikanokimura.com | duoyumeno.com \nJames Nyoraku 如楽 Schlefer has been playing the shakuhachi for 40 years. A native New Yorker\, he first heard the instrument in 1979\, while working towards his Master’s degree in musicology. This was at a musical soirée in New York’s famed Dakota building\, hosted by one of the professors at the CUNY Graduate Center. There was a sankyoku ensemble of shakuhachi\, koto and shamisen\, and following the performance\, Schlefer was offered the opportunity to play the bamboo flute. The effort was met with total failure and taking that as a mandate\, he began his now four-decade long pursuit. \nSchlefer received his Dai-Shi-Han (Grand Master) certificate in 2001\, and in 2008\, a Shi-Han certificate from Mujuan Dojo\, in Kyoto. In Japan Schlefer studied with Yoshio Kurahashi\, Reibo Aoki\, Katsuya Yokoyama\, and Kifu Mitsuhashi. His first teacher was Ronnie Nyogetsu Seldin in New York. He is trained in the Kinko school following the lineage of Jin Nyodo. \nSchlefer holds a Master’s degree in Western flute and musicology from Queens College\, and currently teaches shakuhachi at Columbia University and music history courses at the City University of New York. He has performed at Carnegie Hall\, Lincoln Center\, the Kennedy Center\, Tanglewood\, BAM\, the Metropolitan Museum\, at colleges and universities throughout the US\, and has toured in Japan\, Malaysia\, Brazil and counties in Europe. \nIn 2008 Schlefer co-founded Kyo-Shin-An Arts to further his enthusiasm of combining the sounds of Japanese and Western classical music traditions. Since that time KSA has commissioned dozens of new compositions\, presented an annual series of concerts in New York\, and partnered with classical ensembles throughout the US and in the UK. \nSchlefer has four solo recordings\, Wind Heart (1996) – which travelled 120\,000\,000 miles aboard the Space Station MIR – Solstice Spirit (1998)\, Flare Up (2002)\, and In The Moment (2008). His music has been featured on NPR’s All Things Considered and MPR’s Performance Today. Schlefer’s recording Spring Sounds\, Spring Seas (2012) on MSR Classics\, features his original music for shakuhachi and orchestra. \nhttps://www.nyoraku.com/
URL:https://crsny.org/event/four-seasons-in-ny-gems-of-japanese-music-vol-27/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents,Gems of Japanese Music
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DTEND;TZID=America/New_York:20230408T160000
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SUMMARY:Stop Calling Them Dangerous #5: Cinema Has Power
DESCRIPTION:La MaMa Moves! in partnership with Movement Research\nand Pool Shine – “New York Traces”\, MOVEMENT ART FILM Festival Berlin\n\nFeaturing Yvonne Rainer\nOrganized by Yoshiko Chuma\nModerated by Wendy Perron\nA panel featuring a conversation on cinemas power and a film screening including works by groundbreaking artist Yvonne Rainer. The panel is organized by choreographer and instigator Yoshiko Chuma and will be moderated by choreographer\, dance scholar\, and author Wendy Perron. There will be surprise dance-filmmakers who will be attending. The screening is co-curated by POOL – Movement Art Film Festival Berlin. \nPhoto credit: Still of “Trio Film” by Yvonne Rainer\, 1968\, Camera: Phill Niblock. With the courtesy of Video Data Bank. \nSpace is limited. RSVP is highly recommended:\nhttps://web.ovationtix.com/trs/pe.c/11238804
URL:https://crsny.org/event/stop-calling-them-dangerous-5/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTEND;TZID=America/New_York:20230516T190000
DTSTAMP:20260403T185710
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SUMMARY:Guided Meditation with Christopher Pelham in English (on Zoom)
DESCRIPTION:Tuesday\, 5/16 from 6:30 – 7 pm\nFollowed by ACIM Class from 7 – 8 pm (same Zoom link) \nZoom Meeting Link:\nhttps://us02web.zoom.us/j/81541160040 \nCall-in info:\nMeeting ID: 815 4116 0040\nOne tap mobile: 1-929-436-2866 \nSuggested class donation $20 via PayPal to https://www.paypal.me/crsny\n(no one turned away due to lack of funds) \nPlease join me in the sharing of miracles. Here\, your mind can come to rest and you can remember true peace. No experience with meditation is required\, and everyone is welcome. I ask only that you make it your intention to sit still\, quiet in body and mind\, and to listen to\, receive\, and follow my instruction to the best of your ability. You will learn to meditate as you practice. \nEach week I will share with you a different inspirational message from Holy Spirit. This may take the form of creative visualization exercises\, or instruction about the nature and purpose of meditation\, or about our true nature and relationship to ourselves\, to one another\, and to the world. In a sense\, this is both a meditation practice and a meditation class. At the end of the meditation you will have a chance to respond briefly if you like. \nSome students have been practicing regularly for a number of years. Others drop in and out as they have time or need. Some come to learn and grow\, others more so simply to calm down\, to take time out from the frenetic pace of their busy lives. If you are new and feeling uncertain or shaky\, do not hesitate to introduce yourself to some of the other students\, to ask questions before or after. Try to observe and emulate the stillness and concentration of others around you whom you sense are most grounded. Soon\, you\, in turn\, may provide inspiration and guidance for others. \nWhile the principles are based on A Course in Miracles (ACIM)\, it does not matter if you are unfamiliar with ACIM or are not prepared to study it outside of this meditation. You can still take from this practice some very practical\, effective lessons\, tools\, and experiences that can enable you to lead a more peaceful\, purposeful\, fulfilling and loving life.
URL:https://crsny.org/event/guided-meditation-with-christopher-pelham-in-english-on-zoom-5/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event
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DTSTART;TZID=America/New_York:20230516T190000
DTEND;TZID=America/New_York:20230516T200000
DTSTAMP:20260403T185710
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SUMMARY:A Course in Miracles Support Group / Class with Christopher Pelham (on Zoom)
DESCRIPTION:Tuesday\, 5/16 from 7 – 8 pm\nPreceded by Guided Meditation from 6:30 – 7 pm (same Zoom link) \nTogether\, let’s come to rest and remember true peace. Each class usually contains some lecture on concepts from A Course in Miracles\, some discussion and Q&A\, and a meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. Students of all experience levels and backgrounds are welcome! \nZoom Meeting Link:\nhttps://us02web.zoom.us/j/81541160040 \nCall-in info:\nMeeting ID: 815 4116 0040\nOne tap mobile: 1-929-436-2866 \nSuggested donation $20 via PayPal to https://www.paypal.me/crsny\n(no one turned away due to lack of funds) \nYou can find the text of A Course in Miracles (ACIM) online here (http://en.wikisource.org/wiki/A_Course_in_Miracles)\, among other places.
URL:https://crsny.org/event/a-course-in-miracles-support-group-class-with-christopher-pelham-on-zoom/
LOCATION:Zoom
CATEGORIES:ACIM-Related Event
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DTSTART;TZID=America/New_York:20230521T140000
DTEND;TZID=America/New_York:20230521T150000
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SUMMARY:CRS Presents BETA Quartet: Where We Come From
DESCRIPTION:CRS presents the award-winning contemporary flute ensemble BETA Quartet\, who will perform a program featuring the world premiere of “Where We Come From” by Detroit-based saxophonist/composer Marcus Elliot\, a piece commissioned by BETA Quartet. “Where We Come From” is a 4-movement work that centers around the Divine Feminine theme and demonstrates the power\, beauty\, and grace that embodies female energy and Mother Nature. \nDescribed as “chamber music at its finest” by Kenneth Tse and “unique and virtuosic” by Barbara Siesel\, BETA Quartet is an award-winning ensemble comprised of flutists Eftihia Arkoudis\, Tatiana Cassetta\, Alyssa Schwartz\, and Meg Brennan. \nTickets are available via eventbrite.com. Tickets are $20 general admission and $10 for students. Some seating may be on blankets on the floor.\nIf not sold out\, tickets will also be available at the door for cash only. \nThe concert will take place in the award-winning White Room at CRS. Please note that the venue is accessible only via a flight of stairs and is not wheelchair accessible. Proof of vaccination is not required but the wearing of masks is encouraged. \nThe White Room at CRS is located between 12th & 13th streets\, above Think Coffee\, in Manhattan. The nearest subway station is 14th St / Union Square (4/5/6\, N/R/Q/W\, L). \nABOUT THE ARTISTS \nMarcus Elliot is a saxophonist\, composer\, improviser\, and educator based in Detroit\, Michigan. Marcus is a 2020 Kresge Artist Fellow\, awarded by Kresge Arts in Detroit. He is the current director of the University of Michigan’s Creative Arts Orchestra. His compositions and improvisations have been described by the New York Times as “convincing and confident\, evolved in touch and tone…”\, and the Detroit Free Press has said\, “Marcus Elliot represents next generation of jazz”. Elliot leads and co-leads many different Detroit based bands including the Marcus EllioTickt Quartet\, Clockwork\, Balance\, Beyond Rebellious\, and Lanula. Elliot performs in the Shigeto Live Ensemble. He is a Fellow of the Geri Allen Gathering Orchestra. He co-founded the nonprofit Polyfold Musical Arts Collective. Elliot is the director of the Detroit Symphony Orchestra’s Civic Jazz Ensembles. Elliot received his master’s degree in improvisation from the University of Michigan. \nhttps://www.marcuselliotmusic.com \nBETA Quartet is dedicated to exploring and promoting the cutting edge of modern flute music by premiering and performing works by living composers from around the world. The ensemble is actively engaged through concerts\, masterclasses\, and educational outreach across the country and abroad. \nAs strong competitors\, BETA has won First Prize at France Music Competition 2° (2020) and West Virginia Music Teachers National Association Chamber Music Competition (2016)\, First Prize at the Flute Society of Kentucky Quartet Competition (2017)\, and advanced to the semi-finals of the prestigious Fischoff National Chamber Music Competition (2017). The group has performed and presented workshops at the National Flute Association Convention\, Florida Flute Association Convention\, the Mid-Atlantic Flute Convention\, the Flute Society of Greater Philadelphia\, and the WVU International Flute Symposium. \nBETA’s activities have been partially funded by grants from The Friends of Flutes Foundation and West Virginia University\, and their recognition within the flute community resulted in sponsorship by Flute Specialists\, Inc. (Clawson\, MI). As of 2019\, BETA Quartet is also a Trevor James Low Flutes Ensemble. \nFollowing the release of their self-titled debut album (2017)\, BETA commissioned Detroit based composer Marcus Elliott to write a work celebrating the feminine divine (2019) and recorded the world premiere of Nuraghi Warriors Dance (Ples Bojevnikov Nuraghi) composed by Anže Rozman and dedicated to the group (2020). Both albums are released with Merandi Records and are available through Spotify\, iTunes\, YouTube and www.betaquartet.com. \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://crsny.org/event/crs-presents-beta-quartet-where-we-come-from/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents
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DTEND;TZID=America/New_York:20230525T143000
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SUMMARY:DIVINE at DOCK 11\, commissioned by CRS
DESCRIPTION:CRS is thrilled to invite you to Berlin for the world premiere of DIVINE\, inspired by tragic tales of wronged and resilient women such as ballet’s “Giselle” and the classic Japanese Kaidan ghost story “Oiwa.” \nSupported by a commission from CRS\, Berlin-based butoh dance artist Yuko Kaseki and ballet artist Megumi Eda created and perform the work to an original sound score composed by Reiko Yamada. \nPerformances will take place May 25 – 28\, 2023 at 7pm at DOCK 11. Following the May 26 performance\, there will be a Q&A with the audience in collaboration with Theaterscoutings. \nTickets are 10/15 € and are available through DOCK 11. \nThese two dancers are like oil and water\, moon and turtle\, the North and South Pole\, a crane in rubbish…. By exchanging their polar opposite approaches to movement and performance\, they assume characters plagued with the discomfort and instability of unfamiliar\, distorted bodies. These two figures with different space/time/ dimensions meet where the eye of the corona appears to have passed\, which they cross in sympathy but filled with confusion and dissonance from wildly different types of existences. Their suffering and persistence echo the paths of Giselle and Oiwa and countless other women whose divine spirits have endured objectification\, coercion\, violence\, and imprisonment in images and lives not of their own choosing or making. \n“Beautiful ballerinas are often caught in their own beauty. They definitely don’t know how to mug. But Megumi can morph in a flash from small boy to impossibly regal diva to a small squirrel chewing on a nut.” – Laurie Anderson\nThis is only the second commission by CRS (Center for Remembering & Sharing) and the first production we have supported outside the United States. We became connected to Yuko Kaseki through the work of past CRS visiting instructor and performer Shinichi Momo Koga and through Yuko’s work with CAVE Art Space and Japan Society. We developed a relationship with Megumi when her daughter performed in ballet recitals at CRS under the direction of Rie Fukuzawa and through Megumi’s work with Yoshiko Chuma & the School of Hard Knocks. At Yoshiko’s suggestion\, CRS presented Megumi’s talk and documentary video art at CRS\, which grew out of Megumi’s work with Yoshiko. This project was\, in fact\, hatched at a School of Hard Kocks performance last October at Ki Smith Gallery\, and we are grateful for Yoshiko’s support and encouragement. \nMegumi Eda was born in Nagano\, Japan and had her professional debut with the Matsuyama Ballet Company at age 14 in Tokyo where she appeared in many of the ballet classics in repertoire. After appearing successfully in the Prix de Lausanne Competition\, she was invited to the Hamburg Ballet School and for the next 15 years\, as a member of the Hamburg Ballet\, the Dutch National Balletand the Rambert Dance Company\, she worked with many choreographers including John Neumeier\, Christopher Bruce\, Jiri Kylian\, Lindsey Kemp\, William Forsythe\, Hans van Manen\, Twyla Tharp and David Dawson. In 2004\, she moved to New York as a founding member of Armitage Gone! Dance and has continued a close collaboration with Karole Armitage to this day. In addition to her work with Armitage she has begun to incorporate other art forms including sculpture and video into her own installations and performances. In New York\, she has developed her passion as a video editor and a director. She has been collaborating with Yoshiko Chuma since 2014 as a Performer/Filmmaker. She won a Bessie Award (NYC Dance & Performance Awards) in 2004. Megumi was named one of Dance Magazine’s BEST PERFORMERS 2015.  Since 2018 she has lived in Berlin and has recently presented her solo choreography in Venice and Berlin. \nmegumieda.com \nYuko Kaseki is a director\, choreographer\, teacher and Butoh dancer who has lived in Berlin long and short enough. She has been searching for a way to penetrate the space between physical and spiritual expression. Every day she trains her perception to find the moment of extraordinary in the ordinary.She studied Butoh dance and Performing Art in HBK Braunschweig with Anzu Furukawa and danced in her company Dance Butter Tokio and Verwandlungsamt in 1989-2000. \nin 1995\, Yuko Kaseki and Marc Ates founded the dance company cokaseki. cokaseki is as an ensemble for performative research around dance\, visual arts and experimental music in live events and improvisations at theater\, gallery\, site specific space\, and film… Since then various members have been part of the group in different roles and changing creative responsibilities. Collaborations have been taking place in numerous international projects with performers such as Christine Bonansea\, Sherwood Chen\, Shinichi Iova Koga\, 4RUDE\, Minako Seki\, Lisa Stertz\, Valentin Tszin\, Teo Vlad\, musicians such as Antonis Anissegos\, Kriton Beyer\, Audrey Chen\, Contagious\, Kirikoo Des\, Axel Dörner\, Echo Ho\, Emilio Gordoa\, miu\, Nguyễn + Transitory\, Yasumune Morishige\, Olaf Rupp\, Tot Onyx\, Sasha Pushkin\, SEQUOIA\, Kazuhisa Uchihashi\, Xenon\, and visual artists such as\, Nikhil Chopra\, Morvarid K\, Sarane Lecompte\, Arata Mori\, Justin Palermo\, Chiharu Shiota\, Peter Zach\, and more. \nSolo and ensemble performances\, collaborations\, and improvisations are performed throughout Europe\, Finland\, Norway\, Georgia\, Turkey\, Russia\, Japan\, Taiwan\, Korea\, Malaysia\, Thailand\, Indonesia\, India\, Burkina Faso\, Canada\, Mexico\, Brazil\, Chile\, Uruguay\, Argentina\, Australia\, and the USA. \nThese works are accumulations of poetic and vivid images that incorporate the spirit of Butoh\, and her performance aims to reflect the outsider’s existence. \nHer strong interest about breaking border of physical expression\, leads to projects with artists with mixed ability such as Theater Thikwa (Berlin)\, Roland Walter (Berlin)\, Sung Kuk Kang (Seoul)\, Zan-Chen Liao (Taipei). \nYuko Kaseki performs and organizes improvisation series “AMMO-NITE GIG” (Vol.1- 48 and on going) with international performers and musicians since 2004. \nVarious collaboration\, AmaTerraz and quantsquat with Teo Vlad (Berlin)\, inkBoat (San Francisco)\, CAVE (New York)\, Tableau Stations (San Francisco)\, improvisation duo with Antonis Anissegos (Berlin)\, ITAKO with Kazuhisa Uchihashi (Berlin)\, Poema Theater (Moscow)\, Theater Salad (Seoul) and many others. \ncokaseki.com \nReiko Yamada is a composer and sound artist\, originally from Hiroshima\, Japan. She composes concert works\, creates sound art installations and works with interdisciplinary collaborators. Her work explores the aesthetic concept of imperfection in a variety of contexts.  \nYamada holds a D.Mus in composition from McGill University\, and is a recipient of numerous prestigious awards and fellowship. She was a 2015-16 Fellow at the Radcliffe Institute for Advanced Study of Harvard University\, the 2016-17 artist-in-residence at IEM (Institut für Elektronische Musik und Akustik)\, the 2018 Innovator-in-Residence at Colorado College\, and 2020-21 S+T+ARTS resident artist. Her various projects have been commissioned and/or funded by New Music USA\, the Canada Council for the Arts\, IRCAM (the Institute for Research and Coordination in Acoustics/Music)\, CIRMMT (the Centre for Interdisciplinary Research in Music Media and Technology)\, the Conseil des arts et des lettres du Québec\, Armitage Gone! Dance\, the Zentrum für Orgelforschung der Kunstuniversität Graz and the European Commission among others. Her works have been presented in venues such as The Metropolitan Museum Breuer (New York)\, and Sónar Festival (Barcelona). She is currently a postdoctral researcher at ICFO (Institute for Photonic Sciences)  and composer-in-residency at Phonos Foundation in Barcelona. \nhttps://www.reikoyamada.com/
URL:https://crsny.org/event/divine-at-dock-11-commissioned-by-crs/2023-05-25/
LOCATION:Dock 11\, Saal 3\, Kastanienallee 79\, Berlin\, 10437\, Germany
CATEGORIES:Concert
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DTSTART;TZID=America/New_York:20230604T130000
DTEND;TZID=America/New_York:20230604T183000
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SUMMARY:CRS Presents Find Your Zen | Science of Meditation
DESCRIPTION:CRS invites you to enjoy a cutting edge sound meditation experience from Japan by Zen master Ryūgyō Kurashima and renowned music producer Masahiro Nakawaki (Ryūichi Sakamoto\, Perfume\, Kyary Pamyu Pamyu\, etc.). Three sessions will take place on June 4\, 2023 at 1 pm\, 3 pm and 5 pm in the award-winning White Room at CRS. \nIn the hustle and bustle of everyday life\, we often find it difficult to make time to fully relax and be in tune with ourselves. However\, despite our busy schedules\, it is possible to practice mindful meditation as a form of self-care. \nUsing traditional Japanese Zen meditation techniques\, the “Zen Mind” method offers a sound meditation session accompanied by a live singing bowl performance and healing music. The program was produced by the two experts in their respective fields – Reverend Ryūgyō Kurashima\, the 54th chief priest of the Shitennōji Temple\, and Mr. Masahiro Nakawaki\, a renowned music producer from Japan. \nThis program will include an in-person talk by the instructors\, followed by the Zen Mind experience. During the talk\, guests will learn about the scientifically measurable effects of Zen Mind as a form of mindfulness\, before immersing in a live performance led by the experts. The program welcomes seasoned meditators as well as total newcomers\, and all will be able to gain a deeper understanding of the benefits of “Zen Mind” meditation and feel transported to a “place” they cannot experience at home. \nThis program is offered in English and Japanese. \nSpace is limited so please register for one of the sessions in advance via eventbrite.com:\nhttps://bit.ly/3MdczX3 \nYou can also pay $25 cash at the door if space is available. No credit cards will be accepted at the door except through Eventbrite.com. \nDirect inquiries to Yoshiko at aloha88hula@gmail.com \nPlease note that the venue is accessible only via a flight of stairs and is not wheelchair accessible. Proof of vaccination is not required but the wearing of masks is encouraged. If \nPROGRAM \n“Zen Mind” Method Introduction (25-30 min) \n“Zen Mind” Meditation (20 min) \nIntermission + Q&A (15-20 min) \n*The full program will run approximately 1 – 1 hour 15 minutes. \n**Please wear comfortable clothes to sit on the floor during the experience. Comfortable pants are recommended. \n***Chairs are available for guests who prefer not to sit on the floor. \n\n\nABOUT THE SPEAKERS \nRyūgyō Kurashima \nThe 54th Chief Priest at the Shitennōji Temple\, Sōtō Section in Tsu\, Mie-Prefecture | Former President of All Japan Young Sōtō Zen Buddhist Priest Association | World Fellowship of Buddhist Youth Adviser. After completing his 2-year training at Daihonzan Eiheiji Temple\, Kurashima continued his Zen training in Europe. Upon his return to Japan\, he began working across religious boundaries to promote interfaith dialogue\, and serves as a caretaker at the Ise International Forum for Religions. \nAdditionally\, he has been holding Zen meditation classes for over 20 years for people’s mental wellbeing every Sunday and offers Zen experience courses to the public. \nHe founded a nursing facility supporting independent living called “Shitennō-an\,” where he aims to improve the nursing care system by incorporating not only physical activities but also a Zen meditation method called “Zen Mind.” \nShitennōji is a Zen temple with a history of over 1\,000 years\, which was founded by the prince Shōtoku Taishi at the order of Empress Suiko. \nMasahiro Nakawaki \nMr. Nakawaki began producing commercial jingles in college and has produced many popular songs. After university\, he joined the Yamaha Music Foundation as a music education researcher and instructor/trainer. Since then\, he has worked as a music producer with various artists\, including Perfume\, Kyary Pamyu Pamyu\, CAPSULE\, Aoi Teshima\, SMAP\, and Ryūichi Sakamoto. Using his background in educational psychology study\, he has developed his own self-improvement method and given lectures at enterprises and educational institutions. His work includes the joint research project “AI Music Creation” with the Tokyo University\, and his lecture “Entertainment Business in Japan” at the University of Southern California. \nLately\, he has been researching the effects of music as part of integrated medicine\, and collaborated on development of Zen Mind\, which amplifies the benefits of meditation using music\, with Mr. Kurashima\, the Chief Priest of Shitennōji Temple. \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. \nCurrently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions.
URL:https://crsny.org/event/crs-presents-find-your-zen/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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SUMMARY:CRS Presents Jessica Ackerley\, Sarah Manning\, and Alma Laprida in Concert
DESCRIPTION:CRS is delighted to present M³ (Mutual Mentorship for Musicians)’ Winter Solstice 2021 Cohort member Jessica Ackerley (guitar) with Sarah Manning (saxophone) and Alma Laprida (tromba marina) on June 18\, 2023 at 5pm in the award-winning White Room at CRS. An audience Q&A will take place following the concert.  \nThis trio’s music is mostly centered around improvisation with a melding of modern jazz and ambient music. But the ensemble is highly unique with the addition of the string instrument tromba marina\, especially in this context because it was originally an instrument for Rennaissance music. \nA tromba marina\, marine trumpet or nuns’ fiddle\, (Fr. trompette marine; Ger. Marientrompete\, Trompetengeige\, Nonnengeige or Trumscheit\, Pol. tubmaryna) is a triangular bowed string instrument used in medieval and Renaissance Europe that was highly popular in the 15th century in England and survived into the 18th century. The tromba marina consists of a body and neck in the shape of a truncated cone resting on a triangular base. It is usually four to seven feet long\, and is a monochord (although some versions have sympathetically-vibrating strings). It is played without stopping the string\, but playing natural harmonics by lightly touching the string with the thumb at nodal points. Its name comes from its trumpet like sound due to the unusual construction of the bridge\, and the resemblance of its contour to the marine speaking-trumpet of the Middle Ages. — from Wikipedia\, the free encyclopedia \nTickets are $20 general admission and $10 for students and are available in advance on eventbrite.com. If not sold out\, tickets will also be available at the door for cash only. Some seating may be on blankets on the floor.  \nThe concert will take place in the award-winning White Room at CRS. Please note that the venue is accessible only via a flight of stairs and is not wheelchair accessible. Proof of vaccination is not required but the wearing of masks is encouraged. \nThe White Room at CRS is located between 12th & 13th streets\, above Think Coffee\, in Manhattan. The nearest subway station is 14th St / Union Square (4/5/6\, N/R/Q/W\, L). \nABOUT THE ARTISTS \nSarah Manning is a saxophonist and composer. She has released four critically acclaimed albums. Harmonious Creature (Posi-Tone 2014) received 4 stars in Down Beat Magazine\, and was on multiple jazz top ten lists including the Los Angeles Times. She is a recipient of a 2021 NYSCA composer commission and a MAP Fund 2020 and 2021 grantee for We Will Not Be Composed\, a new multimedia work with author and activist Soraya Chemaly to challenge perceptions of women’s anger in America. In addition to being a MacDowell Fellow in composition (2012\, 2021)\, she can most recently be heard on William Hooker’s 2021 release Big Moon. \nhttps://www.sarahmanningmusic.com \nAlma Laprida explores the territories among composition\, improvisation\, performance and installation. She works with trumpet marine\, field recordings\, synthesizers\, lyre and other non- conventional instruments and objects. Her work was presented in Argentina\, Brazil\, Colombia\, Chile\, Italy\, Mexico and the United States. \nAlma released three solo albums\, two collaboration albums and several pieces in compilations. She’s currently part of Hypnotized Chickens\, the Bureau of Sensory Affairs and GEXLAT. After living and working in Buenos Aires for ten years\, she’s been based in Maryland\, USA\, since 2021. \nhttps://almalaprida.wordpress.com \nJessica Ackerley is a Canadian guitarist\, improviser and composer based in Hawai’i and a current PhD candidate at University of Hawai’i after a decade of living in New York City. Ackerley continually develops a hybrid musical language drawing on the influences of Black American Music and avant-garde improvisers\, as well as the culture of the thriving New York City and Toronto rock and noise scenes. Since 2017\, Ackerley has released thirteen albums to much critical acclaim with features in Wire Magazine\, Pitchfork\, BBC Radio\, and Bandcamp. They has been commissioned by Adult Swim\, M³ (Mutual Mentorship for Musicians\, and New Music USA as well as received funding from Canada Council for the Arts and Foundation for Contemporary Arts. \nhttps://www.jessicaackerley.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world.  \nCurrently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://crsny.org/event/crs-presents-jessica-ackerley-sara-manning-and-alma-laprida-in-concert/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents
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SUMMARY:A Rooftop Sufi Solstice Celebration (indoors in case of rain)
DESCRIPTION:Please join us in celebrating the Summer Solstice with NOoSPHERE Arts as they kick off their WE ARE NATURE: Rising and Falling annual rooftop series. Held in the spectacular\, one-of-a-kind setting of wildflower meadows stretching across the roofs of an industrial plant against the iconic backdrop of the NYC skyline\, the event will be centered around a Sufi opening ritual honoring nature’s cycles\, performed by Whirling Dervish Farima Berenji. Farima—a Sufi Master and Magi from the bloodline of Iranian Zoroastrian Magi—and her sacred dancers will be accompanied by the klezmer music and Sephardic folk melodies of The Shul Band. The ceremony has been designed as a unique blend of Muslim and Jewish elements— epitomizing the possibility of interfaith collaboration. Join us at Sunset to mark this special occasion! \nThe main event will involve solo acts\, duets and a whirling performance in which several participants— including Cyr wheelers—will interpret the movements of individual planets around a star. The show will also feature poetry readings and storytelling by Master Farima and be accompanied by the live music of the Shul Band. Following the whirlers’ performances\, The Shul Band will continue playing against the darkening night sky. \n*Update: We have a Rain Plan in place with an indoor option for the performances\, with view of the skyline! \nCRS is one of the sponsors of the event. The following members of our community will be whirling at the event under the direction of Farima: Fanny Pérez\, Juliet Rania\, Naeema Butt\, Oihana Garde\, Veronica Santiago\, and Wendi Weng\, as well as visiting artists Bani and Jeff from Farima’s Simorgh Dance Collective in CA. \nTickets are available via Eventbrite:\nhttps://www.eventbrite.com/e/rooftop-season-opening-event-an-ecstatic-solstice-celebration-tickets-640904210747 \nA Sema Gathering (free) and two Whirling workshops (Basic and advanced Whirling practices) will be offered on the day following the event (Sun\, Jun 25: Beginner: 12-1:30 pm\, Advanced: 2-3:30 pm).\nhttps://www.eventbrite.com/e/soul-of-the-sema-whirling-workshops-tickets-638797419277 \nFarima Berenji is an internationally acclaimed dance artist\, ethnologist\, choreographer\, instructor\, and archaeologist specializing in ancient\, sacred\, classical\, and folk dances spanning the millenniums of Persian civilization\, the Silk Road\, and the Near East.\nhttp://farimadance.com/ \nThe Shul Band\, led by Adam Feder\, plays music rooted in Jewish folk music but drawing on the musical wellsprings of New York City and of the whole world. It is equally prayerful and raucous\, meditative and joyful. The band has performed at major venues such as Carnegie Hall.\nhttps://www.theshulband.com/ \nThis is the fourth iteration of the NOoSPHERE Art’s annual rooftop series. Each season’s theme references an aspect of systems thinking\, an approach to environmental sustainability spearheaded by leading thinker Fritjof Capra\, a longtime NOoSPHERE Arts collaborator. This view considers all the major problems of our time—including energy\, economics\, climate change\, and inequality—as interconnected and interdependent. In 2023\, the summer series explores the theme of Nature’s Cycles. A cycle is an interval of time during which a characteristic event occurs\, often repeated regularly or in a sequence of events. There are cycles in everything—seasons\, circadian rhythms\, cellular life\, planetary systems\, politics\, and economics—and cycles in one realm affect cycles in others. Thinking about cycles can help us to discern structure\, order\, and patterns in the world around us\, and to realize that everything in life will ebb and flow—an encouraging thought in times of darkness. \nNOoSPHERE Arts is a 501c3 organization and cultural center led by a team of international creatives whose backgrounds blend the arts and sciences. Its freewheeling\, multidisciplinary approach engages diverse audiences and builds community through a range of vibrant public events in its indoor-outdoor home in Brooklyn\, NYC. The only multidisciplinary arts center in the Greenpoint neighborhood\, it is a welcoming platform where resident and migrant artists alike connect with locals. Uniting music\, dance\, visual arts\, theater\, film\, poetry & prose\, its collaborative productions at the nexus of art and eco-awareness harness the power of art to drive action towards green living\, fair play\, and oneness.\nhttps://www.noosphere-arts.nyc/
URL:https://crsny.org/event/an-ecstatic-solstice-celebration/
LOCATION:NOoSPHERE Arts\, 520 Kingsland Ave\, Brooklyn\, NY\, 11222\, United States
CATEGORIES:Concert,CRS Presents
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SUMMARY:Sufi Dance Workshop & Sema with Visiting Sufi Master Farima Berenji\, Ph.D.
DESCRIPTION:Join world renowned scholar and Master of Yarsani Order\, Dr. Farima Berenji for an afternoon of sacred gathering to learn the Sufi traditions of Greater Khorasan\, Qaderi\, and Yarsani order or Iran. We will take on the path of the mystics\, a journey of discovery\, in space and time\, reconnecting with our ancient ancestors. We will sing\, dance in prayer\, and immerse ourselves in the Soul of the Sema. \nRegister here:\nhttps://www.eventbrite.com/e/soul-of-the-sema-whirling-workshops-tickets-638797419277 \nBeginning Level | 12-1:30pm | $45 \nBasics of Whirling practices\, technique\, knowledge\, and respect. Learn the basic technique of whirling. Farima’s teachings are based on ancient ritual techniques\, science of whirling\, and the sacred geometry of whirling. We will learn essential techniques of preparation\, maintaining balance and posture\, controlling dizziness\, self-focus during turning\, breath work\, and more. We begin with Farima’s unique 4 Element breathing meditation and relaxation of body and mind\, connecting with the 4 sacred directions and manifesting the 4 elements. We will progress into our whirling rituals\, create inner and outer circles\, progress into movement mediation\, while listening to sacred poetry\, sound of drums\, and the natural sounds around us\, and end with sacred movement rituals\, Gwati (ancient Iranian medicine dance\, and Zikr (Sufi Prayers). Farima will also teach the 4 basic path of Sufism in this class (Respect\, Knowledge\, the Path\, the Truth). \nBeginners Level only. No experience required and open to all. This workshop will help people of all experience levels to whirl for a sustained period with ease. \nAdvanced Level | 2 – 3:30pm | $45 \nThis workshop requires prior experience in whirling and knowledge of the 4 basic paths. The Workshop will include: -Khorasan Sema -Qaderi Sema -Yarsani Sema -Shamse Sema (Whirling of the Sun) \n**Workshop will progress to Sema Gathering in the afternoon \nLove is Calling – Sema Gathering | 4 pm (free and open to all/ by donation) \nWe will create a sacred\, supportive space where we can all release whatever energy no longer serves us\, relax and open our heart\, body\, and mind. We will discover the power and mystery of ancient Persian and Sufi dance and rituals – a gateway for self-growth and spiritual transformation–through prayers\, whirling\, music\, and love. Be moved by beautiful Sufi rituals\, sacred music\, songs\, chanting\, poetry\, and dance in prayers! Love is Calling! \nOur gathering will include: \n● Sema and Semah \n● Erfa (ancient Persian Poetry circle) \n● Zikr (Yarsani and Qaderi Rituals) \n● The power of the sharing circle and acts of kindness and love toward self and others. \n● Sohbet (Spiritual talk by Master Farima)
URL:https://crsny.org/event/sufi-dance-workshop-sema-with-visiting-sufi-master-farima-berenji-ph-d/
LOCATION:Last Frontier NYC\, 520 Kingsland Ave\, Brooklyn\, NY\, 11222\, United States
CATEGORIES:sufi
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SUMMARY:CRS Presents Paradise Laboratory: Hell in Paradise — Li-Chin Li & Jeonghyeon Joo
DESCRIPTION:CRS (Center for Remembering & Sharing) invites you to the next installment of its Paradise Laboratory concert series\, Hell in Paradise\, featuring music that that blurs the lines between traditional and experimental performed by Asian Cultural Council 2023 Winter Fellow Li-Chin Li (Chinese sheng and electronics) with special guest California Institute of the Arts faculty member Jeonghyeon Joo (Korean haegeum). The concert will take place on June 25\, 2023 at 8 pm in the award-winning White Room at CRS. \nThe program will include the US premieres of three compositions for sheng performed solo with electronics\, composed by Francisco Uberto\, Heng Chen\, and Jialin Liu and first performed in Li-Chin’s “Rencontre autour du Sheng à Paris” concert in 2022 at the Italian Cultural Centre in Paris\, as well as a solo by Jeonghyeon and an improvised duet. \nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/paradise-laboratory-hell-in-paradise-li-chin-li-jeonghyeon-joo-tickets-655914185987\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \nBorn in Taichung\, Taiwan\, Li-Chin Li is a Sheng soloist\, composer\, and performer. Majored in Chinese Music at the Tainan National University of the Arts\, Li-Chin received solid training in traditional music education. After graduation\, she worked for the most selective and prestige Orchestra\, Hong Kong Chinese Orchestra as a Sheng performer. Li-chin soon figured a nine-to-five job doesn’t’ suit her for making her own music and performing. Li-chin is known for her ability to apply Sheng to various art forms and music genres. Through her work\, she is committed to exploring musicians’ subjectivity and diversity of roles in the performing arts. \nIn October 2021\, Li-Chin took part in a six-month residency program at the esteemed Cité internationale des arts in Paris. Handpicked by the Ministry of Culture\, Taiwan\, she seized this opportunity to collaborate with a diverse group of talented composers and musicians residing in France\, culminating with her performance in the concert “Rencontre autour du Sheng à Paris” co-presented by the Italian Cultural Centre and Taiwan Cultiral Centre in Paris at the end of her residency there. The concert garnered praise from the French national radio program\, “Journal de la Création\,” making a significant impact on the exchange of contemporary music between Taiwan and France\, as well as elevating Taiwan’s sheng music to an international stage. \nRecently\, she has been selected as a member of IRCAM concert de l’atelier d’improvisation\, ManiFeste-2022\, and she has been guested with Ensemble LINEA and Ensemble CAIRN in 2022. Last but not least\, she is a grantee of Asian Culture Council in New York 2023. \nhttps://lichinli.art/ \nJeonghyeon Joo is an award-winning haegeum performer\, composer\, improviser\, and researcher who is an ardent advocate for new and experimental music. Joo’s work explores the somatic\, corporeal relationship between musical instrument and body\, frequently collaborating with composers\, performers\, visual artists\, choreographers\, film directors\, and dancers. Her recent projects have been supported by Arts Council Korea and Seoul Foundation for Arts and Culture. She is currently pursuing a DMA at the California Institute of the Arts and is on faculty at the California Institute of the Arts and Seoul Institute of the Arts. \nhttps://www.joowork.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://crsny.org/event/paradise-laboratory-hell-in-paradise-li-chin-li-jeonghyeon-joo/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents,Paradise Laboratory
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) invites you to the next installment of its Paradise Laboratory concert series Hell in Paradise featuring music that that blurs the lines between traditional and experimental performed by Asian Cultural Council 2023 Winter Fellow Li-Chin Li (Chinese sheng and electronics) with special guest California Institute of the Arts faculty member Jeonghyeon Joo (Korean haegeum). The concert will take place on June 25 2023 at 8 pm in the award-winning White Room at CRS. \nThe program will include the US premieres of three compositions for sheng performed solo with electronics composed by Francisco Uberto Heng Chen and Jialin Liu and first performed in Li-Chin’s “Rencontre autour du Sheng à Paris” concert in 2022 at the Italian Cultural Centre in Paris as well as a solo by Jeonghyeon and an improvised duet. \nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/paradise-laboratory-hell-in-paradise-li-chin-li-jeonghyeon-joo-tickets-655914185987\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \nBorn in Taichung Taiwan Li-Chin Li is a Sheng soloist composer and performer. Majored in Chinese Music at the Tainan National University of the Arts Li-Chin received solid training in traditional music education. After graduation she worked for the most selective and prestige Orchestra Hong Kong Chinese Orchestra as a Sheng performer. Li-chin soon figured a nine-to-five job doesn’t’ suit her for making her own music and performing. Li-chin is known for her ability to apply Sheng to various art forms and music genres. Through her work she is committed to exploring musicians’ subjectivity and diversity of roles in the performing arts. \nIn October 2021 Li-Chin took part in a six-month residency program at the esteemed Cité internationale des arts in Paris. Handpicked by the Ministry of Culture Taiwan she seized this opportunity to collaborate with a diverse group of talented composers and musicians residing in France culminating with her performance in the concert “Rencontre autour du Sheng à Paris” co-presented by the Italian Cultural Centre and Taiwan Cultiral Centre in Paris at the end of her residency there. The concert garnered praise from the French national radio program “Journal de la Création” making a significant impact on the exchange of contemporary music between Taiwan and France as well as elevating Taiwan’s sheng music to an international stage. \nRecently she has been selected as a member of IRCAM concert de l’atelier d’improvisation ManiFeste-2022 and she has been guested with Ensemble LINEA and Ensemble CAIRN in 2022. Last but not least she is a grantee of Asian Culture Council in New York 2023. \nhttps://lichinli.art/ \nJeonghyeon Joo is an award-winning haegeum performer composer improviser and researcher who is an ardent advocate for new and experimental music. Joo’s work explores the somatic corporeal relationship between musical instrument and body frequently collaborating with composers performers visual artists choreographers film directors and dancers. Her recent projects have been supported by Arts Council Korea and Seoul Foundation for Arts and Culture. She is currently pursuing a DMA at the California Institute of the Arts and is on faculty at the California Institute of the Arts and Seoul Institute of the Arts. \nhttps://www.joowork.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11th St 11th Fl:geo:-73.992729,40.733158
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230627T183000
DTEND;TZID=America/New_York:20230627T190000
DTSTAMP:20260403T185710
CREATED:20230604T211517Z
LAST-MODIFIED:20230711T193826Z
UID:40329-1687890600-1687892400@crsny.org
SUMMARY:Guided Meditation with Yasuko Kasaki in English (on Zoom)
DESCRIPTION:Tuesdays from 6:30 – 7 pm\nJune 27\, July 11\, July 25\, August 15\, August 29\, 2023\nFollowed by ACIM Class from 7 – 8 pm (same Zoom link) \nZoom Meeting Link:\nhttps://us02web.zoom.us/j/81541160040 \nCall-in info:\nMeeting ID: 815 4116 0040\nOne tap mobile: 1-929-436-2866 \nSuggested class donation $20 via PayPal to https://www.paypal.me/crsny\n(no one turned away due to lack of funds) \nPlease join me in the sharing of miracles. Here\, your mind can come to rest and you can remember true peace. No experience with meditation is required\, and everyone is welcome. I ask only that you make it your intention to sit still\, quiet in body and mind\, and to listen to\, receive\, and follow my instruction to the best of your ability. You will learn to meditate as you practice. \nEach week I will share with you a different inspirational message from Holy Spirit. This may take the form of creative visualization exercises\, or instruction about the nature and purpose of meditation\, or about our true nature and relationship to ourselves\, to one another\, and to the world. In a sense\, this is both a meditation practice and a meditation class. At the end of the meditation you will have a chance to respond briefly if you like. \nSome students have been practicing regularly for a number of years. Others drop in and out as they have time or need. Some come to learn and grow\, others more so simply to calm down\, to take time out from the frenetic pace of their busy lives. If you are new and feeling uncertain or shaky\, do not hesitate to introduce yourself to some of the other students\, to ask questions before or after. Try to observe and emulate the stillness and concentration of others around you whom you sense are most grounded. Soon\, you\, in turn\, may provide inspiration and guidance for others. \nWhile the principles are based on A Course in Miracles (ACIM)\, it does not matter if you are unfamiliar with ACIM or are not prepared to study it outside of this meditation. You can still take from this practice some very practical\, effective lessons\, tools\, and experiences that can enable you to lead a more peaceful\, purposeful\, fulfilling and loving life. \nABOUT YASUKO KASAKI \nYasuko Kasaki is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo. She is widely recognized as the person most responsible for the spread of A Course in Miraclesthroughout Japan. In 2004 she founded CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles in New York City. She has taught and worked with thousands of people from around the world to help resolve their mental and physical issues and witness miracles. She presents at the CMC’s annual ACIM Conferences in the U.S.\, and several times a year she gives large seminars throughout Japan. She has also been presented internationally at ACIM conferences and workshops in the U.K.\, Spain\, Germany\, and Israel. \nYasuko is the author of The Scales Fell from My Eyes: An Illustrated Course in Miracles and 17 books in Japanese about the Course\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and of books by Course teachers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister have also been published in Japan. Yasuko’s spiritual writing and lectures are celebrated for their clearly stated explanations of complex concepts illustrated by captivating personal stories of struggle and triumph\, drawn from her long career as a writer\, motorcyclist\, and spiritual counselor. Meditation and communication with Holy Spirit form the foundation of her practice.
URL:https://crsny.org/event/guided-meditation-with-yasuko-kasaki-in-english-on-zoom-5-2023-06-27/2023-06-27/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230627T190000
DTEND;TZID=America/New_York:20230627T200000
DTSTAMP:20260403T185710
CREATED:20230604T211842Z
LAST-MODIFIED:20230711T194058Z
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SUMMARY:A Course in Miracles Class with Yasuko Kasaki (on Zoom)
DESCRIPTION:Tuesdays from 7 – 8 pm\nJune 27\, July 11\, July 25\, August 15\, August 29\, 2023\nPreceded by Guided Meditation from 6:30 – 7 pm (same Zoom link) \nTogether\, let’s come to rest and remember true peace. Each class usually contains some lecture on concepts from A Course in Miracles\, some discussion and Q&A\, and a meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. Students of all experience levels and backgrounds are welcome! \nZoom Meeting Link:\nhttps://us02web.zoom.us/j/81541160040 \nCall-in info:\nMeeting ID: 815 4116 0040\nOne tap mobile: 1-929-436-2866 \nSuggested donation $20 via PayPal to https://www.paypal.me/crsny\n(no one turned away due to lack of funds) \nYou can find the text of A Course in Miracles (ACIM) online here (http://en.wikisource.org/wiki/A_Course_in_Miracles)\, among other places. \nYasuko Kasaki is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo. She is widely recognized as the person most responsible for the spread of A Course in Miracles throughout Japan. In 2004 she founded CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles in New York City. She has taught and worked with thousands of people from around the world to help resolve their mental and physical issues and witness miracles. She presents at the CMC’s annual ACIM Conferences in the U.S.\, and several times a year she gives large seminars throughout Japan. She has also been presented internationally at ACIM conferences and workshops in the U.K.\, Spain\, Germany\, and Israel. \nYasuko is the author of The Scales Fell from My Eyes: An Illustrated Course in Miracles and 17 books in Japanese about the Course\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and of books by Course teachers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister have also been published in Japan. Yasuko’s spiritual writing and lectures are celebrated for their clearly stated explanations of complex concepts illustrated by captivating personal stories of struggle and triumph\, drawn from her long career as a writer\, motorcyclist\, and spiritual counselor. Meditation and communication with Holy Spirit form the foundation of her practice. \nYou can listen to a sampling of Yasuko’s recent guided meditations here:\nhttp://crsny.podbean.com
URL:https://crsny.org/event/a-course-in-miracles-class-with-yasuko-kasaki-on-zoom-7-2023-06-27/2023-06-27/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event
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GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230702T170000
DTEND;TZID=America/New_York:20230702T183000
DTSTAMP:20260403T185710
CREATED:20230619T213720Z
LAST-MODIFIED:20230704T213310Z
UID:40343-1688317200-1688322600@crsny.org
SUMMARY:CRS Presents Paradise Laboratory: Sonic Cartography — Adam Robinson\, Devon & gamin
DESCRIPTION:CRS (Center for Remembering & Sharing) invites you to the next installment of its Paradise Laboratory concert series\, Sonic Cartography\, featuring music that\, as usual\, blurs the lines between traditional and experimental performed by Adam Robinson (shakuhachi flute)\, Devon (shakuhachi flute)\, and gamin (Korean piri flute)\, with visual art by Caitlin Cawley and Qixin Zhang. \nThe program includes \n\nBraids for piri & shakuhachi by Devon Osamu Tipp\nTranslucid/Opaque by Vicente Alexim\nObject score by Caitlin Cawley (NY premiere)\nInkling by Devon Osamu Tipp and Qixin Zhang\nvisual art by Caitlin Cawley and Qixin Zhang\n\nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sonic-cartography-gamin-and-devon-tickets-661765728107\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nABOUT THE ARTISTS \nAdam Robinson is a shakuhachi player based in New York City. He has studied shakuhachi with Ralph Samuelson continuously since 2012 and has taken lessons in Japan with Tokumaru Jumei and Yamato Shudo. To supplement his shakuhachi life  he studies Japanese ensemble music with acclaimed koto and shamisen players Sumie Kaneko (Yamada School) and Yoko Hiraoka (Ikuta School). Adam attended The New School for Jazz and Contemporary Music where he studied jazz improvisation and tenor saxophone. Post-grad experience in Conceptual Harmony was undertaken from 2013-2020 with La Monte Young\, Marian Zazeela and Jung Hee Choi. He was a an original member of Gamin’s Unforgotten Song project in 2019. He currently performs with the Columbia University Gagaku Ensemble\, The Hudson Valley Shakuhachi Choir\, leads the Brooklyn Shakuhachi Club\, and gives performances in the New York metropolitan area. Adam sends a monthly email report with updates about shakuhachi performances and writings about the study of traditional Japanese culture. You can sign up at www.adamrobinsonmusic.com \nDevon is in no particular order: a queer non-binary Pittsburgh based NY born shakuhachi player\, composer\, improviser\, cat lover\, electronics lover\, failed orchestral bassoonist\, partner to Kanoko\, amateur cook\, and bad artist. Their music draws influence from their Japanese roots\, experiences as a jeweler and painter\, improvisations with plants\, and their studies of gagaku and hogaku in Japan and the US. Their work focuses on rhythmic and timbral transmutation of cyclical materials. Their compositions have been performed in the US\, Europe\, Australia\, China and Japan. In their spare time\, they enjoy painting\, cooking\, and playing with their cat. \nThey have received commissions from ensembles such as Kamratōn (Pittsburgh\, PA)\, the Thin Edge New Music Collective (Toronto Canada)\, and the Oh My Ears! Festival (Phoenix\, AZ). They have been an artist in residence at Leveld Kunstnartun (Ål\, Norway)\, Listhús AiR (Olafsfjördur\, Iceland)\, and La Pantographe (Moutier\, Switzerland). Their flute repertoire is published by Tetractys Publishing in the UK. \nTheir compositions have been featured at the 2021 International Shakuhachi Festival Prague\, Pittsburgh’s 2020 and 2018 BEYOND Microtonal Music Festivals\, and Pittsburgh’s Music on the Edge new music series. They have presented their research on intercultural collaboration at venues such as Harvard University\, Columbia University\, the Herb Alpert School of Music at UCLA\, and the Hochschule für Musik Carl Maria von Weber in Dresden Germany. Their research has been published by Ziva Hubda: the Review for Living Music in the Czech Republic. \ngreengiraffemusic.info \ngamin is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. Gamin plays 3 traditional winds\, and is a designated Yisuja\, official holder of Important Intangible Cultural Asset No. 46 for Court and Royal Military music. Re-inventing new sonorities from ancient\, somewhat restrictive\, musical systems\, gamin has received several cultural exchange program grants\, including Artist-in-Residence (2014) at the Asian Cultural Council\, and Ministry of Culture\, Republic of Korea (2012). Gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater\, New School\, and Metropolitan Museum. Gamin was featured artist at the Silkroad concert\, Seoul\, 2018\, performing on-stage with Yo-Yo Ma. Gamin’s scheduled Carnegie Hall début for 2019\, as featured soloist\, with the Nangye Gugak Orchestra\, was postponed due to covid. \nSince 2018\, gamin has curated performances at the Center for Remembering and Sharing. gamin finished her artist-in-residency (2020-2023) at the HERE Arts Center\, NYC and released her 4th album\, “Nong” in 2020. \nThe Jerome Foundation awarded gamin their prestigious 2-year (2021-2023) Fellowship. gamin teaches music courses as Adjunct Faculty at ethnomusicology department at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \ncrsny.org
URL:https://crsny.org/event/crs-presents-paradise-laboratory-sonic-cartography-gamin-and-devon/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,Paradise Laboratory
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733158;-73.992729
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) invites you to the next installment of its Paradise Laboratory concert series Sonic Cartography featuring music that as usual blurs the lines between traditional and experimental performed by Adam Robinson (shakuhachi flute) Devon (shakuhachi flute) and gamin (Korean piri flute) with visual art by Caitlin Cawley and Qixin Zhang. \nThe program includes \n\nBraids for piri & shakuhachi by Devon Osamu Tipp\nTranslucid/Opaque by Vicente Alexim\nObject score by Caitlin Cawley (NY premiere)\nInkling by Devon Osamu Tipp and Qixin Zhang\nvisual art by Caitlin Cawley and Qixin Zhang\n\nTickets are $10 for students/seniors and $20 general admission and are available through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-paradise-laboratory-sonic-cartography-gamin-and-devon-tickets-661765728107\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and dance artists in an experimental process-oriented and artist-centered fashion. \nABOUT THE ARTISTS \nAdam Robinson is a shakuhachi player based in New York City. He has studied shakuhachi with Ralph Samuelson continuously since 2012 and has taken lessons in Japan with Tokumaru Jumei and Yamato Shudo. To supplement his shakuhachi life  he studies Japanese ensemble music with acclaimed koto and shamisen players Sumie Kaneko (Yamada School) and Yoko Hiraoka (Ikuta School). Adam attended The New School for Jazz and Contemporary Music where he studied jazz improvisation and tenor saxophone. Post-grad experience in Conceptual Harmony was undertaken from 2013-2020 with La Monte Young Marian Zazeela and Jung Hee Choi. He was a an original member of Gamin’s Unforgotten Song project in 2019. He currently performs with the Columbia University Gagaku Ensemble The Hudson Valley Shakuhachi Choir leads the Brooklyn Shakuhachi Club and gives performances in the New York metropolitan area. Adam sends a monthly email report with updates about shakuhachi performances and writings about the study of traditional Japanese culture. You can sign up at www.adamrobinsonmusic.com \nDevon is in no particular order: a queer non-binary Pittsburgh based NY born shakuhachi player composer improviser cat lover electronics lover failed orchestral bassoonist partner to Kanoko amateur cook and bad artist. Their music draws influence from their Japanese roots experiences as a jeweler and painter improvisations with plants and their studies of gagaku and hogaku in Japan and the US. Their work focuses on rhythmic and timbral transmutation of cyclical materials. Their compositions have been performed in the US Europe Australia China and Japan. In their spare time they enjoy painting cooking and playing with their cat. \nThey have received commissions from ensembles such as Kamratōn (Pittsburgh PA) the Thin Edge New Music Collective (Toronto Canada) and the Oh My Ears! Festival (Phoenix AZ). They have been an artist in residence at Leveld Kunstnartun (Ål Norway) Listhús AiR (Olafsfjördur Iceland) and La Pantographe (Moutier Switzerland). Their flute repertoire is published by Tetractys Publishing in the UK. \nTheir compositions have been featured at the 2021 International Shakuhachi Festival Prague Pittsburgh’s 2020 and 2018 BEYOND Microtonal Music Festivals and Pittsburgh’s Music on the Edge new music series. They have presented their research on intercultural collaboration at venues such as Harvard University Columbia University the Herb Alpert School of Music at UCLA and the Hochschule für Musik Carl Maria von Weber in Dresden Germany. Their research has been published by Ziva Hubda: the Review for Living Music in the Czech Republic. \ngreengiraffemusic.info \ngamin is a distinguished soloist who tours the world performing both traditional Korean music and cross-disciplinary collaborations. Gamin plays 3 traditional winds and is a designated Yisuja official holder of Important Intangible Cultural Asset No. 46 for Court and Royal Military music. Re-inventing new sonorities from ancient somewhat restrictive musical systems gamin has received several cultural exchange program grants including Artist-in-Residence (2014) at the Asian Cultural Council and Ministry of Culture Republic of Korea (2012). Gamin has collaborated in cross-cultural improvisation with world-acclaimed musician presenting premieres at Roulette Theater New School and Metropolitan Museum. Gamin was featured artist at the Silkroad concert Seoul 2018 performing on-stage with Yo-Yo Ma. Gamin’s scheduled Carnegie Hall début for 2019 as featured soloist with the Nangye Gugak Orchestra was postponed due to covid. \nSince 2018 gamin has curated performances at the Center for Remembering and Sharing. gamin finished her artist-in-residency (2020-2023) at the HERE Arts Center NYC and released her 4th album “Nong” in 2020. \nThe Jerome Foundation awarded gamin their prestigious 2-year (2021-2023) Fellowship. gamin teaches music courses as Adjunct Faculty at ethnomusicology department at the Herb Alpert School of Music at UCLA. \ngaminmusic.com \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is a multi-year sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \ncrsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11th St 11th Fl:geo:-73.992729,40.733158
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230708T110000
DTEND;TZID=America/New_York:20230708T130000
DTSTAMP:20260403T185710
CREATED:20230703T225741Z
LAST-MODIFIED:20230703T225744Z
UID:40735-1688814000-1688821200@crsny.org
SUMMARY:Healing Relationships with Yasuko Kasaki
DESCRIPTION:Yasuko will give her next talk to the UCDM- COLOMBIA A\nCourse in Miracles community\, on the topic of Healing Relationships\, this Saturday\, July 8 at 11am EST. You can tune in via YouTube Live here:\nhttps://www.youtube.com/watch?v=FqLSQTiFlxw
URL:https://crsny.org/event/healing-relationships-with-yasuko-kasaki/
LOCATION:online
CATEGORIES:ACIM-Related Event
ATTACH;FMTTYPE=image/png:https://crsny.org/wp-content/uploads/2023/07/image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230716T170000
DTEND;TZID=America/New_York:20230716T183000
DTSTAMP:20260403T185710
CREATED:20230624T002331Z
LAST-MODIFIED:20230627T013831Z
UID:40356-1689526800-1689532200@crsny.org
SUMMARY:CRS Presents SACO & As It Is: Resonance of Water Summer Concert
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Resonance of Water” with SACO & As It Is. Mother Earth is a water planet\, and we are mostly water. Let’s flow together to celebrate this season communing with water. It would be wonderful to feel each other’s “water” with music! \nAn eleven-piece\, cross-genre music ensemble\, SACO & As It Is creates an uplifting and soothing sound experience that unites people spontaneously. Improvisational movements and Whirling Prayer add a visual experience to this music. \nSaco Myoji: Vocal\, Keyboard\, Mbira \nSakurako Kataoka: Spoken-word \nMichael T.A. Thompson: Percussion \nONE NOTE ONE SPIRIT Choir: Chieko Palenberg\, Fusako Miyaji\, Kashimi Asai\, Miyoko Satoh\, Motoi Urano\, Senko Nishimura\, Takemi Kitamura\, Tomomi Kawai \nTickets are $20 and are available via Eventbrite and at the door. Seating is limited and advanced ticket purchase is highly recommended. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-saco-as-it-is-resonance-of-water-summer-concert-tickets-665754498627\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE ARTISTS \nThe multi-instrumentalist\, Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues\, Funk\, Rock\, Bossa Nova\, Salsa\, Jazz\, and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs\, galleries\, festivals\, and healing/wellness events in Japan and U.S.\, mostly in the New York City area\, including the Celebrating Women Composer Festival\, the Vision Festival\, the WHAM Festival\, and other venues and events. Saco offers various configurations of the ensemble; solo\, duo\, trio\, and often brings the choir\, extra percussionists and dancers\, depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit\, the unique sound community for everyone and ATOWA\, the piano duo with the celestial sound creator; composer\, pianist and crystal singing bowl player\, Naoe Moriya who lives in Yokohama\, Japan.
URL:https://crsny.org/event/crs-presents-saco-as-it-is-resonance-of-water-summer-concert/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Resonance of Water” with SACO & As It Is. Mother Earth is a water planet and we are mostly water. Let’s flow together to celebrate this season communing with water. It would be wonderful to feel each other’s “water” with music! \nAn eleven-piece cross-genre music ensemble SACO & As It Is creates an uplifting and soothing sound experience that unites people spontaneously. Improvisational movements and Whirling Prayer add a visual experience to this music. \nSaco Myoji: Vocal Keyboard Mbira \nSakurako Kataoka: Spoken-word \nMichael T.A. Thompson: Percussion \nONE NOTE ONE SPIRIT Choir: Chieko Palenberg Fusako Miyaji Kashimi Asai Miyoko Satoh Motoi Urano Senko Nishimura Takemi Kitamura Tomomi Kawai \nTickets are $20 and are available via Eventbrite and at the door. Seating is limited and advanced ticket purchase is highly recommended. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-saco-as-it-is-resonance-of-water-summer-concert-tickets-665754498627\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE ARTISTS \nThe multi-instrumentalist Saco Myoji (aka Saco Yasuma)’s musical experiences are broad; Blues Funk Rock Bossa Nova Salsa Jazz and Free Improvisational music. She blends all together with her native Japan’s melodies and sensibility to express love and gratitude to nature and the Universe and her music uplifts audience’s spirit. Saco appears in clubs galleries festivals and healing/wellness events in Japan and U.S. mostly in the New York City area including the Celebrating Women Composer Festival the Vision Festival the WHAM Festival and other venues and events. Saco offers various configurations of the ensemble; solo duo trio and often brings the choir extra percussionists and dancers depending on the size and occasion of the event. She released the album “AS IT IS is Beautiful” in summer 2018. It features songs in Japanese and English. Saco is a co-founder of One Note One Spirit the unique sound community for everyone and ATOWA the piano duo with the celestial sound creator; composer pianist and crystal singing bowl player Naoe Moriya who lives in Yokohama Japan.;X-APPLE-RADIUS=500;X-TITLE=41 E 11th St 11th Fl:geo:-73.992729,40.733158
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230805T160000
DTEND;TZID=America/New_York:20230805T173000
DTSTAMP:20260403T185710
CREATED:20230725T195245Z
LAST-MODIFIED:20230726T193257Z
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SUMMARY:Four Seasons in NY: Gems of Japanese Music Vol. 28
DESCRIPTION:We invite you to celebrate the summer season with us at Four Seasons in New York: Gems of Japanese Music Vol. 28 by the acclaimed vocalist and koto and shamisen player Yoko Reikano Kimura\, with special guest visual artist Hiroko Ohno\, on Saturday\, August 5\, 2023 at 4pm in the award-winning White Room at CRS. This concert is presented by CRS (Center for Remembering & Sharing) and Yoko Reikano Kimura and is supported by Hogaku Journal and Mar Creation\, Inc. \nProgram\nNiijio – New Wave – (by Kin’ichi Nakanoshima)\nSarashi (by Kitazawa-koto\, Fukakusa-kengyo) and more\n\nTickets $30 cash only.\nTickets reservation is available on the following form:\nhttps://www.yokoreikanokimura.com/contact/\n*Please include your name and the numbers of tickets you wish to purchase)\n*Payment will be at Center for Remembering and Sharing. (Cash only)\n“…Yoko Reikano Kimura\, playing the shamisen and singing\, is superb….” — New York Times\n“…Kimura’s voice was rich and full-bodied ….” — KC METROPLIS \nAbout Four Seasons in New York – Gems of Japanese Music \nNew York’s music scene reflects the diverse and vibrant culture of the city. Kimura\, together with CRS (Center for Remembering and Sharing)\, began this concert series in the fall of 2015. As a Japanese instrumentalist\, she hopes to introduce the brilliance of traditional Japanese music\, which is still being passed on to future generations after many centuries. Starting with the 2018-19 season\, the series has featured contemporary pieces composed by living composers as well. Since the first concert\, about 50 works from the classical repertoire have been introduced in the concert series. Please come and experience the sounds of koto and shamisen and enjoy the taste of the four seasons here in New York! \nAbout past performances: https://www.yokoreikanokimura.com/projects/fourseasons/ \nABOUT THE ARTISTS \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto\, shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama\, Akiko Nishigata and Senko Yamabiko\, a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo\, accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki\, NPR’s Performance Today and WKCR. As a koto soloist\, Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist\, she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works\, such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum\, Piestro Mascagni’s Iris by American Symphony Orchestra\, Basil Twist’s Dogugaeshi\, Yasuko Yokoshi’s Bell and many others. \nKimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015\, and featured at Chamber Music America’s 2016 National Conference\, and performed at the John F. Kennedy Center in 2017. In 2019\, the duo had its ten-year anniversary recital at Carnegie Hall.\nyokoreikanokimura.com | duoyumeno.com \nHIROKO OHNO is a Brooklyn-based visual artist born in Tokyo. she has exhibited on an international scale with solo exhibitions at Sanagi Fine Arts (Tokyo) Radio House Gallery (NY) Homma Museum\, and Takashimaya. Select group exhibitions include Lichtundfire gallery\, NYFA50 Anniversary\, Lite-Haus Galerie (Berlin)\, El Taller Latino\, UBS Art Gallery\, Silvermine Art Gallery\, Susan Eley fine art\, Asian contemporary art fair NY\, Bridge art fair Miam\, Hiratsuka Museum of Art and Asia Week San Francisco Bay Area. She is a recipient of Artist Summer Institute Lmcc/creative capital\, Vermont Studio Center\, and the NYFA Mentoring Program for Immigrant Artists. She received an MFA and a BFA\, from Musashino Art University in Tokyo.\nhirokoohno.com
URL:https://crsny.org/event/four-seasons-in-ny-28/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents,Gems of Japanese Music
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230910T170000
DTEND;TZID=America/New_York:20230910T183000
DTSTAMP:20260403T185710
CREATED:20230711T210226Z
LAST-MODIFIED:20230914T201125Z
UID:41458-1694365200-1694370600@crsny.org
SUMMARY:CRS Presents Paradise Laboratory: Ayumi Ishito\, Rema Hasumi & Yuko Togami\, with Special Guest Tamio Shiraishi
DESCRIPTION:CRS (Center for Remembering & Sharing) presents the next installment of its Paradise Laboratory concert series\, featuring ambient\, atmospheric\, improvised music by trio Ayumi Ishito (tenor saxophone and electronics)\, Rema Hasumi (synthesizer) & Yuko Togami (drums)\, with special guest the legendary Tamio Shiraishi (alto sax\, electronics) who is known for his frenetic bursts of high-pitched sounds at the very extreme of what the alto can produce. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission and are available by credit card through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-ayumi-ishito-rema-hasumi-yuko-togami-with-tamio-shiraishi-tickets-672718859217\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE ARTISTS \nTamio Shiraishi is\, along with Keiji Haino\, a founding member of the Japanese avant garde group Fushitsusha in the 1970s. His involvement with Fushitsusha was however transient and the experience and connections formed through it led him to choose the saxophone as his main instrument. In 1990 Shiraishi moved to New York where he now plays solo material at NYC subway stops and collaborative projects at other venues. At 74 years of age Tamio Shiraishi has experienced a lot and\, regardless of the lack of formal education in music\, has honed his unique approach to the alto saxophone to a high level of mastery. His style may be characterized as a microtonal exploration of the altissimo-range\, somewhat reminiscent of traditional Japanese Enka music. While exploring the limits of common aesthetic conceptions\, Shiraishi’s performances in New York subway stops have attracted a small following and aroused conversations about the meaning of this form of expression. \nhttp://www.shiraishitamio.info \nAyumi Ishito was born and raised in Ishikawa\, Japan. At the age of 19\, she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007\, Ayumi received a scholarship to attend Berkee College of Music in Boston\, Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee\, Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects Open Question received 4 stars review in DownBeat magazine in 2022. Also her another project The Spacemen was selected for the Best Jazz of 2021 in Bandcamp. As a composer\, Ayumi has been leading her quintet since 2011 and performing her compositions. The band released two albums\, “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \nRema Hasumi is an experimental pianist\, vocalist\, producer and writer who is based out of Brooklyn\, NY. Hasumi was born in 1983 in Fukuoka\, Japan\, and moved to the United States in 2002 to pursue her passion for music\, which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY\, the United States and Asia. In 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014\, upon invitation by acclaimed vocalist Jen Shyu\, Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages\, exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects\, including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice\, performed alongside the great Randy Peterson and Masa Kamaguchi. Her first record “UTAZATA” was released in May 2015 from Ruweh Records\, which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar)\, Thomas Morgan (bass)\, Billy Mintz (drums)\, and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity\, mythology and rituals in Japanese performing arts. In 2016\, Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording\, called “Abiding Dawn”\, reveals Hasumi’s sound world all alone\, layering and unlayering voice\, piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless\, the pitched and the unpitched all meet in Hasumi’s voice\, while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi\, met squarely on her own honest terms. The use of synthesizer\, a vintage Korg Delta DL-50\, serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City\, originally from Saitama\, Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on\, she also started playing marimba and studied classical music until she graduated from high school. While she was in high school\, she got attracted to drums and began taking drum lessons. A couple years later\, she started performing as a drummer based in Tokyo. In 2013\, she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program\, and studied privately with Adam Cruz\, Nasheet Waits\, and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College\, and has performed with many different musicians and projects including Steve Wilson\, Mike Holober\, Scott Reeves\, Ben Paterson\, Mark Wade\, Jakob Dreyer\, Takaaki Otomo\, Nori Naraoka\, Berta Moreno\, Maksim Perepelica\, Latvian Concert Choir\, Musicsnake\, Kijima Sound System. Her debut album “Dawn” was released in April 2018\, and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://crsny.org/event/crs-presents-ayumi-ishito-rema-hasumi-yuko-togami-with-special-guest-tamio-shiraishi/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents,Paradise Laboratory
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2023/07/230910-Rema-Hasumi-Yuko-Togami-Ayumi-Ishito-2.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733158;-73.992729
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) presents the next installment of its Paradise Laboratory concert series featuring ambient atmospheric improvised music by trio Ayumi Ishito (tenor saxophone and electronics) Rema Hasumi (synthesizer) & Yuko Togami (drums) with special guest the legendary Tamio Shiraishi (alto sax electronics) who is known for his frenetic bursts of high-pitched sounds at the very extreme of what the alto can produce. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission and are available by credit card through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-ayumi-ishito-rema-hasumi-yuko-togami-with-tamio-shiraishi-tickets-672718859217\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE ARTISTS \nTamio Shiraishi is along with Keiji Haino a founding member of the Japanese avant garde group Fushitsusha in the 1970s. His involvement with Fushitsusha was however transient and the experience and connections formed through it led him to choose the saxophone as his main instrument. In 1990 Shiraishi moved to New York where he now plays solo material at NYC subway stops and collaborative projects at other venues. At 74 years of age Tamio Shiraishi has experienced a lot and regardless of the lack of formal education in music has honed his unique approach to the alto saxophone to a high level of mastery. His style may be characterized as a microtonal exploration of the altissimo-range somewhat reminiscent of traditional Japanese Enka music. While exploring the limits of common aesthetic conceptions Shiraishi’s performances in New York subway stops have attracted a small following and aroused conversations about the meaning of this form of expression. \nhttp://www.shiraishitamio.info \nAyumi Ishito was born and raised in Ishikawa Japan. At the age of 19 she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007 Ayumi received a scholarship to attend Berkee College of Music in Boston Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects Open Question received 4 stars review in DownBeat magazine in 2022. Also her another project The Spacemen was selected for the Best Jazz of 2021 in Bandcamp. As a composer Ayumi has been leading her quintet since 2011 and performing her compositions. The band released two albums “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \nRema Hasumi is an experimental pianist vocalist producer and writer who is based out of Brooklyn NY. Hasumi was born in 1983 in Fukuoka Japan and moved to the United States in 2002 to pursue her passion for music which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY the United States and Asia. In 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014 upon invitation by acclaimed vocalist Jen Shyu Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice performed alongside the great Randy Peterson and Masa Kamaguchi. Her first record “UTAZATA” was released in May 2015 from Ruweh Records which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar) Thomas Morgan (bass) Billy Mintz (drums) and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity mythology and rituals in Japanese performing arts. In 2016 Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording called “Abiding Dawn” reveals Hasumi’s sound world all alone layering and unlayering voice piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless the pitched and the unpitched all meet in Hasumi’s voice while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi met squarely on her own honest terms. The use of synthesizer a vintage Korg Delta DL-50 serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City originally from Saitama Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on she also started playing marimba and studied classical music until she graduated from high school. While she was in high school she got attracted to drums and began taking drum lessons. A couple years later she started performing as a drummer based in Tokyo. In 2013 she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program and studied privately with Adam Cruz Nasheet Waits and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College and has performed with many different musicians and projects including Steve Wilson Mike Holober Scott Reeves Ben Paterson Mark Wade Jakob Dreyer Takaaki Otomo Nori Naraoka Berta Moreno Maksim Perepelica Latvian Concert Choir Musicsnake Kijima Sound System. Her debut album “Dawn” was released in April 2018 and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11th St 11th Fl:geo:-73.992729,40.733158
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230912T183000
DTEND;TZID=America/New_York:20230912T200000
DTSTAMP:20260403T185710
CREATED:20230828T225206Z
LAST-MODIFIED:20230829T213150Z
UID:41492-1694543400-1694548800@crsny.org
SUMMARY:A Course in Miracles Inspired Meditation & Concert with Yasuko Kasaki and Yoko Cano Matsushita
DESCRIPTION:We are thrilled to welcome you back to the award-winning White Room at CRS for an intimate gathering led by CRS Founder Yasuko Kasaki and her ACIM student\, the artist and songwriting teacher Yoko Cano Matsushita\, who will be visiting us from Mexico! Yasuko will lead us in meditation and then Yoko will perform a set of her songs and share some of her spiritual life lessons. There will be time at the end for discussion and socializing! \nYoko has been studying piano since a young age. \nAfter earning her master’s degree in music\, she performed and taught in NY state\, NYC\, and Long Island for 10 years. Now she is teaching music specializing in songwriting in Mexico. \nMusic had always been her dilemma since she had bad memories of being forced to practice piano by her mother and being confused if she was living her life or her mother’s dream. \nHer passion is to find who she truly is and see truth in others\, encouraging the light to shine in herself and the others. \nAt this concert\, she wants to integrate her passion and the music. \nShe will take you to a journey of her own life experiences (such as conflict\, joy\, dilemma\,happiness\, etc… ) using her own voice. \nShe hopes that the vibration of her voice to reach you to bring healing\, joy and hope. \nAbout Yasuko Kasaki \nYasuko Kasaki is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo\, Japan. The founder of CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles (ACIM) in New York City\, she is widely recognized as the person most responsible for the spread of A Course in Miracles throughout Japan. \nShe is the author of 15 of books in Japanese about A Course in Miracles\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and books by ACIM writers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister and works by poet Maya Angelou and others have also been published in Japan. She is currently translating Mari Perron’s A Course of Love and the ACIM Original Edition into Japanese for publisher Natural Spirit\, Inc. \nAt the behest of friends and classmates\, she began offering spiritual counseling\, reading\, instruction and healing to individuals and groups in 1999. In 2004 she founded CRS (Center for Remembering & Sharing) where she offers spiritual counseling and weekly classes in ACIM\, A Course of Love and meditation and hosts visiting healers and seminar teachers from around the world. She has now taught and worked with thousands of people from around the world to help resolve their mental and physical issues. \nyasukokasaki.com \ncrsny.org \n  \nDIRECTIONS: \nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square
URL:https://crsny.org/event/a-course-in-miracles-inspired-meditation-concert-with-yasuko-kasaki-and-yoko-cano/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,Concert,CRS Presents
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DTSTART;TZID=America/New_York:20230921T190000
DTEND;TZID=America/New_York:20230921T230000
DTSTAMP:20260403T185710
CREATED:20230814T212032Z
LAST-MODIFIED:20230814T212119Z
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SUMMARY:M³ Festival Day 1
DESCRIPTION:Mutual Mentorship for Musicians (M³)\, is a visionary and non-hierarchical mentorship initiative created by musicians Jen Shyu and Sara Serpa. Their 2nd annual in-person M³ Festival will feature 21 bandleaders across three-days – September 21-23\, 2023 at Roulette. \nDay 1 (Sept 21):  \n\nFay Victor with Rebekah Heller DUO Fay Victor (voice) & Rebekah Heller (bassoon)\nFrancesca Tanksley with Newman Taylor Baker – Piano/Percussion Duo: Francesca Tanksley (piano) & Newman Taylor Baker (percussion)\nDuo Maratín: Ria Modak + Ángela Varo Ria Modak (guitar\, voice) & Birsa Chatterjee (saxophone\, voice)\nBarTog + Cecilia Lopez Barbara Togander (turntables\, voice) & Cecilia Lopez (synthesizer)\nMilena Casado Milena Casado (trumpet) & Morgan Guerin (Synths\, ewi)\nLayale Chaker Layale Chaker (violin\, voice)\, Phillip Golub (piano\, microtonal keyboard) & Adriano Vincentino (drums)\n\nSee Day 2 schedule. \nSee Day 3 schedule. \nM³ Festival 2023 co-presented with Roulette is supported by Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, and New Music USA’s Organization Fund in 2023-24. \nM³ began as a labor of love and research between its co-founders\, vocalist-composers Jen Shyu and Sara Serpa\, who are also active composers\, teachers\, and performers. When the Covid-19 lockdown began in NYC in March of 2020\, Shyu and Serpa began conversations about elevating women and non-binary musicians\, particularly women and non-binary musicians of color\, in their global music community. Based on their own experiences of limited access to female and non-binary mentors as they began their careers – the majority of their mentors being older male musicians – they combined concepts of mutual mentorship and group support to create a model that addresses the gaps and imbalances in the music industry. The project was born out of the need for greater community\, opportunity\, and support among women and nonbinary composers in creative music. M³ proposes a new paradigm of mentorship and collaboration guided by a deep sense of fair treatment of all M³’s cohort members\, collaborators and team members\, striving for just distribution of compensation\, visibility and opportunities. \nIn just a few years\, Mutual Mentorship for Musicians (M³) has commissioned over a very wide range of women\, non-binary\, and mostly BIPOC musicians to create numerous new duo music/video compositions across five cohort cycles\, each lasting 6-10 months. \nIn the relentless pursuit of balance and diversity\, this lineup of composer-performers was thoughtfully curated to embody innovation across genres. The M³ Festival serves as a testament to the power of inclusivity\, demonstrating that when intentions focus on fostering a diverse and inclusive community of musicians and creators\, it unlocks a world of boundless possibilities.
URL:https://crsny.org/event/m3festival2023-day1/
LOCATION:Roulette\, 509 Atlantic Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/New_York:20230922T190000
DTEND;TZID=America/New_York:20230922T230000
DTSTAMP:20260403T185710
CREATED:20230814T212407Z
LAST-MODIFIED:20230814T212407Z
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SUMMARY:M³ Festival Day 2
DESCRIPTION:Mutual Mentorship for Musicians (M³)\, is a visionary and non-hierarchical mentorship initiative created by musicians Jen Shyu and Sara Serpa. Their 2nd annual in-person M³ Festival will feature 21 bandleaders across three-days – September 21-23\, 2023 at Roulette. \nDay 2 (Sept 22):  \n\nSraya Murtikanti  Ni Nyoman Srayamurtikanti (Kendang\, Ceng-ceng\, Gender Wayang)\, Victoria Lo Mellin (Kendang\, Ceng-ceng\, Gender Wayang)\, & Liz Behrend (Kendang\, Ceng-ceng\, Klentong)\nThe Sabbath presenting The Adhan Project The Sabbath (vocals) and Liany Mateo (double bass)\nEl Cuerpo Rítmico\, Leonor Falcón\, Cecilia López El Cuerpo Rítmico (piano)\, Leonor Falcón (viola) and Cecilia López (electronics)\nGoussy Célestin & Frankie Patcher Ensemble Jessica Jones (tenor sax)\, Naomi Moon Siegel (trombone)\, Goussy Célestin (piano/vocals)\, Liany Mateo (upright bass) & Frankie Patcher (drums)\n\nSee Day 1 schedule. \nSee Day 3 schedule. \nM³ Festival 2023 co-presented with Roulette is supported by Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, and New Music USA’s Organization Fund in 2023-24. \nM³ began as a labor of love and research between its co-founders\, vocalist-composers Jen Shyu and Sara Serpa\, who are also active composers\, teachers\, and performers. When the Covid-19 lockdown began in NYC in March of 2020\, Shyu and Serpa began conversations about elevating women and non-binary musicians\, particularly women and non-binary musicians of color\, in their global music community. Based on their own experiences of limited access to female and non-binary mentors as they began their careers – the majority of their mentors being older male musicians – they combined concepts of mutual mentorship and group support to create a model that addresses the gaps and imbalances in the music industry. The project was born out of the need for greater community\, opportunity\, and support among women and nonbinary composers in creative music. M³ proposes a new paradigm of mentorship and collaboration guided by a deep sense of fair treatment of all M³’s cohort members\, collaborators and team members\, striving for just distribution of compensation\, visibility and opportunities. \nIn just a few years\, Mutual Mentorship for Musicians (M³) has commissioned over a very wide range of women\, non-binary\, and mostly BIPOC musicians to create numerous new duo music/video compositions across five cohort cycles\, each lasting 6-10 months. \nIn the relentless pursuit of balance and diversity\, this lineup of composer-performers was thoughtfully curated to embody innovation across genres. The M³ Festival serves as a testament to the power of inclusivity\, demonstrating that when intentions focus on fostering a diverse and inclusive community of musicians and creators\, it unlocks a world of boundless possibilities.
URL:https://crsny.org/event/m3festival2023-day2/
LOCATION:Roulette\, 509 Atlantic Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230923T190000
DTEND;TZID=America/New_York:20230923T230000
DTSTAMP:20260403T185710
CREATED:20230814T212650Z
LAST-MODIFIED:20230814T212650Z
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SUMMARY:M³ Festival Day 3
DESCRIPTION:Mutual Mentorship for Musicians (M³)\, is a visionary and non-hierarchical mentorship initiative created by musicians Jen Shyu and Sara Serpa. Their 2nd annual in-person M³ Festival will feature 21 bandleaders across three-days – September 21-23\, 2023 at Roulette. \nDay 3 \n\nNaomi Moon Siegel Quintet Naomi Moon Siegel (trombone)\, Leonor Falcón (violin)\, Jessica Ackerley (guitar)\, TBD (bass) & Frankie Patcher (drums)\nRuth Naomi Floyd and Vino Ruth Naomi Floyd (vocals)\, Vino (double bass)\, Sumi Tonooka (piano)\, Keith Loftis (tenor saxophone) & TBA (Drums)\nbright bright (Jessica Ackerley and Joan Sue) Jessica Ackerley (guitar) & Joan Sue (vocals + electronics)\nSONG and Saxreligious Quintet  SONG (voice and effects)\, Eli Maliwan AKA Saxreligious (tenor saxophone)\, Caili O’Doherty (keys)\, Ethan Cohn (bass) & Eliza Salem (Drums)\n\nSee Day 1 schedule. \nSee Day 2 schedule. \nM³ Festival 2023 co-presented with Roulette is supported by Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, and New Music USA’s Organization Fund in 2023-24. \nM³ began as a labor of love and research between its co-founders\, vocalist-composers Jen Shyu and Sara Serpa\, who are also active composers\, teachers\, and performers. When the Covid-19 lockdown began in NYC in March of 2020\, Shyu and Serpa began conversations about elevating women and non-binary musicians\, particularly women and non-binary musicians of color\, in their global music community. Based on their own experiences of limited access to female and non-binary mentors as they began their careers – the majority of their mentors being older male musicians – they combined concepts of mutual mentorship and group support to create a model that addresses the gaps and imbalances in the music industry. The project was born out of the need for greater community\, opportunity\, and support among women and nonbinary composers in creative music. M³ proposes a new paradigm of mentorship and collaboration guided by a deep sense of fair treatment of all M³’s cohort members\, collaborators and team members\, striving for just distribution of compensation\, visibility and opportunities. \nIn just a few years\, Mutual Mentorship for Musicians (M³) has commissioned over a very wide range of women\, non-binary\, and mostly BIPOC musicians to create numerous new duo music/video compositions across five cohort cycles\, each lasting 6-10 months. \nIn the relentless pursuit of balance and diversity\, this lineup of composer-performers was thoughtfully curated to embody innovation across genres. The M³ Festival serves as a testament to the power of inclusivity\, demonstrating that when intentions focus on fostering a diverse and inclusive community of musicians and creators\, it unlocks a world of boundless possibilities.
URL:https://crsny.org/event/m3festival2023-day3/
LOCATION:Roulette\, 509 Atlantic Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/New_York:20231003T183000
DTEND;TZID=America/New_York:20231003T190000
DTSTAMP:20260403T185710
CREATED:20230902T225746Z
LAST-MODIFIED:20250804T205421Z
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SUMMARY:Guided Meditation with Yasuko Kasaki in English (on Zoom)
DESCRIPTION:from 6:30 – 7 pm\nFollowed by ACIM Class from 7 – 8 pm (same Zoom link) \nZoom Meeting Link:\nhttps://us02web.zoom.us/j/81541160040 \nCall-in info:\nMeeting ID: 815 4116 0040\nOne tap mobile: 1-929-436-2866 \nSuggested class donation $20 via PayPal to https://www.paypal.me/crsny\n(no one turned away due to lack of funds) \nPlease join me in the sharing of miracles. Here\, your mind can come to rest and you can remember true peace. No experience with meditation is required\, and everyone is welcome. I ask only that you make it your intention to sit still\, quiet in body and mind\, and to listen to\, receive\, and follow my instruction to the best of your ability. You will learn to meditate as you practice. \nEach week I will share with you a different inspirational message from Holy Spirit. This may take the form of creative visualization exercises\, or instruction about the nature and purpose of meditation\, or about our true nature and relationship to ourselves\, to one another\, and to the world. In a sense\, this is both a meditation practice and a meditation class. At the end of the meditation you will have a chance to respond briefly if you like. \nSome students have been practicing regularly for a number of years. Others drop in and out as they have time or need. Some come to learn and grow\, others more so simply to calm down\, to take time out from the frenetic pace of their busy lives. If you are new and feeling uncertain or shaky\, do not hesitate to introduce yourself to some of the other students\, to ask questions before or after. Try to observe and emulate the stillness and concentration of others around you whom you sense are most grounded. Soon\, you\, in turn\, may provide inspiration and guidance for others. \nWhile the principles are based on A Course in Miracles (ACIM)\, it does not matter if you are unfamiliar with ACIM or are not prepared to study it outside of this meditation. You can still take from this practice some very practical\, effective lessons\, tools\, and experiences that can enable you to lead a more peaceful\, purposeful\, fulfilling and loving life. \nABOUT YASUKO KASAKI \nYasuko Kasaki is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo. She is widely recognized as the person most responsible for the spread of A Course in Miraclesthroughout Japan. In 2004 she founded CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles in New York City. She has taught and worked with thousands of people from around the world to help resolve their mental and physical issues and witness miracles. She presents at the CMC’s annual ACIM Conferences in the U.S.\, and several times a year she gives large seminars throughout Japan. She has also been presented internationally at ACIM conferences and workshops in the U.K.\, Spain\, Germany\, and Israel. \nYasuko is the author of The Scales Fell from My Eyes: An Illustrated Course in Miracles and 17 books in Japanese about the Course\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and of books by Course teachers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister have also been published in Japan. Yasuko’s spiritual writing and lectures are celebrated for their clearly stated explanations of complex concepts illustrated by captivating personal stories of struggle and triumph\, drawn from her long career as a writer\, motorcyclist\, and spiritual counselor. Meditation and communication with Holy Spirit form the foundation of her practice.
URL:https://crsny.org/event/guided-meditation-with-yasuko-kasaki-in-english-on-zoom-5/2023-10-03/
LOCATION:Zoom
CATEGORIES:ACIM-Related Event
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231003T190000
DTEND;TZID=America/New_York:20231003T200000
DTSTAMP:20260403T185710
CREATED:20230902T230840Z
LAST-MODIFIED:20230924T040747Z
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SUMMARY:A Course in Miracles Class with Yasuko Kasaki (on Zoom)
DESCRIPTION:Tuesdays from 7 – 8 pm\nOctober 3\, 2023\nPreceded by Guided Meditation from 6:30 – 7 pm (same Zoom link) \nTogether\, let’s come to rest and remember true peace. Each class usually contains some lecture on concepts from A Course in Miracles\, some discussion and Q&A\, and a meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. Students of all experience levels and backgrounds are welcome! \nZoom Meeting Link:\nhttps://us02web.zoom.us/j/81541160040 \nCall-in info:\nMeeting ID: 815 4116 0040\nOne tap mobile: 1-929-436-2866 \nSuggested donation $20 via PayPal to https://www.paypal.me/crsny\n(no one turned away due to lack of funds) \nYou can find the text of A Course in Miracles (ACIM) online here (http://en.wikisource.org/wiki/A_Course_in_Miracles)\, among other places. \nYasuko Kasaki is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo. She is widely recognized as the person most responsible for the spread of A Course in Miracles throughout Japan. In 2004 she founded CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles in New York City. She has taught and worked with thousands of people from around the world to help resolve their mental and physical issues and witness miracles. She presents at the CMC’s annual ACIM Conferences in the U.S.\, and several times a year she gives large seminars throughout Japan. She has also been presented internationally at ACIM conferences and workshops in the U.K.\, Spain\, Germany\, and Israel. \nYasuko is the author of The Scales Fell from My Eyes: An Illustrated Course in Miracles and 17 books in Japanese about the Course\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and of books by Course teachers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister have also been published in Japan. Yasuko’s spiritual writing and lectures are celebrated for their clearly stated explanations of complex concepts illustrated by captivating personal stories of struggle and triumph\, drawn from her long career as a writer\, motorcyclist\, and spiritual counselor. Meditation and communication with Holy Spirit form the foundation of her practice. \nYou can listen to a sampling of Yasuko’s recent guided meditations here:\nhttp://crsny.podbean.com
URL:https://crsny.org/event/a-course-in-miracles-class-with-yasuko-kasaki-on-zoom-7/
LOCATION:Zoom
CATEGORIES:ACIM-Related Event
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END:VCALENDAR