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DTSTART;VALUE=DATE:20170601
DTEND;VALUE=DATE:20170602
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
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SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-01/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170601T190000
DTEND;TZID=America/New_York:20170601T200000
DTSTAMP:20170526T015016Z
CREATED:20170525T225411Z
LAST-MODIFIED:20170526T015016Z
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SUMMARY:Medical Qigong Class Series:  Body Mind Form & La Qi
DESCRIPTION:Body Mind Spirit Healing\nBody Mind Form & La Qi \n\nConnect with unlimited life force energy\nTransform tendons and open joints\nImprove body alignment\nOpen energy centers and channels\nOpen the Heart\nImprove extrasensory perception\nHeal chronic disorders\n\nTeacher: Linda Y. Qiu\n M.D. (China) L. Ac. (NY)\nQiu has been practicing Qigong healing for more than 25 years. She was a medical doctor in China before moving to the U.S. in 2001 to teach Chinese medicine and Qigong. She was the director of Integral Studies department in AOMA Graduate School of Integrative Medicine\, and the director of Medical Qigong Practitioner Certi cate Program in New York College of Traditional Chinese Medicine. She also treats patients using Qigong\, acupuncture and herbs. \n\n\n\n\nFee: $160 before May 25th\, $180 on Jun 1st\n$20 drop in for each class \nNo prerequisite \n\n\n\n\n\n\n\nTo register\, contact Linda Y. Qiu:\n646 240 1023 nycemed@gmail.com
URL:https://crsny.org/event/medical-qigong-class-series-body-mind-form-la-qi/2017-06-01/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/05/170601-Qigong-Workshop.jpg
ORGANIZER;CN="NYC Energy Medicine":MAILTO:nycemed@gmail.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170602
DTEND;VALUE=DATE:20170603
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007008-1496361600-1496447999@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-02/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170602
DTEND;VALUE=DATE:20170605
DTSTAMP:20170413T231639Z
CREATED:20170413T231639Z
LAST-MODIFIED:20170413T231639Z
UID:10006051-1496361600-1496620799@crsny.org
SUMMARY:Pangue Shengong Qigong Workshop
DESCRIPTION:Pangu Shengong (aka Pan Gu Mystical Qigong)\, developed by Master Ou Wen Wei\, is a simple and powerful self-healing method that improves your health and well-being by strengthening your life force and immunity. It brings calmness\, positive thinking\, and happiness. It has helped hundreds of thousands of people recover from their illnesses and maintain good health. Master Ou Wen Wei will share with you how he has remained healthy\, vital\, calm and peaceful for 40 years\, never needing medical attention\, medication or interventions of any kind! \nMaster Ou will teach entrance level classes\, the Foundational Qi Cultivation Moving Form course\, the Cognitive & Sensory Perception Development Nonmoving Form course\, and Healing Skills course on Saturday\, June 3\, 2017 at CRS. He will also teach advanced level classes on June 3 and 4 at CRS. \nHe will offer one-on-one healing sessions on June 2 and 4 at CRS. Master Ou issues healing energy to individuals\, reinforcing recipients’ immune system\, strengthening Life Force\, calming the mind and nervous system (15 minutes/session). An amazing experience is waiting for you! Prerequisites:  none. Cost 470. \nFor questions about the course schedule or course registration\, please contact: Lorna Lai at 917-362-6662. \nRegister now (Online Registration) for the courses on the Pangu Shengong website. Each person attending these courses needs to fill out a separate registration.
URL:https://crsny.org/event/pangue-shengong-qigong-workshop/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170602T190000
DTEND;TZID=America/New_York:20170602T210000
DTSTAMP:20170531T233708Z
CREATED:20170531T233654Z
LAST-MODIFIED:20170531T233708Z
UID:10007090-1496430000-1496437200@crsny.org
SUMMARY:Aum Shanti Presents an Enchanted Evening with Krishna Kumar (K.K.) Sah
DESCRIPTION:KK Sah is a mentor\, friend and teacher to many of the Westerners who have come to India in search of the extraordinary being known as Neem Karoli Baba (Maharaj-ji). His experience and knowledge of Bhakti Yoga (yoga of devotion) and his vocal renditions of Bhajans (devotional poems) from the mystic saints have been an important spiritual transmission for many of these same Westerners who have come under his guidance. KK himself had the grace to grow up in this environment\, literally in the lap of Neem Karoli Baba. \nIn Deva Bhumi\, the title of KK’s book\, we get an opportunity to hear of the vibrancy and spiritual tapestry of this very special region of India where the divine presence presided through these beloved Gurus in KK’s story. We also hear\, for the first time\, the stories of one particular Saint of this region of the Himalayas\, Sombari Baba\, who exemplified the enigmatic and holy presence of a completely free being or as it is known in India\, a Siddha- a fully accomplished and realized being. \nIn Deva Bhumi KK passes forward the love and wisdom of these very special beings who represent the promise of what we can be as humans. It is the story of a place on our planet that has been the centre of a tradition of love\, compassion and service through the living examples of these great beings.
URL:https://crsny.org/event/aum-shanti-presents-enchanted-evening-krishna-kumar-k-k-sah/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Aum Shanti Bookshop,Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/05/170602-Deva-Bhumi-by-Krisha-Kuma-Sah.jpg
ORGANIZER;CN="Aum Shanti Bookshop":MAILTO:aumshantibookshop@gmail.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170603
DTEND;VALUE=DATE:20170604
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007009-1496448000-1496534399@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-03/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170603T093000
DTEND;TZID=America/New_York:20170603T130000
DTSTAMP:20170601T165111Z
CREATED:20170601T050317Z
LAST-MODIFIED:20170601T165111Z
UID:10006059-1496482200-1496494800@crsny.org
SUMMARY:Introduction to Hinduism
DESCRIPTION:A 3-hour workshop exploring the beliefs\, practicality and mysticism of the world’s oldest religion. \nJoin Dandapani\, Hindu priest\, entrepreneur and international speaker\, in a morning of exploring how the teachings of the worlds oldest religion is applicable today. \nThe workshop is an overview of Hinduism with a purpose of bringing clarity to what is conveyed in the Vedas and Agamas\, Hinduism’s core scriptures\, and show it’s relevance to modern day life and it’s timeless practicality. The workshop will focus on 3 sections:\n1. Philosophy – the basic beliefs covering topics such as one God\, soul\, karma\, ahimsa\, reincarnations\, the 4 sects\, the 2 paths\, 3 worlds and more;\n2. Spiritual Tools – its timeless\, simple\, practical and life-changing spiritual tools and rituals;\n3. Hindu Metaphysics – understanding who we are with the study of the 5 states of mind\, the masculine and feminine currents\, human aura\, the chakras and more \nIf you have ever struggled to see how Hinduism can be applied in today’s world to help you live a dynamic and joyous life then attend this workshop. The workshop is also focused on dispelling some Hinduism’s greatest myths such as multiple gods\, violent folk stories and more. \nThis is a free event structured for adults. Children who have an interest in this will find the workshop beneficial. \nRegistration needed. \n\nAbout Dandapani\n\n\n\nDandapani is a Hindu priest\, speaker on self development and an entrepreneur. Of Sri Lankan ancestry\, he grew up in Australia and after graduating university with a degree in Electrical Engineering he left it all behind to become a Hindu monk under the guidance of one of Hinduism’s foremost spiritual leaders of our time\, Sivaya Subramuniyaswami. For 10 years he lived a life of serious personal discipline and training at his guru’s cloistered monastery in Hawaii. \nWhen his vows expired seven years ago he chose to venture out into the world on his own. He made New York City his new home\, determined to live and practice himself everything he teaches in the most invigorating and challenging city in the world. He works with a variety of individuals\, companies and organizations around the world conducting training through workshops\, retreats and exclusive coaching circles. \nApproachable\, practical and funny\, he has a unique ability to simplify the understanding of the mind\, make spiritual tools practically applicable in every day life\, create systematic approaches to self development that allows for sustainable change and relate what he teaches to every day life. All this and more make him a much sought after speaker and coach on self development.
URL:https://crsny.org/event/introduction-to-hinduism/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170604
DTEND;VALUE=DATE:20170605
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007010-1496534400-1496620799@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170605
DTEND;VALUE=DATE:20170606
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007011-1496620800-1496707199@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-05/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170605T193000
DTEND;TZID=America/New_York:20170605T193000
DTSTAMP:20170522T213439Z
CREATED:20170517T011622Z
LAST-MODIFIED:20170522T213439Z
UID:10007056-1496691000-1496691000@crsny.org
SUMMARY:Fundamentals of Kabbalah
DESCRIPTION:THE KABBALAH CAMPUS\nNEW FUNDAMENTALS SEMESTER BEGINS SPRING 2017\nThe Fundamentals Semester course introduces students to the Fundamentals of Kabbalah using key Kabbalistic articles to lay the foundation of basic concepts in Kabbalah. It describes the method to rise from our world to spirituality. \nKabbalah is a very practical study – why do we act the way we do? Why is the world experiencing so many crises today? \nAs the course progresses\, you are led into a very personal journey of discovery as you examine your response to the writings of the greatest Kabbalists of our time. \nClass Schedule:\n10 weeks\, every Monday\n7:30 pm – 9:30 pm \n\nLesson 1 – The Essence of the Wisdom of Kabbalah\nLesson 2 – The Spiritual Perception Of Reality\nLesson 3 – The Importance of Kabbalah Books with an Emphasis on the Reforming Light\nLesson 4 – From the Love of Others to the Love of the Creator\nLesson 5 – The Environment and Free Will\nLesson 6 – Connecting the Points and the Kabbalistic Meal\nLesson 7 – The Soul of Adam and the Shattering of the Soul\nLesson 8 – There is None Else Besides Him\nLesson 9 – Internality and Externality\, The Story of the Bible\nLesson 10 – Completing the Circle and a Spiritual Meal\n\nTotal tuition: $150\nIncludes a $40 textbook you will be using during class\nFinancial aid available for certain situations \n“The Bnei Baruch Kabbalah course answered my deepest questions\, revealed the laws of love and of nature to me\, provided me with a wonderful tool to educate my children with\, and significantly improved my relationships with my loved ones.”\n– Rachel\, Springfield\, Illinois \nMEET YOUR INSTRUCTOR:\nGIANNI CONTI \nFor the last 7 years Gianni has been teaching authentic Kabbalah to audiences worldwide. He teaches in live campus courses as well as online\, to beginner\, intermediate and advanced level students. \nWe asked Gianni why he teaches Kabbalah and what Kabbalah adds to his life and told us that\, “There is an indescribable change that occurs in a student – I’ve seen it many times – that upgrades their understanding of life as a whole. It’s as if a few lifetimes of experiences were compressed into months. And this frees a person to a whole new layer of life above all of what seemed before as obstacles. When you know that’s possible you want to share it [the wisdom of Kabbalah] again and again.”
URL:https://crsny.org/event/fundamentals-of-kabbalah-2/2017-06-05/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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ORGANIZER;CN="Bnei Baruch Kabbalah Education Center":MAILTO:bbny@kabbalah.info
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170606
DTEND;VALUE=DATE:20170607
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007012-1496707200-1496793599@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-06/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170607
DTEND;VALUE=DATE:20170608
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007013-1496793600-1496879999@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-07/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170608
DTEND;VALUE=DATE:20170609
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007014-1496880000-1496966399@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-08/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170608T190000
DTEND;TZID=America/New_York:20170608T200000
DTSTAMP:20170526T015016Z
CREATED:20170525T225411Z
LAST-MODIFIED:20170526T015016Z
UID:10007079-1496948400-1496952000@crsny.org
SUMMARY:Medical Qigong Class Series:  Body Mind Form & La Qi
DESCRIPTION:Body Mind Spirit Healing\nBody Mind Form & La Qi \n\nConnect with unlimited life force energy\nTransform tendons and open joints\nImprove body alignment\nOpen energy centers and channels\nOpen the Heart\nImprove extrasensory perception\nHeal chronic disorders\n\nTeacher: Linda Y. Qiu\n M.D. (China) L. Ac. (NY)\nQiu has been practicing Qigong healing for more than 25 years. She was a medical doctor in China before moving to the U.S. in 2001 to teach Chinese medicine and Qigong. She was the director of Integral Studies department in AOMA Graduate School of Integrative Medicine\, and the director of Medical Qigong Practitioner Certi cate Program in New York College of Traditional Chinese Medicine. She also treats patients using Qigong\, acupuncture and herbs. \n\n\n\n\nFee: $160 before May 25th\, $180 on Jun 1st\n$20 drop in for each class \nNo prerequisite \n\n\n\n\n\n\n\nTo register\, contact Linda Y. Qiu:\n646 240 1023 nycemed@gmail.com
URL:https://crsny.org/event/medical-qigong-class-series-body-mind-form-la-qi/2017-06-08/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/05/170601-Qigong-Workshop.jpg
ORGANIZER;CN="NYC Energy Medicine":MAILTO:nycemed@gmail.com
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170609
DTEND;VALUE=DATE:20170610
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007015-1496966400-1497052799@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-09/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170609T190000
DTEND;TZID=America/New_York:20170609T200000
DTSTAMP:20170521T191407Z
CREATED:20170521T191407Z
LAST-MODIFIED:20170521T191407Z
UID:10007071-1497034800-1497038400@crsny.org
SUMMARY:Sun Seed's Cosmic Gong sound meditation with New Moon
DESCRIPTION:Please join us for a very mysterious sound and vibration that comes from four gongs. \nSun Seed plays the sounds created by analyzing the frequency that the planet launches\, including the moon. \nAs soon as the sounds and vibrations of the gongs with that frequency tremble the room\, you feel like drifting in outer space and you will see the universe. \nIt is not the usual big sound that gongs make. It is very delicate but it is also a powerful sound.\n \nThe Sun Seed Gong Meditation session is quite recommended! \nMoreover\, since it will be held in the award-winning White Room at CRS\, it will become even more powerful.\nWould you like to join the new moon meditation? \nTickets: $20\nPay at the door.\nReservation required:\ninoriforearth@gmail.com / 914-703-8018
URL:https://crsny.org/event/sun-seeds-cosmic-gong-sound-meditation-new-moon/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170610
DTEND;VALUE=DATE:20170611
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007016-1497052800-1497139199@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-10/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170611
DTEND;VALUE=DATE:20170612
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007017-1497139200-1497225599@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-11/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20170611T133000
DTEND;TZID=America/New_York:20170611T160000
DTSTAMP:20170522T192403Z
CREATED:20170522T192403Z
LAST-MODIFIED:20170522T192403Z
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SUMMARY:Miracles in Manhattan with Jon Mundy\, Ph.D.
DESCRIPTION:In June\, July and August\, Jon will be covering the 50 miracle principles as described in Chapter 1 of the Textbook of A Course in Miracles. He will also be reviewing some of the new (old) material and arrangement of the miracle principles as presented in the new Complete and Annotated Edition of A Course in Miracles as edited by Robert Perry and Greg Mackie and others of the Circle of Atonement. \n~ $20 per person with advanced registration ~\n~ $25 per person at the door without a registration ~\nAs long as space is available\, “No one is ever turned away.” Contribute what you can. \nCall 212-866-3795 or email Fran@miraclesmagazine.org to register in advance.\nYour name will be on a list at the door. To pay by credit\, card please register in advance. Or\, you can pay with cash or a check at the door. \nAlthough we would\, of course\, prefer to share with you in class\, Miracles in Manhattan classes are now also being offered via life-streaming for those who cannot attend the class in-person. The day of the class\, go to our YouTube Channel:\nhttps://www.youtube.com/channel/UCwxH3nWSMFDGA1SiR9kAbeg\nand choose the live-streaming button \nYou will receive a monthly email reminder with the latest information on the date\, time and topic. The schedule can always be found on our website:\nwww.miraclesmagazine.org \nDr. Jon Mundy met Dr. Helen Schucman\, the scribe for A Course in Miracles\, in 1973. Helen introduced Jon to the Course and served as his mentor and guide till she became ill in 1980. He is the author of Living A Course in Miracles. After Return to Love by Marianne Williamson\, it is currently the best-selling book based on the teaching of A Course in Miracles.
URL:https://crsny.org/event/miracles-manhattan-jon-mundy-ph-d-6/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,Guest Event,Miracles in Manhattan
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170612
DTEND;VALUE=DATE:20170613
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007018-1497225600-1497311999@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-12/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170612T193000
DTEND;TZID=America/New_York:20170612T193000
DTSTAMP:20170522T213439Z
CREATED:20170517T011622Z
LAST-MODIFIED:20170522T213439Z
UID:10007057-1497295800-1497295800@crsny.org
SUMMARY:Fundamentals of Kabbalah
DESCRIPTION:THE KABBALAH CAMPUS\nNEW FUNDAMENTALS SEMESTER BEGINS SPRING 2017\nThe Fundamentals Semester course introduces students to the Fundamentals of Kabbalah using key Kabbalistic articles to lay the foundation of basic concepts in Kabbalah. It describes the method to rise from our world to spirituality. \nKabbalah is a very practical study – why do we act the way we do? Why is the world experiencing so many crises today? \nAs the course progresses\, you are led into a very personal journey of discovery as you examine your response to the writings of the greatest Kabbalists of our time. \nClass Schedule:\n10 weeks\, every Monday\n7:30 pm – 9:30 pm \n\nLesson 1 – The Essence of the Wisdom of Kabbalah\nLesson 2 – The Spiritual Perception Of Reality\nLesson 3 – The Importance of Kabbalah Books with an Emphasis on the Reforming Light\nLesson 4 – From the Love of Others to the Love of the Creator\nLesson 5 – The Environment and Free Will\nLesson 6 – Connecting the Points and the Kabbalistic Meal\nLesson 7 – The Soul of Adam and the Shattering of the Soul\nLesson 8 – There is None Else Besides Him\nLesson 9 – Internality and Externality\, The Story of the Bible\nLesson 10 – Completing the Circle and a Spiritual Meal\n\nTotal tuition: $150\nIncludes a $40 textbook you will be using during class\nFinancial aid available for certain situations \n“The Bnei Baruch Kabbalah course answered my deepest questions\, revealed the laws of love and of nature to me\, provided me with a wonderful tool to educate my children with\, and significantly improved my relationships with my loved ones.”\n– Rachel\, Springfield\, Illinois \nMEET YOUR INSTRUCTOR:\nGIANNI CONTI \nFor the last 7 years Gianni has been teaching authentic Kabbalah to audiences worldwide. He teaches in live campus courses as well as online\, to beginner\, intermediate and advanced level students. \nWe asked Gianni why he teaches Kabbalah and what Kabbalah adds to his life and told us that\, “There is an indescribable change that occurs in a student – I’ve seen it many times – that upgrades their understanding of life as a whole. It’s as if a few lifetimes of experiences were compressed into months. And this frees a person to a whole new layer of life above all of what seemed before as obstacles. When you know that’s possible you want to share it [the wisdom of Kabbalah] again and again.”
URL:https://crsny.org/event/fundamentals-of-kabbalah-2/2017-06-12/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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ORGANIZER;CN="Bnei Baruch Kabbalah Education Center":MAILTO:bbny@kabbalah.info
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170613
DTEND;VALUE=DATE:20170614
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007019-1497312000-1497398399@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-13/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170614
DTEND;VALUE=DATE:20170615
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007020-1497398400-1497484799@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-14/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170615
DTEND;VALUE=DATE:20170616
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007021-1497484800-1497571199@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-15/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170615T184500
DTEND;TZID=America/New_York:20170615T203000
DTSTAMP:20170601T172048Z
CREATED:20170531T221021Z
LAST-MODIFIED:20170601T172048Z
UID:10007089-1497552300-1497558600@crsny.org
SUMMARY:Eckhart Tolle Now Video and Meditation Evening
DESCRIPTION:Our next meeting –  Eckhart Tolle Video \nWe begin meet and greet at 7 pm. \n• Meet and greet /Q &A*** \n• Meditation \n• Video \n• Closing \nTHERE IS NO ADMISSION AFTER 7:15 PM (by group consensus) \nCoffee and conversation\, for those who wish follows at: “Think Coffee “downstairs or a nearby diner.
URL:https://crsny.org/event/eckhart-tolle-now-video-meditation-evening-12/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2016/02/Eckhart-Tolle.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170615T190000
DTEND;TZID=America/New_York:20170615T200000
DTSTAMP:20170526T015016Z
CREATED:20170525T225411Z
LAST-MODIFIED:20170526T015016Z
UID:10007080-1497553200-1497556800@crsny.org
SUMMARY:Medical Qigong Class Series:  Body Mind Form & La Qi
DESCRIPTION:Body Mind Spirit Healing\nBody Mind Form & La Qi \n\nConnect with unlimited life force energy\nTransform tendons and open joints\nImprove body alignment\nOpen energy centers and channels\nOpen the Heart\nImprove extrasensory perception\nHeal chronic disorders\n\nTeacher: Linda Y. Qiu\n M.D. (China) L. Ac. (NY)\nQiu has been practicing Qigong healing for more than 25 years. She was a medical doctor in China before moving to the U.S. in 2001 to teach Chinese medicine and Qigong. She was the director of Integral Studies department in AOMA Graduate School of Integrative Medicine\, and the director of Medical Qigong Practitioner Certi cate Program in New York College of Traditional Chinese Medicine. She also treats patients using Qigong\, acupuncture and herbs. \n\n\n\n\nFee: $160 before May 25th\, $180 on Jun 1st\n$20 drop in for each class \nNo prerequisite \n\n\n\n\n\n\n\nTo register\, contact Linda Y. Qiu:\n646 240 1023 nycemed@gmail.com
URL:https://crsny.org/event/medical-qigong-class-series-body-mind-form-la-qi/2017-06-15/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/05/170601-Qigong-Workshop.jpg
ORGANIZER;CN="NYC Energy Medicine":MAILTO:nycemed@gmail.com
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170616
DTEND;VALUE=DATE:20170617
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007022-1497571200-1497657599@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-16/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170616T193000
DTEND;TZID=America/New_York:20170616T204500
DTSTAMP:20170604T232442Z
CREATED:20170531T190013Z
LAST-MODIFIED:20170604T232442Z
UID:10007087-1497641400-1497645900@crsny.org
SUMMARY:Alfonso and Shoko's Planetary Services
DESCRIPTION:“Activation of people’s consciousness and portal openings all over the planet” \nWhen the body and the mind are not synchronized\, stress occurs which can lead to different types of pain and disease. Dancing Healing Body Work\, Sound and Vibration can promote homeostasis with harmonic rhythms and frequencies that shifts brainwaves where we begin to let go and relax. This triggers our self healing mechanisms in the parasympathetic nervous system. \nExplore the expansion and alignment of your true self in a “Deep Sound Vibration” accompanied by the “Ultimate Balancing Body Dancing Healing” expression\, to vast halo encompass your soul body mind and spirit with Love and Gratitude. \nThe event fee is $60 cash at the door. RSVP at amsolazteca@gmail.com. Space is extremely limited. Smaller donations will be accepted from those with limited funds if there is room. \nALFONSO & SHOKO’S BIO \nTogether\, Alfonso and Shoko bring a unique combination of energies that is filled with love to empower others through sound and healing dancing body movement. \nAlfonso Alexander has over a decade of experience accrued on his own spiritual journey combining ancient and modern therapeutic modalities with his precise intuition. By accessing the multiple bodies you inhabit\, the spiritual\, physical\, mental\, emotional\, etheric and energetic. Alfonso supports that journey to move further into alignment\, reconnecting with source to bring the body to it’s original intent. Alfonso specializes in infusing your unique journey with insight\, developing your spiritual gifts and guiding you to be the change you want to see in the world. \n” By focusing on developing our inner journey\, everything else unfolds into joy and alignment on the spectrum of light infront of our eyes.”\nhttps://www.multidimensionalhealingnyc.com \nShoko Tamai has traversed the world stage with unmatched distinction\, power\, beauty and elegance in the world of Ballet. She continues to dazzle the masses\, evolve her profession and influence her art by combining Classical Ballet and Contemporary Dance with all-original interpretive choreography in her theater performances. She started her own dance company\, which is mixed with ballet and martial arts. Shoko loves to share her gift of converting negativity to positivity by movement and dance\, expressing with body languages. During her performances and classes\, she transmutes energy that brings light and awareness to everyone! \n“Lets dance together and be alive!”\nhttps://www.shokotamai.com \nCome and enjoy with us a mastery expression towards the ultimate healing combining Shoko’s flawless concept of body work and the sound healing vibration created by Alfonso. We are right now transcending together towards a new life cycle\, (we are leaving one old karmic cycle/ realm that we lived in the past years) entering a dimension of unlimited possibilities and abundance. Become the ultimate manifesting tool from all the ages of all times.
URL:https://crsny.org/event/alfonso-shokos-planetary-services/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/05/170616-Sound-Healing.jpg
ORGANIZER;CN="Alfonso Alexander":MAILTO:amsolazteca@gmail.com
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170617
DTEND;VALUE=DATE:20170618
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007023-1497657600-1497743999@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-17/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170617T103000
DTEND;TZID=America/New_York:20170617T133000
DTSTAMP:20170615T171637Z
CREATED:20170524T195039Z
LAST-MODIFIED:20170615T171637Z
UID:10007077-1497695400-1497706200@crsny.org
SUMMARY:Healing Your Heart\, Loving Yourself:  A Workshop for Women Recovering from Heartbreak — CANCELLED
DESCRIPTION:NOTE:  THIS WORKSHOP HAS BEEN CANCELLED. \nWhether you heart was broken a while ago\, once or several times\, or whether you are grieving a recent separation or loss\, this workshop is for you. \nThis workshop is solely ABOUT YOU: \n\n It is about embracing yourself and your feelings;\n It is about feeling joyful\, hopeful and alive;\n It is about acknowledging yourself;\n It is about self-care;\n It is about putting yourself first;Because taking care of yourself is the most important step to heal a broken heart.In this 3-hour workshop\, I ́ll share with you powerful and simple tools to help you move past heartbreak and build a more loving and accepting relationship with yourself.\nDuring our time together\, you ́ll get a chance to experience and learn about:\nFlower Essences and how they can help you get through the grieving process faster\, manage difficult emotions and develop a more joyful\, accepting and forgiving attitude towards yourself\nHealing Touch techniques\, and how they can soothe the heart and bring relaxation\, rejuvenation and vitality to body and mind\nMeditation and how it can help you to re(connect) with yourself and feel more centered\, present and grounded\n\nCome and join me in this inspiring and soul-nurturing workshop! \nFlor Taboada is a Flower Essence and Healing Touch Certified Practitioner and a long-term meditation student and instructor. In her practice\, she uses a unique holistic mind-body approach to help women recover from heartbreak\, heal their hearts and move forward with their lives with joy\, self-love\, confidence and trust. flortaboada.com
URL:https://crsny.org/event/healing-heart-loving-workshop-women-recovering-heartbreak-2/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/05/170617-Healing-Your-Heart-workshop.jpg
ORGANIZER;CN="Flor Taboada":MAILTO:flor@flortaboada.com
GEO:40.733158;-73.992729
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END:VEVENT
END:VCALENDAR