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SUMMARY:Exhibition:  Nature in Motion — Paintings by Ayako Bando
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Nature in Motion\,” an exhibition of abstract acrylic paintings by Ayako Bando expressing the energy and colors of the four seasons. Although Ms. Bando has had many exhibitions the past dozen years\, these older works from 2011–12 have not been shown together until now. The exhibition will open on December 3\, 2018 and will remain on view until February 9\, 2018. You are invited to meet the artist at the CRS Holiday Program & Reception on Saturday\, December 8\, 2018 from 6 – 9:30 pm. \nWhile most of Ms. Bando’s paintings are abstract\, one can feel a strong presence of light energy in many of her works\, a feature that became even more central in her newest works recently shown in the solo exhibition “Eternal Light.” But even in the earlier works featured in “Nature in Motion\,” areas of white or light color contrast with and reach toward darker areas and suggest the play of sunshine on water or plants or clouds. One might feel the presence of a cosmic energy or intelligence animating and giving life to these abstract structures and patterns\, energizing them\, setting them in motion\, transforming them just as the light reflecting off the pigments reaches out to our eyes and enlivens our own minds and spirits. \nArtist Statement \nFor this series\, I’m trying to express the energy the nature’s atmosphere contains. And I always give my work movement. Nature has played a very big part in my desire to paint\, the sky\, the trees\, the earth and elements of this sort. There’s much good energy to absorb into one’s body\, delivered by the earth and its natural wonders\, such as the play of sunlight\, in its powerful gentle sky and the dancing leaves. In my case\, very often it is the little things in life that we see everyday but take for granted that trigger my imagination to paint. And I believe that nature is a pure presence. The light lights up the heart and brings purity. The power of nature is endless\, and I value its greatness with my body & soul. \nAbout the Artist \nAyako Bando was born in the country town of Tokushima in Japan. She was blessed to be surrounded by the beauty of nature such as mountains\, rivers\, trees and flowers. After graduating from high school she moved to Osaka to study as a Medical Coding Specialist. She worked at the hospital for four years. During this time her passion was always to paint. After leaving the hospital she studied Art in Osaka\, London\, Tokyo and New York. She has exhibited in various venues in the United States\, Japan\, Germany and Italy. In 2017 she was the recipient of Namura Award and Honorable mention for the Modern Japan Art Society Exhibition at the Tokyo Metropolitan Art Museum. Her solo exhibition “Eternal Light” was exhibited at Saint Peter’s Church in NYC in 2018 and 2017. \nhttps://ayako-bando.jimdo.com/painting/ \nEducation \n2000 Aug Art school in Osaka Painting course\n2001 Sep Blake college in London Fine art course\n2007 Jan Art school Ginza Painting course in Tokyo\n2014 Sep The National Academy School in NY \nAward \n2017 Nov Namura Award for 44th Modern Japan Art Society Exhibition\n2017 July Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2017 Feb Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2016 Oct Orion Award for 43rd Modern Japan Art Society Exhibition\n2015 Oct Excellent Award for 42nd Modern Japan Art Society Exhibition\n2014 Oct Excellent Award for 41st Modern Japan Art Society Exhibition\n2013 Oct Japan Art Academy Award for 40th Modern Japan Art Society Exhibition\n2007 July Excellent work for The 24th Fukui ThumbHole Art Exhibition \nPermanent Collection\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Apri Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY \nSolo Exhibition \n2018 Dec “ Nature in motion” at CRS\, NY\n2018 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2018 Jun “Towanohikari-Eternal Light- at International Center of CCCS\, NY\n2018 May “Lotus” at Hypnosis & Reiki Center\, NY\n2018 Feb “Towanohikari-Eternal Light- at YN\, NY\n2017 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2017 Jun “Humanity” at Hypnosis & Reiki Center\, NY\n2016 Dec “Winter Nature” at Hypnosis & Reiki Center\, NY\n2016 Oct “Fall Nature” at Hypnosis & Reiki Center\, NY\n2016 May “Summer Nature” at Hypnosis & Reiki Center\, NY\n2015 Nov Ayako Bando at Black Cat LES \, NY\n2015 Apr “Spring Nature” at Hypnosis & Reiki Center\, NY\n2013 Jun “Nature” at Hypnosis & Reiki Center\, NY\n2010.Mar ” Nature in Motion” at Ouchi Gallery in Brooklyn\, NY\n2009.Dec Solo exhibition at Linn restaurant in Queens\, NY\n2005.July ” emotions” at Gekkoso Ginza in Tokyo\, Japan \nGroup Exhibition \n2018 Nov The 45th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2018 Oct SJAC Exhibition 2018 at Gallery Max New York\, NY\n2018 Aug PEACE 2018 at International Center of CCCS\, NY\n2018 Jun Juried Paper Works 2018 at Upstream Gallery\, NY\n2018 May 17th Annual Postcard show at AIR gallery in Brooklyn\, NY\n2018 Mar 2nd Annual International Women’s Day Art Fair at One Art Space\, NY\n2018 Jan 19th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2018 Jan JCAT Showcase at One Art Space Gallery\, NY\n2018 Jan Small works show at Upstream gallery\, NY\n2017 Dec ” A Political Apolitical Holiday Show” at Viridian Artists\, NY\n2017 Nov The 44th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Oct Small Art Show vol.3 at Studio 34 in Queens\, NY\n2017 Oct ALL Art + Exhibition at Van Der Plas Gallery\, NY\n2017 Sep WAH Celebrates Volunteers at Williamsburg Art &Historical Center in Brooklyn\, NY\n2017 Jul JCAT Small Show Case at Gallery Max New York\, NY\n2017 Jul Small Art show in Nagano and NY at Shoshinkan Gallery in Nagano\, Japan\n2017 Jul Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Mar International Women’s day Art FAIR at One Art Space\, NY\n2017 Feb Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Feb 11th 100 artists exhibition at Ouchi Gallery in Brooklyn\, NY\n2017 Jan The 18th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2017 Jan Modernism3 at ARTSPACE Patchogue in Patchogue\, NY\n2017 Jan Members show at Garrison Art Center in Garrison\, NY\n2017 Jan The 8th Annual small works show at Manhattan Brought Presidents Office\, NY\n2017 Jan Juried Small Work show at Upstream Gallery in Hastings on Hudson\, NY \n2016 Nov Slide Slamming:A Long Island Collaboration at Patchogue Arts Council in\nPatochogue\, NY\n2016 Nov Open call 2 Holiday Salon show at Lorimoto in Brooklyn\, NY\n2016 Oct The 43rd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2016 Oct Color of Fall at Ouchi Gallery in Brooklyn\, NY\n2016 Aug A.I.R gallery’s15th Annual Postcard show at Interstate projects in Brooklyn\, NY\n2016 May Mail Art at Karuizawa New Art Museum in Japan\n2016 Apr 100 Works On Paper Benefit at Kentler International Drawing Space in Brooklyn\, NY\n2016 Feb Modern Japan Art Society Kantou Art Exhibition at Tokyo Metropolitan Art\nMuseum in Tokyo\, Japan\n2016 Jan 18th Annual Postcards Edge at Sikkema Jenkins & Co. in NY\n2016 Jan The 17th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2015 Nov East & East Affordable Art Show at Gallery onetwentyeight \, NY\n2015 Oct The 42nd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2015 Aug Raciality at Gallery onetwentyeight \, NY\n2015 Jun Summer Show Rules at Gallery onetwentyeight \, NY\n2015 May WAH Bridges Self at Williamsburg Art &Historical Center in Brooklyn\, NY\n2015 Feb 13th Thumbhole Exhibition at Tokyo Kotsu Kaikan\, Japan\n2015 Jan The 16th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Dec Over the Edge Paper Works Unbound Part2 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct The 41st Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct International Art Festival at the Highline Loft Gallery\,NY\n2014 July Classical Realism Exhibition at Manhattan Borough President’s Office\, NY\n2014 July Come rain or Come shine at Gallery onetwentyeight \, NY\n2014 Jun Mash Up: Collages in Mixed Media at Islip Museum in Islip\, NY\n2014 May 8th AiB Bushwick Open Studios Benefit at Storefront Ten Eyck in Brooklyn\, NY\n2014 Feb JART4th at Williamsburg Art &Historical Center in Brooklyn\, NY\n2014 Jan The sketchbook Project in Miami\, FL\n2013 Dec Fridge Art Fair NYC:The Miami Popsicle Project in Miami \,FL\n2013 Oct The 40th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2013 Aug Delicious Summer at Gallery SANSQUOI in Okayama Japan\n2013 July Summer show at Gallery onetwentyeight \, NY\n2013 May Annual Small Works Juried Competition at Greenpoint Gallery in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 7th 100 Artists Exhibition at Ouchi Gallery in Brooklyn\, NY\n2013 Jan 19th Juried Small Works Show at Upstream Gallery\, NY\n2012 Dec Window Dressing presented by the Islip Art Council in Syiville\, NY\n2012 Dec Holiday Show at Gallery onetwentyeight \, NY\n2012 Oct Grand Harvest International Juried Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Oct The 39th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2012 Aug Parallax Art Fair \, NY\n2012 July Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 July The 6th 100 artist Exhibition at Sala dei Templari \, Italy\n(planed by Ouchi Gallery)\n2012 Apr Drawing Matters at Gallery onetwentyeight \, NY\n2012 Apr Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY\n2012 Mar Puzzle Project at MI gallery in OSAKA\, Japan\n2012 Mar Puzzle Project at Umeda Sky Building in OSAKA\, Japan\n2012 Feb Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 Feb the 25 Years Anniversary Show Part 1 at Gallery onetwentyeight \, NY\n2012 Jan 13th Annual WAH Salon Art Club Show at Williamsburg Art\n&Historical Center in Brooklyn\, NY\n2011 Dec We Are One at Camel Art Space in Brooklyn\, NY\n2011 Dec The 3rd Annual Small Works Exhibition at Manhattan Borough President’s\nOffice\, NY\n2011 Nov Wave…The Tides of Time at Gallery onetwentyeight\, NY\n2011 Oct 100-Tage-Kunst \, Germany\n2011 Aug Planet Alert at Gallery onetwentyeight\, NY\n2011 Jun Art Rescue Team for Japan at Williamsburg Art &Historical center in Brooklyn\, NY\n2011 Apr Artists selected for the Peace Art online Exhibition\n2011 Apr Fantastic fund at Bronx Art Space in Bronx\, NY\n2011 Apr Art love Japan at In Rivers Gallery in Brooklyn\, NY\n2011 Apr Pray for Japan at National Academy School\, NY\n2011 Mar Ashita: Artist for Japan at the great hall in Toront\, Canada\n2011 Mar What every perason can do at Ouchi gallery in Brooklyn\, NY\n2011 Feb The sketchbook project at Brooklyn art library in Brooklyn\, NY\n2011 Jan New year New works “the year of rabbit” at Gallery onetwentyeight \, NY\n2010 Dec Art for gift at Ouchi Gallery in Brooklyn\, NY\n2010 Sep Art for Tibet at the Union Gallery\, NY\n2010 Jun Group exhibition “1000 original postcard exhibition” at Ouchi Gallery in Brooklyn\, NY\n2009 Mar Group Exhibition “Super Competition” at Ouchi Gallery in Brooklyn\, NY\n2008 Nov Japan Arts Matsuri in Brooklyn\, NY\n2007 July Fukui ThumbHole Art exhibition in Fukui\, Japan\n2006 Aug group exhibition at Spacekids Aoyama in Tokyo\, Japan
URL:https://crsny.org/event/exhibition-ayako-bando/2019-02-01/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190202
DTEND;VALUE=DATE:20190203
DTSTAMP:20181107T190926Z
CREATED:20181031T233255Z
LAST-MODIFIED:20181107T190926Z
UID:10010705-1549065600-1549151999@crsny.org
SUMMARY:Exhibition:  Nature in Motion — Paintings by Ayako Bando
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Nature in Motion\,” an exhibition of abstract acrylic paintings by Ayako Bando expressing the energy and colors of the four seasons. Although Ms. Bando has had many exhibitions the past dozen years\, these older works from 2011–12 have not been shown together until now. The exhibition will open on December 3\, 2018 and will remain on view until February 9\, 2018. You are invited to meet the artist at the CRS Holiday Program & Reception on Saturday\, December 8\, 2018 from 6 – 9:30 pm. \nWhile most of Ms. Bando’s paintings are abstract\, one can feel a strong presence of light energy in many of her works\, a feature that became even more central in her newest works recently shown in the solo exhibition “Eternal Light.” But even in the earlier works featured in “Nature in Motion\,” areas of white or light color contrast with and reach toward darker areas and suggest the play of sunshine on water or plants or clouds. One might feel the presence of a cosmic energy or intelligence animating and giving life to these abstract structures and patterns\, energizing them\, setting them in motion\, transforming them just as the light reflecting off the pigments reaches out to our eyes and enlivens our own minds and spirits. \nArtist Statement \nFor this series\, I’m trying to express the energy the nature’s atmosphere contains. And I always give my work movement. Nature has played a very big part in my desire to paint\, the sky\, the trees\, the earth and elements of this sort. There’s much good energy to absorb into one’s body\, delivered by the earth and its natural wonders\, such as the play of sunlight\, in its powerful gentle sky and the dancing leaves. In my case\, very often it is the little things in life that we see everyday but take for granted that trigger my imagination to paint. And I believe that nature is a pure presence. The light lights up the heart and brings purity. The power of nature is endless\, and I value its greatness with my body & soul. \nAbout the Artist \nAyako Bando was born in the country town of Tokushima in Japan. She was blessed to be surrounded by the beauty of nature such as mountains\, rivers\, trees and flowers. After graduating from high school she moved to Osaka to study as a Medical Coding Specialist. She worked at the hospital for four years. During this time her passion was always to paint. After leaving the hospital she studied Art in Osaka\, London\, Tokyo and New York. She has exhibited in various venues in the United States\, Japan\, Germany and Italy. In 2017 she was the recipient of Namura Award and Honorable mention for the Modern Japan Art Society Exhibition at the Tokyo Metropolitan Art Museum. Her solo exhibition “Eternal Light” was exhibited at Saint Peter’s Church in NYC in 2018 and 2017. \nhttps://ayako-bando.jimdo.com/painting/ \nEducation \n2000 Aug Art school in Osaka Painting course\n2001 Sep Blake college in London Fine art course\n2007 Jan Art school Ginza Painting course in Tokyo\n2014 Sep The National Academy School in NY \nAward \n2017 Nov Namura Award for 44th Modern Japan Art Society Exhibition\n2017 July Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2017 Feb Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2016 Oct Orion Award for 43rd Modern Japan Art Society Exhibition\n2015 Oct Excellent Award for 42nd Modern Japan Art Society Exhibition\n2014 Oct Excellent Award for 41st Modern Japan Art Society Exhibition\n2013 Oct Japan Art Academy Award for 40th Modern Japan Art Society Exhibition\n2007 July Excellent work for The 24th Fukui ThumbHole Art Exhibition \nPermanent Collection\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Apri Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY \nSolo Exhibition \n2018 Dec “ Nature in motion” at CRS\, NY\n2018 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2018 Jun “Towanohikari-Eternal Light- at International Center of CCCS\, NY\n2018 May “Lotus” at Hypnosis & Reiki Center\, NY\n2018 Feb “Towanohikari-Eternal Light- at YN\, NY\n2017 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2017 Jun “Humanity” at Hypnosis & Reiki Center\, NY\n2016 Dec “Winter Nature” at Hypnosis & Reiki Center\, NY\n2016 Oct “Fall Nature” at Hypnosis & Reiki Center\, NY\n2016 May “Summer Nature” at Hypnosis & Reiki Center\, NY\n2015 Nov Ayako Bando at Black Cat LES \, NY\n2015 Apr “Spring Nature” at Hypnosis & Reiki Center\, NY\n2013 Jun “Nature” at Hypnosis & Reiki Center\, NY\n2010.Mar ” Nature in Motion” at Ouchi Gallery in Brooklyn\, NY\n2009.Dec Solo exhibition at Linn restaurant in Queens\, NY\n2005.July ” emotions” at Gekkoso Ginza in Tokyo\, Japan \nGroup Exhibition \n2018 Nov The 45th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2018 Oct SJAC Exhibition 2018 at Gallery Max New York\, NY\n2018 Aug PEACE 2018 at International Center of CCCS\, NY\n2018 Jun Juried Paper Works 2018 at Upstream Gallery\, NY\n2018 May 17th Annual Postcard show at AIR gallery in Brooklyn\, NY\n2018 Mar 2nd Annual International Women’s Day Art Fair at One Art Space\, NY\n2018 Jan 19th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2018 Jan JCAT Showcase at One Art Space Gallery\, NY\n2018 Jan Small works show at Upstream gallery\, NY\n2017 Dec ” A Political Apolitical Holiday Show” at Viridian Artists\, NY\n2017 Nov The 44th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Oct Small Art Show vol.3 at Studio 34 in Queens\, NY\n2017 Oct ALL Art + Exhibition at Van Der Plas Gallery\, NY\n2017 Sep WAH Celebrates Volunteers at Williamsburg Art &Historical Center in Brooklyn\, NY\n2017 Jul JCAT Small Show Case at Gallery Max New York\, NY\n2017 Jul Small Art show in Nagano and NY at Shoshinkan Gallery in Nagano\, Japan\n2017 Jul Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Mar International Women’s day Art FAIR at One Art Space\, NY\n2017 Feb Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Feb 11th 100 artists exhibition at Ouchi Gallery in Brooklyn\, NY\n2017 Jan The 18th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2017 Jan Modernism3 at ARTSPACE Patchogue in Patchogue\, NY\n2017 Jan Members show at Garrison Art Center in Garrison\, NY\n2017 Jan The 8th Annual small works show at Manhattan Brought Presidents Office\, NY\n2017 Jan Juried Small Work show at Upstream Gallery in Hastings on Hudson\, NY \n2016 Nov Slide Slamming:A Long Island Collaboration at Patchogue Arts Council in\nPatochogue\, NY\n2016 Nov Open call 2 Holiday Salon show at Lorimoto in Brooklyn\, NY\n2016 Oct The 43rd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2016 Oct Color of Fall at Ouchi Gallery in Brooklyn\, NY\n2016 Aug A.I.R gallery’s15th Annual Postcard show at Interstate projects in Brooklyn\, NY\n2016 May Mail Art at Karuizawa New Art Museum in Japan\n2016 Apr 100 Works On Paper Benefit at Kentler International Drawing Space in Brooklyn\, NY\n2016 Feb Modern Japan Art Society Kantou Art Exhibition at Tokyo Metropolitan Art\nMuseum in Tokyo\, Japan\n2016 Jan 18th Annual Postcards Edge at Sikkema Jenkins & Co. in NY\n2016 Jan The 17th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2015 Nov East & East Affordable Art Show at Gallery onetwentyeight \, NY\n2015 Oct The 42nd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2015 Aug Raciality at Gallery onetwentyeight \, NY\n2015 Jun Summer Show Rules at Gallery onetwentyeight \, NY\n2015 May WAH Bridges Self at Williamsburg Art &Historical Center in Brooklyn\, NY\n2015 Feb 13th Thumbhole Exhibition at Tokyo Kotsu Kaikan\, Japan\n2015 Jan The 16th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Dec Over the Edge Paper Works Unbound Part2 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct The 41st Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct International Art Festival at the Highline Loft Gallery\,NY\n2014 July Classical Realism Exhibition at Manhattan Borough President’s Office\, NY\n2014 July Come rain or Come shine at Gallery onetwentyeight \, NY\n2014 Jun Mash Up: Collages in Mixed Media at Islip Museum in Islip\, NY\n2014 May 8th AiB Bushwick Open Studios Benefit at Storefront Ten Eyck in Brooklyn\, NY\n2014 Feb JART4th at Williamsburg Art &Historical Center in Brooklyn\, NY\n2014 Jan The sketchbook Project in Miami\, FL\n2013 Dec Fridge Art Fair NYC:The Miami Popsicle Project in Miami \,FL\n2013 Oct The 40th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2013 Aug Delicious Summer at Gallery SANSQUOI in Okayama Japan\n2013 July Summer show at Gallery onetwentyeight \, NY\n2013 May Annual Small Works Juried Competition at Greenpoint Gallery in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 7th 100 Artists Exhibition at Ouchi Gallery in Brooklyn\, NY\n2013 Jan 19th Juried Small Works Show at Upstream Gallery\, NY\n2012 Dec Window Dressing presented by the Islip Art Council in Syiville\, NY\n2012 Dec Holiday Show at Gallery onetwentyeight \, NY\n2012 Oct Grand Harvest International Juried Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Oct The 39th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2012 Aug Parallax Art Fair \, NY\n2012 July Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 July The 6th 100 artist Exhibition at Sala dei Templari \, Italy\n(planed by Ouchi Gallery)\n2012 Apr Drawing Matters at Gallery onetwentyeight \, NY\n2012 Apr Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY\n2012 Mar Puzzle Project at MI gallery in OSAKA\, Japan\n2012 Mar Puzzle Project at Umeda Sky Building in OSAKA\, Japan\n2012 Feb Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 Feb the 25 Years Anniversary Show Part 1 at Gallery onetwentyeight \, NY\n2012 Jan 13th Annual WAH Salon Art Club Show at Williamsburg Art\n&Historical Center in Brooklyn\, NY\n2011 Dec We Are One at Camel Art Space in Brooklyn\, NY\n2011 Dec The 3rd Annual Small Works Exhibition at Manhattan Borough President’s\nOffice\, NY\n2011 Nov Wave…The Tides of Time at Gallery onetwentyeight\, NY\n2011 Oct 100-Tage-Kunst \, Germany\n2011 Aug Planet Alert at Gallery onetwentyeight\, NY\n2011 Jun Art Rescue Team for Japan at Williamsburg Art &Historical center in Brooklyn\, NY\n2011 Apr Artists selected for the Peace Art online Exhibition\n2011 Apr Fantastic fund at Bronx Art Space in Bronx\, NY\n2011 Apr Art love Japan at In Rivers Gallery in Brooklyn\, NY\n2011 Apr Pray for Japan at National Academy School\, NY\n2011 Mar Ashita: Artist for Japan at the great hall in Toront\, Canada\n2011 Mar What every perason can do at Ouchi gallery in Brooklyn\, NY\n2011 Feb The sketchbook project at Brooklyn art library in Brooklyn\, NY\n2011 Jan New year New works “the year of rabbit” at Gallery onetwentyeight \, NY\n2010 Dec Art for gift at Ouchi Gallery in Brooklyn\, NY\n2010 Sep Art for Tibet at the Union Gallery\, NY\n2010 Jun Group exhibition “1000 original postcard exhibition” at Ouchi Gallery in Brooklyn\, NY\n2009 Mar Group Exhibition “Super Competition” at Ouchi Gallery in Brooklyn\, NY\n2008 Nov Japan Arts Matsuri in Brooklyn\, NY\n2007 July Fukui ThumbHole Art exhibition in Fukui\, Japan\n2006 Aug group exhibition at Spacekids Aoyama in Tokyo\, Japan
URL:https://crsny.org/event/exhibition-ayako-bando/2019-02-02/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190203
DTEND;VALUE=DATE:20190204
DTSTAMP:20181107T190926Z
CREATED:20181031T233255Z
LAST-MODIFIED:20181107T190926Z
UID:10010706-1549152000-1549238399@crsny.org
SUMMARY:Exhibition:  Nature in Motion — Paintings by Ayako Bando
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Nature in Motion\,” an exhibition of abstract acrylic paintings by Ayako Bando expressing the energy and colors of the four seasons. Although Ms. Bando has had many exhibitions the past dozen years\, these older works from 2011–12 have not been shown together until now. The exhibition will open on December 3\, 2018 and will remain on view until February 9\, 2018. You are invited to meet the artist at the CRS Holiday Program & Reception on Saturday\, December 8\, 2018 from 6 – 9:30 pm. \nWhile most of Ms. Bando’s paintings are abstract\, one can feel a strong presence of light energy in many of her works\, a feature that became even more central in her newest works recently shown in the solo exhibition “Eternal Light.” But even in the earlier works featured in “Nature in Motion\,” areas of white or light color contrast with and reach toward darker areas and suggest the play of sunshine on water or plants or clouds. One might feel the presence of a cosmic energy or intelligence animating and giving life to these abstract structures and patterns\, energizing them\, setting them in motion\, transforming them just as the light reflecting off the pigments reaches out to our eyes and enlivens our own minds and spirits. \nArtist Statement \nFor this series\, I’m trying to express the energy the nature’s atmosphere contains. And I always give my work movement. Nature has played a very big part in my desire to paint\, the sky\, the trees\, the earth and elements of this sort. There’s much good energy to absorb into one’s body\, delivered by the earth and its natural wonders\, such as the play of sunlight\, in its powerful gentle sky and the dancing leaves. In my case\, very often it is the little things in life that we see everyday but take for granted that trigger my imagination to paint. And I believe that nature is a pure presence. The light lights up the heart and brings purity. The power of nature is endless\, and I value its greatness with my body & soul. \nAbout the Artist \nAyako Bando was born in the country town of Tokushima in Japan. She was blessed to be surrounded by the beauty of nature such as mountains\, rivers\, trees and flowers. After graduating from high school she moved to Osaka to study as a Medical Coding Specialist. She worked at the hospital for four years. During this time her passion was always to paint. After leaving the hospital she studied Art in Osaka\, London\, Tokyo and New York. She has exhibited in various venues in the United States\, Japan\, Germany and Italy. In 2017 she was the recipient of Namura Award and Honorable mention for the Modern Japan Art Society Exhibition at the Tokyo Metropolitan Art Museum. Her solo exhibition “Eternal Light” was exhibited at Saint Peter’s Church in NYC in 2018 and 2017. \nhttps://ayako-bando.jimdo.com/painting/ \nEducation \n2000 Aug Art school in Osaka Painting course\n2001 Sep Blake college in London Fine art course\n2007 Jan Art school Ginza Painting course in Tokyo\n2014 Sep The National Academy School in NY \nAward \n2017 Nov Namura Award for 44th Modern Japan Art Society Exhibition\n2017 July Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2017 Feb Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2016 Oct Orion Award for 43rd Modern Japan Art Society Exhibition\n2015 Oct Excellent Award for 42nd Modern Japan Art Society Exhibition\n2014 Oct Excellent Award for 41st Modern Japan Art Society Exhibition\n2013 Oct Japan Art Academy Award for 40th Modern Japan Art Society Exhibition\n2007 July Excellent work for The 24th Fukui ThumbHole Art Exhibition \nPermanent Collection\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Apri Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY \nSolo Exhibition \n2018 Dec “ Nature in motion” at CRS\, NY\n2018 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2018 Jun “Towanohikari-Eternal Light- at International Center of CCCS\, NY\n2018 May “Lotus” at Hypnosis & Reiki Center\, NY\n2018 Feb “Towanohikari-Eternal Light- at YN\, NY\n2017 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2017 Jun “Humanity” at Hypnosis & Reiki Center\, NY\n2016 Dec “Winter Nature” at Hypnosis & Reiki Center\, NY\n2016 Oct “Fall Nature” at Hypnosis & Reiki Center\, NY\n2016 May “Summer Nature” at Hypnosis & Reiki Center\, NY\n2015 Nov Ayako Bando at Black Cat LES \, NY\n2015 Apr “Spring Nature” at Hypnosis & Reiki Center\, NY\n2013 Jun “Nature” at Hypnosis & Reiki Center\, NY\n2010.Mar ” Nature in Motion” at Ouchi Gallery in Brooklyn\, NY\n2009.Dec Solo exhibition at Linn restaurant in Queens\, NY\n2005.July ” emotions” at Gekkoso Ginza in Tokyo\, Japan \nGroup Exhibition \n2018 Nov The 45th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2018 Oct SJAC Exhibition 2018 at Gallery Max New York\, NY\n2018 Aug PEACE 2018 at International Center of CCCS\, NY\n2018 Jun Juried Paper Works 2018 at Upstream Gallery\, NY\n2018 May 17th Annual Postcard show at AIR gallery in Brooklyn\, NY\n2018 Mar 2nd Annual International Women’s Day Art Fair at One Art Space\, NY\n2018 Jan 19th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2018 Jan JCAT Showcase at One Art Space Gallery\, NY\n2018 Jan Small works show at Upstream gallery\, NY\n2017 Dec ” A Political Apolitical Holiday Show” at Viridian Artists\, NY\n2017 Nov The 44th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Oct Small Art Show vol.3 at Studio 34 in Queens\, NY\n2017 Oct ALL Art + Exhibition at Van Der Plas Gallery\, NY\n2017 Sep WAH Celebrates Volunteers at Williamsburg Art &Historical Center in Brooklyn\, NY\n2017 Jul JCAT Small Show Case at Gallery Max New York\, NY\n2017 Jul Small Art show in Nagano and NY at Shoshinkan Gallery in Nagano\, Japan\n2017 Jul Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Mar International Women’s day Art FAIR at One Art Space\, NY\n2017 Feb Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Feb 11th 100 artists exhibition at Ouchi Gallery in Brooklyn\, NY\n2017 Jan The 18th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2017 Jan Modernism3 at ARTSPACE Patchogue in Patchogue\, NY\n2017 Jan Members show at Garrison Art Center in Garrison\, NY\n2017 Jan The 8th Annual small works show at Manhattan Brought Presidents Office\, NY\n2017 Jan Juried Small Work show at Upstream Gallery in Hastings on Hudson\, NY \n2016 Nov Slide Slamming:A Long Island Collaboration at Patchogue Arts Council in\nPatochogue\, NY\n2016 Nov Open call 2 Holiday Salon show at Lorimoto in Brooklyn\, NY\n2016 Oct The 43rd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2016 Oct Color of Fall at Ouchi Gallery in Brooklyn\, NY\n2016 Aug A.I.R gallery’s15th Annual Postcard show at Interstate projects in Brooklyn\, NY\n2016 May Mail Art at Karuizawa New Art Museum in Japan\n2016 Apr 100 Works On Paper Benefit at Kentler International Drawing Space in Brooklyn\, NY\n2016 Feb Modern Japan Art Society Kantou Art Exhibition at Tokyo Metropolitan Art\nMuseum in Tokyo\, Japan\n2016 Jan 18th Annual Postcards Edge at Sikkema Jenkins & Co. in NY\n2016 Jan The 17th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2015 Nov East & East Affordable Art Show at Gallery onetwentyeight \, NY\n2015 Oct The 42nd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2015 Aug Raciality at Gallery onetwentyeight \, NY\n2015 Jun Summer Show Rules at Gallery onetwentyeight \, NY\n2015 May WAH Bridges Self at Williamsburg Art &Historical Center in Brooklyn\, NY\n2015 Feb 13th Thumbhole Exhibition at Tokyo Kotsu Kaikan\, Japan\n2015 Jan The 16th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Dec Over the Edge Paper Works Unbound Part2 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct The 41st Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct International Art Festival at the Highline Loft Gallery\,NY\n2014 July Classical Realism Exhibition at Manhattan Borough President’s Office\, NY\n2014 July Come rain or Come shine at Gallery onetwentyeight \, NY\n2014 Jun Mash Up: Collages in Mixed Media at Islip Museum in Islip\, NY\n2014 May 8th AiB Bushwick Open Studios Benefit at Storefront Ten Eyck in Brooklyn\, NY\n2014 Feb JART4th at Williamsburg Art &Historical Center in Brooklyn\, NY\n2014 Jan The sketchbook Project in Miami\, FL\n2013 Dec Fridge Art Fair NYC:The Miami Popsicle Project in Miami \,FL\n2013 Oct The 40th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2013 Aug Delicious Summer at Gallery SANSQUOI in Okayama Japan\n2013 July Summer show at Gallery onetwentyeight \, NY\n2013 May Annual Small Works Juried Competition at Greenpoint Gallery in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 7th 100 Artists Exhibition at Ouchi Gallery in Brooklyn\, NY\n2013 Jan 19th Juried Small Works Show at Upstream Gallery\, NY\n2012 Dec Window Dressing presented by the Islip Art Council in Syiville\, NY\n2012 Dec Holiday Show at Gallery onetwentyeight \, NY\n2012 Oct Grand Harvest International Juried Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Oct The 39th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2012 Aug Parallax Art Fair \, NY\n2012 July Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 July The 6th 100 artist Exhibition at Sala dei Templari \, Italy\n(planed by Ouchi Gallery)\n2012 Apr Drawing Matters at Gallery onetwentyeight \, NY\n2012 Apr Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY\n2012 Mar Puzzle Project at MI gallery in OSAKA\, Japan\n2012 Mar Puzzle Project at Umeda Sky Building in OSAKA\, Japan\n2012 Feb Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 Feb the 25 Years Anniversary Show Part 1 at Gallery onetwentyeight \, NY\n2012 Jan 13th Annual WAH Salon Art Club Show at Williamsburg Art\n&Historical Center in Brooklyn\, NY\n2011 Dec We Are One at Camel Art Space in Brooklyn\, NY\n2011 Dec The 3rd Annual Small Works Exhibition at Manhattan Borough President’s\nOffice\, NY\n2011 Nov Wave…The Tides of Time at Gallery onetwentyeight\, NY\n2011 Oct 100-Tage-Kunst \, Germany\n2011 Aug Planet Alert at Gallery onetwentyeight\, NY\n2011 Jun Art Rescue Team for Japan at Williamsburg Art &Historical center in Brooklyn\, NY\n2011 Apr Artists selected for the Peace Art online Exhibition\n2011 Apr Fantastic fund at Bronx Art Space in Bronx\, NY\n2011 Apr Art love Japan at In Rivers Gallery in Brooklyn\, NY\n2011 Apr Pray for Japan at National Academy School\, NY\n2011 Mar Ashita: Artist for Japan at the great hall in Toront\, Canada\n2011 Mar What every perason can do at Ouchi gallery in Brooklyn\, NY\n2011 Feb The sketchbook project at Brooklyn art library in Brooklyn\, NY\n2011 Jan New year New works “the year of rabbit” at Gallery onetwentyeight \, NY\n2010 Dec Art for gift at Ouchi Gallery in Brooklyn\, NY\n2010 Sep Art for Tibet at the Union Gallery\, NY\n2010 Jun Group exhibition “1000 original postcard exhibition” at Ouchi Gallery in Brooklyn\, NY\n2009 Mar Group Exhibition “Super Competition” at Ouchi Gallery in Brooklyn\, NY\n2008 Nov Japan Arts Matsuri in Brooklyn\, NY\n2007 July Fukui ThumbHole Art exhibition in Fukui\, Japan\n2006 Aug group exhibition at Spacekids Aoyama in Tokyo\, Japan
URL:https://crsny.org/event/exhibition-ayako-bando/2019-02-03/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2018/10/Spring-into-winter-Bando_Ayako_1.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733158;-73.992729
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11th St 11th Fl New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11th St 11th Fl:geo:-73.992729,40.733158
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190204
DTEND;VALUE=DATE:20190205
DTSTAMP:20181107T190926Z
CREATED:20181031T233255Z
LAST-MODIFIED:20181107T190926Z
UID:10010707-1549238400-1549324799@crsny.org
SUMMARY:Exhibition:  Nature in Motion — Paintings by Ayako Bando
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Nature in Motion\,” an exhibition of abstract acrylic paintings by Ayako Bando expressing the energy and colors of the four seasons. Although Ms. Bando has had many exhibitions the past dozen years\, these older works from 2011–12 have not been shown together until now. The exhibition will open on December 3\, 2018 and will remain on view until February 9\, 2018. You are invited to meet the artist at the CRS Holiday Program & Reception on Saturday\, December 8\, 2018 from 6 – 9:30 pm. \nWhile most of Ms. Bando’s paintings are abstract\, one can feel a strong presence of light energy in many of her works\, a feature that became even more central in her newest works recently shown in the solo exhibition “Eternal Light.” But even in the earlier works featured in “Nature in Motion\,” areas of white or light color contrast with and reach toward darker areas and suggest the play of sunshine on water or plants or clouds. One might feel the presence of a cosmic energy or intelligence animating and giving life to these abstract structures and patterns\, energizing them\, setting them in motion\, transforming them just as the light reflecting off the pigments reaches out to our eyes and enlivens our own minds and spirits. \nArtist Statement \nFor this series\, I’m trying to express the energy the nature’s atmosphere contains. And I always give my work movement. Nature has played a very big part in my desire to paint\, the sky\, the trees\, the earth and elements of this sort. There’s much good energy to absorb into one’s body\, delivered by the earth and its natural wonders\, such as the play of sunlight\, in its powerful gentle sky and the dancing leaves. In my case\, very often it is the little things in life that we see everyday but take for granted that trigger my imagination to paint. And I believe that nature is a pure presence. The light lights up the heart and brings purity. The power of nature is endless\, and I value its greatness with my body & soul. \nAbout the Artist \nAyako Bando was born in the country town of Tokushima in Japan. She was blessed to be surrounded by the beauty of nature such as mountains\, rivers\, trees and flowers. After graduating from high school she moved to Osaka to study as a Medical Coding Specialist. She worked at the hospital for four years. During this time her passion was always to paint. After leaving the hospital she studied Art in Osaka\, London\, Tokyo and New York. She has exhibited in various venues in the United States\, Japan\, Germany and Italy. In 2017 she was the recipient of Namura Award and Honorable mention for the Modern Japan Art Society Exhibition at the Tokyo Metropolitan Art Museum. Her solo exhibition “Eternal Light” was exhibited at Saint Peter’s Church in NYC in 2018 and 2017. \nhttps://ayako-bando.jimdo.com/painting/ \nEducation \n2000 Aug Art school in Osaka Painting course\n2001 Sep Blake college in London Fine art course\n2007 Jan Art school Ginza Painting course in Tokyo\n2014 Sep The National Academy School in NY \nAward \n2017 Nov Namura Award for 44th Modern Japan Art Society Exhibition\n2017 July Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2017 Feb Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2016 Oct Orion Award for 43rd Modern Japan Art Society Exhibition\n2015 Oct Excellent Award for 42nd Modern Japan Art Society Exhibition\n2014 Oct Excellent Award for 41st Modern Japan Art Society Exhibition\n2013 Oct Japan Art Academy Award for 40th Modern Japan Art Society Exhibition\n2007 July Excellent work for The 24th Fukui ThumbHole Art Exhibition \nPermanent Collection\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Apri Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY \nSolo Exhibition \n2018 Dec “ Nature in motion” at CRS\, NY\n2018 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2018 Jun “Towanohikari-Eternal Light- at International Center of CCCS\, NY\n2018 May “Lotus” at Hypnosis & Reiki Center\, NY\n2018 Feb “Towanohikari-Eternal Light- at YN\, NY\n2017 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2017 Jun “Humanity” at Hypnosis & Reiki Center\, NY\n2016 Dec “Winter Nature” at Hypnosis & Reiki Center\, NY\n2016 Oct “Fall Nature” at Hypnosis & Reiki Center\, NY\n2016 May “Summer Nature” at Hypnosis & Reiki Center\, NY\n2015 Nov Ayako Bando at Black Cat LES \, NY\n2015 Apr “Spring Nature” at Hypnosis & Reiki Center\, NY\n2013 Jun “Nature” at Hypnosis & Reiki Center\, NY\n2010.Mar ” Nature in Motion” at Ouchi Gallery in Brooklyn\, NY\n2009.Dec Solo exhibition at Linn restaurant in Queens\, NY\n2005.July ” emotions” at Gekkoso Ginza in Tokyo\, Japan \nGroup Exhibition \n2018 Nov The 45th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2018 Oct SJAC Exhibition 2018 at Gallery Max New York\, NY\n2018 Aug PEACE 2018 at International Center of CCCS\, NY\n2018 Jun Juried Paper Works 2018 at Upstream Gallery\, NY\n2018 May 17th Annual Postcard show at AIR gallery in Brooklyn\, NY\n2018 Mar 2nd Annual International Women’s Day Art Fair at One Art Space\, NY\n2018 Jan 19th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2018 Jan JCAT Showcase at One Art Space Gallery\, NY\n2018 Jan Small works show at Upstream gallery\, NY\n2017 Dec ” A Political Apolitical Holiday Show” at Viridian Artists\, NY\n2017 Nov The 44th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Oct Small Art Show vol.3 at Studio 34 in Queens\, NY\n2017 Oct ALL Art + Exhibition at Van Der Plas Gallery\, NY\n2017 Sep WAH Celebrates Volunteers at Williamsburg Art &Historical Center in Brooklyn\, NY\n2017 Jul JCAT Small Show Case at Gallery Max New York\, NY\n2017 Jul Small Art show in Nagano and NY at Shoshinkan Gallery in Nagano\, Japan\n2017 Jul Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Mar International Women’s day Art FAIR at One Art Space\, NY\n2017 Feb Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Feb 11th 100 artists exhibition at Ouchi Gallery in Brooklyn\, NY\n2017 Jan The 18th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2017 Jan Modernism3 at ARTSPACE Patchogue in Patchogue\, NY\n2017 Jan Members show at Garrison Art Center in Garrison\, NY\n2017 Jan The 8th Annual small works show at Manhattan Brought Presidents Office\, NY\n2017 Jan Juried Small Work show at Upstream Gallery in Hastings on Hudson\, NY \n2016 Nov Slide Slamming:A Long Island Collaboration at Patchogue Arts Council in\nPatochogue\, NY\n2016 Nov Open call 2 Holiday Salon show at Lorimoto in Brooklyn\, NY\n2016 Oct The 43rd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2016 Oct Color of Fall at Ouchi Gallery in Brooklyn\, NY\n2016 Aug A.I.R gallery’s15th Annual Postcard show at Interstate projects in Brooklyn\, NY\n2016 May Mail Art at Karuizawa New Art Museum in Japan\n2016 Apr 100 Works On Paper Benefit at Kentler International Drawing Space in Brooklyn\, NY\n2016 Feb Modern Japan Art Society Kantou Art Exhibition at Tokyo Metropolitan Art\nMuseum in Tokyo\, Japan\n2016 Jan 18th Annual Postcards Edge at Sikkema Jenkins & Co. in NY\n2016 Jan The 17th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2015 Nov East & East Affordable Art Show at Gallery onetwentyeight \, NY\n2015 Oct The 42nd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2015 Aug Raciality at Gallery onetwentyeight \, NY\n2015 Jun Summer Show Rules at Gallery onetwentyeight \, NY\n2015 May WAH Bridges Self at Williamsburg Art &Historical Center in Brooklyn\, NY\n2015 Feb 13th Thumbhole Exhibition at Tokyo Kotsu Kaikan\, Japan\n2015 Jan The 16th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Dec Over the Edge Paper Works Unbound Part2 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct The 41st Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct International Art Festival at the Highline Loft Gallery\,NY\n2014 July Classical Realism Exhibition at Manhattan Borough President’s Office\, NY\n2014 July Come rain or Come shine at Gallery onetwentyeight \, NY\n2014 Jun Mash Up: Collages in Mixed Media at Islip Museum in Islip\, NY\n2014 May 8th AiB Bushwick Open Studios Benefit at Storefront Ten Eyck in Brooklyn\, NY\n2014 Feb JART4th at Williamsburg Art &Historical Center in Brooklyn\, NY\n2014 Jan The sketchbook Project in Miami\, FL\n2013 Dec Fridge Art Fair NYC:The Miami Popsicle Project in Miami \,FL\n2013 Oct The 40th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2013 Aug Delicious Summer at Gallery SANSQUOI in Okayama Japan\n2013 July Summer show at Gallery onetwentyeight \, NY\n2013 May Annual Small Works Juried Competition at Greenpoint Gallery in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 7th 100 Artists Exhibition at Ouchi Gallery in Brooklyn\, NY\n2013 Jan 19th Juried Small Works Show at Upstream Gallery\, NY\n2012 Dec Window Dressing presented by the Islip Art Council in Syiville\, NY\n2012 Dec Holiday Show at Gallery onetwentyeight \, NY\n2012 Oct Grand Harvest International Juried Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Oct The 39th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2012 Aug Parallax Art Fair \, NY\n2012 July Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 July The 6th 100 artist Exhibition at Sala dei Templari \, Italy\n(planed by Ouchi Gallery)\n2012 Apr Drawing Matters at Gallery onetwentyeight \, NY\n2012 Apr Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY\n2012 Mar Puzzle Project at MI gallery in OSAKA\, Japan\n2012 Mar Puzzle Project at Umeda Sky Building in OSAKA\, Japan\n2012 Feb Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 Feb the 25 Years Anniversary Show Part 1 at Gallery onetwentyeight \, NY\n2012 Jan 13th Annual WAH Salon Art Club Show at Williamsburg Art\n&Historical Center in Brooklyn\, NY\n2011 Dec We Are One at Camel Art Space in Brooklyn\, NY\n2011 Dec The 3rd Annual Small Works Exhibition at Manhattan Borough President’s\nOffice\, NY\n2011 Nov Wave…The Tides of Time at Gallery onetwentyeight\, NY\n2011 Oct 100-Tage-Kunst \, Germany\n2011 Aug Planet Alert at Gallery onetwentyeight\, NY\n2011 Jun Art Rescue Team for Japan at Williamsburg Art &Historical center in Brooklyn\, NY\n2011 Apr Artists selected for the Peace Art online Exhibition\n2011 Apr Fantastic fund at Bronx Art Space in Bronx\, NY\n2011 Apr Art love Japan at In Rivers Gallery in Brooklyn\, NY\n2011 Apr Pray for Japan at National Academy School\, NY\n2011 Mar Ashita: Artist for Japan at the great hall in Toront\, Canada\n2011 Mar What every perason can do at Ouchi gallery in Brooklyn\, NY\n2011 Feb The sketchbook project at Brooklyn art library in Brooklyn\, NY\n2011 Jan New year New works “the year of rabbit” at Gallery onetwentyeight \, NY\n2010 Dec Art for gift at Ouchi Gallery in Brooklyn\, NY\n2010 Sep Art for Tibet at the Union Gallery\, NY\n2010 Jun Group exhibition “1000 original postcard exhibition” at Ouchi Gallery in Brooklyn\, NY\n2009 Mar Group Exhibition “Super Competition” at Ouchi Gallery in Brooklyn\, NY\n2008 Nov Japan Arts Matsuri in Brooklyn\, NY\n2007 July Fukui ThumbHole Art exhibition in Fukui\, Japan\n2006 Aug group exhibition at Spacekids Aoyama in Tokyo\, Japan
URL:https://crsny.org/event/exhibition-ayako-bando/2019-02-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2018/10/Spring-into-winter-Bando_Ayako_1.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190205
DTEND;VALUE=DATE:20190206
DTSTAMP:20181107T190926Z
CREATED:20181031T233255Z
LAST-MODIFIED:20181107T190926Z
UID:10010708-1549324800-1549411199@crsny.org
SUMMARY:Exhibition:  Nature in Motion — Paintings by Ayako Bando
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Nature in Motion\,” an exhibition of abstract acrylic paintings by Ayako Bando expressing the energy and colors of the four seasons. Although Ms. Bando has had many exhibitions the past dozen years\, these older works from 2011–12 have not been shown together until now. The exhibition will open on December 3\, 2018 and will remain on view until February 9\, 2018. You are invited to meet the artist at the CRS Holiday Program & Reception on Saturday\, December 8\, 2018 from 6 – 9:30 pm. \nWhile most of Ms. Bando’s paintings are abstract\, one can feel a strong presence of light energy in many of her works\, a feature that became even more central in her newest works recently shown in the solo exhibition “Eternal Light.” But even in the earlier works featured in “Nature in Motion\,” areas of white or light color contrast with and reach toward darker areas and suggest the play of sunshine on water or plants or clouds. One might feel the presence of a cosmic energy or intelligence animating and giving life to these abstract structures and patterns\, energizing them\, setting them in motion\, transforming them just as the light reflecting off the pigments reaches out to our eyes and enlivens our own minds and spirits. \nArtist Statement \nFor this series\, I’m trying to express the energy the nature’s atmosphere contains. And I always give my work movement. Nature has played a very big part in my desire to paint\, the sky\, the trees\, the earth and elements of this sort. There’s much good energy to absorb into one’s body\, delivered by the earth and its natural wonders\, such as the play of sunlight\, in its powerful gentle sky and the dancing leaves. In my case\, very often it is the little things in life that we see everyday but take for granted that trigger my imagination to paint. And I believe that nature is a pure presence. The light lights up the heart and brings purity. The power of nature is endless\, and I value its greatness with my body & soul. \nAbout the Artist \nAyako Bando was born in the country town of Tokushima in Japan. She was blessed to be surrounded by the beauty of nature such as mountains\, rivers\, trees and flowers. After graduating from high school she moved to Osaka to study as a Medical Coding Specialist. She worked at the hospital for four years. During this time her passion was always to paint. After leaving the hospital she studied Art in Osaka\, London\, Tokyo and New York. She has exhibited in various venues in the United States\, Japan\, Germany and Italy. In 2017 she was the recipient of Namura Award and Honorable mention for the Modern Japan Art Society Exhibition at the Tokyo Metropolitan Art Museum. Her solo exhibition “Eternal Light” was exhibited at Saint Peter’s Church in NYC in 2018 and 2017. \nhttps://ayako-bando.jimdo.com/painting/ \nEducation \n2000 Aug Art school in Osaka Painting course\n2001 Sep Blake college in London Fine art course\n2007 Jan Art school Ginza Painting course in Tokyo\n2014 Sep The National Academy School in NY \nAward \n2017 Nov Namura Award for 44th Modern Japan Art Society Exhibition\n2017 July Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2017 Feb Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2016 Oct Orion Award for 43rd Modern Japan Art Society Exhibition\n2015 Oct Excellent Award for 42nd Modern Japan Art Society Exhibition\n2014 Oct Excellent Award for 41st Modern Japan Art Society Exhibition\n2013 Oct Japan Art Academy Award for 40th Modern Japan Art Society Exhibition\n2007 July Excellent work for The 24th Fukui ThumbHole Art Exhibition \nPermanent Collection\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Apri Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY \nSolo Exhibition \n2018 Dec “ Nature in motion” at CRS\, NY\n2018 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2018 Jun “Towanohikari-Eternal Light- at International Center of CCCS\, NY\n2018 May “Lotus” at Hypnosis & Reiki Center\, NY\n2018 Feb “Towanohikari-Eternal Light- at YN\, NY\n2017 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2017 Jun “Humanity” at Hypnosis & Reiki Center\, NY\n2016 Dec “Winter Nature” at Hypnosis & Reiki Center\, NY\n2016 Oct “Fall Nature” at Hypnosis & Reiki Center\, NY\n2016 May “Summer Nature” at Hypnosis & Reiki Center\, NY\n2015 Nov Ayako Bando at Black Cat LES \, NY\n2015 Apr “Spring Nature” at Hypnosis & Reiki Center\, NY\n2013 Jun “Nature” at Hypnosis & Reiki Center\, NY\n2010.Mar ” Nature in Motion” at Ouchi Gallery in Brooklyn\, NY\n2009.Dec Solo exhibition at Linn restaurant in Queens\, NY\n2005.July ” emotions” at Gekkoso Ginza in Tokyo\, Japan \nGroup Exhibition \n2018 Nov The 45th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2018 Oct SJAC Exhibition 2018 at Gallery Max New York\, NY\n2018 Aug PEACE 2018 at International Center of CCCS\, NY\n2018 Jun Juried Paper Works 2018 at Upstream Gallery\, NY\n2018 May 17th Annual Postcard show at AIR gallery in Brooklyn\, NY\n2018 Mar 2nd Annual International Women’s Day Art Fair at One Art Space\, NY\n2018 Jan 19th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2018 Jan JCAT Showcase at One Art Space Gallery\, NY\n2018 Jan Small works show at Upstream gallery\, NY\n2017 Dec ” A Political Apolitical Holiday Show” at Viridian Artists\, NY\n2017 Nov The 44th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Oct Small Art Show vol.3 at Studio 34 in Queens\, NY\n2017 Oct ALL Art + Exhibition at Van Der Plas Gallery\, NY\n2017 Sep WAH Celebrates Volunteers at Williamsburg Art &Historical Center in Brooklyn\, NY\n2017 Jul JCAT Small Show Case at Gallery Max New York\, NY\n2017 Jul Small Art show in Nagano and NY at Shoshinkan Gallery in Nagano\, Japan\n2017 Jul Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Mar International Women’s day Art FAIR at One Art Space\, NY\n2017 Feb Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Feb 11th 100 artists exhibition at Ouchi Gallery in Brooklyn\, NY\n2017 Jan The 18th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2017 Jan Modernism3 at ARTSPACE Patchogue in Patchogue\, NY\n2017 Jan Members show at Garrison Art Center in Garrison\, NY\n2017 Jan The 8th Annual small works show at Manhattan Brought Presidents Office\, NY\n2017 Jan Juried Small Work show at Upstream Gallery in Hastings on Hudson\, NY \n2016 Nov Slide Slamming:A Long Island Collaboration at Patchogue Arts Council in\nPatochogue\, NY\n2016 Nov Open call 2 Holiday Salon show at Lorimoto in Brooklyn\, NY\n2016 Oct The 43rd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2016 Oct Color of Fall at Ouchi Gallery in Brooklyn\, NY\n2016 Aug A.I.R gallery’s15th Annual Postcard show at Interstate projects in Brooklyn\, NY\n2016 May Mail Art at Karuizawa New Art Museum in Japan\n2016 Apr 100 Works On Paper Benefit at Kentler International Drawing Space in Brooklyn\, NY\n2016 Feb Modern Japan Art Society Kantou Art Exhibition at Tokyo Metropolitan Art\nMuseum in Tokyo\, Japan\n2016 Jan 18th Annual Postcards Edge at Sikkema Jenkins & Co. in NY\n2016 Jan The 17th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2015 Nov East & East Affordable Art Show at Gallery onetwentyeight \, NY\n2015 Oct The 42nd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2015 Aug Raciality at Gallery onetwentyeight \, NY\n2015 Jun Summer Show Rules at Gallery onetwentyeight \, NY\n2015 May WAH Bridges Self at Williamsburg Art &Historical Center in Brooklyn\, NY\n2015 Feb 13th Thumbhole Exhibition at Tokyo Kotsu Kaikan\, Japan\n2015 Jan The 16th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Dec Over the Edge Paper Works Unbound Part2 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct The 41st Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct International Art Festival at the Highline Loft Gallery\,NY\n2014 July Classical Realism Exhibition at Manhattan Borough President’s Office\, NY\n2014 July Come rain or Come shine at Gallery onetwentyeight \, NY\n2014 Jun Mash Up: Collages in Mixed Media at Islip Museum in Islip\, NY\n2014 May 8th AiB Bushwick Open Studios Benefit at Storefront Ten Eyck in Brooklyn\, NY\n2014 Feb JART4th at Williamsburg Art &Historical Center in Brooklyn\, NY\n2014 Jan The sketchbook Project in Miami\, FL\n2013 Dec Fridge Art Fair NYC:The Miami Popsicle Project in Miami \,FL\n2013 Oct The 40th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2013 Aug Delicious Summer at Gallery SANSQUOI in Okayama Japan\n2013 July Summer show at Gallery onetwentyeight \, NY\n2013 May Annual Small Works Juried Competition at Greenpoint Gallery in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 7th 100 Artists Exhibition at Ouchi Gallery in Brooklyn\, NY\n2013 Jan 19th Juried Small Works Show at Upstream Gallery\, NY\n2012 Dec Window Dressing presented by the Islip Art Council in Syiville\, NY\n2012 Dec Holiday Show at Gallery onetwentyeight \, NY\n2012 Oct Grand Harvest International Juried Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Oct The 39th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2012 Aug Parallax Art Fair \, NY\n2012 July Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 July The 6th 100 artist Exhibition at Sala dei Templari \, Italy\n(planed by Ouchi Gallery)\n2012 Apr Drawing Matters at Gallery onetwentyeight \, NY\n2012 Apr Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY\n2012 Mar Puzzle Project at MI gallery in OSAKA\, Japan\n2012 Mar Puzzle Project at Umeda Sky Building in OSAKA\, Japan\n2012 Feb Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 Feb the 25 Years Anniversary Show Part 1 at Gallery onetwentyeight \, NY\n2012 Jan 13th Annual WAH Salon Art Club Show at Williamsburg Art\n&Historical Center in Brooklyn\, NY\n2011 Dec We Are One at Camel Art Space in Brooklyn\, NY\n2011 Dec The 3rd Annual Small Works Exhibition at Manhattan Borough President’s\nOffice\, NY\n2011 Nov Wave…The Tides of Time at Gallery onetwentyeight\, NY\n2011 Oct 100-Tage-Kunst \, Germany\n2011 Aug Planet Alert at Gallery onetwentyeight\, NY\n2011 Jun Art Rescue Team for Japan at Williamsburg Art &Historical center in Brooklyn\, NY\n2011 Apr Artists selected for the Peace Art online Exhibition\n2011 Apr Fantastic fund at Bronx Art Space in Bronx\, NY\n2011 Apr Art love Japan at In Rivers Gallery in Brooklyn\, NY\n2011 Apr Pray for Japan at National Academy School\, NY\n2011 Mar Ashita: Artist for Japan at the great hall in Toront\, Canada\n2011 Mar What every perason can do at Ouchi gallery in Brooklyn\, NY\n2011 Feb The sketchbook project at Brooklyn art library in Brooklyn\, NY\n2011 Jan New year New works “the year of rabbit” at Gallery onetwentyeight \, NY\n2010 Dec Art for gift at Ouchi Gallery in Brooklyn\, NY\n2010 Sep Art for Tibet at the Union Gallery\, NY\n2010 Jun Group exhibition “1000 original postcard exhibition” at Ouchi Gallery in Brooklyn\, NY\n2009 Mar Group Exhibition “Super Competition” at Ouchi Gallery in Brooklyn\, NY\n2008 Nov Japan Arts Matsuri in Brooklyn\, NY\n2007 July Fukui ThumbHole Art exhibition in Fukui\, Japan\n2006 Aug group exhibition at Spacekids Aoyama in Tokyo\, Japan
URL:https://crsny.org/event/exhibition-ayako-bando/2019-02-05/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2018/10/Spring-into-winter-Bando_Ayako_1.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190206
DTEND;VALUE=DATE:20190207
DTSTAMP:20181107T190926Z
CREATED:20181031T233255Z
LAST-MODIFIED:20181107T190926Z
UID:10010709-1549411200-1549497599@crsny.org
SUMMARY:Exhibition:  Nature in Motion — Paintings by Ayako Bando
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Nature in Motion\,” an exhibition of abstract acrylic paintings by Ayako Bando expressing the energy and colors of the four seasons. Although Ms. Bando has had many exhibitions the past dozen years\, these older works from 2011–12 have not been shown together until now. The exhibition will open on December 3\, 2018 and will remain on view until February 9\, 2018. You are invited to meet the artist at the CRS Holiday Program & Reception on Saturday\, December 8\, 2018 from 6 – 9:30 pm. \nWhile most of Ms. Bando’s paintings are abstract\, one can feel a strong presence of light energy in many of her works\, a feature that became even more central in her newest works recently shown in the solo exhibition “Eternal Light.” But even in the earlier works featured in “Nature in Motion\,” areas of white or light color contrast with and reach toward darker areas and suggest the play of sunshine on water or plants or clouds. One might feel the presence of a cosmic energy or intelligence animating and giving life to these abstract structures and patterns\, energizing them\, setting them in motion\, transforming them just as the light reflecting off the pigments reaches out to our eyes and enlivens our own minds and spirits. \nArtist Statement \nFor this series\, I’m trying to express the energy the nature’s atmosphere contains. And I always give my work movement. Nature has played a very big part in my desire to paint\, the sky\, the trees\, the earth and elements of this sort. There’s much good energy to absorb into one’s body\, delivered by the earth and its natural wonders\, such as the play of sunlight\, in its powerful gentle sky and the dancing leaves. In my case\, very often it is the little things in life that we see everyday but take for granted that trigger my imagination to paint. And I believe that nature is a pure presence. The light lights up the heart and brings purity. The power of nature is endless\, and I value its greatness with my body & soul. \nAbout the Artist \nAyako Bando was born in the country town of Tokushima in Japan. She was blessed to be surrounded by the beauty of nature such as mountains\, rivers\, trees and flowers. After graduating from high school she moved to Osaka to study as a Medical Coding Specialist. She worked at the hospital for four years. During this time her passion was always to paint. After leaving the hospital she studied Art in Osaka\, London\, Tokyo and New York. She has exhibited in various venues in the United States\, Japan\, Germany and Italy. In 2017 she was the recipient of Namura Award and Honorable mention for the Modern Japan Art Society Exhibition at the Tokyo Metropolitan Art Museum. Her solo exhibition “Eternal Light” was exhibited at Saint Peter’s Church in NYC in 2018 and 2017. \nhttps://ayako-bando.jimdo.com/painting/ \nEducation \n2000 Aug Art school in Osaka Painting course\n2001 Sep Blake college in London Fine art course\n2007 Jan Art school Ginza Painting course in Tokyo\n2014 Sep The National Academy School in NY \nAward \n2017 Nov Namura Award for 44th Modern Japan Art Society Exhibition\n2017 July Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2017 Feb Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2016 Oct Orion Award for 43rd Modern Japan Art Society Exhibition\n2015 Oct Excellent Award for 42nd Modern Japan Art Society Exhibition\n2014 Oct Excellent Award for 41st Modern Japan Art Society Exhibition\n2013 Oct Japan Art Academy Award for 40th Modern Japan Art Society Exhibition\n2007 July Excellent work for The 24th Fukui ThumbHole Art Exhibition \nPermanent Collection\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Apri Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY \nSolo Exhibition \n2018 Dec “ Nature in motion” at CRS\, NY\n2018 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2018 Jun “Towanohikari-Eternal Light- at International Center of CCCS\, NY\n2018 May “Lotus” at Hypnosis & Reiki Center\, NY\n2018 Feb “Towanohikari-Eternal Light- at YN\, NY\n2017 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2017 Jun “Humanity” at Hypnosis & Reiki Center\, NY\n2016 Dec “Winter Nature” at Hypnosis & Reiki Center\, NY\n2016 Oct “Fall Nature” at Hypnosis & Reiki Center\, NY\n2016 May “Summer Nature” at Hypnosis & Reiki Center\, NY\n2015 Nov Ayako Bando at Black Cat LES \, NY\n2015 Apr “Spring Nature” at Hypnosis & Reiki Center\, NY\n2013 Jun “Nature” at Hypnosis & Reiki Center\, NY\n2010.Mar ” Nature in Motion” at Ouchi Gallery in Brooklyn\, NY\n2009.Dec Solo exhibition at Linn restaurant in Queens\, NY\n2005.July ” emotions” at Gekkoso Ginza in Tokyo\, Japan \nGroup Exhibition \n2018 Nov The 45th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2018 Oct SJAC Exhibition 2018 at Gallery Max New York\, NY\n2018 Aug PEACE 2018 at International Center of CCCS\, NY\n2018 Jun Juried Paper Works 2018 at Upstream Gallery\, NY\n2018 May 17th Annual Postcard show at AIR gallery in Brooklyn\, NY\n2018 Mar 2nd Annual International Women’s Day Art Fair at One Art Space\, NY\n2018 Jan 19th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2018 Jan JCAT Showcase at One Art Space Gallery\, NY\n2018 Jan Small works show at Upstream gallery\, NY\n2017 Dec ” A Political Apolitical Holiday Show” at Viridian Artists\, NY\n2017 Nov The 44th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Oct Small Art Show vol.3 at Studio 34 in Queens\, NY\n2017 Oct ALL Art + Exhibition at Van Der Plas Gallery\, NY\n2017 Sep WAH Celebrates Volunteers at Williamsburg Art &Historical Center in Brooklyn\, NY\n2017 Jul JCAT Small Show Case at Gallery Max New York\, NY\n2017 Jul Small Art show in Nagano and NY at Shoshinkan Gallery in Nagano\, Japan\n2017 Jul Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Mar International Women’s day Art FAIR at One Art Space\, NY\n2017 Feb Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Feb 11th 100 artists exhibition at Ouchi Gallery in Brooklyn\, NY\n2017 Jan The 18th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2017 Jan Modernism3 at ARTSPACE Patchogue in Patchogue\, NY\n2017 Jan Members show at Garrison Art Center in Garrison\, NY\n2017 Jan The 8th Annual small works show at Manhattan Brought Presidents Office\, NY\n2017 Jan Juried Small Work show at Upstream Gallery in Hastings on Hudson\, NY \n2016 Nov Slide Slamming:A Long Island Collaboration at Patchogue Arts Council in\nPatochogue\, NY\n2016 Nov Open call 2 Holiday Salon show at Lorimoto in Brooklyn\, NY\n2016 Oct The 43rd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2016 Oct Color of Fall at Ouchi Gallery in Brooklyn\, NY\n2016 Aug A.I.R gallery’s15th Annual Postcard show at Interstate projects in Brooklyn\, NY\n2016 May Mail Art at Karuizawa New Art Museum in Japan\n2016 Apr 100 Works On Paper Benefit at Kentler International Drawing Space in Brooklyn\, NY\n2016 Feb Modern Japan Art Society Kantou Art Exhibition at Tokyo Metropolitan Art\nMuseum in Tokyo\, Japan\n2016 Jan 18th Annual Postcards Edge at Sikkema Jenkins & Co. in NY\n2016 Jan The 17th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2015 Nov East & East Affordable Art Show at Gallery onetwentyeight \, NY\n2015 Oct The 42nd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2015 Aug Raciality at Gallery onetwentyeight \, NY\n2015 Jun Summer Show Rules at Gallery onetwentyeight \, NY\n2015 May WAH Bridges Self at Williamsburg Art &Historical Center in Brooklyn\, NY\n2015 Feb 13th Thumbhole Exhibition at Tokyo Kotsu Kaikan\, Japan\n2015 Jan The 16th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Dec Over the Edge Paper Works Unbound Part2 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct The 41st Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct International Art Festival at the Highline Loft Gallery\,NY\n2014 July Classical Realism Exhibition at Manhattan Borough President’s Office\, NY\n2014 July Come rain or Come shine at Gallery onetwentyeight \, NY\n2014 Jun Mash Up: Collages in Mixed Media at Islip Museum in Islip\, NY\n2014 May 8th AiB Bushwick Open Studios Benefit at Storefront Ten Eyck in Brooklyn\, NY\n2014 Feb JART4th at Williamsburg Art &Historical Center in Brooklyn\, NY\n2014 Jan The sketchbook Project in Miami\, FL\n2013 Dec Fridge Art Fair NYC:The Miami Popsicle Project in Miami \,FL\n2013 Oct The 40th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2013 Aug Delicious Summer at Gallery SANSQUOI in Okayama Japan\n2013 July Summer show at Gallery onetwentyeight \, NY\n2013 May Annual Small Works Juried Competition at Greenpoint Gallery in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 7th 100 Artists Exhibition at Ouchi Gallery in Brooklyn\, NY\n2013 Jan 19th Juried Small Works Show at Upstream Gallery\, NY\n2012 Dec Window Dressing presented by the Islip Art Council in Syiville\, NY\n2012 Dec Holiday Show at Gallery onetwentyeight \, NY\n2012 Oct Grand Harvest International Juried Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Oct The 39th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2012 Aug Parallax Art Fair \, NY\n2012 July Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 July The 6th 100 artist Exhibition at Sala dei Templari \, Italy\n(planed by Ouchi Gallery)\n2012 Apr Drawing Matters at Gallery onetwentyeight \, NY\n2012 Apr Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY\n2012 Mar Puzzle Project at MI gallery in OSAKA\, Japan\n2012 Mar Puzzle Project at Umeda Sky Building in OSAKA\, Japan\n2012 Feb Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 Feb the 25 Years Anniversary Show Part 1 at Gallery onetwentyeight \, NY\n2012 Jan 13th Annual WAH Salon Art Club Show at Williamsburg Art\n&Historical Center in Brooklyn\, NY\n2011 Dec We Are One at Camel Art Space in Brooklyn\, NY\n2011 Dec The 3rd Annual Small Works Exhibition at Manhattan Borough President’s\nOffice\, NY\n2011 Nov Wave…The Tides of Time at Gallery onetwentyeight\, NY\n2011 Oct 100-Tage-Kunst \, Germany\n2011 Aug Planet Alert at Gallery onetwentyeight\, NY\n2011 Jun Art Rescue Team for Japan at Williamsburg Art &Historical center in Brooklyn\, NY\n2011 Apr Artists selected for the Peace Art online Exhibition\n2011 Apr Fantastic fund at Bronx Art Space in Bronx\, NY\n2011 Apr Art love Japan at In Rivers Gallery in Brooklyn\, NY\n2011 Apr Pray for Japan at National Academy School\, NY\n2011 Mar Ashita: Artist for Japan at the great hall in Toront\, Canada\n2011 Mar What every perason can do at Ouchi gallery in Brooklyn\, NY\n2011 Feb The sketchbook project at Brooklyn art library in Brooklyn\, NY\n2011 Jan New year New works “the year of rabbit” at Gallery onetwentyeight \, NY\n2010 Dec Art for gift at Ouchi Gallery in Brooklyn\, NY\n2010 Sep Art for Tibet at the Union Gallery\, NY\n2010 Jun Group exhibition “1000 original postcard exhibition” at Ouchi Gallery in Brooklyn\, NY\n2009 Mar Group Exhibition “Super Competition” at Ouchi Gallery in Brooklyn\, NY\n2008 Nov Japan Arts Matsuri in Brooklyn\, NY\n2007 July Fukui ThumbHole Art exhibition in Fukui\, Japan\n2006 Aug group exhibition at Spacekids Aoyama in Tokyo\, Japan
URL:https://crsny.org/event/exhibition-ayako-bando/2019-02-06/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2018/10/Spring-into-winter-Bando_Ayako_1.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190206T200000
DTEND;TZID=America/New_York:20190206T213000
DTSTAMP:20190619T174346Z
CREATED:20190507T215811Z
LAST-MODIFIED:20190619T174346Z
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SUMMARY:A Course in Miracles Wednesday Classes
DESCRIPTION:Mondays 7:30 – 9 pm\nTaught by Yasuko Kasaki\, assisted by Christopher Pelham \nWednesdays 8 – 9:30 pm\nTaught by Christopher Pelham \nKnow your life purpose and the meaning of your current situation clearly. Communicate with your Inner Teacher. Heal yourself and others. \nThese ongoing classes focus on mind training designed to help you to experience the lessons and loving wisdom of ACIM. Each class contains some lecture from the ACIM Textbook\, some discussion and Q&A\, and typically 10 – 20 minutes of meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. \nIt is OK to attend without having studied the Course\, but we highly encourage you begin reading the Text and\, especially\, to begin the workbook lessons if you can! This course is meant to be experienced rather than simply talked about. You can find the text and lessons online. \nStudents of all experience levels and backgrounds are welcome!
URL:https://crsny.org/event/a-course-in-miracles-2/2019-02-06/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190207
DTEND;VALUE=DATE:20190208
DTSTAMP:20181107T190926Z
CREATED:20181031T233255Z
LAST-MODIFIED:20181107T190926Z
UID:10010710-1549497600-1549583999@crsny.org
SUMMARY:Exhibition:  Nature in Motion — Paintings by Ayako Bando
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Nature in Motion\,” an exhibition of abstract acrylic paintings by Ayako Bando expressing the energy and colors of the four seasons. Although Ms. Bando has had many exhibitions the past dozen years\, these older works from 2011–12 have not been shown together until now. The exhibition will open on December 3\, 2018 and will remain on view until February 9\, 2018. You are invited to meet the artist at the CRS Holiday Program & Reception on Saturday\, December 8\, 2018 from 6 – 9:30 pm. \nWhile most of Ms. Bando’s paintings are abstract\, one can feel a strong presence of light energy in many of her works\, a feature that became even more central in her newest works recently shown in the solo exhibition “Eternal Light.” But even in the earlier works featured in “Nature in Motion\,” areas of white or light color contrast with and reach toward darker areas and suggest the play of sunshine on water or plants or clouds. One might feel the presence of a cosmic energy or intelligence animating and giving life to these abstract structures and patterns\, energizing them\, setting them in motion\, transforming them just as the light reflecting off the pigments reaches out to our eyes and enlivens our own minds and spirits. \nArtist Statement \nFor this series\, I’m trying to express the energy the nature’s atmosphere contains. And I always give my work movement. Nature has played a very big part in my desire to paint\, the sky\, the trees\, the earth and elements of this sort. There’s much good energy to absorb into one’s body\, delivered by the earth and its natural wonders\, such as the play of sunlight\, in its powerful gentle sky and the dancing leaves. In my case\, very often it is the little things in life that we see everyday but take for granted that trigger my imagination to paint. And I believe that nature is a pure presence. The light lights up the heart and brings purity. The power of nature is endless\, and I value its greatness with my body & soul. \nAbout the Artist \nAyako Bando was born in the country town of Tokushima in Japan. She was blessed to be surrounded by the beauty of nature such as mountains\, rivers\, trees and flowers. After graduating from high school she moved to Osaka to study as a Medical Coding Specialist. She worked at the hospital for four years. During this time her passion was always to paint. After leaving the hospital she studied Art in Osaka\, London\, Tokyo and New York. She has exhibited in various venues in the United States\, Japan\, Germany and Italy. In 2017 she was the recipient of Namura Award and Honorable mention for the Modern Japan Art Society Exhibition at the Tokyo Metropolitan Art Museum. Her solo exhibition “Eternal Light” was exhibited at Saint Peter’s Church in NYC in 2018 and 2017. \nhttps://ayako-bando.jimdo.com/painting/ \nEducation \n2000 Aug Art school in Osaka Painting course\n2001 Sep Blake college in London Fine art course\n2007 Jan Art school Ginza Painting course in Tokyo\n2014 Sep The National Academy School in NY \nAward \n2017 Nov Namura Award for 44th Modern Japan Art Society Exhibition\n2017 July Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2017 Feb Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2016 Oct Orion Award for 43rd Modern Japan Art Society Exhibition\n2015 Oct Excellent Award for 42nd Modern Japan Art Society Exhibition\n2014 Oct Excellent Award for 41st Modern Japan Art Society Exhibition\n2013 Oct Japan Art Academy Award for 40th Modern Japan Art Society Exhibition\n2007 July Excellent work for The 24th Fukui ThumbHole Art Exhibition \nPermanent Collection\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Apri Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY \nSolo Exhibition \n2018 Dec “ Nature in motion” at CRS\, NY\n2018 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2018 Jun “Towanohikari-Eternal Light- at International Center of CCCS\, NY\n2018 May “Lotus” at Hypnosis & Reiki Center\, NY\n2018 Feb “Towanohikari-Eternal Light- at YN\, NY\n2017 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2017 Jun “Humanity” at Hypnosis & Reiki Center\, NY\n2016 Dec “Winter Nature” at Hypnosis & Reiki Center\, NY\n2016 Oct “Fall Nature” at Hypnosis & Reiki Center\, NY\n2016 May “Summer Nature” at Hypnosis & Reiki Center\, NY\n2015 Nov Ayako Bando at Black Cat LES \, NY\n2015 Apr “Spring Nature” at Hypnosis & Reiki Center\, NY\n2013 Jun “Nature” at Hypnosis & Reiki Center\, NY\n2010.Mar ” Nature in Motion” at Ouchi Gallery in Brooklyn\, NY\n2009.Dec Solo exhibition at Linn restaurant in Queens\, NY\n2005.July ” emotions” at Gekkoso Ginza in Tokyo\, Japan \nGroup Exhibition \n2018 Nov The 45th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2018 Oct SJAC Exhibition 2018 at Gallery Max New York\, NY\n2018 Aug PEACE 2018 at International Center of CCCS\, NY\n2018 Jun Juried Paper Works 2018 at Upstream Gallery\, NY\n2018 May 17th Annual Postcard show at AIR gallery in Brooklyn\, NY\n2018 Mar 2nd Annual International Women’s Day Art Fair at One Art Space\, NY\n2018 Jan 19th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2018 Jan JCAT Showcase at One Art Space Gallery\, NY\n2018 Jan Small works show at Upstream gallery\, NY\n2017 Dec ” A Political Apolitical Holiday Show” at Viridian Artists\, NY\n2017 Nov The 44th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Oct Small Art Show vol.3 at Studio 34 in Queens\, NY\n2017 Oct ALL Art + Exhibition at Van Der Plas Gallery\, NY\n2017 Sep WAH Celebrates Volunteers at Williamsburg Art &Historical Center in Brooklyn\, NY\n2017 Jul JCAT Small Show Case at Gallery Max New York\, NY\n2017 Jul Small Art show in Nagano and NY at Shoshinkan Gallery in Nagano\, Japan\n2017 Jul Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Mar International Women’s day Art FAIR at One Art Space\, NY\n2017 Feb Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Feb 11th 100 artists exhibition at Ouchi Gallery in Brooklyn\, NY\n2017 Jan The 18th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2017 Jan Modernism3 at ARTSPACE Patchogue in Patchogue\, NY\n2017 Jan Members show at Garrison Art Center in Garrison\, NY\n2017 Jan The 8th Annual small works show at Manhattan Brought Presidents Office\, NY\n2017 Jan Juried Small Work show at Upstream Gallery in Hastings on Hudson\, NY \n2016 Nov Slide Slamming:A Long Island Collaboration at Patchogue Arts Council in\nPatochogue\, NY\n2016 Nov Open call 2 Holiday Salon show at Lorimoto in Brooklyn\, NY\n2016 Oct The 43rd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2016 Oct Color of Fall at Ouchi Gallery in Brooklyn\, NY\n2016 Aug A.I.R gallery’s15th Annual Postcard show at Interstate projects in Brooklyn\, NY\n2016 May Mail Art at Karuizawa New Art Museum in Japan\n2016 Apr 100 Works On Paper Benefit at Kentler International Drawing Space in Brooklyn\, NY\n2016 Feb Modern Japan Art Society Kantou Art Exhibition at Tokyo Metropolitan Art\nMuseum in Tokyo\, Japan\n2016 Jan 18th Annual Postcards Edge at Sikkema Jenkins & Co. in NY\n2016 Jan The 17th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2015 Nov East & East Affordable Art Show at Gallery onetwentyeight \, NY\n2015 Oct The 42nd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2015 Aug Raciality at Gallery onetwentyeight \, NY\n2015 Jun Summer Show Rules at Gallery onetwentyeight \, NY\n2015 May WAH Bridges Self at Williamsburg Art &Historical Center in Brooklyn\, NY\n2015 Feb 13th Thumbhole Exhibition at Tokyo Kotsu Kaikan\, Japan\n2015 Jan The 16th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Dec Over the Edge Paper Works Unbound Part2 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct The 41st Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct International Art Festival at the Highline Loft Gallery\,NY\n2014 July Classical Realism Exhibition at Manhattan Borough President’s Office\, NY\n2014 July Come rain or Come shine at Gallery onetwentyeight \, NY\n2014 Jun Mash Up: Collages in Mixed Media at Islip Museum in Islip\, NY\n2014 May 8th AiB Bushwick Open Studios Benefit at Storefront Ten Eyck in Brooklyn\, NY\n2014 Feb JART4th at Williamsburg Art &Historical Center in Brooklyn\, NY\n2014 Jan The sketchbook Project in Miami\, FL\n2013 Dec Fridge Art Fair NYC:The Miami Popsicle Project in Miami \,FL\n2013 Oct The 40th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2013 Aug Delicious Summer at Gallery SANSQUOI in Okayama Japan\n2013 July Summer show at Gallery onetwentyeight \, NY\n2013 May Annual Small Works Juried Competition at Greenpoint Gallery in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 7th 100 Artists Exhibition at Ouchi Gallery in Brooklyn\, NY\n2013 Jan 19th Juried Small Works Show at Upstream Gallery\, NY\n2012 Dec Window Dressing presented by the Islip Art Council in Syiville\, NY\n2012 Dec Holiday Show at Gallery onetwentyeight \, NY\n2012 Oct Grand Harvest International Juried Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Oct The 39th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2012 Aug Parallax Art Fair \, NY\n2012 July Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 July The 6th 100 artist Exhibition at Sala dei Templari \, Italy\n(planed by Ouchi Gallery)\n2012 Apr Drawing Matters at Gallery onetwentyeight \, NY\n2012 Apr Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY\n2012 Mar Puzzle Project at MI gallery in OSAKA\, Japan\n2012 Mar Puzzle Project at Umeda Sky Building in OSAKA\, Japan\n2012 Feb Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 Feb the 25 Years Anniversary Show Part 1 at Gallery onetwentyeight \, NY\n2012 Jan 13th Annual WAH Salon Art Club Show at Williamsburg Art\n&Historical Center in Brooklyn\, NY\n2011 Dec We Are One at Camel Art Space in Brooklyn\, NY\n2011 Dec The 3rd Annual Small Works Exhibition at Manhattan Borough President’s\nOffice\, NY\n2011 Nov Wave…The Tides of Time at Gallery onetwentyeight\, NY\n2011 Oct 100-Tage-Kunst \, Germany\n2011 Aug Planet Alert at Gallery onetwentyeight\, NY\n2011 Jun Art Rescue Team for Japan at Williamsburg Art &Historical center in Brooklyn\, NY\n2011 Apr Artists selected for the Peace Art online Exhibition\n2011 Apr Fantastic fund at Bronx Art Space in Bronx\, NY\n2011 Apr Art love Japan at In Rivers Gallery in Brooklyn\, NY\n2011 Apr Pray for Japan at National Academy School\, NY\n2011 Mar Ashita: Artist for Japan at the great hall in Toront\, Canada\n2011 Mar What every perason can do at Ouchi gallery in Brooklyn\, NY\n2011 Feb The sketchbook project at Brooklyn art library in Brooklyn\, NY\n2011 Jan New year New works “the year of rabbit” at Gallery onetwentyeight \, NY\n2010 Dec Art for gift at Ouchi Gallery in Brooklyn\, NY\n2010 Sep Art for Tibet at the Union Gallery\, NY\n2010 Jun Group exhibition “1000 original postcard exhibition” at Ouchi Gallery in Brooklyn\, NY\n2009 Mar Group Exhibition “Super Competition” at Ouchi Gallery in Brooklyn\, NY\n2008 Nov Japan Arts Matsuri in Brooklyn\, NY\n2007 July Fukui ThumbHole Art exhibition in Fukui\, Japan\n2006 Aug group exhibition at Spacekids Aoyama in Tokyo\, Japan
URL:https://crsny.org/event/exhibition-ayako-bando/2019-02-07/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20190207T193000
DTEND;TZID=America/New_York:20190207T210000
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CREATED:20190103T064130Z
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SUMMARY:Sufi Dance Class with Lâle Sayoko
DESCRIPTION:Learn the ancient practice of meditative whirling known as Sufi dance or Sema (Sama in Iranian). You will learn the techniques of whirling\, but Sema is not about reproducing a certain form or aesthetic. Rather\, the technique serves as a vehicle for inner journeying. Sema means spiritual listening. Together we’ll create a sacred space in which we can safely listen to and share our true selves and experience oneness with the Divine. \nEach class consists of some explanation of the theory and technique\, exercises\, practice whirling\, and sharing and discussion of what you experienced and felt. \nWhirling commonly induces dizziness or nausea. Over time\, through whirling\, we learn to trust ourselves to go off balance\, to be dizzy\, to surrender control. We empty our minds of all thoughts of the individual self as we give ourselves over to prayer and connect with a greater power\, the still center within\, around which we turn. Into this emptiness floods a divine fullness\, which sometimes gives rise to a state known as “mystical intoxication\,” a reflection of knowing and experiencing that you and I and the Divine are One. \nPlease wear comfortable clothing (white\, gray or black color is preferable\, avoiding prints and shiny material which might distract the eye while whirling) and wear socks or soft soled shoes. If you have a whirling skirt and/or a frame drum\, please feel free to bring it. Avoid eating a large meal for two hours prior to class. \n$20 with advance registration\, $25 at the door \nLearn more about Sufi dance:\nhttp://www.ranagorgani.com/10-things-about-sufi-dance/ \nAbout Sufi Dance Instructor Lâle Sayoko \nSayoko was one of the founding members of Japan’s famous Samanyolu professional bellydance group\, and has since developed her own solo career touring with UK’s Mugenkyo Taiko Drummers on a 44 city tour of the UK\, to Turkey’s Baba Zula\, and with New York’s Bella Gaia multimedia Earth from Space journey show. Lale aspires for dance to be a powerful communicator though traditional technique and spiritual embodiment. She has lately been studying Sufi dance with Rana Gorgani\, and in April 2018 Gorgani awarded her the International Sufi Dance Certification Of Cid UNESCO\, granting her authority to teach Gorgani’s method of Sufi dance training. With CRS co-founders Yasuko Kasaki and Christopher Pelham\, she leads the CRS Healing Circles + Whirling that take place every third Thursday of the month at CRS (2nd Thursday in Aug 2018). \nhttp://www.lalesayoko.com
URL:https://crsny.org/event/sufi-dance-class-with-lale-sayoko/2019-02-07/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,sufi
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190208
DTEND;VALUE=DATE:20190209
DTSTAMP:20181107T190926Z
CREATED:20181031T233255Z
LAST-MODIFIED:20181107T190926Z
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SUMMARY:Exhibition:  Nature in Motion — Paintings by Ayako Bando
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Nature in Motion\,” an exhibition of abstract acrylic paintings by Ayako Bando expressing the energy and colors of the four seasons. Although Ms. Bando has had many exhibitions the past dozen years\, these older works from 2011–12 have not been shown together until now. The exhibition will open on December 3\, 2018 and will remain on view until February 9\, 2018. You are invited to meet the artist at the CRS Holiday Program & Reception on Saturday\, December 8\, 2018 from 6 – 9:30 pm. \nWhile most of Ms. Bando’s paintings are abstract\, one can feel a strong presence of light energy in many of her works\, a feature that became even more central in her newest works recently shown in the solo exhibition “Eternal Light.” But even in the earlier works featured in “Nature in Motion\,” areas of white or light color contrast with and reach toward darker areas and suggest the play of sunshine on water or plants or clouds. One might feel the presence of a cosmic energy or intelligence animating and giving life to these abstract structures and patterns\, energizing them\, setting them in motion\, transforming them just as the light reflecting off the pigments reaches out to our eyes and enlivens our own minds and spirits. \nArtist Statement \nFor this series\, I’m trying to express the energy the nature’s atmosphere contains. And I always give my work movement. Nature has played a very big part in my desire to paint\, the sky\, the trees\, the earth and elements of this sort. There’s much good energy to absorb into one’s body\, delivered by the earth and its natural wonders\, such as the play of sunlight\, in its powerful gentle sky and the dancing leaves. In my case\, very often it is the little things in life that we see everyday but take for granted that trigger my imagination to paint. And I believe that nature is a pure presence. The light lights up the heart and brings purity. The power of nature is endless\, and I value its greatness with my body & soul. \nAbout the Artist \nAyako Bando was born in the country town of Tokushima in Japan. She was blessed to be surrounded by the beauty of nature such as mountains\, rivers\, trees and flowers. After graduating from high school she moved to Osaka to study as a Medical Coding Specialist. She worked at the hospital for four years. During this time her passion was always to paint. After leaving the hospital she studied Art in Osaka\, London\, Tokyo and New York. She has exhibited in various venues in the United States\, Japan\, Germany and Italy. In 2017 she was the recipient of Namura Award and Honorable mention for the Modern Japan Art Society Exhibition at the Tokyo Metropolitan Art Museum. Her solo exhibition “Eternal Light” was exhibited at Saint Peter’s Church in NYC in 2018 and 2017. \nhttps://ayako-bando.jimdo.com/painting/ \nEducation \n2000 Aug Art school in Osaka Painting course\n2001 Sep Blake college in London Fine art course\n2007 Jan Art school Ginza Painting course in Tokyo\n2014 Sep The National Academy School in NY \nAward \n2017 Nov Namura Award for 44th Modern Japan Art Society Exhibition\n2017 July Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2017 Feb Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2016 Oct Orion Award for 43rd Modern Japan Art Society Exhibition\n2015 Oct Excellent Award for 42nd Modern Japan Art Society Exhibition\n2014 Oct Excellent Award for 41st Modern Japan Art Society Exhibition\n2013 Oct Japan Art Academy Award for 40th Modern Japan Art Society Exhibition\n2007 July Excellent work for The 24th Fukui ThumbHole Art Exhibition \nPermanent Collection\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Apri Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY \nSolo Exhibition \n2018 Dec “ Nature in motion” at CRS\, NY\n2018 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2018 Jun “Towanohikari-Eternal Light- at International Center of CCCS\, NY\n2018 May “Lotus” at Hypnosis & Reiki Center\, NY\n2018 Feb “Towanohikari-Eternal Light- at YN\, NY\n2017 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2017 Jun “Humanity” at Hypnosis & Reiki Center\, NY\n2016 Dec “Winter Nature” at Hypnosis & Reiki Center\, NY\n2016 Oct “Fall Nature” at Hypnosis & Reiki Center\, NY\n2016 May “Summer Nature” at Hypnosis & Reiki Center\, NY\n2015 Nov Ayako Bando at Black Cat LES \, NY\n2015 Apr “Spring Nature” at Hypnosis & Reiki Center\, NY\n2013 Jun “Nature” at Hypnosis & Reiki Center\, NY\n2010.Mar ” Nature in Motion” at Ouchi Gallery in Brooklyn\, NY\n2009.Dec Solo exhibition at Linn restaurant in Queens\, NY\n2005.July ” emotions” at Gekkoso Ginza in Tokyo\, Japan \nGroup Exhibition \n2018 Nov The 45th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2018 Oct SJAC Exhibition 2018 at Gallery Max New York\, NY\n2018 Aug PEACE 2018 at International Center of CCCS\, NY\n2018 Jun Juried Paper Works 2018 at Upstream Gallery\, NY\n2018 May 17th Annual Postcard show at AIR gallery in Brooklyn\, NY\n2018 Mar 2nd Annual International Women’s Day Art Fair at One Art Space\, NY\n2018 Jan 19th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2018 Jan JCAT Showcase at One Art Space Gallery\, NY\n2018 Jan Small works show at Upstream gallery\, NY\n2017 Dec ” A Political Apolitical Holiday Show” at Viridian Artists\, NY\n2017 Nov The 44th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Oct Small Art Show vol.3 at Studio 34 in Queens\, NY\n2017 Oct ALL Art + Exhibition at Van Der Plas Gallery\, NY\n2017 Sep WAH Celebrates Volunteers at Williamsburg Art &Historical Center in Brooklyn\, NY\n2017 Jul JCAT Small Show Case at Gallery Max New York\, NY\n2017 Jul Small Art show in Nagano and NY at Shoshinkan Gallery in Nagano\, Japan\n2017 Jul Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Mar International Women’s day Art FAIR at One Art Space\, NY\n2017 Feb Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Feb 11th 100 artists exhibition at Ouchi Gallery in Brooklyn\, NY\n2017 Jan The 18th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2017 Jan Modernism3 at ARTSPACE Patchogue in Patchogue\, NY\n2017 Jan Members show at Garrison Art Center in Garrison\, NY\n2017 Jan The 8th Annual small works show at Manhattan Brought Presidents Office\, NY\n2017 Jan Juried Small Work show at Upstream Gallery in Hastings on Hudson\, NY \n2016 Nov Slide Slamming:A Long Island Collaboration at Patchogue Arts Council in\nPatochogue\, NY\n2016 Nov Open call 2 Holiday Salon show at Lorimoto in Brooklyn\, NY\n2016 Oct The 43rd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2016 Oct Color of Fall at Ouchi Gallery in Brooklyn\, NY\n2016 Aug A.I.R gallery’s15th Annual Postcard show at Interstate projects in Brooklyn\, NY\n2016 May Mail Art at Karuizawa New Art Museum in Japan\n2016 Apr 100 Works On Paper Benefit at Kentler International Drawing Space in Brooklyn\, NY\n2016 Feb Modern Japan Art Society Kantou Art Exhibition at Tokyo Metropolitan Art\nMuseum in Tokyo\, Japan\n2016 Jan 18th Annual Postcards Edge at Sikkema Jenkins & Co. in NY\n2016 Jan The 17th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2015 Nov East & East Affordable Art Show at Gallery onetwentyeight \, NY\n2015 Oct The 42nd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2015 Aug Raciality at Gallery onetwentyeight \, NY\n2015 Jun Summer Show Rules at Gallery onetwentyeight \, NY\n2015 May WAH Bridges Self at Williamsburg Art &Historical Center in Brooklyn\, NY\n2015 Feb 13th Thumbhole Exhibition at Tokyo Kotsu Kaikan\, Japan\n2015 Jan The 16th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Dec Over the Edge Paper Works Unbound Part2 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct The 41st Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct International Art Festival at the Highline Loft Gallery\,NY\n2014 July Classical Realism Exhibition at Manhattan Borough President’s Office\, NY\n2014 July Come rain or Come shine at Gallery onetwentyeight \, NY\n2014 Jun Mash Up: Collages in Mixed Media at Islip Museum in Islip\, NY\n2014 May 8th AiB Bushwick Open Studios Benefit at Storefront Ten Eyck in Brooklyn\, NY\n2014 Feb JART4th at Williamsburg Art &Historical Center in Brooklyn\, NY\n2014 Jan The sketchbook Project in Miami\, FL\n2013 Dec Fridge Art Fair NYC:The Miami Popsicle Project in Miami \,FL\n2013 Oct The 40th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2013 Aug Delicious Summer at Gallery SANSQUOI in Okayama Japan\n2013 July Summer show at Gallery onetwentyeight \, NY\n2013 May Annual Small Works Juried Competition at Greenpoint Gallery in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 7th 100 Artists Exhibition at Ouchi Gallery in Brooklyn\, NY\n2013 Jan 19th Juried Small Works Show at Upstream Gallery\, NY\n2012 Dec Window Dressing presented by the Islip Art Council in Syiville\, NY\n2012 Dec Holiday Show at Gallery onetwentyeight \, NY\n2012 Oct Grand Harvest International Juried Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Oct The 39th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2012 Aug Parallax Art Fair \, NY\n2012 July Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 July The 6th 100 artist Exhibition at Sala dei Templari \, Italy\n(planed by Ouchi Gallery)\n2012 Apr Drawing Matters at Gallery onetwentyeight \, NY\n2012 Apr Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY\n2012 Mar Puzzle Project at MI gallery in OSAKA\, Japan\n2012 Mar Puzzle Project at Umeda Sky Building in OSAKA\, Japan\n2012 Feb Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 Feb the 25 Years Anniversary Show Part 1 at Gallery onetwentyeight \, NY\n2012 Jan 13th Annual WAH Salon Art Club Show at Williamsburg Art\n&Historical Center in Brooklyn\, NY\n2011 Dec We Are One at Camel Art Space in Brooklyn\, NY\n2011 Dec The 3rd Annual Small Works Exhibition at Manhattan Borough President’s\nOffice\, NY\n2011 Nov Wave…The Tides of Time at Gallery onetwentyeight\, NY\n2011 Oct 100-Tage-Kunst \, Germany\n2011 Aug Planet Alert at Gallery onetwentyeight\, NY\n2011 Jun Art Rescue Team for Japan at Williamsburg Art &Historical center in Brooklyn\, NY\n2011 Apr Artists selected for the Peace Art online Exhibition\n2011 Apr Fantastic fund at Bronx Art Space in Bronx\, NY\n2011 Apr Art love Japan at In Rivers Gallery in Brooklyn\, NY\n2011 Apr Pray for Japan at National Academy School\, NY\n2011 Mar Ashita: Artist for Japan at the great hall in Toront\, Canada\n2011 Mar What every perason can do at Ouchi gallery in Brooklyn\, NY\n2011 Feb The sketchbook project at Brooklyn art library in Brooklyn\, NY\n2011 Jan New year New works “the year of rabbit” at Gallery onetwentyeight \, NY\n2010 Dec Art for gift at Ouchi Gallery in Brooklyn\, NY\n2010 Sep Art for Tibet at the Union Gallery\, NY\n2010 Jun Group exhibition “1000 original postcard exhibition” at Ouchi Gallery in Brooklyn\, NY\n2009 Mar Group Exhibition “Super Competition” at Ouchi Gallery in Brooklyn\, NY\n2008 Nov Japan Arts Matsuri in Brooklyn\, NY\n2007 July Fukui ThumbHole Art exhibition in Fukui\, Japan\n2006 Aug group exhibition at Spacekids Aoyama in Tokyo\, Japan
URL:https://crsny.org/event/exhibition-ayako-bando/2019-02-08/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190209
DTEND;VALUE=DATE:20190210
DTSTAMP:20181107T190926Z
CREATED:20181031T233255Z
LAST-MODIFIED:20181107T190926Z
UID:10010712-1549670400-1549756799@crsny.org
SUMMARY:Exhibition:  Nature in Motion — Paintings by Ayako Bando
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Nature in Motion\,” an exhibition of abstract acrylic paintings by Ayako Bando expressing the energy and colors of the four seasons. Although Ms. Bando has had many exhibitions the past dozen years\, these older works from 2011–12 have not been shown together until now. The exhibition will open on December 3\, 2018 and will remain on view until February 9\, 2018. You are invited to meet the artist at the CRS Holiday Program & Reception on Saturday\, December 8\, 2018 from 6 – 9:30 pm. \nWhile most of Ms. Bando’s paintings are abstract\, one can feel a strong presence of light energy in many of her works\, a feature that became even more central in her newest works recently shown in the solo exhibition “Eternal Light.” But even in the earlier works featured in “Nature in Motion\,” areas of white or light color contrast with and reach toward darker areas and suggest the play of sunshine on water or plants or clouds. One might feel the presence of a cosmic energy or intelligence animating and giving life to these abstract structures and patterns\, energizing them\, setting them in motion\, transforming them just as the light reflecting off the pigments reaches out to our eyes and enlivens our own minds and spirits. \nArtist Statement \nFor this series\, I’m trying to express the energy the nature’s atmosphere contains. And I always give my work movement. Nature has played a very big part in my desire to paint\, the sky\, the trees\, the earth and elements of this sort. There’s much good energy to absorb into one’s body\, delivered by the earth and its natural wonders\, such as the play of sunlight\, in its powerful gentle sky and the dancing leaves. In my case\, very often it is the little things in life that we see everyday but take for granted that trigger my imagination to paint. And I believe that nature is a pure presence. The light lights up the heart and brings purity. The power of nature is endless\, and I value its greatness with my body & soul. \nAbout the Artist \nAyako Bando was born in the country town of Tokushima in Japan. She was blessed to be surrounded by the beauty of nature such as mountains\, rivers\, trees and flowers. After graduating from high school she moved to Osaka to study as a Medical Coding Specialist. She worked at the hospital for four years. During this time her passion was always to paint. After leaving the hospital she studied Art in Osaka\, London\, Tokyo and New York. She has exhibited in various venues in the United States\, Japan\, Germany and Italy. In 2017 she was the recipient of Namura Award and Honorable mention for the Modern Japan Art Society Exhibition at the Tokyo Metropolitan Art Museum. Her solo exhibition “Eternal Light” was exhibited at Saint Peter’s Church in NYC in 2018 and 2017. \nhttps://ayako-bando.jimdo.com/painting/ \nEducation \n2000 Aug Art school in Osaka Painting course\n2001 Sep Blake college in London Fine art course\n2007 Jan Art school Ginza Painting course in Tokyo\n2014 Sep The National Academy School in NY \nAward \n2017 Nov Namura Award for 44th Modern Japan Art Society Exhibition\n2017 July Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2017 Feb Honorable mention for Modern Japan Art Society Kanto Art Exhibition\n2016 Oct Orion Award for 43rd Modern Japan Art Society Exhibition\n2015 Oct Excellent Award for 42nd Modern Japan Art Society Exhibition\n2014 Oct Excellent Award for 41st Modern Japan Art Society Exhibition\n2013 Oct Japan Art Academy Award for 40th Modern Japan Art Society Exhibition\n2007 July Excellent work for The 24th Fukui ThumbHole Art Exhibition \nPermanent Collection\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Apri Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY \nSolo Exhibition \n2018 Dec “ Nature in motion” at CRS\, NY\n2018 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2018 Jun “Towanohikari-Eternal Light- at International Center of CCCS\, NY\n2018 May “Lotus” at Hypnosis & Reiki Center\, NY\n2018 Feb “Towanohikari-Eternal Light- at YN\, NY\n2017 Aug “Towanohikari-Eternal Light- at Saint Peter’s Church: Narthex Gallery\, NY\n2017 Jun “Humanity” at Hypnosis & Reiki Center\, NY\n2016 Dec “Winter Nature” at Hypnosis & Reiki Center\, NY\n2016 Oct “Fall Nature” at Hypnosis & Reiki Center\, NY\n2016 May “Summer Nature” at Hypnosis & Reiki Center\, NY\n2015 Nov Ayako Bando at Black Cat LES \, NY\n2015 Apr “Spring Nature” at Hypnosis & Reiki Center\, NY\n2013 Jun “Nature” at Hypnosis & Reiki Center\, NY\n2010.Mar ” Nature in Motion” at Ouchi Gallery in Brooklyn\, NY\n2009.Dec Solo exhibition at Linn restaurant in Queens\, NY\n2005.July ” emotions” at Gekkoso Ginza in Tokyo\, Japan \nGroup Exhibition \n2018 Nov The 45th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2018 Oct SJAC Exhibition 2018 at Gallery Max New York\, NY\n2018 Aug PEACE 2018 at International Center of CCCS\, NY\n2018 Jun Juried Paper Works 2018 at Upstream Gallery\, NY\n2018 May 17th Annual Postcard show at AIR gallery in Brooklyn\, NY\n2018 Mar 2nd Annual International Women’s Day Art Fair at One Art Space\, NY\n2018 Jan 19th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2018 Jan JCAT Showcase at One Art Space Gallery\, NY\n2018 Jan Small works show at Upstream gallery\, NY\n2017 Dec ” A Political Apolitical Holiday Show” at Viridian Artists\, NY\n2017 Nov The 44th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Oct Small Art Show vol.3 at Studio 34 in Queens\, NY\n2017 Oct ALL Art + Exhibition at Van Der Plas Gallery\, NY\n2017 Sep WAH Celebrates Volunteers at Williamsburg Art &Historical Center in Brooklyn\, NY\n2017 Jul JCAT Small Show Case at Gallery Max New York\, NY\n2017 Jul Small Art show in Nagano and NY at Shoshinkan Gallery in Nagano\, Japan\n2017 Jul Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Mar International Women’s day Art FAIR at One Art Space\, NY\n2017 Feb Modern Japan Art Society Kanto Art Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2017 Feb 11th 100 artists exhibition at Ouchi Gallery in Brooklyn\, NY\n2017 Jan The 18th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2017 Jan Modernism3 at ARTSPACE Patchogue in Patchogue\, NY\n2017 Jan Members show at Garrison Art Center in Garrison\, NY\n2017 Jan The 8th Annual small works show at Manhattan Brought Presidents Office\, NY\n2017 Jan Juried Small Work show at Upstream Gallery in Hastings on Hudson\, NY \n2016 Nov Slide Slamming:A Long Island Collaboration at Patchogue Arts Council in\nPatochogue\, NY\n2016 Nov Open call 2 Holiday Salon show at Lorimoto in Brooklyn\, NY\n2016 Oct The 43rd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2016 Oct Color of Fall at Ouchi Gallery in Brooklyn\, NY\n2016 Aug A.I.R gallery’s15th Annual Postcard show at Interstate projects in Brooklyn\, NY\n2016 May Mail Art at Karuizawa New Art Museum in Japan\n2016 Apr 100 Works On Paper Benefit at Kentler International Drawing Space in Brooklyn\, NY\n2016 Feb Modern Japan Art Society Kantou Art Exhibition at Tokyo Metropolitan Art\nMuseum in Tokyo\, Japan\n2016 Jan 18th Annual Postcards Edge at Sikkema Jenkins & Co. in NY\n2016 Jan The 17th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2015 Nov East & East Affordable Art Show at Gallery onetwentyeight \, NY\n2015 Oct The 42nd Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2015 Aug Raciality at Gallery onetwentyeight \, NY\n2015 Jun Summer Show Rules at Gallery onetwentyeight \, NY\n2015 May WAH Bridges Self at Williamsburg Art &Historical Center in Brooklyn\, NY\n2015 Feb 13th Thumbhole Exhibition at Tokyo Kotsu Kaikan\, Japan\n2015 Jan The 16th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Dec Over the Edge Paper Works Unbound Part2 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct The 41st Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2014 Oct Over the Edge Paper Works Unbound Part1 at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2014 Oct International Art Festival at the Highline Loft Gallery\,NY\n2014 July Classical Realism Exhibition at Manhattan Borough President’s Office\, NY\n2014 July Come rain or Come shine at Gallery onetwentyeight \, NY\n2014 Jun Mash Up: Collages in Mixed Media at Islip Museum in Islip\, NY\n2014 May 8th AiB Bushwick Open Studios Benefit at Storefront Ten Eyck in Brooklyn\, NY\n2014 Feb JART4th at Williamsburg Art &Historical Center in Brooklyn\, NY\n2014 Jan The sketchbook Project in Miami\, FL\n2013 Dec Fridge Art Fair NYC:The Miami Popsicle Project in Miami \,FL\n2013 Oct The 40th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2013 Aug Delicious Summer at Gallery SANSQUOI in Okayama Japan\n2013 July Summer show at Gallery onetwentyeight \, NY\n2013 May Annual Small Works Juried Competition at Greenpoint Gallery in Brooklyn\, NY\n2013 Jan The 14th Annual Salon Art Club Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2013 Jan The 7th 100 Artists Exhibition at Ouchi Gallery in Brooklyn\, NY\n2013 Jan 19th Juried Small Works Show at Upstream Gallery\, NY\n2012 Dec Window Dressing presented by the Islip Art Council in Syiville\, NY\n2012 Dec Holiday Show at Gallery onetwentyeight \, NY\n2012 Oct Grand Harvest International Juried Show at Williamsburg Art &Historical\nCenter in Brooklyn\, NY\n2012 Oct The 39th Modern Japan Art Society Exhibition at Tokyo Metropolitan Art\nMuseum\, Japan\n2012 Aug Parallax Art Fair \, NY\n2012 July Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 July The 6th 100 artist Exhibition at Sala dei Templari \, Italy\n(planed by Ouchi Gallery)\n2012 Apr Drawing Matters at Gallery onetwentyeight \, NY\n2012 Apr Spring Fling at Williamsburg Art &Historical center in Brooklyn\, NY\n2012 Mar Puzzle Project at MI gallery in OSAKA\, Japan\n2012 Mar Puzzle Project at Umeda Sky Building in OSAKA\, Japan\n2012 Feb Thumbhole Exhibition at Tokyo Kotsu Kaikan in Tokyo\, Japan\n2012 Feb the 25 Years Anniversary Show Part 1 at Gallery onetwentyeight \, NY\n2012 Jan 13th Annual WAH Salon Art Club Show at Williamsburg Art\n&Historical Center in Brooklyn\, NY\n2011 Dec We Are One at Camel Art Space in Brooklyn\, NY\n2011 Dec The 3rd Annual Small Works Exhibition at Manhattan Borough President’s\nOffice\, NY\n2011 Nov Wave…The Tides of Time at Gallery onetwentyeight\, NY\n2011 Oct 100-Tage-Kunst \, Germany\n2011 Aug Planet Alert at Gallery onetwentyeight\, NY\n2011 Jun Art Rescue Team for Japan at Williamsburg Art &Historical center in Brooklyn\, NY\n2011 Apr Artists selected for the Peace Art online Exhibition\n2011 Apr Fantastic fund at Bronx Art Space in Bronx\, NY\n2011 Apr Art love Japan at In Rivers Gallery in Brooklyn\, NY\n2011 Apr Pray for Japan at National Academy School\, NY\n2011 Mar Ashita: Artist for Japan at the great hall in Toront\, Canada\n2011 Mar What every perason can do at Ouchi gallery in Brooklyn\, NY\n2011 Feb The sketchbook project at Brooklyn art library in Brooklyn\, NY\n2011 Jan New year New works “the year of rabbit” at Gallery onetwentyeight \, NY\n2010 Dec Art for gift at Ouchi Gallery in Brooklyn\, NY\n2010 Sep Art for Tibet at the Union Gallery\, NY\n2010 Jun Group exhibition “1000 original postcard exhibition” at Ouchi Gallery in Brooklyn\, NY\n2009 Mar Group Exhibition “Super Competition” at Ouchi Gallery in Brooklyn\, NY\n2008 Nov Japan Arts Matsuri in Brooklyn\, NY\n2007 July Fukui ThumbHole Art exhibition in Fukui\, Japan\n2006 Aug group exhibition at Spacekids Aoyama in Tokyo\, Japan
URL:https://crsny.org/event/exhibition-ayako-bando/2019-02-09/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190210T133000
DTEND;TZID=America/New_York:20190210T160000
DTSTAMP:20190120T201708Z
CREATED:20190116T214514Z
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SUMMARY:Miracles in Manhattan with Dr. Jon Mundy:  The Ten Characteristics of a Teacher of God
DESCRIPTION:CRS presents Miracles in Manhattan\, lectures on the teachings of A Course in Miracles (ACIM) and related texts and topics by Jon Mundy\, Ph.D. and occasional guest lecturers\, hosted by CRS Founder Yasuko Kasaki. \nThe topic for February’s lecture is “The Ten Characteristics of a Teacher of God” from the ACIM Manual for Teachers. \n~ $25 per person with advanced purchase online\, by phone (212-677-8621) or at CRS until the day before the lecture~\n~ $30 per person at the door ~\nAs long as space is available\, “No one is ever turned away who cannot pay.” Contribute what you can. \nThe lectures are held on the 2nd Sunday of the month (but 1st Sunday in May). \nAlthough we would\, of course\, prefer to share with you in class\, Miracles in Manhattan classes are now also being offered via life-streaming (technology allowing) for those who cannot attend the class in-person. The day of the class\, go to our YouTube Channel:\nhttps://www.youtube.com/channel/UCwxH3nWSMFDGA1SiR9kAbeg\nand choose the live-streaming button. If it’s not there\, it means there are technical difficulties\, but it should still be posted here about a week later. \nDr. Jon Mundy is an author\, lecturer\, the publisher of Miracles magazine\, and the Executive Director of All Faiths Seminary International in New York City. He met Dr. Helen Schucman\, the scribe for A Course in Miracles\, in 1973. Helen introduced Jon to the Course and served as his mentor and guide till she became ill in 1980. He is the author of Living A Course in Miracles\, which is now available in eight languages. After Return to Love by Marianne Williamson\, it is currently the best-selling book based on the teaching of A Course in Miracles. He taught courses in Philosophy and Religion from 1967 to 2008 at the New School University and the State University of New York with a specialization in The History of Mysticism. He is the author of 12 books\, his most recent being A Course in Mysticism and Miracles published by Red Wheel Weiser. drjonmundy.com  www.miraclesmagazine.org \nMiracles in Manhattan host Yasuko Kasaki is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo\, Japan. The founder of CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles (ACIM) in New York City\, she is widely recognized as the person most responsible for the spread of ACIM throughout Japan. She has taught and worked with thousands of people from around the world to help resolve their mental and physical issues and witness miracles. She is the author of 16 books in Japanese about ACIM\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and books by ACIM writers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister and others have also been published in Japan. Meditation and communication with Holy Spirit form the foundation of her classes. yasukokasaki.com
URL:https://crsny.org/event/miracles-in-manhattan-190210/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents,Miracles in Manhattan
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DTSTART;TZID=America/New_York:20190210T180000
DTEND;TZID=America/New_York:20190210T200000
DTSTAMP:20190205T161845Z
CREATED:20190130T051549Z
LAST-MODIFIED:20190205T161845Z
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SUMMARY:One Note One Spirit — Play! Sing! Dance! Improv! Joy!
DESCRIPTION:One Note One Spirit is a sound community where you can be\, feel\, and express freely. We will have fun by playing percussive insturuments\, using our voices and moving our bodies\, which often helps with letting our feelings and emotions out. You might enjoy the spontaneous harmony\, dissonance and surprising moments!\nYou don’t need any musical experience. We have some percussive instruments for you to use\, but please feel free to bring your own instruments. \nPlease join us! Let’s have fun! \nThis month Kevin Nathaniel will join us! Kevin specializes in voice\, mbira\, kalimba\, shekere\, and a variety of percussion. He approaches music as an experience to be shared by all\, a healing force that can bring people together as one. In this regard\, he is a visionary musician. His approach is creative with whatever musical instrument or path he embarks. At times vocal\, or instrumental with mbira melodies and enchanting dance rhythms\, and at times fiery and percussive\, and all phases in between. He was drawn into music by the magical sound of the mbira\, working with the legendary Zimbabwean mbira master Ephat Mujuru for years. He has continued the mbira/kalimba legacy and works to expand it creatively. He often tours\, performing all over the planet as well as producing a popular music series in NYC (see Afro Roots Tuesdays). He is founding member of several bands including Spirit Ensemble\, Heritage OP\, Harmony Mbira\, Kaleidhaphonic\, Afrika Meets India\, and more. He has worked with a wide variety of artists including Alice Walker\, Oprah Winfrey\, Jonathan Demme\, Thomas Mapfumo\, Miriam Makeba\, Bobby McFerrin\, Niles Rodgers\, Madonna\, Philip Glass\, Nana Vasconcelos\, and on and on. You can find his music on Spotify\, You Tube\, iTunes\, Cdbaby\, and many other outlets. \n$20 \nContact: onenoteonespirit@gmail.com \nonenoteonespirit.com
URL:https://crsny.org/event/one-note-one-spirit-play-sing-dance-improv-joy-7/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190211
DTEND;VALUE=DATE:20190212
DTSTAMP:20190213T200109Z
CREATED:20190211T004036Z
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-11/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190212
DTEND;VALUE=DATE:20190213
DTSTAMP:20190213T200109Z
CREATED:20190211T004036Z
LAST-MODIFIED:20190213T200109Z
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-12/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-13/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:A Course in Miracles Wednesday Classes
DESCRIPTION:Mondays 7:30 – 9 pm\nTaught by Yasuko Kasaki\, assisted by Christopher Pelham \nWednesdays 8 – 9:30 pm\nTaught by Christopher Pelham \nKnow your life purpose and the meaning of your current situation clearly. Communicate with your Inner Teacher. Heal yourself and others. \nThese ongoing classes focus on mind training designed to help you to experience the lessons and loving wisdom of ACIM. Each class contains some lecture from the ACIM Textbook\, some discussion and Q&A\, and typically 10 – 20 minutes of meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. \nIt is OK to attend without having studied the Course\, but we highly encourage you begin reading the Text and\, especially\, to begin the workbook lessons if you can! This course is meant to be experienced rather than simply talked about. You can find the text and lessons online. \nStudents of all experience levels and backgrounds are welcome!
URL:https://crsny.org/event/a-course-in-miracles-2/2019-02-13/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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DTEND;VALUE=DATE:20190215
DTSTAMP:20190213T200109Z
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LAST-MODIFIED:20190213T200109Z
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-14/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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UID:10006438-1550188800-1550275199@crsny.org
SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-15/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20190216
DTEND;VALUE=DATE:20190217
DTSTAMP:20190213T200109Z
CREATED:20190211T004036Z
LAST-MODIFIED:20190213T200109Z
UID:10006439-1550275200-1550361599@crsny.org
SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-16/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20190217
DTEND;VALUE=DATE:20190218
DTSTAMP:20190213T200109Z
CREATED:20190211T004036Z
LAST-MODIFIED:20190213T200109Z
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-17/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-18/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20190219
DTEND;VALUE=DATE:20190220
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LAST-MODIFIED:20190213T200109Z
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-19/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTEND;VALUE=DATE:20190221
DTSTAMP:20190213T200109Z
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-20/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:A Course in Miracles Wednesday Classes
DESCRIPTION:Mondays 7:30 – 9 pm\nTaught by Yasuko Kasaki\, assisted by Christopher Pelham \nWednesdays 8 – 9:30 pm\nTaught by Christopher Pelham \nKnow your life purpose and the meaning of your current situation clearly. Communicate with your Inner Teacher. Heal yourself and others. \nThese ongoing classes focus on mind training designed to help you to experience the lessons and loving wisdom of ACIM. Each class contains some lecture from the ACIM Textbook\, some discussion and Q&A\, and typically 10 – 20 minutes of meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. \nIt is OK to attend without having studied the Course\, but we highly encourage you begin reading the Text and\, especially\, to begin the workbook lessons if you can! This course is meant to be experienced rather than simply talked about. You can find the text and lessons online. \nStudents of all experience levels and backgrounds are welcome!
URL:https://crsny.org/event/a-course-in-miracles-2/2019-02-20/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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UID:10006444-1550707200-1550793599@crsny.org
SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-21/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20190221T191500
DTEND;TZID=America/New_York:20190221T210000
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SUMMARY:CRS Healing Circle:  Meditation + Whirling Prayer
DESCRIPTION:Join us Thursday\, Feb 21\, 2019 at 7:15 pm for our monthly Healing Circle + Whirling (Sufi Dance) + Prayer led by CRS co-founders Yasuko Kasaki and Christopher Pelham and Sufi Dance Artist Lale Sayoko. We gather to let go of our small selves and remember our divinity within. Musician Lulla LayLa will be with us to play the tanbour and sing during our whirling. \nBring in any issue — relationship trauma\, #metoo\, disease\, money issue\, depression — and surrender it to Spirit. Remember who you are. Receive new guidance. Experience love’s presence. Heal yourself and others. \nThe participation fee is $20 with advanced registration and $25 on the day of the class. \nThrough whirling\, we learn to trust ourselves to go off balance\, to be dizzy\, to surrender control as we give ourselves over to prayer and connect with a greater power\, the still center within\, around which we turn\, that we may share our divine strength and bear witness to the divinity in others. \nIf you are quiet and in a state of prayer when you Turn\, offering everything of yourself to God\, then when your body is spinning\, there is a completely still point in the center… The heavens respond; and all the invisible kingdoms join in the dance. But the world does not understand. They think we Turn in order to go into some sort of trance. It is true that sometimes we do go into that state you call ecstasy\, but that is only when we know and experience at the same time. We do not Turn for ourselves. We turn around in the way we do so that the Light of God may descend upon the earth. As you act as a conduit in the Turn\, the light comes through the right hand\, and the left hand brings it into this world… We turn for God and for the world\, and it is the most beautiful thing you can imagine. — Mevlevi Shaikh Suleyman Hyatt Dede \nSufi Dance Instructor Lále Sayoko was one of the founding members of Japan’s famous Samanyolu professional bellydance group\, and has since developed her own solo career touring with UK’s Mugenkyo Taiko Drummers on a 44 city tour of the UK\, to Turkey’s Baba Zula\, to New York’s Bella Gaia multimedia Earth from Space journey show. Appearing in Japanese and American magazines and newspapers\, Lale aspires for dance to be a powerful communicator though traditional technique and spiritual embodiment. She has lately been studying Sufi dance with Rana Gorgani and in April 2018 Gorgani awarded her the International Sufi Dance Certification Of Cid UNESCO\, granting her authority to teach Gorgani’s method of Sufi dance training.\nhttp://www.lalesayoko.com \nYasuko Kasaki (meditation/prayer) is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo\, Japan. The founder of CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles (ACIM) in New York City\, she is widely recognized as the person most responsible for the spread of ACIM throughout Japan. She has taught and worked with thousands of people from around the world to help resolve their mental and physical issues and witness miracles. She is the author of 16 books in Japanese about ACIM\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and books by ACIM writers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister and others have also been published in Japan. Meditation and communication with Holy Spirit form the foundation of her classes.\nhttp://www.yasukokasaki.com \nChristopher Pelham is a spiritual healer/counselor/teacher/artist who draws on practices from ACIM\, Non-Violent Communication\, improvisational theater\, Sufism\, and contemporary shamanism to help people remember who they really are. He is the Director and co-founder of CRS (Center for Remembering & Sharing). He has also taught and/or offered healing in London\, in Japan\, at the 2018 Awakening to the One Mind Retreat\, and at the 2017 Enlight Festival of A Course in Miracles in Ibiza\, Spain.  \nLulla LayLa is a Japanese Singer Songwriter\, Composer and Singer originally based in Tokyo\, Japan. Since 2000\, she has made her creative home in New York City. Lulla LayLa’s music has Japanese traditional elements combined with a psychedelic/contemporary world folk sensibility. Her music delivers haunting piano ballads about love and many other subjects. Since 2017\, she has also been composing songs with and accompany herself on the Kurdish tanbur. With this instrument\, her sound takes on an even more exotic folk sensibility. The theme of her songs/poems never changes\, but when writing for tanbur she does utilize a more simplified lyric with a repetitive structure that will leave a magical impression on your heart. You may also find these songs to be influenced by Sufi music. On several occasions audience members from different parts of the world have said to Lulla LayLa\, ” Your music makes me nostalgic because your music seems like my country’s music\,” even though she was not familiar with or hadn’t heard their country’s songs. She loves the idea of folk or devotional music bringing people together. Lulla LayLa says\, “We all know that the original songwriter of all lyrics and music is one\, as we all know that our original home country is one.”\nhttps://www.facebook.com/lullalaylatunes/
URL:https://crsny.org/event/crs-healing-circle-meditation-whirling-prayer/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents,sufi
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190222
DTEND;VALUE=DATE:20190223
DTSTAMP:20190213T200109Z
CREATED:20190211T004036Z
LAST-MODIFIED:20190213T200109Z
UID:10006445-1550793600-1550879999@crsny.org
SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-22/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Eckhart Tolle Now Video and Meditation Evening
DESCRIPTION:Our next meeting –  Eckhart Tolle Video \nWe begin meet and greet at 6:40 pm. \n• Meet and greet /Q &A*** \n• Meditation \n• Video \n• Closing \nTHERE IS NO ADMISSION AFTER 7 PM (by group consensus) \nCoffee and conversation\, for those who wish follows at: “Think Coffee “downstairs or a nearby diner.
URL:https://crsny.org/event/eckhart-tolle-now-video-and-meditation-evening-6/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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END:VEVENT
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DTSTART;VALUE=DATE:20190223
DTEND;VALUE=DATE:20190224
DTSTAMP:20190213T200109Z
CREATED:20190211T004036Z
LAST-MODIFIED:20190213T200109Z
UID:10006446-1550880000-1550966399@crsny.org
SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-02-23/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
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