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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-04-01/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20190402
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CREATED:20190211T004036Z
LAST-MODIFIED:20190213T200109Z
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-04-02/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2019/02/mourning_studies_2017.jpg
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DTSTAMP:20190213T200109Z
CREATED:20190211T004036Z
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-04-03/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2019/02/mourning_studies_2017.jpg
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SUMMARY:A Course in Miracles Wednesday Classes
DESCRIPTION:Mondays 7:30 – 9 pm\nTaught by Yasuko Kasaki\, assisted by Christopher Pelham \nWednesdays 8 – 9:30 pm\nTaught by Christopher Pelham \nKnow your life purpose and the meaning of your current situation clearly. Communicate with your Inner Teacher. Heal yourself and others. \nThese ongoing classes focus on mind training designed to help you to experience the lessons and loving wisdom of ACIM. Each class contains some lecture from the ACIM Textbook\, some discussion and Q&A\, and typically 10 – 20 minutes of meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. \nIt is OK to attend without having studied the Course\, but we highly encourage you begin reading the Text and\, especially\, to begin the workbook lessons if you can! This course is meant to be experienced rather than simply talked about. You can find the text and lessons online. \nStudents of all experience levels and backgrounds are welcome!
URL:https://crsny.org/event/a-course-in-miracles-2/2019-04-03/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-04-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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SUMMARY:Sufi Dance Class with Läle Sayoko
DESCRIPTION:Learn the ancient practice of meditative whirling known as Sufi dance or Sema (Sama in Iranian). You will learn the techniques of whirling\, but Sema is not about reproducing a certain form or aesthetic. Rather\, the technique serves as a vehicle for inner journeying. Sema means spiritual listening. Together we’ll create a sacred space in which we can safely listen to and share our true selves and experience oneness with the Divine. \nEach class consists of some explanation of the theory and technique\, exercises\, practice whirling\, and sharing and discussion of what you experienced and felt. \nPlease wear comfortable clothing like yoga pants or leggings and T shirts ( no tube top or short pants) and solid colors are recommended\, avoiding prints and shiny material which might distract the eye while whirling\, and wear socks or soft soled shoes. If you have a whirling skirt\, please feel free to bring it. \nAvoid eating a large meal for two hours prior to class. \nWhirling commonly induces dizziness or nausea. Over time\, through whirling\, we learn to trust ourselves to go off balance\, to be dizzy\, to surrender control. We empty our minds of all thoughts of the individual self as we give ourselves over to prayer and connect with a greater power\, the still center within\, around which we turn. Into this emptiness floods a divine fullness\, which sometimes gives rise to a state known as “mystical intoxication\,” a reflection of knowing and experiencing that you and I and the Divine are One. \nClasses are $25 ($20 with advanced registration). \nAbout Sufi Dance Instructor Läle Sayoko \nSufi Dance Instructor Läle Sayoko lives to embody and transmit the voice of spirit through music and dance. As CRS resident Sufi Dance instructor\, choreographer\, performing artist\, and musical curator\, she loves to welcome people into this holy practice to explore and share their own divinity. After a long professional dance career\, she retired to support her young daughter through a life-threatening medical crisis. Several years later she discovered that she could whirl as a form of prayer to support her daughter and began studying Sufi Dance with Paris-based Sufi Artist Rana Gorgani. In April 2018 Gorgani awarded her the International Sufi Dance Certification Of Cid UNESCO\, granting her authority to teach Gorgani’s method of Sufi Dance training. She currently teaches Sufi Dance classes at CRS every first Thursday of the month from 7 – 8:30 pm and leads the CRS Healing Circles + Whirling Prayer that take place every third Thursday of the month from 7:15 – 9 pm.\nhttps://www.facebook.com/lale.sayoko \n 
URL:https://crsny.org/event/sufi-dance-class-with-lale-sayoko-2019-04-04/2019-04-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,sufi
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SUMMARY:Sufi Dance Class with Lâle Sayoko
DESCRIPTION:Learn the ancient practice of meditative whirling known as Sufi dance or Sema (Sama in Iranian). You will learn the techniques of whirling\, but Sema is not about reproducing a certain form or aesthetic. Rather\, the technique serves as a vehicle for inner journeying. Sema means spiritual listening. Together we’ll create a sacred space in which we can safely listen to and share our true selves and experience oneness with the Divine. \nEach class consists of some explanation of the theory and technique\, exercises\, practice whirling\, and sharing and discussion of what you experienced and felt. \nWhirling commonly induces dizziness or nausea. Over time\, through whirling\, we learn to trust ourselves to go off balance\, to be dizzy\, to surrender control. We empty our minds of all thoughts of the individual self as we give ourselves over to prayer and connect with a greater power\, the still center within\, around which we turn. Into this emptiness floods a divine fullness\, which sometimes gives rise to a state known as “mystical intoxication\,” a reflection of knowing and experiencing that you and I and the Divine are One. \nPlease wear comfortable clothing (white\, gray or black color is preferable\, avoiding prints and shiny material which might distract the eye while whirling) and wear socks or soft soled shoes. If you have a whirling skirt and/or a frame drum\, please feel free to bring it. Avoid eating a large meal for two hours prior to class. \n$20 with advance registration\, $25 at the door \nLearn more about Sufi dance:\nhttp://www.ranagorgani.com/10-things-about-sufi-dance/ \nAbout Sufi Dance Instructor Lâle Sayoko \nSayoko was one of the founding members of Japan’s famous Samanyolu professional bellydance group\, and has since developed her own solo career touring with UK’s Mugenkyo Taiko Drummers on a 44 city tour of the UK\, to Turkey’s Baba Zula\, and with New York’s Bella Gaia multimedia Earth from Space journey show. Lale aspires for dance to be a powerful communicator though traditional technique and spiritual embodiment. She has lately been studying Sufi dance with Rana Gorgani\, and in April 2018 Gorgani awarded her the International Sufi Dance Certification Of Cid UNESCO\, granting her authority to teach Gorgani’s method of Sufi dance training. With CRS co-founders Yasuko Kasaki and Christopher Pelham\, she leads the CRS Healing Circles + Whirling that take place every third Thursday of the month at CRS (2nd Thursday in Aug 2018). \nhttp://www.lalesayoko.com
URL:https://crsny.org/event/sufi-dance-class-with-lale-sayoko/2019-04-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,sufi
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DTEND;VALUE=DATE:20190406
DTSTAMP:20190213T200109Z
CREATED:20190211T004036Z
LAST-MODIFIED:20190213T200109Z
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-04-05/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTEND;VALUE=DATE:20190407
DTSTAMP:20190213T200109Z
CREATED:20190211T004036Z
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-04-06/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190407
DTEND;VALUE=DATE:20190408
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CREATED:20190211T004036Z
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SUMMARY:Exhibition:  Archetype-Hidden Memory — Paintings by Lex Braes
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Archetype-Hidden Memory\,” an exhibition of small paintings and works on paper by Lex Braes. This is the second solo exhibition by Braes at CRS\, the first having taken place in 2012. These works result from Braes’ practice of painting a handful of images over and over\, transforming them into abstract patterns that nevertheless express the energy and emotion of the original images and suggest some hidden language and connection between the works. The exhibition will open on February 11\, 2019 and will remain on view through April 14. \nAll works Courtesy of the Artist\, and Galerie Felix Ringel\, Düsseldorf. This exhibition was organized by CRS staff member Takeshi Inoue. \nRUNES \nScottish painter Lex Braes starts with a thought and an image\, and then reduces that image to a structure of a few lines\, maybe five lines or a single endless line\, like a Celtic knot. With handmade paint on plaster\, linen and here on paper\, he mines a motif that he first found in 2009\, using organic geometry to discover shapes\, creating rhomboids\, parallelograms\, and abstract forms that suggest and reminisce about ancient memories. Some of Braes’s forms recall the keening\, wailing figure of a man on a Greek krater\, seen on a trip to Athens. Others are derived from memories of a reclining female figure. These are indelible memories that sometimes become the joined lines that form two shapes\, an abstract form\, or uplifted arms signaling mourning. \nA series of forms on paper\, incremental grey lines lean slightly\, more ample or less close\, to create a rhythm\, with one smaller form set slightly apart. Another sheet of paper is loaded with forms\, erased by waves of additional colors\, and layered paint. While it appears now to be just a warm grey\, a solid wall of color\, the intimate painting on paper has some extra moisture\, with traces of liquid running down the sheet\, like cleansing rain that is seen through a dirty window. A third painting on paper\, reveals a layered technique where the remaining stroke is a single gesture\, an O form. \nPoignantly marked with ground earth pigments mixed with polymers on prepared paper\, his images are reminders of a fleeting impression as it crosses the painter’s mind. Perhaps that happens once or maybe a hundred times in a day\, and probably too many times in an hour. The thoughts are punctuated with a change of material or surface. His reductive paintings are layered and built up surfaces\, mixing in the ad hoc elements of rain water\, or moldy earth as a new color\, connecting to primal and essential nature with constant reconfiguration\, to end up with the most fragile simplicity. Strong statements\, given in bare minimal colors that remind of earth\, first strokes like cave paintings\, blue water and sky. Using a language only known to him\, yet universal\, Braes draws upon the essential wildness of his native Scotland\, filled with the ancient civilizing and peaceful grounding of Pictish stones\, runic inscriptions and pictograms that channel ancient and universal human emotions. \nThe painter’s daily movement travels between small oil sketches on paper to rounded sculpted forms\, connected to remnants of wood\, or paintings on linen. New drawings of graphite marks emerge from beneath layers and layers of an empty space\, formed by painting around reserved places on the paper\, allowing viewers to peek at an original space of emptiness. Braes captures an essential quality undetected in our daily frenetic lives. He bridges living memory of enduring spirit with a connection from the past. \n— Lisa A. Banner \nABOUT LEX BRAES\nhttp://www.lexbraes.com \nEDUCATION\nUniversity of California\, San Diego\, CA. Allan Kaprow MFA advisor 1983-84 Brooklyn Museum Art School (graduate study) Brooklyn NY 1979-80. Duncan of Jordanstone College of Art Design\, University of Dundee Scotland 1974-79. BA\, MFA \nTEACHING EXPERIENCE\nPratt Institute\, Brooklyn NY\, UGArch Visiting Associate Professor Fall 2003 to present Pratt Institute\, Graduate Interior Design\, Visiting Associate Professor Fall 2017 to present The New York Studio School\, NY Faculty member 1999 – 2001 \nCOLLABORATION / PERFORMANCE\nFull Circle\, performance\, dance Annie Wang music Pauline Oliveros Show Room Gowanus 2014\nCollaboration Kinetic Movement: Drawing/Dance with Kayoko Nakajima 2012 Eve Best\, Shakespeare Sessions in NY stage painting live performance 2010 Re-doing Allan Kaprow 18 happenings in 6 parts\, participation alongside Coryl Crane-Kaprow Deitch Studios LIC NY PERFORMA07 Nov 2007\nModern Man by Roger Kirby\, set projection New End Theatre Hampstead London July 2003 \nONE PERSON EXHIBITIONS\nNYU the Institute of Fine Arts “GHOST” Curated by Lisa A Banner Oct 15 2018 – Jan 15 2019\nMelville House Gallery “A Dozen by Lex Braes” Jan 7 – Feb 13 2015\nSalon Meir\, “Angels” Munich Germany Oct 15 – Nov 30 2013\nShow Room\, New York “Routine” January 15 – February 26 2012\nFelix Ringel Galerie\, Düsseldorf\, Germany “holding pattern” July 8 – Aug 7 2010\nGalerie Der Moderne Münich Germany March 12 – April 17 2010\nMichael Langen Feldafing Germany “Punctuated Equilibrium” Oct 19 2002 – Jan 12 2003\nFelix Ringel Galerie Düsseldorf “Punctuated Equilibrium” Jun 21 – Jul 27 2002 Rosenberg + Kaufman Fine Art New York “suspension” Oct 16– Dec 1 2001 Rosenberg + Kaufman Fine Art NY “Clearing” Nov 16 1999 – Jan 8 2000 Rosenberg + Kaufman Fine Art New York “Still” Jan. 13- Feb. 14 1998\nKunstkiosk Zurich Switzerland “New Works” Nov. 2 – Dec. 6\, 1996 \nSELECTED GROUP EXHIBITIONS\nHammond Museum with Kit White in North Salem\, NY May 8 – June 15\, 2019\nFelix Ringel Galerie “gallery artists – work on paper” Spring 2017 CloudGallery“ArtforRefugees”A msterdamNLFeb12–Feb232016 Sideshow Williamsburg “Life on Mars” Jan Feb 2016\nFlowers NY Small is Beautiful Dec 2015 Jan 2016\nShow Room Gowanus farewell exhibition January 2015\nFlowers London “Small is Beautiful” Dec 3 2013 – Jan 5 2014\nFelix Ringel Galerie\, Düsseldorf\, gallery artists\, Winter 2013\, Spring 2014 Show Room New York “Summer Ceylon” July 17 – July 28 2013\nLoving is Repeating Artist collaboration book International Print Center of NY􏰀 Masque Libros II Feria Internacional Libro de Artista de Madrid Spain 2013 Triangle Workshop Dumbo NY collaboration: with Salwa Aleryani 29 Sep 2012 National Academy Museum NY “Annual 2012” January 24 – April 29 2012 Felix Ringel Galerie Düsseldorf Germany Spring 2011\nFlowers NY\, gallery artists July – Aug 2010\nGalerie Der Moderne\, Münich\, Germany winter 2009\nFlowers NY small works Dec 2007\, 2009\nSchafler Gallery\, Pratt Institute\, Brooklyn “Crossing Disciplines Drawing” faculty selection Feb 15 – April 15 2005 \nAWARDS\nMarble House Projects\, residency Dorset VT June 2014\nVermont Studio Center\, visiting artist/teacher January 2013\nVilla Waldberta\, stipendium\, International Residency Münich May June 2008 YADDO artist residency 2007 March 2019\nTriangle Artists Workshop 30th Anniversary Invitational 2012\nGlasgow Educational Trust Award to study Degas drawings: Fogg Museum Harvard Sep 1978 \nBIBLIOGRAPHY\nMnemosyne Atlas Freya Powell collective social memory 2012\, 2014\, 2016\, 2018\nPratt Journal of Architecture Re: Making Full Circle with Annie Wang publication 2016\nLoving is Repeating artist book collaboration with Freya Powell Nov 2013\nHyperallergic Sarah Walko Collaboration Across Borders in Artist Workshops Jan 22 2013\nLex Braes works 1986 – 2009 monograph published by Michael Langen\, Roland Angst design Berlin 2010\nKaren Wilkin: catalogue essay “recent work” Nov 2009\nThomas Kuhn: catalogue essay “holding pattern” Dec 2009\nNatasha Prevost: “Lex Braes’ red line” Inflexions Issue 2 Jan 2009 (Journal of Philosophy) Montreal Canada\nAlison Leigh Defrees: “Art in the Balance” Profile Janera 2008\nAngela Bachmair: “Mysterious Traces” Augsburger Allgemeine Jan10 2004 Karen Wilkin: “At the Galleries” in Partisan Review Winter 2002 Winter 2000 Ken Johnson “suspension” Fine Arts & Leisure\, review New York Times Nov 16\, 2001\nDonald Kuspit: “Clearing” essay for Exhibition Catalogue November 1999 – Jan 2000\nKit White: “Lex Braes at Rosenberg + Kaufman Fine Art” Review\, Dec 15\, 1999\nRoland Legiardi-Laura “Lex Braes at Rosenberg + Kaufman” BOMB Spring 1998\nEileen Daspin: “Trends” Wall Street Journal\, March 6\, 1998\nMark Staff Brandl: Zurich “Lex Braes at Kunstkiosk”\, in Art in America\, Jan 1997\nSue Scott: “Invitational” Elizabeth Harris Gallery” in ARTnews Jan 1994\nJanet Koplos: “Lex Braes at Stephen Rosenberg” in Art in America July 1992
URL:https://crsny.org/event/exhibition-archetype-hidden-memory-paintings-by-lex-braes/2019-04-07/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190410T200000
DTEND;TZID=America/New_York:20190410T213000
DTSTAMP:20190619T174346Z
CREATED:20190507T215811Z
LAST-MODIFIED:20190619T174346Z
UID:10010799-1554926400-1554931800@crsny.org
SUMMARY:A Course in Miracles Wednesday Classes
DESCRIPTION:Mondays 7:30 – 9 pm\nTaught by Yasuko Kasaki\, assisted by Christopher Pelham \nWednesdays 8 – 9:30 pm\nTaught by Christopher Pelham \nKnow your life purpose and the meaning of your current situation clearly. Communicate with your Inner Teacher. Heal yourself and others. \nThese ongoing classes focus on mind training designed to help you to experience the lessons and loving wisdom of ACIM. Each class contains some lecture from the ACIM Textbook\, some discussion and Q&A\, and typically 10 – 20 minutes of meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. \nIt is OK to attend without having studied the Course\, but we highly encourage you begin reading the Text and\, especially\, to begin the workbook lessons if you can! This course is meant to be experienced rather than simply talked about. You can find the text and lessons online. \nStudents of all experience levels and backgrounds are welcome!
URL:https://crsny.org/event/a-course-in-miracles-2/2019-04-10/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190413T100000
DTEND;TZID=America/New_York:20190413T114500
DTSTAMP:20190329T181026Z
CREATED:20190329T181026Z
LAST-MODIFIED:20190329T181026Z
UID:10010766-1555149600-1555155900@crsny.org
SUMMARY:Centering\, Balancing\, and Expanding:  Meditations and Breath
DESCRIPTION:Start the week with self-remembering! \nWe begin this 90 min practice with chanting the sound of OM\, the sound of the universe. As we join hearts and hands and voices we begin to experience a deep centering in ourselves and in each other. \nFrom this place of deepening we continue with the Emotional Balance Breathing Practice\, starting with a full exhale and a inviting a pause of a few seconds before allowing a natural full inhalation\, with the same pause before the next exhalation. This method was introduced by Patanjali when he said “The mind becomes tranquil by alternately expelling and retaining the breath.” This simple process can create a huge change in our internal climate. (can be done seated or standing) \nWe will then journey deeper into an hour long Kundalini Meditation Practice that includes Shaking/Vibration\, Dance\, Witnessing (seated)\, Let Go (done in Savasana) \nThere will be a sound accompany with singing bowls and music.\nPlease make sure not to arrive more than 15 min prior to event. Check in on second floor. Event on 3rd floor\, White Room \n$25 in advance by paypal. No one turned away for lack of funds 🙏🏼💖\npaypal link: paypal.me/AuroraBreathLLC \nYoga mats provided\, bring a cushion if you’d like. \nAbout your guide:\nDawn Constantine\, RN is the owner of Soul Voyages\, formerly Aurora Breath\nShe has been on an adventure of embracing all that life offers while sharing sacred space with groups and individuals for the discovery of what that truly means for over 30 years. Dawn helps people navigate challenges of trauma\, complicated medical and nurtritional difficulties\, abuse\,depression\, anxiety\, obsession\, indecision\, lack of motivation as well as creating sacred space for conscious birth\, death\, play\, celebrations and transitions with the integrated tools that spring from her deep work and experience as a Critical Care RN\, First Responder\, Herbalist\, Lay Midwife\, Massage therapist\, Certified Clarity Breathwork Practitioner\, Certified Meditation and Yoga Nidra Teacher\, Sound Alchemist\, Reiki Master and Woodland Creature.
URL:https://crsny.org/event/centering-balancing-and-expanding-meditations-and-breath/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190413T120000
DTEND;TZID=America/New_York:20190413T130000
DTSTAMP:20190224T003730Z
CREATED:20190220T002206Z
LAST-MODIFIED:20190224T003730Z
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SUMMARY:A Talk by ACIM/Non-Duality/AA Lecturer & Author Paul Hedderman
DESCRIPTION:CRS invites you to a talk by A Course in Miracles teacher and 12-Step guru Paul Hedderman. Paul has been involved with the recovery community since 1988 and has been leading workshops and holding talks for 18 years. He is the author of The Escape To Everywhere. A Zen slap to your mind\, Paul’s unique language and solid presence bespeak the depth of his understanding of the human condition—in which the original addiction is the mind’s addiction to being a self. His message\, that inspires many\, is simple and clear: \nYOU ARE ALREADY THAT WHICH YOU SEEK. \nYou are wholeness itself. The ‘self’ is a ‘parasite’ that claims to be you and once the ‘foreign installment’ is believed\, comes the seeking to get rid of it. \nhttp://www.zenbitchslap.com \nsuggested donation $20 cash at the door (no one turned away)..
URL:https://crsny.org/event/a-talk-by-acim-non-duality-aa-lecturer-author-paul-hedderman/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190413T170000
DTEND;TZID=America/New_York:20190413T190000
DTSTAMP:20190508T193147Z
CREATED:20190401T175739Z
LAST-MODIFIED:20190508T193147Z
UID:10010767-1555174800-1555182000@crsny.org
SUMMARY:Resonance ~ 響 ~ Relaxation Sound Bath with Crystal Bowls and Vibraphone
DESCRIPTION:CRS (Center for Remembering & Sharing) Presents Resonance ~ 響 ~ Relaxation Sound Bath with Crystal Bowls and Vibraphone by Boston-based Ayumi Ueda and NY-based Mika Mimura Erickson. Enjoy deep relaxing music\, meditation and transcendent vocals guiding you gently to peace. \nThe event will take place Saturday\, April 13\, 2019 from 5 – 7 pm. Tickets are on sale for $25 in advance and $30 on the day of the event and are available online\, by phone (212-677-8621)\, and at CRS. \nEvent Program:\n1) Music/Vocal by Mika & Ayumi (Amazing Grace and other selected tunes)\n2) Guided Meditation by Ayumi\n3) Chakra Cleansing & Healing by Mika \n\n\n\nAbout Ayumi \nAyumi Ueda is a singer-songwriter as well as certified Reiki practitioner and is currently conducting her original sound healing treatment which combines crystal singing bowls and mantra chanting. She is also the founder of a Boston-based award-winning international vocal ensemble Women of the World. Women of the World was formed to bring women musicians from across the globe onto a common platform to collaborate and create through the sharing of music\, to explore and celebrate the differences in ideologies and cultural tenets that exist in the daily lives of women all over the world. Through their work\, Women of the World created a stir in the community\, receiving support from renowned artists such as Grammy-award winning maestro\, Bobby McFerrin. They went on to share the stage with African vocal icon\, Angelique Kidjo\, 2014 Harmony Sweepstakes National champions\, 2017 International Championship of A Cappella Open champions\, Women of the World has extensively toured North America\, Asia and Europe. Women of the World continues to serve as cultural ambassadors of peace and unity through music. \nhttp://almavoice.com/ \nAbout Mika (Mika Mimura Erickson) \nMika plays vibraphone\, marimba\, percussion and is a sound healer. She was born in Osaka\, Japan. She received her Master’s Degree from Osaka College of Music. She entered Berklee College of Music. She moved to New York after she graduated. She released her first album “Precious” in 2009 with renowned artists such as Grammy Winning bassist Michael League of Snarky Puppy. She joined the group “Banda Magda\,” whose leader is Magda Giannikou. The band went on tour in Europe\, the US\, Columbia in South America and Japan. Mika released the album “Dreamii” in 2014 featuring 12 tracks all of which are her own original compositions. She has performed at the New York Blue Jazz Club with her group\, at the “Peace Concert for the 70th Anniversary of World War Ⅱ” on board the USS Missouri at Pearl Harbor in Honolulu\, Hawaii\, and at the Embassy of Japan Information and Culture Center in Washington\, DC. \nWebsite: http://mikamimura.com
URL:https://crsny.org/event/190413-soundbath/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190414T133000
DTEND;TZID=America/New_York:20190414T160000
DTSTAMP:20190222T205305Z
CREATED:20190222T205305Z
LAST-MODIFIED:20190222T205305Z
UID:10010751-1555248600-1555257600@crsny.org
SUMMARY:Miracles in Manhattan with Dr. Jon Mundy:  The Ten Characteristics of a Teacher of God — part 3
DESCRIPTION:CRS presents Miracles in Manhattan\, lectures on the teachings of A Course in Miracles (ACIM) and related texts and topics by Jon Mundy\, Ph.D. and occasional guest lecturers\, hosted by CRS Founder Yasuko Kasaki. \nApril’s lecture will continue the topic “The Ten Characteristics of a Teacher of God” from the ACIM Manual for Teachers. \n~ $25 per person with advanced purchase online\, by phone (212-677-8621) or at CRS until the day before the lecture~\n~ $30 per person at the door ~\nAs long as space is available\, “No one is ever turned away who cannot pay.” Contribute what you can. \nThe lectures are held on the 2nd Sunday of the month (but 1st Sunday in May). \nAlthough we would\, of course\, prefer to share with you in class\, Miracles in Manhattan classes are now also being offered via life-streaming (technology allowing) for those who cannot attend the class in-person. The day of the class\, go to our YouTube Channel:\nhttps://www.youtube.com/channel/UCwxH3nWSMFDGA1SiR9kAbeg\nand choose the live-streaming button. If it’s not there\, it means there are technical difficulties\, but it should still be posted here about a week later. \nDr. Jon Mundy is an author\, lecturer\, the publisher of Miracles magazine\, and the Executive Director of All Faiths Seminary International in New York City. He met Dr. Helen Schucman\, the scribe for A Course in Miracles\, in 1973. Helen introduced Jon to the Course and served as his mentor and guide till she became ill in 1980. He is the author of Living A Course in Miracles\, which is now available in eight languages. After Return to Love by Marianne Williamson\, it is currently the best-selling book based on the teaching of A Course in Miracles. He taught courses in Philosophy and Religion from 1967 to 2008 at the New School University and the State University of New York with a specialization in The History of Mysticism. He is the author of 12 books\, his most recent being A Course in Mysticism and Miracles published by Red Wheel Weiser. drjonmundy.com  www.miraclesmagazine.org \nMiracles in Manhattan host Yasuko Kasaki is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo\, Japan. The founder of CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles (ACIM) in New York City\, she is widely recognized as the person most responsible for the spread of ACIM throughout Japan. She has taught and worked with thousands of people from around the world to help resolve their mental and physical issues and witness miracles. She is the author of 16 books in Japanese about ACIM\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and books by ACIM writers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister and others have also been published in Japan. Meditation and communication with Holy Spirit form the foundation of her classes. yasukokasaki.com
URL:https://crsny.org/event/miracles-in-manhattan-with-dr-jon-mundy-the-ten-characteristics-of-a-teacher-of-god-part-3/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents,Miracles in Manhattan
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190416
DTEND;VALUE=DATE:20190417
DTSTAMP:20190416T225702Z
CREATED:20190416T224814Z
LAST-MODIFIED:20190416T225702Z
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SUMMARY:Exhibition:  Matter — Paintings & Photographs by Takeshi Inoue
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Matter\,” an exhibition of 12 painted 3D collages and black and white photographs by Takeshi Inoue. The works reflect the essence of matter as being something constantly subject to transformation. Surfaces crack\, decay\, rust\, burn\, soften\, harden\, accumulate\, become. Space arises allowing for something new to enter. The marks created by the passage of time create patterns of surprising beauty. These images compel us to face the ephemerality of matter while their beauty speaks to our memory of what is timeless\, inviting us to reflect on who and what we are. \nThe exhibition will open on April 16\, 2019 and will remain on view through May 28\, 2019. \nTakeshi Inoue was born in Saitama\, Japan. He has a bachelors degree in history from Sophia University\, Tokyo\, Japan. He later studied Fine Art at The Glasgow School of Art in Scotland\, U.K. He currently works and lives in NY. \nARTIST STATEMENT \nThe work that I make is basically all process based\, and therefore I am never aware at the starting point what exactly I am creating. I constantly have ideas surfacing in my mind\, which I put forth and as a result may or may not work out. Either way\, the work itself is very much based on ideas\, but it’s not necessarily about putting a certain idea forward. There is a great deal of chance involved\, and I will know when something has come to fruit. I have a lot of influences from music\, film\, and books that I would be engaged into at the moment that I am making the work. Also\, the environment such as where I live\, the people that I meet\, the kind of conversation that I have with them\, what I feel on a day to day basis\, my state of mind\, these thing all feed into the work. In that sense the work is very personal\, and is about myself.
URL:https://crsny.org/event/exhibition-matter-paintings-photographs-by-takeshi-inoue/2019-04-16/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190417
DTEND;VALUE=DATE:20190418
DTSTAMP:20190416T225702Z
CREATED:20190416T224814Z
LAST-MODIFIED:20190416T225702Z
UID:10006551-1555459200-1555545599@crsny.org
SUMMARY:Exhibition:  Matter — Paintings & Photographs by Takeshi Inoue
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Matter\,” an exhibition of 12 painted 3D collages and black and white photographs by Takeshi Inoue. The works reflect the essence of matter as being something constantly subject to transformation. Surfaces crack\, decay\, rust\, burn\, soften\, harden\, accumulate\, become. Space arises allowing for something new to enter. The marks created by the passage of time create patterns of surprising beauty. These images compel us to face the ephemerality of matter while their beauty speaks to our memory of what is timeless\, inviting us to reflect on who and what we are. \nThe exhibition will open on April 16\, 2019 and will remain on view through May 28\, 2019. \nTakeshi Inoue was born in Saitama\, Japan. He has a bachelors degree in history from Sophia University\, Tokyo\, Japan. He later studied Fine Art at The Glasgow School of Art in Scotland\, U.K. He currently works and lives in NY. \nARTIST STATEMENT \nThe work that I make is basically all process based\, and therefore I am never aware at the starting point what exactly I am creating. I constantly have ideas surfacing in my mind\, which I put forth and as a result may or may not work out. Either way\, the work itself is very much based on ideas\, but it’s not necessarily about putting a certain idea forward. There is a great deal of chance involved\, and I will know when something has come to fruit. I have a lot of influences from music\, film\, and books that I would be engaged into at the moment that I am making the work. Also\, the environment such as where I live\, the people that I meet\, the kind of conversation that I have with them\, what I feel on a day to day basis\, my state of mind\, these thing all feed into the work. In that sense the work is very personal\, and is about myself.
URL:https://crsny.org/event/exhibition-matter-paintings-photographs-by-takeshi-inoue/2019-04-17/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190417T153000
DTEND;TZID=America/New_York:20190417T164500
DTSTAMP:20190406T020014Z
CREATED:20190325T181801Z
LAST-MODIFIED:20190406T020014Z
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SUMMARY:Talk and Meditation with Souken Danjo
DESCRIPTION:I Love You Institute\, Saikouji Zen Temple\, and Tsushoin Temple presents \nMeditation and Mindfulness\nwith Souken Danjo Zen Master \nDoors open: 3:00 PM\nStart Time: 3:30 PM – 4:45 PM \nWant a compassionate mind from a Buddhist’s perspective? I Love You Institute invited Zen Master Souken Danjo to talk about living a mindful compassionate life which is important for our own inner peace. \n“Mindfulness and compassion.” This is the wisdom Zen Master Souken Danjo seeks to impart in his talk/ meditation to clear the mind is considered spiritual practices in Buddhism\, a reflection of our respect for and interdependence with the world around us. At this talk\, Danjo San explains how we can simply open our hearts and minds to a contemplative life leading us down the path to inner peace.’ \nTHIS IS A TALK AND MEDITATION\, followed by Q&A. \nTo register or make inquiries\, call (929) 235-6220 or email mollyackerman@ziggo.nl \nThis program will be presented in in English. \nTickets:  suggested donations $15. \nYou are welcome. \n—- About Souken Danjo – – – \nZen Master Souken Danjo is a Buddhist Monk/ Priest/ Musician Composer and the Abbot of Saikouji mountain TempleHiroshima\, which was founded in 1456.Danjo san was born in 1956\, and graduated from Ryukoku University in economics. He was ordained as a Buddhist monk in Rinzei ZenDanjo san initiated new projects such as the annual OMURASAKI butterfly music and dance festival and workshops to live with nature in food clothes and more all over Japan. In 2009 Danjo san and 19 of his friends were invited to Holland during the celebration of 400 years relationship Japan / Hollandto give meditations workshops\, exhibitions and performances: In 2009\, 2017and 2018\, Danjo -san brought workshops to Het Leidse Wevershuis Museum– Noh/Butoh in the Japan Museum SieboldHuis. He also honored Holland by planting the seeds from Hiroshima’s Peace Treeat the Leiden Hortus Botanicus.   Danjo san has worked together with many spiritual leaders and artists in the interfaith councilto open the doors of compatibility and friendship. \nPhoto credit: Fred Rohde \nThis year Souken Danjo travels to New York from Japan with Keiku Sahashi\, Abbot of Tsushoin Pure Land Buddhist Temple in Kobe/ Tea Master/Kendo Master/Noh performer\, Shingo Tokihiro\, (Composition\, Production and Costume) based in Tokyo and a myriad of musicians and dancers from all over Japan and Holland to share the beauty of Eastern culture in Performances of THE SEEDS OF BEAUTY New York edition.
URL:https://crsny.org/event/meditation-with-souken-danjo/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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ORGANIZER;CN="I Love You Institute":MAILTO:mollyackerman@ziggo.nl
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190417T200000
DTEND;TZID=America/New_York:20190417T213000
DTSTAMP:20190619T174346Z
CREATED:20190507T215811Z
LAST-MODIFIED:20190619T174346Z
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SUMMARY:A Course in Miracles Wednesday Classes
DESCRIPTION:Mondays 7:30 – 9 pm\nTaught by Yasuko Kasaki\, assisted by Christopher Pelham \nWednesdays 8 – 9:30 pm\nTaught by Christopher Pelham \nKnow your life purpose and the meaning of your current situation clearly. Communicate with your Inner Teacher. Heal yourself and others. \nThese ongoing classes focus on mind training designed to help you to experience the lessons and loving wisdom of ACIM. Each class contains some lecture from the ACIM Textbook\, some discussion and Q&A\, and typically 10 – 20 minutes of meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. \nIt is OK to attend without having studied the Course\, but we highly encourage you begin reading the Text and\, especially\, to begin the workbook lessons if you can! This course is meant to be experienced rather than simply talked about. You can find the text and lessons online. \nStudents of all experience levels and backgrounds are welcome!
URL:https://crsny.org/event/a-course-in-miracles-2/2019-04-17/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190418
DTEND;VALUE=DATE:20190419
DTSTAMP:20190416T225702Z
CREATED:20190416T224814Z
LAST-MODIFIED:20190416T225702Z
UID:10006552-1555545600-1555631999@crsny.org
SUMMARY:Exhibition:  Matter — Paintings & Photographs by Takeshi Inoue
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Matter\,” an exhibition of 12 painted 3D collages and black and white photographs by Takeshi Inoue. The works reflect the essence of matter as being something constantly subject to transformation. Surfaces crack\, decay\, rust\, burn\, soften\, harden\, accumulate\, become. Space arises allowing for something new to enter. The marks created by the passage of time create patterns of surprising beauty. These images compel us to face the ephemerality of matter while their beauty speaks to our memory of what is timeless\, inviting us to reflect on who and what we are. \nThe exhibition will open on April 16\, 2019 and will remain on view through May 28\, 2019. \nTakeshi Inoue was born in Saitama\, Japan. He has a bachelors degree in history from Sophia University\, Tokyo\, Japan. He later studied Fine Art at The Glasgow School of Art in Scotland\, U.K. He currently works and lives in NY. \nARTIST STATEMENT \nThe work that I make is basically all process based\, and therefore I am never aware at the starting point what exactly I am creating. I constantly have ideas surfacing in my mind\, which I put forth and as a result may or may not work out. Either way\, the work itself is very much based on ideas\, but it’s not necessarily about putting a certain idea forward. There is a great deal of chance involved\, and I will know when something has come to fruit. I have a lot of influences from music\, film\, and books that I would be engaged into at the moment that I am making the work. Also\, the environment such as where I live\, the people that I meet\, the kind of conversation that I have with them\, what I feel on a day to day basis\, my state of mind\, these thing all feed into the work. In that sense the work is very personal\, and is about myself.
URL:https://crsny.org/event/exhibition-matter-paintings-photographs-by-takeshi-inoue/2019-04-18/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190418T191500
DTEND;TZID=America/New_York:20190418T210000
DTSTAMP:20190508T190605Z
CREATED:20190322T192804Z
LAST-MODIFIED:20190508T190605Z
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SUMMARY:CRS Healing Circle:  Meditation + Whirling Prayer
DESCRIPTION:Join us Thursday\, April 18\, 2019 at 7:15 pm for our monthly Healing Circle + Whirling (Sufi Dance) Prayer led by CRS co-founder Christopher Pelham and Sufi Dance Artist Lale Sayoko. We gather to let go of our small selves and remember our divinity within. \nThis month we’ll celebrate the earthiness of spring with live didgeridoo sound healing by Evan Worldwind\, drumming/percussion by all of us and incense handmade from local plants by Queen of Incense. \nBring in any issue — relationship trauma\, #metoo\, disease\, money issue\, depression — and surrender it to Spirit. Remember who you are. Receive new guidance. Experience love’s presence in a safe and supportive community. Heal yourself and others. We will enjoy herbal tea and a snack at the end — social time! \nPlease feel free to bring your frame drum\, rattle\, flute\, whistle\, chimes\, singing bowl\, or other instrument. You don’t need to be experienced. Together\, we will learn to listen to one another\, play together\, and express ourselves and find Oneness of intention. \nPlease do not eat for two hours before the start to reduce your chance of feeling sick during the whirling\, and wear only solid colors as patterns can distract the eyes of those who are whirling. \nThe participation fee is $20 with advanced registration and $25 at the door. Direct registration link:\nhttps://www.crsny.org \nThrough whirling\, we learn to trust ourselves to go off balance\, to be dizzy\, to surrender control as we give ourselves over to prayer and connect with a greater power\, the still center within\, around which we turn\, that we may share our divine strength and bear witness to the divinity in others. \nIf you are quiet and in a state of prayer when you Turn\, offering everything of yourself to God\, then when your body is spinning\, there is a completely still point in the center… The heavens respond; and all the invisible kingdoms join in the dance. But the world does not understand. They think we Turn in order to go into some sort of trance. It is true that sometimes we do go into that state you call ecstasy\, but that is only when we know and experience at the same time. We do not Turn for ourselves. We turn around in the way we do so that the Light of God may descend upon the earth. As you act as a conduit in the Turn\, the light comes through the right hand\, and the left hand brings it into this world… We turn for God and for the world\, and it is the most beautiful thing you can imagine. — Mevlevi Shaikh Suleyman Hyatt Dede \nSufi Dance Instructor Lále Sayoko was one of the founding members of Japan’s famous Samanyolu professional bellydance group\, and has since developed her own solo career touring with UK’s Mugenkyo Taiko Drummers on a 44 city tour of the UK\, to Turkey’s Baba Zula\, to New York’s Bella Gaia multimedia Earth from Space journey show. Appearing in Japanese and American magazines and newspapers\, Lale aspires for dance to be a powerful communicator though traditional technique and spiritual embodiment. She has lately been studying Sufi dance with Rana Gorgani and in April 2018 Gorgani awarded her the International Sufi Dance Certification Of Cid UNESCO\, granting her authority to teach Gorgani’s method of Sufi dance training.\nhttp://www.lalesayoko.com \nYasuko Kasaki (meditation/prayer) is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo\, Japan. The founder of CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles (ACIM) in New York City\, she is widely recognized as the person most responsible for the spread of ACIM throughout Japan. She has taught and worked with thousands of people from around the world to help resolve their mental and physical issues and witness miracles. She is the author of 16 books in Japanese about ACIM\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and books by ACIM writers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister and others have also been published in Japan. Meditation and communication with Holy Spirit form the foundation of her classes.\nhttp://www.yasukokasaki.com \nChristopher Pelham is a spiritual healer/counselor/teacher/artist who draws on practices from ACIM\, Non-Violent Communication\, improvisational theater\, Sufism\, and contemporary shamanism to help people remember who they really are. He is the Director and co-founder of CRS (Center for Remembering & Sharing). He has also taught and/or offered healing in London\, in Japan\, at the 2018 Awakening to the One Mind Retreat\, and at the 2017 Enlight Festival of A Course in Miracles in Ibiza\, Spain. 
URL:https://crsny.org/event/crs-healing-circle-meditation-whirling-prayer-2/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents,sufi
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190419
DTEND;VALUE=DATE:20190420
DTSTAMP:20190416T225702Z
CREATED:20190416T224814Z
LAST-MODIFIED:20190416T225702Z
UID:10006553-1555632000-1555718399@crsny.org
SUMMARY:Exhibition:  Matter — Paintings & Photographs by Takeshi Inoue
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Matter\,” an exhibition of 12 painted 3D collages and black and white photographs by Takeshi Inoue. The works reflect the essence of matter as being something constantly subject to transformation. Surfaces crack\, decay\, rust\, burn\, soften\, harden\, accumulate\, become. Space arises allowing for something new to enter. The marks created by the passage of time create patterns of surprising beauty. These images compel us to face the ephemerality of matter while their beauty speaks to our memory of what is timeless\, inviting us to reflect on who and what we are. \nThe exhibition will open on April 16\, 2019 and will remain on view through May 28\, 2019. \nTakeshi Inoue was born in Saitama\, Japan. He has a bachelors degree in history from Sophia University\, Tokyo\, Japan. He later studied Fine Art at The Glasgow School of Art in Scotland\, U.K. He currently works and lives in NY. \nARTIST STATEMENT \nThe work that I make is basically all process based\, and therefore I am never aware at the starting point what exactly I am creating. I constantly have ideas surfacing in my mind\, which I put forth and as a result may or may not work out. Either way\, the work itself is very much based on ideas\, but it’s not necessarily about putting a certain idea forward. There is a great deal of chance involved\, and I will know when something has come to fruit. I have a lot of influences from music\, film\, and books that I would be engaged into at the moment that I am making the work. Also\, the environment such as where I live\, the people that I meet\, the kind of conversation that I have with them\, what I feel on a day to day basis\, my state of mind\, these thing all feed into the work. In that sense the work is very personal\, and is about myself.
URL:https://crsny.org/event/exhibition-matter-paintings-photographs-by-takeshi-inoue/2019-04-19/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190420
DTEND;VALUE=DATE:20190421
DTSTAMP:20190416T225702Z
CREATED:20190416T224814Z
LAST-MODIFIED:20190416T225702Z
UID:10006554-1555718400-1555804799@crsny.org
SUMMARY:Exhibition:  Matter — Paintings & Photographs by Takeshi Inoue
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Matter\,” an exhibition of 12 painted 3D collages and black and white photographs by Takeshi Inoue. The works reflect the essence of matter as being something constantly subject to transformation. Surfaces crack\, decay\, rust\, burn\, soften\, harden\, accumulate\, become. Space arises allowing for something new to enter. The marks created by the passage of time create patterns of surprising beauty. These images compel us to face the ephemerality of matter while their beauty speaks to our memory of what is timeless\, inviting us to reflect on who and what we are. \nThe exhibition will open on April 16\, 2019 and will remain on view through May 28\, 2019. \nTakeshi Inoue was born in Saitama\, Japan. He has a bachelors degree in history from Sophia University\, Tokyo\, Japan. He later studied Fine Art at The Glasgow School of Art in Scotland\, U.K. He currently works and lives in NY. \nARTIST STATEMENT \nThe work that I make is basically all process based\, and therefore I am never aware at the starting point what exactly I am creating. I constantly have ideas surfacing in my mind\, which I put forth and as a result may or may not work out. Either way\, the work itself is very much based on ideas\, but it’s not necessarily about putting a certain idea forward. There is a great deal of chance involved\, and I will know when something has come to fruit. I have a lot of influences from music\, film\, and books that I would be engaged into at the moment that I am making the work. Also\, the environment such as where I live\, the people that I meet\, the kind of conversation that I have with them\, what I feel on a day to day basis\, my state of mind\, these thing all feed into the work. In that sense the work is very personal\, and is about myself.
URL:https://crsny.org/event/exhibition-matter-paintings-photographs-by-takeshi-inoue/2019-04-20/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2019/04/SDIM1249.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190421
DTEND;VALUE=DATE:20190422
DTSTAMP:20190416T225702Z
CREATED:20190416T224814Z
LAST-MODIFIED:20190416T225702Z
UID:10006555-1555804800-1555891199@crsny.org
SUMMARY:Exhibition:  Matter — Paintings & Photographs by Takeshi Inoue
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Matter\,” an exhibition of 12 painted 3D collages and black and white photographs by Takeshi Inoue. The works reflect the essence of matter as being something constantly subject to transformation. Surfaces crack\, decay\, rust\, burn\, soften\, harden\, accumulate\, become. Space arises allowing for something new to enter. The marks created by the passage of time create patterns of surprising beauty. These images compel us to face the ephemerality of matter while their beauty speaks to our memory of what is timeless\, inviting us to reflect on who and what we are. \nThe exhibition will open on April 16\, 2019 and will remain on view through May 28\, 2019. \nTakeshi Inoue was born in Saitama\, Japan. He has a bachelors degree in history from Sophia University\, Tokyo\, Japan. He later studied Fine Art at The Glasgow School of Art in Scotland\, U.K. He currently works and lives in NY. \nARTIST STATEMENT \nThe work that I make is basically all process based\, and therefore I am never aware at the starting point what exactly I am creating. I constantly have ideas surfacing in my mind\, which I put forth and as a result may or may not work out. Either way\, the work itself is very much based on ideas\, but it’s not necessarily about putting a certain idea forward. There is a great deal of chance involved\, and I will know when something has come to fruit. I have a lot of influences from music\, film\, and books that I would be engaged into at the moment that I am making the work. Also\, the environment such as where I live\, the people that I meet\, the kind of conversation that I have with them\, what I feel on a day to day basis\, my state of mind\, these thing all feed into the work. In that sense the work is very personal\, and is about myself.
URL:https://crsny.org/event/exhibition-matter-paintings-photographs-by-takeshi-inoue/2019-04-21/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190421T170000
DTEND;TZID=America/New_York:20190421T183000
DTSTAMP:20190508T192941Z
CREATED:20190325T183830Z
LAST-MODIFIED:20190508T192941Z
UID:10010765-1555866000-1555871400@crsny.org
SUMMARY:Seeds of Beauty ~ Beauty and peace carried by eastern wind ~ (music/dance concert)
DESCRIPTION:Shingo Tokihiro\, I Love You Institute\nSaikouji Zen Temple\, and Tsushoin Temple \nPresent a co-production debut performance of\nSeeds of Beauty (New York edition) \n東風散華〜Beauty and peace carried by eastern wind~ \nShingo Tokihiro\, I Love You Institute\nSaikouji Zen Temple and Tsushoin Temple \nDirectly from Japan Artistic Director Shingo Tokihiro (Composition\, Production and Costume) subtly and powerfully makes his New York debut with The Seeds of Beauty (New York edition). \nTokihiro’s costumes were used at National Theatre\, New National Theatre\, National Treasure Todaiji Temple and more\, in Japan. The National Textile Museum in Malaysia. Shingo produces performances beyond genres such as theatre and dance. \nThis Japan based troupe of performing artists presents a delicate taste of traditional eastern culture with a lineup of nine short scenes planting the SEEDS OF BEAUTY in New York. The performance features (Noh performance) (Shomyo) Keiku Sahashi and (Soen）Seiren.  (Bharatanatyam -Indian Dance) Rukumini Naoko\, (Leier\, Song）Junko Takaya\, (Belly Dance) Yuko Kuwahara\, (Erhu）Makiko Naruo\, (Shamisen) Ryuzan\, (Nembutsu Song and Dance) Rukumini\, Yuko\, Teo\, （Erhu\, Song ) Junko Makiko\, (Aria on the G string & Hannyashingyo）Souken Danjo and Keiku Sahashi (Epilogue) all the performers (including staff)\, beauticians /dressers\, Yumi Takeda\, Reiko Yamane\, Yoichiro Furukawa\, Ichizo Kubo\, (producer/ coordinator) Molly Ackerman assistant Yoshiko Nakamura. \nTicket/donations are $10; purchase at door. \nComposition\, Production and Costume: Shingo Tokihiro \n \n  \n  \n  \nPrologue（Shomyo）：Keiku Sahashi\nScene１（Soen）：Seiren\nScene２（Indian dance）：Rukumini Naoko\nScene３（Leier\, Song）：Junko Takaya\nScene４（Belly Dance）：Yuko Kuwahara\nScene５（Erhu）: Makiko Naruo\nScene６（Shamisen)：Ryuzan\nScene７（Nembutsu Song and Dance ：Rukumini\, Yuko\, Teo\nScene８（Song with Erhu）：Junko\, Makiko\nScene９（Aria on the G string & Hannyashingyo）：Souken Danjo and Keiku Sahashi\nEpilogue all the performers (including staff) \n＊Each scene Dance about 3min.\, instrumentals about 5min.\, collaboration about 7min. NO Break Time.
URL:https://crsny.org/event/seeds-of-beauty-beauty-and-peace-carried-by-eastern-wind-music-dance-concert/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2019/03/54524959_10210976285482800_935873670151143424_o.jpg
ORGANIZER;CN="I Love You Institute":MAILTO:mollyackerman@ziggo.nl
GEO:40.733158;-73.992729
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11th St 11th Fl New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11th St 11th Fl:geo:-73.992729,40.733158
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190422
DTEND;VALUE=DATE:20190423
DTSTAMP:20190416T225702Z
CREATED:20190416T224814Z
LAST-MODIFIED:20190416T225702Z
UID:10006556-1555891200-1555977599@crsny.org
SUMMARY:Exhibition:  Matter — Paintings & Photographs by Takeshi Inoue
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Matter\,” an exhibition of 12 painted 3D collages and black and white photographs by Takeshi Inoue. The works reflect the essence of matter as being something constantly subject to transformation. Surfaces crack\, decay\, rust\, burn\, soften\, harden\, accumulate\, become. Space arises allowing for something new to enter. The marks created by the passage of time create patterns of surprising beauty. These images compel us to face the ephemerality of matter while their beauty speaks to our memory of what is timeless\, inviting us to reflect on who and what we are. \nThe exhibition will open on April 16\, 2019 and will remain on view through May 28\, 2019. \nTakeshi Inoue was born in Saitama\, Japan. He has a bachelors degree in history from Sophia University\, Tokyo\, Japan. He later studied Fine Art at The Glasgow School of Art in Scotland\, U.K. He currently works and lives in NY. \nARTIST STATEMENT \nThe work that I make is basically all process based\, and therefore I am never aware at the starting point what exactly I am creating. I constantly have ideas surfacing in my mind\, which I put forth and as a result may or may not work out. Either way\, the work itself is very much based on ideas\, but it’s not necessarily about putting a certain idea forward. There is a great deal of chance involved\, and I will know when something has come to fruit. I have a lot of influences from music\, film\, and books that I would be engaged into at the moment that I am making the work. Also\, the environment such as where I live\, the people that I meet\, the kind of conversation that I have with them\, what I feel on a day to day basis\, my state of mind\, these thing all feed into the work. In that sense the work is very personal\, and is about myself.
URL:https://crsny.org/event/exhibition-matter-paintings-photographs-by-takeshi-inoue/2019-04-22/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2019/04/SDIM1249.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190423
DTEND;VALUE=DATE:20190424
DTSTAMP:20190416T225702Z
CREATED:20190416T224814Z
LAST-MODIFIED:20190416T225702Z
UID:10006557-1555977600-1556063999@crsny.org
SUMMARY:Exhibition:  Matter — Paintings & Photographs by Takeshi Inoue
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Matter\,” an exhibition of 12 painted 3D collages and black and white photographs by Takeshi Inoue. The works reflect the essence of matter as being something constantly subject to transformation. Surfaces crack\, decay\, rust\, burn\, soften\, harden\, accumulate\, become. Space arises allowing for something new to enter. The marks created by the passage of time create patterns of surprising beauty. These images compel us to face the ephemerality of matter while their beauty speaks to our memory of what is timeless\, inviting us to reflect on who and what we are. \nThe exhibition will open on April 16\, 2019 and will remain on view through May 28\, 2019. \nTakeshi Inoue was born in Saitama\, Japan. He has a bachelors degree in history from Sophia University\, Tokyo\, Japan. He later studied Fine Art at The Glasgow School of Art in Scotland\, U.K. He currently works and lives in NY. \nARTIST STATEMENT \nThe work that I make is basically all process based\, and therefore I am never aware at the starting point what exactly I am creating. I constantly have ideas surfacing in my mind\, which I put forth and as a result may or may not work out. Either way\, the work itself is very much based on ideas\, but it’s not necessarily about putting a certain idea forward. There is a great deal of chance involved\, and I will know when something has come to fruit. I have a lot of influences from music\, film\, and books that I would be engaged into at the moment that I am making the work. Also\, the environment such as where I live\, the people that I meet\, the kind of conversation that I have with them\, what I feel on a day to day basis\, my state of mind\, these thing all feed into the work. In that sense the work is very personal\, and is about myself.
URL:https://crsny.org/event/exhibition-matter-paintings-photographs-by-takeshi-inoue/2019-04-23/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2019/04/SDIM1249.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733158;-73.992729
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11th St 11th Fl New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11th St 11th Fl:geo:-73.992729,40.733158
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190424
DTEND;VALUE=DATE:20190425
DTSTAMP:20190416T225702Z
CREATED:20190416T224814Z
LAST-MODIFIED:20190416T225702Z
UID:10006558-1556064000-1556150399@crsny.org
SUMMARY:Exhibition:  Matter — Paintings & Photographs by Takeshi Inoue
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Matter\,” an exhibition of 12 painted 3D collages and black and white photographs by Takeshi Inoue. The works reflect the essence of matter as being something constantly subject to transformation. Surfaces crack\, decay\, rust\, burn\, soften\, harden\, accumulate\, become. Space arises allowing for something new to enter. The marks created by the passage of time create patterns of surprising beauty. These images compel us to face the ephemerality of matter while their beauty speaks to our memory of what is timeless\, inviting us to reflect on who and what we are. \nThe exhibition will open on April 16\, 2019 and will remain on view through May 28\, 2019. \nTakeshi Inoue was born in Saitama\, Japan. He has a bachelors degree in history from Sophia University\, Tokyo\, Japan. He later studied Fine Art at The Glasgow School of Art in Scotland\, U.K. He currently works and lives in NY. \nARTIST STATEMENT \nThe work that I make is basically all process based\, and therefore I am never aware at the starting point what exactly I am creating. I constantly have ideas surfacing in my mind\, which I put forth and as a result may or may not work out. Either way\, the work itself is very much based on ideas\, but it’s not necessarily about putting a certain idea forward. There is a great deal of chance involved\, and I will know when something has come to fruit. I have a lot of influences from music\, film\, and books that I would be engaged into at the moment that I am making the work. Also\, the environment such as where I live\, the people that I meet\, the kind of conversation that I have with them\, what I feel on a day to day basis\, my state of mind\, these thing all feed into the work. In that sense the work is very personal\, and is about myself.
URL:https://crsny.org/event/exhibition-matter-paintings-photographs-by-takeshi-inoue/2019-04-24/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2019/04/SDIM1249.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190424T200000
DTEND;TZID=America/New_York:20190424T213000
DTSTAMP:20190619T174346Z
CREATED:20190507T215811Z
LAST-MODIFIED:20190619T174346Z
UID:10010801-1556136000-1556141400@crsny.org
SUMMARY:A Course in Miracles Wednesday Classes
DESCRIPTION:Mondays 7:30 – 9 pm\nTaught by Yasuko Kasaki\, assisted by Christopher Pelham \nWednesdays 8 – 9:30 pm\nTaught by Christopher Pelham \nKnow your life purpose and the meaning of your current situation clearly. Communicate with your Inner Teacher. Heal yourself and others. \nThese ongoing classes focus on mind training designed to help you to experience the lessons and loving wisdom of ACIM. Each class contains some lecture from the ACIM Textbook\, some discussion and Q&A\, and typically 10 – 20 minutes of meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. \nIt is OK to attend without having studied the Course\, but we highly encourage you begin reading the Text and\, especially\, to begin the workbook lessons if you can! This course is meant to be experienced rather than simply talked about. You can find the text and lessons online. \nStudents of all experience levels and backgrounds are welcome!
URL:https://crsny.org/event/a-course-in-miracles-2/2019-04-24/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2019/05/7F1624DE-C0E3-4220-8FDB-1ACE2B515BAC.jpeg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190425
DTEND;VALUE=DATE:20190426
DTSTAMP:20190416T225702Z
CREATED:20190416T224814Z
LAST-MODIFIED:20190416T225702Z
UID:10006559-1556150400-1556236799@crsny.org
SUMMARY:Exhibition:  Matter — Paintings & Photographs by Takeshi Inoue
DESCRIPTION:CRS (Center for Remembering & Sharing) presents “Matter\,” an exhibition of 12 painted 3D collages and black and white photographs by Takeshi Inoue. The works reflect the essence of matter as being something constantly subject to transformation. Surfaces crack\, decay\, rust\, burn\, soften\, harden\, accumulate\, become. Space arises allowing for something new to enter. The marks created by the passage of time create patterns of surprising beauty. These images compel us to face the ephemerality of matter while their beauty speaks to our memory of what is timeless\, inviting us to reflect on who and what we are. \nThe exhibition will open on April 16\, 2019 and will remain on view through May 28\, 2019. \nTakeshi Inoue was born in Saitama\, Japan. He has a bachelors degree in history from Sophia University\, Tokyo\, Japan. He later studied Fine Art at The Glasgow School of Art in Scotland\, U.K. He currently works and lives in NY. \nARTIST STATEMENT \nThe work that I make is basically all process based\, and therefore I am never aware at the starting point what exactly I am creating. I constantly have ideas surfacing in my mind\, which I put forth and as a result may or may not work out. Either way\, the work itself is very much based on ideas\, but it’s not necessarily about putting a certain idea forward. There is a great deal of chance involved\, and I will know when something has come to fruit. I have a lot of influences from music\, film\, and books that I would be engaged into at the moment that I am making the work. Also\, the environment such as where I live\, the people that I meet\, the kind of conversation that I have with them\, what I feel on a day to day basis\, my state of mind\, these thing all feed into the work. In that sense the work is very personal\, and is about myself.
URL:https://crsny.org/event/exhibition-matter-paintings-photographs-by-takeshi-inoue/2019-04-25/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2019/04/SDIM1249.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733158;-73.992729
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END:VEVENT
END:VCALENDAR