BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//CRS (Center for Remembering & Sharing) - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://crsny.org
X-WR-CALDESC:Events for CRS (Center for Remembering & Sharing)
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230910T170000
DTEND;TZID=America/New_York:20230910T183000
DTSTAMP:20260426T224520
CREATED:20230711T210226Z
LAST-MODIFIED:20230914T201125Z
UID:41458-1694365200-1694370600@crsny.org
SUMMARY:CRS Presents Paradise Laboratory: Ayumi Ishito\, Rema Hasumi & Yuko Togami\, with Special Guest Tamio Shiraishi
DESCRIPTION:CRS (Center for Remembering & Sharing) presents the next installment of its Paradise Laboratory concert series\, featuring ambient\, atmospheric\, improvised music by trio Ayumi Ishito (tenor saxophone and electronics)\, Rema Hasumi (synthesizer) & Yuko Togami (drums)\, with special guest the legendary Tamio Shiraishi (alto sax\, electronics) who is known for his frenetic bursts of high-pitched sounds at the very extreme of what the alto can produce. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist\, curator\, and scholar gamin\, Paradise Laboratory provides musical artists with opportunities to rehearse\, record\, film\, and perform with other musical\, visual\, and/or dance artists in an experimental\, process-oriented\, and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission and are available by credit card through eventbrite.com and at the door for cash only\, if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-ayumi-ishito-rema-hasumi-yuko-togami-with-tamio-shiraishi-tickets-672718859217\n \nVENUE LOCATION:\nThe White Room at CRS\n123 4th Ave FL3\nNew York\, NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square \nABOUT THE ARTISTS \nTamio Shiraishi is\, along with Keiji Haino\, a founding member of the Japanese avant garde group Fushitsusha in the 1970s. His involvement with Fushitsusha was however transient and the experience and connections formed through it led him to choose the saxophone as his main instrument. In 1990 Shiraishi moved to New York where he now plays solo material at NYC subway stops and collaborative projects at other venues. At 74 years of age Tamio Shiraishi has experienced a lot and\, regardless of the lack of formal education in music\, has honed his unique approach to the alto saxophone to a high level of mastery. His style may be characterized as a microtonal exploration of the altissimo-range\, somewhat reminiscent of traditional Japanese Enka music. While exploring the limits of common aesthetic conceptions\, Shiraishi’s performances in New York subway stops have attracted a small following and aroused conversations about the meaning of this form of expression. \nhttp://www.shiraishitamio.info \nAyumi Ishito was born and raised in Ishikawa\, Japan. At the age of 19\, she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007\, Ayumi received a scholarship to attend Berkee College of Music in Boston\, Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee\, Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects Open Question received 4 stars review in DownBeat magazine in 2022. Also her another project The Spacemen was selected for the Best Jazz of 2021 in Bandcamp. As a composer\, Ayumi has been leading her quintet since 2011 and performing her compositions. The band released two albums\, “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \nRema Hasumi is an experimental pianist\, vocalist\, producer and writer who is based out of Brooklyn\, NY. Hasumi was born in 1983 in Fukuoka\, Japan\, and moved to the United States in 2002 to pursue her passion for music\, which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY\, the United States and Asia. In 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014\, upon invitation by acclaimed vocalist Jen Shyu\, Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages\, exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects\, including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice\, performed alongside the great Randy Peterson and Masa Kamaguchi. Her first record “UTAZATA” was released in May 2015 from Ruweh Records\, which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar)\, Thomas Morgan (bass)\, Billy Mintz (drums)\, and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity\, mythology and rituals in Japanese performing arts. In 2016\, Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording\, called “Abiding Dawn”\, reveals Hasumi’s sound world all alone\, layering and unlayering voice\, piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless\, the pitched and the unpitched all meet in Hasumi’s voice\, while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi\, met squarely on her own honest terms. The use of synthesizer\, a vintage Korg Delta DL-50\, serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City\, originally from Saitama\, Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on\, she also started playing marimba and studied classical music until she graduated from high school. While she was in high school\, she got attracted to drums and began taking drum lessons. A couple years later\, she started performing as a drummer based in Tokyo. In 2013\, she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program\, and studied privately with Adam Cruz\, Nasheet Waits\, and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College\, and has performed with many different musicians and projects including Steve Wilson\, Mike Holober\, Scott Reeves\, Ben Paterson\, Mark Wade\, Jakob Dreyer\, Takaaki Otomo\, Nori Naraoka\, Berta Moreno\, Maksim Perepelica\, Latvian Concert Choir\, Musicsnake\, Kijima Sound System. Her debut album “Dawn” was released in April 2018\, and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently\, CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians)\, a platform created to empower\, elevate\, normalize and give visibility to women\, non-binary musicians and those of other historically underrepresented gender identities in intersection with race\, sexuality\, or ability across generations in the US and worldwide\, through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org
URL:https://crsny.org/event/crs-presents-ayumi-ishito-rema-hasumi-yuko-togami-with-special-guest-tamio-shiraishi/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents,Paradise Laboratory
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2023/07/230910-Rema-Hasumi-Yuko-Togami-Ayumi-Ishito-2.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733158;-73.992729
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:CRS (Center for Remembering & Sharing) presents the next installment of its Paradise Laboratory concert series featuring ambient atmospheric improvised music by trio Ayumi Ishito (tenor saxophone and electronics) Rema Hasumi (synthesizer) & Yuko Togami (drums) with special guest the legendary Tamio Shiraishi (alto sax electronics) who is known for his frenetic bursts of high-pitched sounds at the very extreme of what the alto can produce. \nPARADISE LABORATORY is a playground for sonic and visual experimentation. Conceived of during the pandemic by the renowned Korean traditional multi-instrumentalist curator and scholar gamin Paradise Laboratory provides musical artists with opportunities to rehearse record film and perform with other musical visual and/or dance artists in an experimental process-oriented and artist-centered fashion. \nTickets are $10 for students/seniors and $20 general admission and are available by credit card through eventbrite.com and at the door for cash only if not sold out. \nTICKET LINK:\nhttps://www.eventbrite.com/e/crs-presents-ayumi-ishito-rema-hasumi-yuko-togami-with-tamio-shiraishi-tickets-672718859217\n \nVENUE \nThe White Room at CRS\n123 4th Ave FL3\nNew York NY 10003\n212-677-8621 \nDIRECTIONS:\nCRS is located on the 3rd floor of a walk-up building above Think Coffee between 12th & 13th streets one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6 N/R/Q L trains to 14th St / Union Square \nABOUT THE ARTISTS \nTamio Shiraishi is along with Keiji Haino a founding member of the Japanese avant garde group Fushitsusha in the 1970s. His involvement with Fushitsusha was however transient and the experience and connections formed through it led him to choose the saxophone as his main instrument. In 1990 Shiraishi moved to New York where he now plays solo material at NYC subway stops and collaborative projects at other venues. At 74 years of age Tamio Shiraishi has experienced a lot and regardless of the lack of formal education in music has honed his unique approach to the alto saxophone to a high level of mastery. His style may be characterized as a microtonal exploration of the altissimo-range somewhat reminiscent of traditional Japanese Enka music. While exploring the limits of common aesthetic conceptions Shiraishi’s performances in New York subway stops have attracted a small following and aroused conversations about the meaning of this form of expression. \nhttp://www.shiraishitamio.info \nAyumi Ishito was born and raised in Ishikawa Japan. At the age of 19 she began playing tenor saxophone in a college big band at Ritsumeikan University in Kyoto. In 2007 Ayumi received a scholarship to attend Berkee College of Music in Boston Massachusetts. She spent three years there studying performance and composition. After graduating from Berklee Ayumi moved to New York in 2010. Ayumi has been playing with many different groups. One of her recent projects Open Question received 4 stars review in DownBeat magazine in 2022. Also her another project The Spacemen was selected for the Best Jazz of 2021 in Bandcamp. As a composer Ayumi has been leading her quintet since 2011 and performing her compositions. The band released two albums “View From A Little Cave” in 2016 and “Midnite Cinema” in 2019. \nhttps://www.ayumiishito.com \nRema Hasumi is an experimental pianist vocalist producer and writer who is based out of Brooklyn NY. Hasumi was born in 1983 in Fukuoka Japan and moved to the United States in 2002 to pursue her passion for music which was nurtured through more than ten years of classical piano study and the listening experiences of her audiophile parent’s record collection. Hasumi has performed at venues across NY the United States and Asia. In 2009 she performed at the Kennedy Center as one of the four finalists of Mary Lou Williams Women In Jazz Pianist Competition. In 2014 upon invitation by acclaimed vocalist Jen Shyu Hasumi presented her solo work “The Patterns of Duplicity” at a series of “Solo Rites” concerts by Ms. Shyu. The piece featured the poetry “Spring and Asura” (1925) by Kenji Miyazawa interpreted in multiple languages exploring the possibilities of musical ideas unique and inherent to each language. Hasumi has also worked extensively as both pianist and vocalist in many other projects including a series of collaborations with the saxophonist Darius Jones in which they performed the music of Alice Coltrane. She has also worked as the vocalist in the guitarist Todd Neufeld’s new two-drummer group. Hasumi’s new trio premiered in June 2015 in two nights of concerts in NYC. It featured compositions she wrote for piano and voice performed alongside the great Randy Peterson and Masa Kamaguchi. Her first record “UTAZATA” was released in May 2015 from Ruweh Records which she runs as a co-founder. It features the highly sympathetic cast of Todd Neufeld (guitar) Thomas Morgan (bass) Billy Mintz (drums) and fiery guest musicians Ben Gerstein (trombone) and Sergio Krakowski (pandeiro). The group interprets the themes of Japanese Gagaku and ritual music. This record was made as a result of mindful searching on femininity mythology and rituals in Japanese performing arts. In 2016 Hasumi released a trio recording “Billows of Blue” featuring Randy Peterson and Masa Kamaguchi. Her most recent album and a solo recording called “Abiding Dawn” reveals Hasumi’s sound world all alone layering and unlayering voice piano and analog synthesizers in a seamless journey of eight gorgeous tracks. The word and the wordless the pitched and the unpitched all meet in Hasumi’s voice while her piano honors the influences of Alice Coltrane and Masabumi Kikuchi met squarely on her own honest terms. The use of synthesizer a vintage Korg Delta DL-50 serves to encompass and meld the sonic meal. \nhttps://remahasumi.bandcamp.com \nYuko Togami is a drummer and composer currently based in New York City originally from Saitama Japan. She was exposed to music from a very early age as she was always watching her mother teach piano and Eurhythmics. She started taking Eurhythmics classes and playing piano when she was about 5. Later on she also started playing marimba and studied classical music until she graduated from high school. While she was in high school she got attracted to drums and began taking drum lessons. A couple years later she started performing as a drummer based in Tokyo. In 2013 she moved to New York City to pursue further musical studies at the City College of New York. She received a scholarship from The Kaye Scholars Program and studied privately with Adam Cruz Nasheet Waits and Ben Street. She graduated with her BFA degree in jazz performance and The Pro Musica Award from City College and has performed with many different musicians and projects including Steve Wilson Mike Holober Scott Reeves Ben Paterson Mark Wade Jakob Dreyer Takaaki Otomo Nori Naraoka Berta Moreno Maksim Perepelica Latvian Concert Choir Musicsnake Kijima Sound System. Her debut album “Dawn” was released in April 2018 and has won a Silver Medal at the 2018 Global Music Awards for Outstanding Achievement. \nhttps://www.yukotogami.com/ \nABOUT THE PRESENTER \nCRS (CENTER FOR REMEMBERING & SHARING) is a spiritual healing and art center founded in 2004 by the writer/lecturer/spiritual counselor Yasuko Kasaki and artist Christopher Pelham. Our mission is guided by A Course in Miracles (ACIM). ACIM says that recognizing that you and your brother are actually one is the only way to experience peace. The mission of CRS is to promote the awareness that limitless creativity lives within each of us. We train minds to recognize the light in themselves and others and provide them opportunities to share their inner vision through the healing and creative arts. Since its founding CRS has provided numerous residencies and performance and exhibition opportunities to artists from all over the world. Currently CRS is an ongoing sponsor of M³ (Mutual Mentorship for Musicians) a platform created to empower elevate normalize and give visibility to women non-binary musicians and those of other historically underrepresented gender identities in intersection with race sexuality or ability across generations in the US and worldwide through a radical model of mentorship and musical collaborative commissions. \nhttps://crsny.org;X-APPLE-RADIUS=500;X-TITLE=41 E 11th St 11th Fl:geo:-73.992729,40.733158
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230912T183000
DTEND;TZID=America/New_York:20230912T200000
DTSTAMP:20260426T224520
CREATED:20230828T225206Z
LAST-MODIFIED:20230829T213150Z
UID:41492-1694543400-1694548800@crsny.org
SUMMARY:A Course in Miracles Inspired Meditation & Concert with Yasuko Kasaki and Yoko Cano Matsushita
DESCRIPTION:We are thrilled to welcome you back to the award-winning White Room at CRS for an intimate gathering led by CRS Founder Yasuko Kasaki and her ACIM student\, the artist and songwriting teacher Yoko Cano Matsushita\, who will be visiting us from Mexico! Yasuko will lead us in meditation and then Yoko will perform a set of her songs and share some of her spiritual life lessons. There will be time at the end for discussion and socializing! \nYoko has been studying piano since a young age. \nAfter earning her master’s degree in music\, she performed and taught in NY state\, NYC\, and Long Island for 10 years. Now she is teaching music specializing in songwriting in Mexico. \nMusic had always been her dilemma since she had bad memories of being forced to practice piano by her mother and being confused if she was living her life or her mother’s dream. \nHer passion is to find who she truly is and see truth in others\, encouraging the light to shine in herself and the others. \nAt this concert\, she wants to integrate her passion and the music. \nShe will take you to a journey of her own life experiences (such as conflict\, joy\, dilemma\,happiness\, etc… ) using her own voice. \nShe hopes that the vibration of her voice to reach you to bring healing\, joy and hope. \nAbout Yasuko Kasaki \nYasuko Kasaki is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo\, Japan. The founder of CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles (ACIM) in New York City\, she is widely recognized as the person most responsible for the spread of A Course in Miracles throughout Japan. \nShe is the author of 15 of books in Japanese about A Course in Miracles\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and books by ACIM writers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister and works by poet Maya Angelou and others have also been published in Japan. She is currently translating Mari Perron’s A Course of Love and the ACIM Original Edition into Japanese for publisher Natural Spirit\, Inc. \nAt the behest of friends and classmates\, she began offering spiritual counseling\, reading\, instruction and healing to individuals and groups in 1999. In 2004 she founded CRS (Center for Remembering & Sharing) where she offers spiritual counseling and weekly classes in ACIM\, A Course of Love and meditation and hosts visiting healers and seminar teachers from around the world. She has now taught and worked with thousands of people from around the world to help resolve their mental and physical issues. \nyasukokasaki.com \ncrsny.org \n  \nDIRECTIONS: \nCRS is located on the 3rd floor of a walk-up building above Think Coffee\, between 12th & 13th streets\, one block east of The Strand Bookstore. There is no elevator or wheelchair access. \nNEAREST SUBWAY STATIONS:  \n4/5/6\, N/R/Q\, L trains to 14th St / Union Square
URL:https://crsny.org/event/a-course-in-miracles-inspired-meditation-concert-with-yasuko-kasaki-and-yoko-cano/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,Concert,CRS Presents
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2023/08/230912-Meditation-and-concert-by-Yoko-Cano.jpg
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733158;-73.992729
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11th St 11th Fl New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11th St 11th Fl:geo:-73.992729,40.733158
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230921T190000
DTEND;TZID=America/New_York:20230921T230000
DTSTAMP:20260426T224520
CREATED:20230814T212032Z
LAST-MODIFIED:20230814T212119Z
UID:41482-1695322800-1695337200@crsny.org
SUMMARY:M³ Festival Day 1
DESCRIPTION:Mutual Mentorship for Musicians (M³)\, is a visionary and non-hierarchical mentorship initiative created by musicians Jen Shyu and Sara Serpa. Their 2nd annual in-person M³ Festival will feature 21 bandleaders across three-days – September 21-23\, 2023 at Roulette. \nDay 1 (Sept 21):  \n\nFay Victor with Rebekah Heller DUO Fay Victor (voice) & Rebekah Heller (bassoon)\nFrancesca Tanksley with Newman Taylor Baker – Piano/Percussion Duo: Francesca Tanksley (piano) & Newman Taylor Baker (percussion)\nDuo Maratín: Ria Modak + Ángela Varo Ria Modak (guitar\, voice) & Birsa Chatterjee (saxophone\, voice)\nBarTog + Cecilia Lopez Barbara Togander (turntables\, voice) & Cecilia Lopez (synthesizer)\nMilena Casado Milena Casado (trumpet) & Morgan Guerin (Synths\, ewi)\nLayale Chaker Layale Chaker (violin\, voice)\, Phillip Golub (piano\, microtonal keyboard) & Adriano Vincentino (drums)\n\nSee Day 2 schedule. \nSee Day 3 schedule. \nM³ Festival 2023 co-presented with Roulette is supported by Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, and New Music USA’s Organization Fund in 2023-24. \nM³ began as a labor of love and research between its co-founders\, vocalist-composers Jen Shyu and Sara Serpa\, who are also active composers\, teachers\, and performers. When the Covid-19 lockdown began in NYC in March of 2020\, Shyu and Serpa began conversations about elevating women and non-binary musicians\, particularly women and non-binary musicians of color\, in their global music community. Based on their own experiences of limited access to female and non-binary mentors as they began their careers – the majority of their mentors being older male musicians – they combined concepts of mutual mentorship and group support to create a model that addresses the gaps and imbalances in the music industry. The project was born out of the need for greater community\, opportunity\, and support among women and nonbinary composers in creative music. M³ proposes a new paradigm of mentorship and collaboration guided by a deep sense of fair treatment of all M³’s cohort members\, collaborators and team members\, striving for just distribution of compensation\, visibility and opportunities. \nIn just a few years\, Mutual Mentorship for Musicians (M³) has commissioned over a very wide range of women\, non-binary\, and mostly BIPOC musicians to create numerous new duo music/video compositions across five cohort cycles\, each lasting 6-10 months. \nIn the relentless pursuit of balance and diversity\, this lineup of composer-performers was thoughtfully curated to embody innovation across genres. The M³ Festival serves as a testament to the power of inclusivity\, demonstrating that when intentions focus on fostering a diverse and inclusive community of musicians and creators\, it unlocks a world of boundless possibilities.
URL:https://crsny.org/event/m3festival2023-day1/
LOCATION:Roulette\, 509 Atlantic Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2023/08/m3day1WEB.8-2000x1500-1.jpeg
GEO:40.6856169;-73.9807735
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roulette 509 Atlantic Ave Brooklyn NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=509 Atlantic Ave:geo:-73.9807735,40.6856169
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230922T190000
DTEND;TZID=America/New_York:20230922T230000
DTSTAMP:20260426T224520
CREATED:20230814T212407Z
LAST-MODIFIED:20230814T212407Z
UID:41485-1695409200-1695423600@crsny.org
SUMMARY:M³ Festival Day 2
DESCRIPTION:Mutual Mentorship for Musicians (M³)\, is a visionary and non-hierarchical mentorship initiative created by musicians Jen Shyu and Sara Serpa. Their 2nd annual in-person M³ Festival will feature 21 bandleaders across three-days – September 21-23\, 2023 at Roulette. \nDay 2 (Sept 22):  \n\nSraya Murtikanti  Ni Nyoman Srayamurtikanti (Kendang\, Ceng-ceng\, Gender Wayang)\, Victoria Lo Mellin (Kendang\, Ceng-ceng\, Gender Wayang)\, & Liz Behrend (Kendang\, Ceng-ceng\, Klentong)\nThe Sabbath presenting The Adhan Project The Sabbath (vocals) and Liany Mateo (double bass)\nEl Cuerpo Rítmico\, Leonor Falcón\, Cecilia López El Cuerpo Rítmico (piano)\, Leonor Falcón (viola) and Cecilia López (electronics)\nGoussy Célestin & Frankie Patcher Ensemble Jessica Jones (tenor sax)\, Naomi Moon Siegel (trombone)\, Goussy Célestin (piano/vocals)\, Liany Mateo (upright bass) & Frankie Patcher (drums)\n\nSee Day 1 schedule. \nSee Day 3 schedule. \nM³ Festival 2023 co-presented with Roulette is supported by Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, and New Music USA’s Organization Fund in 2023-24. \nM³ began as a labor of love and research between its co-founders\, vocalist-composers Jen Shyu and Sara Serpa\, who are also active composers\, teachers\, and performers. When the Covid-19 lockdown began in NYC in March of 2020\, Shyu and Serpa began conversations about elevating women and non-binary musicians\, particularly women and non-binary musicians of color\, in their global music community. Based on their own experiences of limited access to female and non-binary mentors as they began their careers – the majority of their mentors being older male musicians – they combined concepts of mutual mentorship and group support to create a model that addresses the gaps and imbalances in the music industry. The project was born out of the need for greater community\, opportunity\, and support among women and nonbinary composers in creative music. M³ proposes a new paradigm of mentorship and collaboration guided by a deep sense of fair treatment of all M³’s cohort members\, collaborators and team members\, striving for just distribution of compensation\, visibility and opportunities. \nIn just a few years\, Mutual Mentorship for Musicians (M³) has commissioned over a very wide range of women\, non-binary\, and mostly BIPOC musicians to create numerous new duo music/video compositions across five cohort cycles\, each lasting 6-10 months. \nIn the relentless pursuit of balance and diversity\, this lineup of composer-performers was thoughtfully curated to embody innovation across genres. The M³ Festival serves as a testament to the power of inclusivity\, demonstrating that when intentions focus on fostering a diverse and inclusive community of musicians and creators\, it unlocks a world of boundless possibilities.
URL:https://crsny.org/event/m3festival2023-day2/
LOCATION:Roulette\, 509 Atlantic Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2023/08/M3Day2.WEB_.5-2000x1500-1.jpeg
GEO:40.6856169;-73.9807735
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roulette 509 Atlantic Ave Brooklyn NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=509 Atlantic Ave:geo:-73.9807735,40.6856169
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230923T190000
DTEND;TZID=America/New_York:20230923T230000
DTSTAMP:20260426T224520
CREATED:20230814T212650Z
LAST-MODIFIED:20230814T212650Z
UID:41488-1695495600-1695510000@crsny.org
SUMMARY:M³ Festival Day 3
DESCRIPTION:Mutual Mentorship for Musicians (M³)\, is a visionary and non-hierarchical mentorship initiative created by musicians Jen Shyu and Sara Serpa. Their 2nd annual in-person M³ Festival will feature 21 bandleaders across three-days – September 21-23\, 2023 at Roulette. \nDay 3 \n\nNaomi Moon Siegel Quintet Naomi Moon Siegel (trombone)\, Leonor Falcón (violin)\, Jessica Ackerley (guitar)\, TBD (bass) & Frankie Patcher (drums)\nRuth Naomi Floyd and Vino Ruth Naomi Floyd (vocals)\, Vino (double bass)\, Sumi Tonooka (piano)\, Keith Loftis (tenor saxophone) & TBA (Drums)\nbright bright (Jessica Ackerley and Joan Sue) Jessica Ackerley (guitar) & Joan Sue (vocals + electronics)\nSONG and Saxreligious Quintet  SONG (voice and effects)\, Eli Maliwan AKA Saxreligious (tenor saxophone)\, Caili O’Doherty (keys)\, Ethan Cohn (bass) & Eliza Salem (Drums)\n\nSee Day 1 schedule. \nSee Day 2 schedule. \nM³ Festival 2023 co-presented with Roulette is supported by Doris Duke Charitable Foundation\, mediaThe foundation\, Kenneth Rainin Foundation\, CRS (Center for Remembering & Sharing)\, and New Music USA’s Organization Fund in 2023-24. \nM³ began as a labor of love and research between its co-founders\, vocalist-composers Jen Shyu and Sara Serpa\, who are also active composers\, teachers\, and performers. When the Covid-19 lockdown began in NYC in March of 2020\, Shyu and Serpa began conversations about elevating women and non-binary musicians\, particularly women and non-binary musicians of color\, in their global music community. Based on their own experiences of limited access to female and non-binary mentors as they began their careers – the majority of their mentors being older male musicians – they combined concepts of mutual mentorship and group support to create a model that addresses the gaps and imbalances in the music industry. The project was born out of the need for greater community\, opportunity\, and support among women and nonbinary composers in creative music. M³ proposes a new paradigm of mentorship and collaboration guided by a deep sense of fair treatment of all M³’s cohort members\, collaborators and team members\, striving for just distribution of compensation\, visibility and opportunities. \nIn just a few years\, Mutual Mentorship for Musicians (M³) has commissioned over a very wide range of women\, non-binary\, and mostly BIPOC musicians to create numerous new duo music/video compositions across five cohort cycles\, each lasting 6-10 months. \nIn the relentless pursuit of balance and diversity\, this lineup of composer-performers was thoughtfully curated to embody innovation across genres. The M³ Festival serves as a testament to the power of inclusivity\, demonstrating that when intentions focus on fostering a diverse and inclusive community of musicians and creators\, it unlocks a world of boundless possibilities.
URL:https://crsny.org/event/m3festival2023-day3/
LOCATION:Roulette\, 509 Atlantic Ave\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2023/08/m3Day3.WEB_.2-2000x1500-1.jpeg
GEO:40.6856169;-73.9807735
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roulette 509 Atlantic Ave Brooklyn NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=509 Atlantic Ave:geo:-73.9807735,40.6856169
END:VEVENT
END:VCALENDAR