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DTSTART;VALUE=DATE:20170514
DTEND;VALUE=DATE:20170515
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
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SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-05-14/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170514T130000
DTEND;TZID=America/New_York:20170514T141000
DTSTAMP:20170412T231244Z
CREATED:20170409T230420Z
LAST-MODIFIED:20170412T231244Z
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SUMMARY:Kakko-chan Festival — MIRACLE OF THE GIFTED QUARTER film screening
DESCRIPTION:MIRACLE OF THE GIFTED QUARTER\ndir. by Fumiko Irie • 2007 • Japan w/ English subtitles • 65′ documentary \nKatsuko Yamamoto who was a teacher of physically and mentaly challenged children discusses some of her wonderful experiences with these children. There is also commentary from authorities on archeology\, medicine\, and other sciences. Although we tend to think of physical and mental impairments as handicaps\, this film tells us that all of these limitations actually have a very special purpose for everyone. Every person exists because he or she is needed. This heartfelt documentary tells us about these truths\, and the beauty of all life. \n\n\n\n\n\n\nKatsuko Yamamoto Films\, Lectures & Dinner Reception \nKatsuko “Kakko-chan” Yamamoto\, the subject of the documentary film\, “Miracle of the Gifted Quarter\,” is coming to New York to give lectures and present her films at “The Kakko-chan Festival.” While “Miracle of the gifted Quarter” has had showings many times at CRS and in NY\, Kakko-chan will introduce some of her other films\, along with accompanying lectures. \nKakko-chan was trained as a special education teacher\, and she is someone who can easily connect with each student to find their abilities and draw them out. She was loved by all children in the school and inspired them to return that feeling\, to give that love back to her. \nOn the train one day\, she encountered a scene where a Yakuza (Japanese mafia) was threatening people. She went to the Yakuza\, hugged him and said to him “Don’t be afraid anymore. You’re gonna be alright.” Since then he has kept in touch with Kakko-chan. Her unconventional love embraces everyone. \nPlease come to meet Kakko-chan\, and enjoy her talk and speak with her! \nPayment Method: PAYPAL or Check\nContact: kakkofesta@gmail.com or 914-703-8018 \n5/13 Saturday\n1:00pm  Film “Blazing A New Trail”　＄20\n3:00pm  Lecture by Katsuko yamamoto / Recovering from Locked-In Syndrome Project＄30 \nDinner Reception with Kakko-chan\nEmpire State building 75F\n5/13 Saturday 7:00pm　　＄65\nCatering by Tama’s Kitchen\nPlease make a reservation by May 7th with your full name and full payment. Without the full-name reservation\, the Empire State Building security will not allow you to enter the 75th floor. \n5/14 Sunday\n1:00pm   Film “Miracle of the Gifted Quarter”　＄15\n2:20pm   Film “The Universal Principle” ＄20\n4:15pm   Lecture by Katsuko Yamamo    $30 \nKatsuko Yamamoto was born in Kanazawa in 1957. After graduating from the Chemistry Department\, Faculty of Science\, University of Toyama\, she has been working at special needs schools in Ishikawa Prefecture. The message\, in her books and talks\, is filled with love and affection\, and is spreading through out Japan. It touched not only children’s hearts but also adults who had been closing their hearts and minds. It also worked wonders to these people who have opened their hearts. The documentary film “The Miracle of the Gifted Quarter – Life’s Truth Revealed －” is the film about her activities. This film has been shown by volunteers in more than 1000 places including 14 different countries so far. She is creating warm relationships with readers of the mail magazine called “Miyapu Diary – the Bridge Between Our Hearts” which is sent to the readers every day. Her publications from Sango Kan (Publisher) are “Honto no Koto Dakara (Because it is the Truth)”\, “Yuuki-kun no Umi (Little Boy Yuuki’s Ocean)”\, “Majo Mona no Monogatari (The Story of Mona the Witch)”; from Arisu Kan (Publisher) “Kii-chan (Kii-chan)”; from Sunmark Shuppan (Publisher) “Te o Tsunageba Atatakai (When You are Connected\, it is Warm)”; and many more. \nBLAZING A NEW TRAIL\ndir. by Yasuko Iwasaki • 2013 • Japan w/ English subtitles • 90′ documentary \nToshiya Miyata\, who is called Miyapu\, suffered a brainstem hemorrhage. He was supposed to remain in a state of locked-in syndrome and not regain consciousness and he would never move\, like in a vegetative state. But he is gradually recovering with the help of his friends. We have not recognized many possibilities yet. I believe this film encourages a lot of people. Despair turns into hope. The hope starts playing beautiful symphonies. \nTHE UNIVERSAL PRINCIPLE\ndir. by Yasuko Iwasaki • 2009 • Japan w/ English subtitles • 96′ documentary \nWhy do flowers know the time to bloom? Why can a pupa become a butterfly properly?\nHow does the rain fall\, how and why … … While chasing that wonder\nI started to think that there was a “promise” behind everything\n“Promise” makes us to encounter\nFocusing on an interview with Kako-chan “What is to live” “What is death” I will approach the secret of the universe
URL:https://crsny.org/event/kakko-chan-festival-miracle-gifted-quarter-film-screening/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170514T142000
DTEND;TZID=America/New_York:20170514T160000
DTSTAMP:20170409T234554Z
CREATED:20170409T231525Z
LAST-MODIFIED:20170409T234554Z
UID:10006041-1494771600-1494777600@crsny.org
SUMMARY:Kakko-chan Festival — THE UNIVERSAL PRINCIPLE film screening
DESCRIPTION:THE UNIVERSAL PRINCIPLE ～How everything is created in love～\ndir. by Yasuko Iwasaki • 2009 • Japan w/ English subtitles • 96′ documentary \nWhy do flowers know the time to bloom? Why can a pupa become a butterfly properly?\nHow does the rain fall\, how and why? … While chasing that wonder\nI started to think that there was a “promise” behind everything.\n“Promise” makes us to encounter\nFocusing on an interview with Kako-chan “What is to live” “What is death” I will approach the secret of the universe. \nKatsuko Yamamoto Films\, Lectures & Dinner Reception \nKatsuko “Kakko-chan” Yamamoto\, the subject of the documentary film\, “Miracle of the Gifted Quarter\,” is coming to New York to give lectures and present her films at “The Kakko-chan Festival.” While “Miracle of the gifted Quarter” has had showings many times at CRS and in NY\, Kakko-chan will introduce some of her other films\, along with accompanying lectures. \nKakko-chan was trained as a special education teacher\, and she is someone who can easily connect with each student to find their abilities and draw them out. She was loved by all children in the school and inspired them to return that feeling\, to give that love back to her. \nOn the train one day\, she encountered a scene where a Yakuza (Japanese mafia) was threatening people. She went to the Yakuza\, hugged him and said to him “Don’t be afraid anymore. You’re gonna be alright.” Since then he has kept in touch with Kakko-chan. Her unconventional love embraces everyone. \nPlease come to meet Kakko-chan\, and enjoy her talk and speak with her! \nPayment Method: PAYPAL or Check\nContact: kakkofesta@gmail.com or 914-703-8018 \n5/13 Saturday\n1:00pm  Film “Blazing A New Trail”　＄20\n3:00pm  Lecture by Katsuko yamamoto / Recovering from Locked-In Syndrome Project＄30 \nDinner Reception with Kakko-chan\nEmpire State building 75F\n5/13 Saturday 7:00pm　　＄65\nCatering by Tama’s Kitchen\nPlease make a reservation by May 7th with your full name and full payment. Without the full-name reservation\, the Empire State Building security will not allow you to enter the 75th floor. \n5/14 Sunday\n1:00pm   Film “Miracle of the Gifted Quarter”　＄15\n2:20pm   Film “The Universal Principle” ＄20\n4:15pm   Lecture by Katsuko Yamamo    $30 \nKatsuko Yamamoto was born in Kanazawa in 1957. After graduating from the Chemistry Department\, Faculty of Science\, University of Toyama\, she has been working at special needs schools in Ishikawa Prefecture. The message\, in her books and talks\, is filled with love and affection\, and is spreading through out Japan. It touched not only children’s hearts but also adults who had been closing their hearts and minds. It also worked wonders to these people who have opened their hearts. The documentary film “The Miracle of the Gifted Quarter – Life’s Truth Revealed －” is the film about her activities. This film has been shown by volunteers in more than 1000 places including 14 different countries so far. She is creating warm relationships with readers of the mail magazine called “Miyapu Diary – the Bridge Between Our Hearts” which is sent to the readers every day. Her publications from Sango Kan (Publisher) are “Honto no Koto Dakara (Because it is the Truth)”\, “Yuuki-kun no Umi (Little Boy Yuuki’s Ocean)”\, “Majo Mona no Monogatari (The Story of Mona the Witch)”; from Arisu Kan (Publisher) “Kii-chan (Kii-chan)”; from Sunmark Shuppan (Publisher) “Te o Tsunageba Atatakai (When You are Connected\, it is Warm)”; and many more. \nBLAZING A NEW TRAIL\ndir. by Yasuko Iwasaki • 2013 • Japan w/ English subtitles • 90′ documentary \nToshiya Miyata\, who is called Miyapu\, suffered a brainstem hemorrhage. He was supposed to remain in a state of locked-in syndrome and not regain consciousness and he would never move\, like in a vegetative state. But he is gradually recovering with the help of his friends. We have not recognized many possibilities yet. I believe this film encourages a lot of people. Despair turns into hope. The hope starts playing beautiful symphonies. \nMIRACLE OF THE GIFTED QUARTER\ndir. by Fumiko Irie • 2007 • Japan w/ English subtitles • 65′ documentary \nKatsuko Yamamoto who was a teacher of physically and mentaly challenged children discusses some of her wonderful experiences with these children. There is also commentary from authorities on archeology\, medicine\, and other sciences. Although we tend to think of physical and mental impairments as handicaps\, this film tells us that all of these limitations actually have a very special purpose for everyone. Every person exists because he or she is needed. This heartfelt documentary tells us about these truths\, and the beauty of all life. \n 
URL:https://crsny.org/event/kakko-chan-festival-universal-principle-film-screening/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/170514-The-Universal-Principle.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170514T161500
DTEND;TZID=America/New_York:20170514T173000
DTSTAMP:20170409T234259Z
CREATED:20170409T233938Z
LAST-MODIFIED:20170409T234259Z
UID:10006045-1494778500-1494783000@crsny.org
SUMMARY:Kakko-chan Festival — Katsuko Yamamoto Lecture
DESCRIPTION:It is unbearable for me to think that you have thoughts but cannot communicate to others\, even for as short as one second. I have worked in special needs schools for a long time. Consequently I have learnt through my children with special needs that\, even if one looks unconscious\, everyone has feelings and thoughts. And what is more\, they can hear\, see\, and understand everything. Another thing they have taught me is that the human body and brain have tremendous powers of recovery. If you do not give up\, communication is possible and they will be able to recover. I think it is very true. \nHowever\, I am afraid that it is not common knowledge in our society. It is unbearable for me to think that some patients cannot communicate\, and have to give up the recovery process\, only because the carers do not have the information and know how. \n— Katsuko Yamamoto\, Author and Special Needs School Teacher \nKatsuko Yamamoto Films\, Lectures & Dinner Reception \nKatsuko “Kakko-chan” Yamamoto\, the subject of the documentary film\, “Miracle of the Gifted Quarter\,” is coming to New York to give lectures and present her films at “The Kakko-chan Festival.” While “Miracle of the gifted Quarter” has had showings many times at CRS and in NY\, Kakko-chan will introduce some of her other films\, along with accompanying lectures. \nKakko-chan was trained as a special education teacher\, and she is someone who can easily connect with each student to find their abilities and draw them out. She was loved by all children in the school and inspired them to return that feeling\, to give that love back to her. \nOn the train one day\, she encountered a scene where a Yakuza (Japanese mafia) was threatening people. She went to the Yakuza\, hugged him and said to him “Don’t be afraid anymore. You’re gonna be alright.” Since then he has kept in touch with Kakko-chan. Her unconventional love embraces everyone. \nPlease come to meet Kakko-chan\, and enjoy her talk and speak with her! \nPayment Method: PAYPAL or Check\nContact: kakkofesta@gmail.com or 914-703-8018 \n5/13 Saturday\n1:00pm  Film “Blazing A New Trail”　＄20\n3:00pm  Lecture by Katsuko yamamoto / Recovering from Locked-In Syndrome Project＄30 \nDinner Reception with Kakko-chan\nEmpire State building 75F\n5/13 Saturday 7:00pm　　＄65\nCatering by Tama’s Kitchen\nPlease make a reservation by May 7th with your full name and full payment. Without the full-name reservation\, the Empire State Building security will not allow you to enter the 75th floor. \n5/14 Sunday\n1:00pm   Film “Miracle of the Gifted Quarter”　＄15\n2:20pm   Film “The Universal Principle” ＄20\n4:15pm   Lecture by Katsuko Yamamo    $30 \nKatsuko Yamamoto was born in Kanazawa in 1957. After graduating from the Chemistry Department\, Faculty of Science\, University of Toyama\, she has been working at special needs schools in Ishikawa Prefecture. The message\, in her books and talks\, is filled with love and affection\, and is spreading through out Japan. It touched not only children’s hearts but also adults who had been closing their hearts and minds. It also worked wonders to these people who have opened their hearts. The documentary film “The Miracle of the Gifted Quarter – Life’s Truth Revealed －” is the film about her activities. This film has been shown by volunteers in more than 1000 places including 14 different countries so far. She is creating warm relationships with readers of the mail magazine called “Miyapu Diary – the Bridge Between Our Hearts” which is sent to the readers every day. Her publications from Sango Kan (Publisher) are “Honto no Koto Dakara (Because it is the Truth)”\, “Yuuki-kun no Umi (Little Boy Yuuki’s Ocean)”\, “Majo Mona no Monogatari (The Story of Mona the Witch)”; from Arisu Kan (Publisher) “Kii-chan (Kii-chan)”; from Sunmark Shuppan (Publisher) “Te o Tsunageba Atatakai (When You are Connected\, it is Warm)”; and many more. \nBLAZING A NEW TRAIL\ndir. by Yasuko Iwasaki • 2013 • Japan • 90′ documentary \nToshiya Miyata\, who is called Miyapu\, suffered a brainstem hemorrhage. He was supposed to remain in a state of locked-in syndrome and not regain consciousness and he would never move\, like in a vegetative state. But he is gradually recovering with the help of his friends. We have not recognized many possibilities yet. I believe this film encourages a lot of people. Despair turns into hope. The hope starts playing beautiful symphonies. \nMIRACLE OF THE GIFTED QUARTER\ndir. by Fumiko Irie • 2007 • Japan w/ English subtitles • 65′ documentary \nKatsuko Yamamoto who was a teacher of physically and mentaly challenged children discusses some of her wonderful experiences with these children. There is also commentary from authorities on archeology\, medicine\, and other sciences. Although we tend to think of physical and mental impairments as handicaps\, this film tells us that all of these limitations actually have a very special purpose for everyone. Every person exists because he or she is needed. This heartfelt documentary tells us about these truths\, and the beauty of all life. \nTHE UNIVERSAL PRINCIPLE ～How everything is created in love～\ndir. by Yasuko Iwasaki • 2009 • Japan w/ English subtitles • 96′ documentary \nWhy do flowers know the time to bloom? Why can a pupa become a butterfly properly?\nHow does the rain fall\, how and why … … While chasing that wonder\nI started to think that there was a “promise” behind everything\n“Promise” makes us to encounter\nFocusing on an interview with Kako-chan “What is to live” “What is death” I will approach the secret of the universe
URL:https://crsny.org/event/kakko-chan-festival-katsuko-yamamoto-lecture-2/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170515
DTEND;VALUE=DATE:20170516
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10006991-1494806400-1494892799@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-05-15/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170516
DTEND;VALUE=DATE:20170517
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10006992-1494892800-1494979199@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-05-16/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20170516T183000
DTEND;TZID=America/New_York:20170516T194500
DTSTAMP:20260801T211738Z
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SUMMARY:The Genius of Flexibility drop-in classes
DESCRIPTION:The Genius of Flexibility introduces the Resistance Flexibility™ (RF) training of Bob Cooley. Resistance Flexibility advances and unites physical therapy\, yoga\, personal training\, psychology\, traditional Chinese medicine\, and Genetic Personality Type theory. \nResistance Flexibility is a unique\, hands-on modality used to develop athletes and performers\, rehabilitate the severely and ordinarily injured\, and help people of all walks of life achieve their goals. Based on an original biomechanical and energetic analysis of the body and personality\, RF achieves unprecedented results. \nOur drop-in classes are appropriate for all ages\, abilities\, and backgrounds. They include lots of physical activity\, but you work at your own pace. Learn the unique relationship between resistance\, flexibility\, and strength while also discovering concomitant physical\, spiritual\, emotional\, and psychological benefits. \n$20 cash at the door. \nLearn more about The Genius of Flexibility’s Affiliate Certification Training \n\n\n\n\n 
URL:https://crsny.org/event/the-genius-of-flexibility-drop-in-classes/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170517
DTEND;VALUE=DATE:20170518
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10006993-1494979200-1495065599@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-05-17/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170518
DTEND;VALUE=DATE:20170519
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10006994-1495065600-1495151999@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-05-18/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170519
DTEND;VALUE=DATE:20170520
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10006995-1495152000-1495238399@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-05-19/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20170519T190000
DTEND;TZID=America/New_York:20170519T210000
DTSTAMP:20170423T233431Z
CREATED:20170423T233228Z
LAST-MODIFIED:20170423T233431Z
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SUMMARY:CRS Sound Healing Circle
DESCRIPTION:[et_pb_section bb_built=”1″ admin_label=”section”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] \nThe Arapaho Indians call this month the time “when the ponies shed their shaggy hair.” Let’s try to shed our shaggy thoughts! We welcome back CRS Healer Miyoko to lead us through another crystal bowl meditation. From that place of peace we’ll journey\, dance with our power animals\, shimmy and shake and sweat our tears\, leave behind any burdens we no longer wish to bear\, and return ready for spring. \nThe fee is $20 through May 18 and $25 on May 19. \n \nOur purpose\, guided by our devoted study and practice of A Course in Miracles\, is to remind one another that we are one and the same\, always already perfect expressions of love. Therefore\, we will be training ourselves to look for and find such reminders in all of our visions and experiences. While the forms of our activities draw on or are adapted from various shamanic and healing traditions\, we do not seek to hold up any particular forms as essential or superior in and of themselves. Any form or experience could be used to remember who we truly are and to join with others. We will be using these particular forms simply because we enjoy them! \nCRS Co-Founder Christopher Pelham will lead the circle this month. Chris has a background in ensemble and improvisational theatre and has been studying ACIM since 2003 and offering healing and spiritual counseling since 2013. He leads the Monday night guided meditation and Healing Clinic at CRS\, teaches A Course of Love on Wednesday nights\, participates in the Tuesday night Healing Clinics and assists Yasuko in the leading of the Monday night ACIM Classes. \n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
URL:https://crsny.org/event/crs-sound-healing-circle-3/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170520
DTEND;VALUE=DATE:20170521
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10006996-1495238400-1495324799@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-05-20/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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