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DTSTART;VALUE=DATE:20170618
DTEND;VALUE=DATE:20170619
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
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SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-18/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170619
DTEND;VALUE=DATE:20170620
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007025-1497830400-1497916799@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-19/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20170619T193000
DTEND;TZID=America/New_York:20170619T193000
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CREATED:20170517T011622Z
LAST-MODIFIED:20170522T213439Z
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SUMMARY:Fundamentals of Kabbalah
DESCRIPTION:THE KABBALAH CAMPUS\nNEW FUNDAMENTALS SEMESTER BEGINS SPRING 2017\nThe Fundamentals Semester course introduces students to the Fundamentals of Kabbalah using key Kabbalistic articles to lay the foundation of basic concepts in Kabbalah. It describes the method to rise from our world to spirituality. \nKabbalah is a very practical study – why do we act the way we do? Why is the world experiencing so many crises today? \nAs the course progresses\, you are led into a very personal journey of discovery as you examine your response to the writings of the greatest Kabbalists of our time. \nClass Schedule:\n10 weeks\, every Monday\n7:30 pm – 9:30 pm \n\nLesson 1 – The Essence of the Wisdom of Kabbalah\nLesson 2 – The Spiritual Perception Of Reality\nLesson 3 – The Importance of Kabbalah Books with an Emphasis on the Reforming Light\nLesson 4 – From the Love of Others to the Love of the Creator\nLesson 5 – The Environment and Free Will\nLesson 6 – Connecting the Points and the Kabbalistic Meal\nLesson 7 – The Soul of Adam and the Shattering of the Soul\nLesson 8 – There is None Else Besides Him\nLesson 9 – Internality and Externality\, The Story of the Bible\nLesson 10 – Completing the Circle and a Spiritual Meal\n\nTotal tuition: $150\nIncludes a $40 textbook you will be using during class\nFinancial aid available for certain situations \n“The Bnei Baruch Kabbalah course answered my deepest questions\, revealed the laws of love and of nature to me\, provided me with a wonderful tool to educate my children with\, and significantly improved my relationships with my loved ones.”\n– Rachel\, Springfield\, Illinois \nMEET YOUR INSTRUCTOR:\nGIANNI CONTI \nFor the last 7 years Gianni has been teaching authentic Kabbalah to audiences worldwide. He teaches in live campus courses as well as online\, to beginner\, intermediate and advanced level students. \nWe asked Gianni why he teaches Kabbalah and what Kabbalah adds to his life and told us that\, “There is an indescribable change that occurs in a student – I’ve seen it many times – that upgrades their understanding of life as a whole. It’s as if a few lifetimes of experiences were compressed into months. And this frees a person to a whole new layer of life above all of what seemed before as obstacles. When you know that’s possible you want to share it [the wisdom of Kabbalah] again and again.”
URL:https://crsny.org/event/fundamentals-of-kabbalah-2/2017-06-19/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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ORGANIZER;CN="Bnei Baruch Kabbalah Education Center":MAILTO:bbny@kabbalah.info
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170620
DTEND;VALUE=DATE:20170621
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007026-1497916800-1498003199@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-20/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170621
DTEND;VALUE=DATE:20170622
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007027-1498003200-1498089599@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-21/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170622
DTEND;VALUE=DATE:20170623
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007028-1498089600-1498175999@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-22/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20170622T190000
DTEND;TZID=America/New_York:20170622T200000
DTSTAMP:20170526T015016Z
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SUMMARY:Medical Qigong Class Series:  Body Mind Form & La Qi
DESCRIPTION:Body Mind Spirit Healing\nBody Mind Form & La Qi \n\nConnect with unlimited life force energy\nTransform tendons and open joints\nImprove body alignment\nOpen energy centers and channels\nOpen the Heart\nImprove extrasensory perception\nHeal chronic disorders\n\nTeacher: Linda Y. Qiu\n M.D. (China) L. Ac. (NY)\nQiu has been practicing Qigong healing for more than 25 years. She was a medical doctor in China before moving to the U.S. in 2001 to teach Chinese medicine and Qigong. She was the director of Integral Studies department in AOMA Graduate School of Integrative Medicine\, and the director of Medical Qigong Practitioner Certi cate Program in New York College of Traditional Chinese Medicine. She also treats patients using Qigong\, acupuncture and herbs. \n\n\n\n\nFee: $160 before May 25th\, $180 on Jun 1st\n$20 drop in for each class \nNo prerequisite \n\n\n\n\n\n\n\nTo register\, contact Linda Y. Qiu:\n646 240 1023 nycemed@gmail.com
URL:https://crsny.org/event/medical-qigong-class-series-body-mind-form-la-qi/2017-06-22/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/05/170601-Qigong-Workshop.jpg
ORGANIZER;CN="NYC Energy Medicine":MAILTO:nycemed@gmail.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170622T200000
DTEND;TZID=America/New_York:20170622T213000
DTSTAMP:20170531T183351Z
CREATED:20170531T183351Z
LAST-MODIFIED:20170531T183351Z
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SUMMARY:CRS Sound Healing Circle
DESCRIPTION:[et_pb_section bb_built=”1″ admin_label=”section”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] \nThis month CRS Founder ACIM teacher/writer/counselor Yasuko Kasaki\, CRS healer Miyoko Satoh\, and dancer Lale Sayoko join our Circle. We’ll start with Miyoko’s crystal singing bowl meditation. Then we’ll journey. Last month was the time for shaking loose the old. June is a month where our seeds begin to bear fruit — Strawberry Moon! Yasuko will lead us in a short prayer to focus our minds on harvesting our limitless abundance\, and Lale Sayoko will close the circle with a demonstration of Sufi dance meditation. \nThe fee is $20 through June 21 and $25 on June 22. \nOur purpose\, guided by our devoted study and practice of A Course in Miracles\, is to remind one another that we are one and the same\, always already perfect expressions of love. Therefore\, we will be training ourselves to look for and find such reminders in all of our visions and experiences. While the forms of our activities draw on or are adapted from various shamanic and healing traditions\, we do not seek to hold up any particular forms as essential or superior in and of themselves. Any form or experience could be used to remember who we truly are and to join with others. We will be using these particular forms simply because we enjoy them! \nCRS Co-Founder Christopher Pelham will lead the circle this month. Chris has a background in ensemble and improvisational theatre and has been studying ACIM since 2003 and offering healing and spiritual counseling since 2013. He leads the Monday night guided meditation and Healing Clinic at CRS\, teaches A Course of Love on Wednesday nights\, participates in the Tuesday night Healing Clinics and assists Yasuko in the leading of the Monday night ACIM Classes. \n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
URL:https://crsny.org/event/crs-sound-healing-circle-4/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20170623
DTEND;VALUE=DATE:20170624
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007029-1498176000-1498262399@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-23/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;VALUE=DATE:20170624
DTEND;VALUE=DATE:20170625
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007030-1498262400-1498348799@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-06-24/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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