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DTSTART;VALUE=DATE:20170702
DTEND;VALUE=DATE:20170703
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007038-1498953600-1499039999@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-07-02/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170702T131400
DTEND;TZID=America/New_York:20170702T150000
DTSTAMP:20170619T220313Z
CREATED:20170619T193532Z
LAST-MODIFIED:20170619T220313Z
UID:10006061-1499001240-1499007600@crsny.org
SUMMARY:Film Screening:   Daichi's Flowers Are Blooming
DESCRIPTION:CRS invites you to the NYC premiere screening of the Japanese documentary “Daichi’s Flowers Are Blooming.” This film showcases an innovative organic farm in Hokkaido\, Japan. It is also the story of a family tragedy transformed into a loving prayer for the future. The screening will take place July 2\, 2017 at 1:15 pm in the White Room at CRS\, and tickets are $15 cash at the door. \nRSVP: inoriforearth@gmail.com or 914-703-8018 \nDAICHI’S FLOWERS ARE BLOOMING\ndir. by Yasuko Iwasaki • 2016 • Japan • 95′ documentary\nin Japanese w/ English subtitles \nEvery morning the workers of Sasaki Farm begin the day by affirming\, “We will circulate love and joy!” The workers talk to the vegetables and the vegetables listen:  “How are you? Thank you.” This farm uses no agrichemicals or fertilizers. Bugs and weeds are accepted. \nThe farm’s operation used to generate a lot of stress and conflict within its owner’s family. Finally ready to abandon the farm\, the family was struck by a greater tragedy. Their son\, Daichi\, suddenly passed away. With his final words\, he vowed to protect his family. The family began questioning how they were living and how to make sense of their son’s passing. His name\, Daichi\, means ground. They decided to remain close to the earth and not only keep the farm but greet the ground and plants that grow in it everyday to say I love you and thank you to their son. \n\n\n\nDirector Yasuko Iwasaki is a film director and producer\, a coaching facilitator\, and the president of Heart of Miracle\, an incorporated non-profit organization in Japan. She established the E･E project with Mr. Takahiro Ono to create documentary films for empowering people. She met Ms. Fumiko Irie and helped her to create the film “Miracle of The Gifted Quarter – Life’s Truth Revealed.” Over 120\,000 people watched the film by the end of 2011. The film has been shown by volunteers in non-profit screenings\, and it is further extending through out the world. In 2008 she directed and completed a film “The Universal Principle – How Everything is Created with Love.” In order to distribute those films\, she established Heart of Miracle. In addition to film distribution\, she wishes to create opportunities for people to communicate mutually through films. It is love that can make miracles. It is a source of infinite power which sits deep in everyone’s heart.
URL:https://crsny.org/event/film-screening-daichis-flowers-blooming/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170702T160000
DTEND;TZID=America/New_York:20170702T173000
DTSTAMP:20170531T212931Z
CREATED:20170320T215743Z
LAST-MODIFIED:20170531T212931Z
UID:10006938-1499011200-1499016600@crsny.org
SUMMARY:Live Your Happy Workshop & Book Signing with ACIM Teacher Maria Felipe
DESCRIPTION:[et_pb_section bb_built=”1″ admin_label=”section”][et_pb_row admin_label=”row” background_position=”top_left” background_repeat=”repeat” background_size=”initial”][et_pb_column type=”4_4″][et_pb_text admin_label=”Text” background_position=”top_left” background_repeat=”repeat” background_size=”initial” _builder_version=”3.0.48″ background_layout=”light” text_orientation=”left” border_style=”solid”] \nThe time has come to get out of your own way so you can experience the happiness you deserve. In this inspiring evening\, author Maria Felipe introduces core teachings from A Course in Miracles and explains how they can help you connect with your inner teacher\, get the “cuckoo voice of your ego” out of the way\, and access your personal power and inherent joy. Suggested donation $25 cash at the door. \nMaria Felipe’s first book LIVE YOUR HAPPY™ Get Out Of Your Own Way And Find the Love Within is scheduled for release April 2017 and will be published by New World Library\, a publisher of such prominent writers in the spiritual field as Eckhart Tolle\, Shakti Gawain\, Dan Millman just to name a few. Books will be available for purchase and signing by Maria at the event for $15. https://www.mariafelipe.org/new-book \nMaria will also join us as a guest teacher for our Monday night A Course in Miracles class  on July 3\, 2017 from 8 – 9:30 pm. The class fee is $20 and registration is possible at the door or online: http://bit.ly/2nLKIQo \nHere is a link to her Book Trailer which will give you more insight: \n\n\n\nAbout Maria Felipe: \nRev. Maria is a truly a dynamic speaker\, in both Spanish and English. A Cuban-American born in Miami\, she is 5’9″ with a towering personality to match. After experiencing success as a model and actress\, including hosting World Wrestling Federation TV shows\, she felt called inward and studied to become a reverend at Pathways of Light\, an accredited religious school inspired by A Course in Miracles. Since then\, Maria’s insight\, humor and authenticity have made her a leading international teacher\, with appearances on national TV and online radio. Maria was a presenter at the CMC  A Course in Miracles conferences for the past three years and has recently led talks in Cuba\, Colorado\, Costa Rica and Ibiza. She speaks monthly at Unity Church in Burbank\, where\, aside from her English service\, she created the church’s first regular Spanish service. Her talks now draw both Spanish and English-speakers from all over Southern California. In addition to leading a weekly A Course in Miracles study group in Spanish\, she also leads workshops and seminars inspired by the teachings. Before becoming an ordained minister\, Rev. Maria also created her own bilingual channel in YouTube – MariaCoconutTV – geared toward inspiring and sharing this message of love in all communities. https://www.mariafelipe.org \n \n  \n  \n  \nHere are a few links to Maria’s talks: \nTransformational Talks \nBilingual Talks \n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
URL:https://crsny.org/event/acim-teacher-maria-felipe-170702/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
ATTACH;FMTTYPE=image/png:https://crsny.org/wp-content/uploads/2017/03/lyh-softcover.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170703
DTEND;VALUE=DATE:20170704
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007039-1499040000-1499126399@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-07-03/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170703T193000
DTEND;TZID=America/New_York:20170703T193000
DTSTAMP:20170522T213439Z
CREATED:20170517T011622Z
LAST-MODIFIED:20170522T213439Z
UID:10007060-1499110200-1499110200@crsny.org
SUMMARY:Fundamentals of Kabbalah
DESCRIPTION:THE KABBALAH CAMPUS\nNEW FUNDAMENTALS SEMESTER BEGINS SPRING 2017\nThe Fundamentals Semester course introduces students to the Fundamentals of Kabbalah using key Kabbalistic articles to lay the foundation of basic concepts in Kabbalah. It describes the method to rise from our world to spirituality. \nKabbalah is a very practical study – why do we act the way we do? Why is the world experiencing so many crises today? \nAs the course progresses\, you are led into a very personal journey of discovery as you examine your response to the writings of the greatest Kabbalists of our time. \nClass Schedule:\n10 weeks\, every Monday\n7:30 pm – 9:30 pm \n\nLesson 1 – The Essence of the Wisdom of Kabbalah\nLesson 2 – The Spiritual Perception Of Reality\nLesson 3 – The Importance of Kabbalah Books with an Emphasis on the Reforming Light\nLesson 4 – From the Love of Others to the Love of the Creator\nLesson 5 – The Environment and Free Will\nLesson 6 – Connecting the Points and the Kabbalistic Meal\nLesson 7 – The Soul of Adam and the Shattering of the Soul\nLesson 8 – There is None Else Besides Him\nLesson 9 – Internality and Externality\, The Story of the Bible\nLesson 10 – Completing the Circle and a Spiritual Meal\n\nTotal tuition: $150\nIncludes a $40 textbook you will be using during class\nFinancial aid available for certain situations \n“The Bnei Baruch Kabbalah course answered my deepest questions\, revealed the laws of love and of nature to me\, provided me with a wonderful tool to educate my children with\, and significantly improved my relationships with my loved ones.”\n– Rachel\, Springfield\, Illinois \nMEET YOUR INSTRUCTOR:\nGIANNI CONTI \nFor the last 7 years Gianni has been teaching authentic Kabbalah to audiences worldwide. He teaches in live campus courses as well as online\, to beginner\, intermediate and advanced level students. \nWe asked Gianni why he teaches Kabbalah and what Kabbalah adds to his life and told us that\, “There is an indescribable change that occurs in a student – I’ve seen it many times – that upgrades their understanding of life as a whole. It’s as if a few lifetimes of experiences were compressed into months. And this frees a person to a whole new layer of life above all of what seemed before as obstacles. When you know that’s possible you want to share it [the wisdom of Kabbalah] again and again.”
URL:https://crsny.org/event/fundamentals-of-kabbalah-2/2017-07-03/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/05/170605-Campus-Kabbalah.jpg
ORGANIZER;CN="Bnei Baruch Kabbalah Education Center":MAILTO:bbny@kabbalah.info
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11th St 11th Fl New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11th St 11th Fl:geo:-73.992729,40.733158
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170703T200000
DTEND;TZID=America/New_York:20170703T213000
DTSTAMP:20170627T212456Z
CREATED:20170627T212456Z
LAST-MODIFIED:20170627T212456Z
UID:10006065-1499112000-1499117400@crsny.org
SUMMARY:A Course in Miracles Class with visiting author Maria Felipe
DESCRIPTION:[et_pb_section bb_built=”1″ admin_label=”section”][et_pb_row admin_label=”row” background_position=”top_left” background_repeat=”repeat” background_size=”initial”][et_pb_column type=”4_4″][et_pb_text admin_label=”Text” background_position=”top_left” background_repeat=”repeat” background_size=”initial” _builder_version=”3.0.51″ background_layout=”light” text_orientation=”left” border_style=”solid”] \nCRS welcomes Burbank\, CA based Course teacher Maria Felipe to our Monday night A Course in Miracles class! Maria is a dynamic bilingual (English & Spanish) teacher who draws on her career as an actress to bring the Course principles vividly to life and lift our spirits and will to choose happiness. \nThe time has come to get out of your own way so you can experience the happiness you deserve. In this inspiring evening\, author Maria Felipe introduces core teachings from A Course in Miracles and explains how they can help you connect with your inner teacher\, get the “cuckoo voice of your ego” out of the way\, and access your personal power and inherent joy. \nMaria Felipe’s first book LIVE YOUR HAPPY™ Get Out Of Your Own Way And Find the Love Within is scheduled for release April 2017 and will be published by New World Library\, a publisher of such prominent writers in the spiritual field as Eckhart Tolle\, Shakti Gawain\, Dan Millman just to name a few. Books will be available for purchase and signing by Maria at the event for $15. https://www.mariafelipe.org/new-book \nHere is a link to her Book Trailer which will give you more insight: \n\n\n\nAbout Maria Felipe: \nRev. Maria is a truly a dynamic speaker\, in both Spanish and English. A Cuban-American born in Miami\, she is 5’9″ with a towering personality to match. After experiencing success as a model and actress\, including hosting World Wrestling Federation TV shows\, she felt called inward and studied to become a reverend at Pathways of Light\, an accredited religious school inspired by A Course in Miracles. Since then\, Maria’s insight\, humor and authenticity have made her a leading international teacher\, with appearances on national TV and online radio. Maria was a presenter at the CMC  A Course in Miracles conferences for the past three years and has recently led talks in Cuba\, Colorado\, Costa Rica and Ibiza. She speaks monthly at Unity Church in Burbank\, where\, aside from her English service\, she created the church’s first regular Spanish service. Her talks now draw both Spanish and English-speakers from all over Southern California. In addition to leading a weekly A Course in Miracles study group in Spanish\, she also leads workshops and seminars inspired by the teachings. Before becoming an ordained minister\, Rev. Maria also created her own bilingual channel in YouTube – MariaCoconutTV – geared toward inspiring and sharing this message of love in all communities. https://www.mariafelipe.org \n \n  \n  \n  \nHere are a few links to Maria’s talks: \nTransformational Talks \nBilingual Talks \n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
URL:https://crsny.org/event/course-miracles-class-visiting-author-maria-felipe/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
ATTACH;FMTTYPE=image/png:https://crsny.org/wp-content/uploads/2017/03/lyh-softcover.png
ORGANIZER;CN="CRS (Center for Remembering & Sharing)":MAILTO:info@crsny.org
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170704
DTEND;VALUE=DATE:20170705
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007040-1499126400-1499212799@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-07-04/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170705
DTEND;VALUE=DATE:20170706
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007041-1499212800-1499299199@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-07-05/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
GEO:40.733158;-73.992729
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11th St 11th Fl New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11th St 11th Fl:geo:-73.992729,40.733158
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170706
DTEND;VALUE=DATE:20170707
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007042-1499299200-1499385599@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-07-06/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
GEO:40.733158;-73.992729
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DTSTART;TZID=America/New_York:20170706T190000
DTEND;TZID=America/New_York:20170706T200000
DTSTAMP:20170526T015016Z
CREATED:20170525T225411Z
LAST-MODIFIED:20170526T015016Z
UID:10007083-1499367600-1499371200@crsny.org
SUMMARY:Medical Qigong Class Series:  Body Mind Form & La Qi
DESCRIPTION:Body Mind Spirit Healing\nBody Mind Form & La Qi \n\nConnect with unlimited life force energy\nTransform tendons and open joints\nImprove body alignment\nOpen energy centers and channels\nOpen the Heart\nImprove extrasensory perception\nHeal chronic disorders\n\nTeacher: Linda Y. Qiu\n M.D. (China) L. Ac. (NY)\nQiu has been practicing Qigong healing for more than 25 years. She was a medical doctor in China before moving to the U.S. in 2001 to teach Chinese medicine and Qigong. She was the director of Integral Studies department in AOMA Graduate School of Integrative Medicine\, and the director of Medical Qigong Practitioner Certi cate Program in New York College of Traditional Chinese Medicine. She also treats patients using Qigong\, acupuncture and herbs. \n\n\n\n\nFee: $160 before May 25th\, $180 on Jun 1st\n$20 drop in for each class \nNo prerequisite \n\n\n\n\n\n\n\nTo register\, contact Linda Y. Qiu:\n646 240 1023 nycemed@gmail.com
URL:https://crsny.org/event/medical-qigong-class-series-body-mind-form-la-qi/2017-07-06/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/05/170601-Qigong-Workshop.jpg
ORGANIZER;CN="NYC Energy Medicine":MAILTO:nycemed@gmail.com
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170707
DTEND;VALUE=DATE:20170708
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007043-1499385600-1499471999@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-07-07/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
GEO:40.733158;-73.992729
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CRS (Center for Remembering & Sharing) 41 E 11th St 11th Fl New York NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=41 E 11th St 11th Fl:geo:-73.992729,40.733158
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170708
DTEND;VALUE=DATE:20170709
DTSTAMP:20170511T225637Z
CREATED:20170427T181541Z
LAST-MODIFIED:20170511T225637Z
UID:10007044-1499472000-1499558399@crsny.org
SUMMARY:Exhibition:  Rhythmic Continuity — Paintings by Deanna Lee
DESCRIPTION:CRS announces an exhibition of paintings by Brooklyn-based artist Deanna Lee. These paintings on view in this show\, her first solo exhibition in three years\, represent two bodies of work\, separated by several years\, which demonstrate her perpetual exploration of patterns derived from and inspired by natural forms and systems. The exhibition will be on view from May 3 – July 12\, 2017. \nArtist Statement \nMy work stems from patterns and traces of growth and decay in the natural world and the built environment. At an early age I saw electron micrographs and lab specimens\, and I am still engrossed by abstracted images of nature. I am invested in the hand-drawn line for its conveyance of individualism\, imperfection\, and fragility\, and I see my use of line as a tenuous analogy to traditional Asian ink painting. In my paintings\, drawings\, and site-specific installations\, I strive to delineate the emotional resonance that I see in forms made by natural forces. \nIn some works\, I draw masses of lines that evoke various influences: organic forms like hair\, muscles\, and fungi; natural systems such as waves and wind currents; geological strata; and topographical maps. In other works\, I use hand-drawn lines to interpret records of physical effects of nature in my immediate surroundings—like a bent window plane\, or the decaying walls in my former studio. My process includes making tracings and rubbings of surfaces like plywood and cracking plaster\, and I think of these marks as the calligraphic and quotidian signatures of the effects of nature. Resulting from impersonal forces\, such as water and gravity\, these marks record the residue of growth\, change\, and decay in ceilings\, walls\, and floors. I consider my works some personal interpretations of the material evidence of time. \nAbout Deanna Lee \nDeanna Lee was born in Carmel\, New York\, to parents who emigrated from China and Taiwan\, and she was raised in suburban Boston. After many years of classical music training on several instruments\, she received degrees in art from Oberlin College and the School of the Art Institute of Chicago\, and she studied at the Rome campus of the Tyler School of Art. \nShe has had solo exhibitions at Robert Henry Contemporary\, Wave Hill\, and PS122 in New York City; Earlville Opera House\, New York; and Artemisia Gallery\, Chicago. Her work has appeared in group shows at numerous venues\, including: The Drawing Center\, Abrons Art Center\, NURTUREart\, Trestle Projects\, Pace University\, and Schema Projects in New York City; Aron Packer Gallery\, Hyde Park Art Center\, and Jan Cicero Gallery in Chicago; SPACES in Cleveland; Maloney Gallery\, Morristown\, New Jersey; and George Mason University\, Fairfax\, Virginia. \nDeanna’s public art works include a 700-foot-long mural on bicycle path barriers in Flushing\, Queens\, commissioned by the NYC Department of Transportation; a custom design for tree guards in the Fort Greene and Clinton Hill neighborhoods of Brooklyn; and a site-specific drawing installation for a storefront window in Bay Ridge\, Brooklyn. \nShe has received a Pollock-Krasner Foundation grant\, a travel grant from the Asia Society in New York\, the BRIC Media Fellowship in Brooklyn\, the Manhattan Graphics Center Scholarship\, the Linda Kramer Fellowship in Chicago\, and two grants from the Chicago Department of Cultural Affairs. She was a 2010 recipient of a Abbey Mural Fellowship from the National Academy. In 2004\, she was an artist-in-residence at the Millay Colony for the Arts\, and she was a 2012 artist-in-residence at Saltonstall Foundation for the Arts. In August 2017\, she will be an artist-in-residence at Kingsbrae Gardens in New Brunswick\, Canada. \nDeanna lives and works in Brooklyn\, New York. \nhttp://www.deannaclee.net/
URL:https://crsny.org/event/exhibition-rhythmic-continuity-paintings-deanna-lee/2017-07-08/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/04/Deanna_Lee_Waterfolly.jpg
GEO:40.733158;-73.992729
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