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DTSTART;VALUE=DATE:20170914
DTEND;VALUE=DATE:20171201
DTSTAMP:20260404T073006
CREATED:20170909T043822Z
LAST-MODIFIED:20170920T011219Z
UID:27881-1505347200-1512086399@crsny.org
SUMMARY:Exhibition:  The Mortal Apparatus — Photographs of Flowers & Cityscapes by Chris Fiore
DESCRIPTION:CRS presents The Mortal Apparatus\, an exhibition of photographs of fading flowers and cityscapes by Chris Fiore. A mix of color and b&w\, the photographs are all clearly digitally manipulated and highlight the artificiality and intentionality of the photographic act. The images call attention to the often overlooked beauty that can be found in decaying objects\, natural and man-made\, suggesting how our minds look for signs of the eternal in the ephemeral and create new layers of meaning. Ultimately\, these works invite us to consider how our thoughts touch and re-make everything we look upon. \nThe exhibition opens on September 14\, 2017 and will remain on view until November 30\, 2017. An Opening Reception with the artist will take place on Friday\, September 22\, 2017 from 6:30 – 8:30 pm. \nIn conjunction with the exhibition\, two free evenings of screenings of film/video work by the artist will take place on October 13 (“Goodman” and “The Red Umbrella Diaries”) and on November 10 (world premiere of “The Ken Stones:  Miami” and A(DE)SCENT”) from 7:30 – 10 pm. Seating for these screenings is limited and available on a first come\, first serve basis. \nArtist’s Exhibition Statement: \nFrom time immemorial the nature of what we value most has been defined in human terms; our families\, our villages\, our rulers\, our religions\, have defined us in ways intrinsic to our nature as people\, as father\, mother\, sister\, brother\, friend\, and neighbor\, etc. We lived in a world of barter and local currencies defined by our communities and shared needs. \nThen the industrial revolution introduced a new set of values as we had an entirely new thing to measure ourselves against: the ubiquitous machine. Mechanical things that could weave\, move\, and manufacture faster than any human began to shape the lives of millions of people who moved from farms and villages to the cities (massive machines themselves) in search of factory work. This shaping of our lives by technology and factory work has since enveloped the world and affects every aspect of our lives. \nWilling or not\, we are supplicants to the mechanical and the cybernetic. From the moment our parents sat us down in front of a screen\, be it a television\, tablet\, or phone\, automation has literally shaped our minds\, our perception of reality\, and in turn\, what we value. We are no longer strictly human and the velocity of our technologies make us less so every day. In short\, we are already cyborgs. \nArtist Statement \nThe camera is my favorite machine. To me\, the camera has transcended its nature as a mechanical device and has become something verging on a magic instrument. Capable of capturing the fleeting and the ephemeral\, of freezing light and stopping time\, of making the intimate public\, of telling profound truths and fascinating lies\, of imbuing meaning into the mundane and transforming the precious into the mechanical\, the camera is a collective third eye that has shaped the perceptions of a species. \nArtist Profile: \nFilmmaker\, writer\, and artist Chris Fiore\, born 1959 in Norfolk\, Virginia\, received his BFA from Antioch College in 1984. In the late 80’s he was one of the founders of the Zone\, a artist collective occupying an abandoned warehouse at 104 South 4th St\, in Williamsburg\, Brooklyn. Fiore showed at the East Village’s KOAP gallery in the early 90’s and in 1995 directed the underground documentary Trip and Go Naked\, winner of the Excellence in Sexual Theater award at Arlene’s Grocery Picture Show. He went on to direct the feature documentary Backstage for Miramax\, a behind the scenes look at Jay Z’s Hard Knock Life Tour. The film had a profitable run in theaters and is still occasionally in rotation on the Showtime network 17 years after it was made. Fiore has also directed documentaries on the making of the Victoria’s Secret Christmas Catalog\, the band Paramore\, as well as two prime time specials for Fox Television. His most recent documentary\, Goodwoman\, tells the story of Debra Goodman\, an activist brutally arrested for filming the NYPD. Featured in several film festivals\, Goodwoman won the Grand Jury Award at the 2016 LA Film Invasion film festival. He’s currently directing a documentary and web series on artist Ken Hiratsuka. \nFiore’s first feature film script\, The Utopia Virus\, finished in the top ten of the 2005 Final Draft Big Break screenwriting contest. He also wrote the Wassup Obama ad\, described by Salon.com as one of the most creative of the 2008 presidential campaign and winner of a Cannes Lion. He’s currently working on a series of film treatments for a Beijing based production company. \nFiore’s film work has directly influenced his art over the years\, in his use of appropriated imagery\, presentation of sequential images\, and in the cinematically dynamic composition of his mosaic photography. Fiore is represented by the Ethan Pettit Gallery. \nWebsites: \nchrisfiore.nyc\ngoodwomanmovie.com\nthekenstones.com\nabillionbeautifuldays.com \nArt Resume \nEducation: \nBachelor of Fine Arts\, Antioch College\, Yellow Springs\, Ohio\, 1984. \nOne Person Show \n1991 Space Case Gallery\, P.S. 122: NYC \nGuest Artist: \n2017 Nobuko Tsuruta\, 12 Years\, Tenri Gallery\, NYC \nGroup Shows : \n2015 Spring Salon\, Ethan Pettit Gallery\, Brooklyn \n2015 Morphopolis\, Ethan Pettit Gallery\, Brooklyn \n2007 Sun Pictures to Megapixels\, WAH Art Center\, Brooklyn \n2004 Projekt30 : Juried online group show \n1999 triad: an observation of artist/friendship triangles\, Vibrant Gallery\, NYC \n1999 CG ART\, KOAP Gallery\, NYC \n1997 Trip\, Gallery T.Y.K-Two\, Tokyo\, Japan \n1997 Future in 3D\, KOAP Gallery\, NYC \n1996 Cupid\, KOAP Gallery\, NYC \n1995 Blood in the Heart\, KOAP Gallery\, NYC \n1990 Possible Photography\, Ward Nasse Gallery\, NYC \n1990 Epoche Sex Salon\, Epoche Gallery\, Williamsburg\, Brooklyn \n1989 The Gridlock Exhibit\, Minor Injury Gallery\, Williamsburg\, Brooklyn \n1988 CyberFunk\, The Zone\, Williamsburg\, Brooklyn \n1987 The Zone Show\, The Zone\, Williamsburg\, Brooklyn
URL:https://crsny.org/event/exhibition-mortal-apparatus-photographs-flowers-cityscapes-chris-fiore/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171015T133000
DTEND;TZID=America/New_York:20171015T163000
DTSTAMP:20260404T073006
CREATED:20170905T212739Z
LAST-MODIFIED:20170916T194530Z
UID:27753-1508074200-1508085000@crsny.org
SUMMARY:Miracles in Manhattan with Jon Mundy\, Ph.D.
DESCRIPTION:On October 15\, Jon and Dov Fishman will be presenting together on the topic: “The Guiltless Son of God”\nIf you are to retain guilt\, as the ego insists\,  “you cannot be you.” — T-13.II.1:3 \nOn November 12\, Jon will begin covering the Course supplementary booklet on Psychotherapy. \n~ $20 per person with advanced registration ~\n~ $25 per person at the door without a registration ~\nAs long as space is available\, “No one is ever turned away.” Contribute what you can. \nCall 845-496-9089 or email Eileen@Miraclesmagazine.org to register in advance.\nYour name will be on a list at the door. To pay by credit\, card please register in advance. Or\, you can pay with cash or a check at the door. \nAlthough we would\, of course\, prefer to share with you in class\, Miracles in Manhattan classes are now also being offered via life-streaming for those who cannot attend the class in-person. The day of the class\, go to our YouTube Channel:\nhttps://www.youtube.com/channel/UCwxH3nWSMFDGA1SiR9kAbeg\nand choose the live-streaming button \nYou will receive a monthly email reminder with the latest information on the date\, time and topic. The schedule can always be found on our website:\nwww.miraclesmagazine.org \nDr. Jon Mundy met Dr. Helen Schucman\, the scribe for A Course in Miracles\, in 1973. Helen introduced Jon to the Course and served as his mentor and guide till she became ill in 1980. He is the author of Living A Course in Miracles. After Return to Love by Marianne Williamson\, it is currently the best-selling book based on the teaching of A Course in Miracles.
URL:https://crsny.org/event/miracles-manhattan-jon-mundy-ph-d-11/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,Guest Event,Miracles in Manhattan
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171015T180000
DTEND;TZID=America/New_York:20171015T200000
DTSTAMP:20260404T073006
CREATED:20170929T223825Z
LAST-MODIFIED:20170929T223825Z
UID:27956-1508090400-1508097600@crsny.org
SUMMARY:Fall into Music: Music & Meditation Workshop
DESCRIPTION:Autumn can be a powerful season of self reflection. As the leaves change we begin to welcome change and growth within ourselves as well. As the days and nights become the same length\, we seek to restore balance in our own lives. As we let go of summer and begin to accept the inevitability of winter we may also choose to let go of our own insecurities in favor of self- acceptance. It is with a nonjudgmental and mindful attitude that we are able to embrace the changing of the leaves and the season and allow a change in ourselves as well. \nVoices in Flow’s Meditation and Music Workshop explores a unique format designed for all people who share a love for music. Through simple and fun exercises\, we guide you to explore your voice and discover creative expression through music\, sound\, and improvisation. We combine mindful meditation practices which allow you to embrace a nonjudgmental state of mind\, which allows for self-reflection as well as creative expression. \nPumpkin Spice Lattes & leggings optional.
URL:https://crsny.org/event/fall-music-music-meditation-workshop/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171021T193000
DTEND;TZID=America/New_York:20171021T210000
DTSTAMP:20260404T073006
CREATED:20171011T192419Z
LAST-MODIFIED:20171013T233304Z
UID:27991-1508614200-1508619600@crsny.org
SUMMARY:Action Theater Improv Performance
DESCRIPTION:CRS presents an evening of Action Theater Improvisation by former CRS teachers and longtime performance collaborators Heather Harpham and Cassie Tunick. Their improvisations play in a highly physical realm and incorporate vocalization and speech to conjure surreal yet utterly immediate worlds. Evoking humor and pathos\, Harpham and Tunick masterfully explore human experience through relationship and metaphoric image. \nThe performance will take place on Saturday\, October 21\, 2017 at 7:30 pm in the CRS Studio. Tickets are $20 and are available online\, by phone (212-677-8621) and at CRS. There will be no late seating at this performance. \nAction Theater is a training system in physical theater improvisation that builds vocal\, verbal\, and physical performance skills\, hones awareness and increases expressive range. Created by Ruth Zaporah\, Action Theater uses embodied presence as a doorway into the agility of a vast imagination\, the inhabiting of mercurial energies\, and a way of relaxing into the active nature of time and change with eloquence\, precision\, and passion.  http://www.actiontheater.com. \nHeather Harpham has written six solo plays\, including Happiness and BURNING which toured nationally. Her fiction\, essays and reviews have appeared in Slate\, Parents\, MORE Magazine and Water~Stone Review. Harpham is the recipient of the Brenda Ueland Prose Prize\, a Marin Arts Council Independent Artist Grant and a grant from the Barbara Deming Memorial Fund for Women. She has taught as a guest artist in physical theater and solo performance in colleges and universities throughout the US and currently teaches at SUNY Purchase. In August of 2017\, Holt released her memoir\, Happiness. It has been Heather’s joy to improvise with Cassie since they were ten. http://heatherharpham.com \nCassie Tunick is a performer\, writer\, and teacher. Her physical theater works have played on stages across the U.S. and abroad. She is a Senior Teacher of Action Theater\, co-founder of the company Second Nature (with Danny Tunick and Heather Harpham)\, and currently teaches at Emerson College. Collaborations: film work with David Finkelstein (Suggestive Gestures); experimental music and performance with Keren Rosenbaum; and dance theater works with Abby Bender.  An ongoing fascination with the nature of being continues within the daily body as a vehicle for the mind and imagination to express itself visibly. http://www.cassieterman.com \nDanny Tunick is a veteran of an array of musical scenes in New York City and beyond. From many varieties of rock (Jowe Head\, Dan Kaufman’s Euro-literary-underground band Barbez\, Rebecca Moore’s Prevention of Blindness\, New Zealand cult legends The Clean) to classical (he has conducted music by Pierre Boulez\, Charles Wuorinen\, and Sam Hillmer\, among others\, and performed in countless premieres as percussionist)\, to music falling between any convenient category (Alvin Lucier\, Arnold Dreyblatt’s Orchestra of Excited Strings\, Elliott Sharp’s Orchestra Carbon\, Christian Dautreme’s indescribable Sugarlife\, the pagan Civil War rituals of Flaming Fire\, David First’s The Western Enisphere). He has worked closely with many dance/theater companies\, including Juliette Mapp\, Armitage Gone! Dance\, John Jesurun and Rinde Eckert. His performances can be heard on over 30 record labels.
URL:https://crsny.org/event/action-theater-improv-performance/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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