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SUMMARY:Free Program: Remembering Executive Order 9066 and America’s WWII Era Concentration Camps
DESCRIPTION:On February 19\, 2018 at 7:30 pm CRS (Center for Remembering & Sharing) invites you to join us for a free program on the Day of Remembrance to reflect on the 76th anniversary of the signing by President Franklin D. Roosevelt of Executive Order 9066\, which authorized the Secretary of War to prescribe certain areas as military zones\, clearing the way for the mass forced incarceration of Japanese Americans in U.S. concentration camps. The program will include presentations by MoustacheCat Dance\, internment camp photographer and NY Day of Remembrance Committee member Stan Honda\, and Megumi Eda of Yoshiko Chuma and The school of Hard Knocks [SOHK]. Additional speakers may be added. \n2018 is also the 30th anniversary of the signing of the Civil Liberties Act of 1988\, the legislation that provided a formal apology from the US government and monetary reparations to survivors of the forced evacuation and mass incarceration of Japanese Americans during World War II. \nMoustacheCat Dance will present a short excerpt of its work-in-progress “Freedom isn’t Free\,” an evening length work choreographed by Kaoru Ikeda that explores the biased reactions that resulted in the interning of tens of thousands of American residents and citizens during World War II. The work also reflects on current biased reactions to people of various races\, religions\, and ethnicities in the United States. The excerpt that we will see expresses Japanese Americans’ struggle to resist anti-Japanese American agitation and laws that called for their imprisonment. \nStan Honda will present images from a new book\, Moving Walls: The Barracks of America’s Concentration Camps (available for order from the Japanese American National Museum in Los Angeles) that was done in collaboration with author Sharon Yamato and will preview the New York Day of Remembrance Committees’ Feb. 24 program. \nhttps://www.facebook.com/events/187023051880314/ \nYoshiko Chuma and The school of Hard Knocks will show about 15 minutes of video consisting of several sequences created by Megumi Eda using footage from her time with SOHK and additional recent documentation of SOHK work in Las Vegas related to the National Atomic Testing Musuem. Following tonight’s screening\, Eda will share her experiences making this work. \nMoustacheCat Dance has been working on “Freedom isn’t Free” since 2014. The work originated as a short solo dedicated to Japanese Americans who were sent to the camps. Currently\, the company is in the process expanded it into an evening-length group piece to inspire audiences\, through dance\, to think about how we can make this world a better place together. The full work will premiere May 10 – 12\, 2018 at University Settlement in NYC. \n \nYoshiko Chuma and the School of Hard Knocks in NYC has continued seeking and creating visible and invisible performances for more than 40 years. You may check out their history on The School of Hard Knocks web site. Dancer/choreographer/filmmaker Megumi Eda\, a new core member of The School of Hard Knocks since 2014\, has been filming much of the company’s work and editing the footage into unique creations. \n \nSTAN HONDA is a New York-based photographer and worked as a photojournalist for 34 years\, most recently for Agence France-Presse (AFP)\, the French news agency. He covered a wide range of topics including news events\, politics\, economics\, sports and human interest stories. Photographing the space shuttle program for five years was a highlight of his time at AFP since he has been following the space program since childhood. Personal projects include documenting the U.S. concentration camps where Japanese Americans were incarcerated during World War II\, his parents and relatives among those held. Photos of the sites and survivors can be seen in the Internment Camp section of his web site. A continuing project involves night sky landscapes\, combining his long time interest in astronomy and photography. He has worked as an artist-in-residence at five national parks: the Grand Canyon\, Petrified Forest\, Wupatki in Arizona\, Rocky Mountain in Colorado and Chaco Culture National Historical Park in New Mexico\, photographing the sky and the landscape with the aim of helping preserve our view of the night sky. Photography of Chaco Culture and Wuptaki helped both parks being designated as International Dark Sky Parks. He manages to photograph celestial events even from New York City. http://www.stanhonda.com \nKAORU IKEDA\, dancer\, choreographer and founder of MoustacheCat Dance\, is originally from Osaka\, Japan where she had Classic Ballet Training at Homura Tomoi Ballet Company School and became one of the selected student members to perform in the Japanese premier of “La Bayadçre” and in other productions with the ballet company. After she had a long break from dance\, during which time she played percussion and won a gold prize in percussion ensemble\, she decided to go back and dedicate her life to dance. Ms. Ikeda graduated from Nihon University with a BA in Dance. While living in Tokyo\, Japan\, she had the honor to work with important Japanese dance choreographers. She earned an MFA in Dance at New York University\, Tisch School of the Arts\, where her major performances included Bill T. Jones/Arnie Zane’s “Continuous Replay.” Ms. Ikeda has trained\, performed\, and choreographed work that has been described as “perfectly realized dance” (offoffoffdance\, 2005) and “moving poetry” (Eyes on Arts\, 2012)\, and she has taught dance ranging from classical ballet to Butoh to modern dance. Her work has taken her to the US\, Japan\, South Korea\, and Mexico. As a dancer\, Ms. Ikeda has worked with LIFEDANCE/Gloria McLean and Dancers\, Jeramy Zimeramen/CatScratch Theatre\, Laura Shapiro/quicksilverdance\, Aviva Geismar/Drastic Action\, and Natsu Nakajima/Mutekisya. In 2015\, Ms. Ikeda founded a dance company “MoustacheCat Dance” to present her voice and fight against prejudice through dance. \nMOUSTACHECAT DANCE was founded by Kaoru Ikeda in 2015 to fight against prejudice through dance. In early 2015\, the 70th anniversary of the end of World War Ⅱ\, Ms. Ikeda started working on a project based on the history of Japanese American Internment Camps during the war\, to dedicate to Japanese Americans who were sent to the camps. However\, the more she researched\, she faced the reality that there are so many types of prejudice all over the word. It could come from one’s skin color\, religion\, culture\, and belief. There is a tendency to make a judgment about people based on difference without knowing anything about the other. This generates prejudice. In order not to make the same mistakes over and over\, Ms. Ikeda realized that we must learn from history and respect each other so that we can make a better future. MoustacheCat Dance has a very wide range of projects. It is inspired by local and global situation and historical events that demonstrate immorality and injustice. MoustacheCat Dance wants to invite the audience to think about the kind of world we are living in\, and how\, together\, we can make this world a better place. From Ms. Ikeda’s experiences dancing internationally\, she has concluded that dance can cross the barrier of cultures. MoustacheCat Dance’s projects present as her voice to reach people beyond any differences\, to cross the borders and fight against prejudice through dance. http://moustachecatdance.org \nYOSHIKO CHUMA (conceptual artist/choreographer/artistic director of The School of Hard Knocks) has been a firebrand of New York’s downtown dance scene since arriving in 1978. She has created more than 60 full-length company works\, commissions and site-specific events for venues in 35 countries\, constantly challenging the notion of performing for both audience and participant. Her work has been presented in such diverse venues as Joyce Theater\, the Eiffel Tower\, Newcastle Swing Bridge\, City Center\, Lincoln Center\, the former National Theater of Sarajevo\, the perimeter of the Hong Kong harbor\, and an ancient ruin in Macedonia\, and in Jordan\, among others. She has received fellowships and awards for choreography and career work from John Simon Guggenheim Foundation\, NEA\, New York Foundation for Artists\, Japan Foundation\, Meet the Composer Choreographer/Composer Commission and Philip Morris New Works. Chuma has led workshops and master classes and been commissioned to create new work in East and West Europe\, Asia\, Russia and the U.S. She received a 1984 BESSIE award for choreography and four more Bessies were awarded to her productions in 1992 and 1998. In 2007 she received a Bessie for Sustained Achievement. Chuma was Artistic Director of the Daghdha Dance Company in Limerick\, Ireland from 2000-03 and continues to work in Ireland as a guest teacher/choreographer in the Dance MA program of the Irish World Academy of Music and Dance. http://www.yoshikochuma.org \nMEGUMI EDA born in Nagano\, Japan\, Megumi had her professional debut with the Matsuyama Ballet Company at age 14 in Tokyo where she appeared in many of the ballet classics in repertoire. She appeared successfully in the Prix de Lausanne Competition in 1991 and was invited to join the Hamburg Ballet School\, where soon after she joined the company working with Mats Ek and choreographer/director John Neumeier. She spent 15 years in Europe (Dutch National Ballet in Amsterdam\, Rambert Dance Company in London etc..)\, worked and toured all over the world constantly with these companies and participated in the creation of 30-40 new works with various artist/ collaborators including Christopher Bruce\, Jiri Kylian\, Lindsey Kemp\, William Forsythe\, Hans van Manen\, David Dawson\, and Redha. A decade ago she moved to NY to joined Armitage Gone! Dance. In 2004 she received a Bessie Award for her performance in the company’s inaugural piece and has continued a close collaboration with Karole Armitage to this day. Now\, as a freelance artist\, she has begun to incorporate other art forms including sculpture\, video and graphics into her installations and performances. She has been working/collaborating with Yoshiko Chuma since 2014 as a Dancer and filmmaker. www.megumieda.com \nTHE SCHOOL OF HARD KNOCKS (Founded in 1984) is an award-winning collaborative effort of choreographers\, dancers\, actors\, singers\, musicians\, designers\, and visual artists working under the artistic direction of Yoshiko Chuma. The School of Hard Knocks\, which takes its name from the American idiom meaning to learn things the hard way\, was the title of the company’s first production\, a collaboration between Yoshiko Chuma\, Jacob Burckhardt (filmmaker) and Alvin Curran (musician) presented at the 1980 Venice Biennale. Over the course of the company’s history\, more than 1\,000 people have performed under Chuma’s direction in situations ranging from theatrical dance concerts to street performances\, parades\, large-scale spectacles and intimate Living Room Projects\, Chuma’s signature program which brings post modern music and dance performance to homes\, businesses and community centers. Living Room Projects have been performed in homes in Budapest\, a car show room in Nagoya\, and gardens in the East Village of New York City. Since its foundation in 1984\, the company has created and performed original works in the U.S.\, Europe and in Asia and has welcomed over 1\,000 performers to participate in theatrical dance concerts\, street performances\, parades\, and large-scale spectacles. \nThe School of Hard Knocks has created and performed original works in their annual New York season\, and on tour in the United States\, Asia\, and Europe\, with a particular focus on Eastern European countries\, including Slovakia\, Bulgaria\, Romania\, Czech Republic\, Poland\, Hungary\, the Baltic Republics\, and Bosnia. In the last five years\, The School of Hard Knocks has made a commitment to offering young dancers from Japan international exposure and opportunity. \nMore on the Internment from wikipedia.com: \nAs a result of the Order\, “approximately 120\,000 men\, women\, and children of Japanese ancestry were evicted from the West Coast of the United States and held in American concentration camps and other confinement sites across the country.” \n“In early 1941\, President Roosevelt secretly commissioned a study to assess the possibility that Japanese Americans would pose a threat to U.S. security. The report\, submitted exactly one month before Pearl Harbor was bombed\, found that\, “There will be no armed uprising of Japanese” in the United States. “For the most part\,” the Munson Report said\, “the local Japanese are loyal to the United States or\, at worst\, hope that by remaining quiet they can avoid concentration camps or irresponsible mobs.” A second investigation started in 1940\, written by Naval Intelligence officer Kenneth Ringle and submitted in January 1942\, likewise found no evidence of fifth column activity and urged against mass incarceration. Both were ignored. \n“Over two-thirds of the people of Japanese ethnicity were incarcerated—almost 70\,000—were American citizens. Many of the rest had lived in the country between 20 and 40 years. Most Japanese Americans\, particularly the first generation born in the United States (the nisei)\, considered themselves loyal to the United States of America. No Japanese American citizen or Japanese national residing in the United States was ever found guilty of sabotage or espionage.” \n 
URL:https://crsny.org/event/free-program-day-remembrance-wwii-internment-camps/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;VALUE=DATE:20180222
DTEND;VALUE=DATE:20180226
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SUMMARY:CMC's ACIM Conference 2018 in San Francisco
DESCRIPTION:Love Makes No Exceptions \nCRS Founder Yasuko Kasaki will once again be presenting at the Community Miracles Centers’ next A Course in Miracles Conference\, scheduled to take place February 23 – 25\, 2018 in San Francisco\, CA and featuring 29 presenters. More than 30 Course students of Yasuko’s have attended each of the past two years\, and we’d love to have you with us this time! \n“Love is incapable of any exceptions. … Fear does not gladden. Healing does. Fear always makes exceptions. Healing never does.” (OrEd.Tx.7.45) \nThe 2018 Conference will be held at the Golden Gateway Holiday Inn in San Francisco\, CA. The hotel was recently remodeled and is said to be lovely. The conference has negotiated a rate of $175\, a great value for SF! \n\n\n\nRudy Colombini Music Guest\n& The Unauthorized Rolling Stones\nwww.theunauthorizedrollingstones.us   \n\n\nRev. Roxie Benson\n-0-\nwww.reverendroxie.com \n\n\nAlan Cohen\n-0-\nwww.alancohen.com \n\n\n\n\nDavidPaul Doyle\n& Candace Doyle\nThe Voice for Love\nwww.thevoiceforlove.com \n\n\nRev. Maria Felipe\n-0-\nwww.mariafelipe.org \n\n\nDavid Fishman\n& Lyn Johnson\nACIM Gather\nwww.acimgather.com \n\n\n\n\nBill Free\n& Lisa Natoli\nTeachers of God Foundation\nwww.teachersofgod.org \n\n\nChris Green\n& Rev. Reja-Joy Green\nCourse In Miracles Society\nwww.jcim.net \n\n\nJennifer Hadley\n-o-\nwww.jenniferhadley.com \n\n\n\n\nDavid Hoffmeister\n-0-\nwww.davidhoffmeister.com \n\n\nRev. Myron Jones\n& Rev. Larry Glenz\nPathways of Light\nwww.pathwaysoflight.org \n\n\nYasuko Kasaki\nCenter for Remembering and Sharing\nwww.crsny.org \n\n\n\n\nMaureen Muldoon\n-o-\nwww.maureenmuldoon.com \n\n\nJon Mundy PhD.\nMiracles Magazine\nwww.miraclesmagazine.org \n\n\nMari Perron\nA Course Of Love\nwww.acourseoflove.com \n\n\n\n\nRev. Tony Ponticello\nCommunity Miracles Center\nwww.miracles-course.org \n\n\nEarl “Raj” Purdy\n-o-\nwww.earlpurdy.com \n\n\nRobert Rosenthal\n& Tamara Morgan\nFoundation for Inner Peace\nwww.acim.org \n\n\n\n\nJames Twyman\nPeace Troubadour\nwww.jamestwyman.com \n\n\nCraig Villarrubia\n& Corinne Zupko \nMiracle Share International\nwww.miracleshare.org \n\n\nRobert White\n& Mary Lenihan\nPause for Inspiration\nwww.pauseforinspiration.org \n\n\n\nTickets for the conference are currently $599. and are available online and by phone (415-621-2556). Please say that you were inspired to enroll by Yasuko Kasaki! \n\nThe current price is $549 and payments can be arranged upon request.\nAfter December 31\, 2017 the price will be $599\nAfter February 15\, 2018 tickets must be purchased for the “at the door price” of $649\n \nClick below to enroll YOURSELF now!\nhttp://bit.ly/2018_register_yourself \nClick below to enroll a FRIEND now!\nhttp://bit.ly/2018_register_a_friend
URL:https://crsny.org/event/cmcs-acim-conference-2018-san-francisco/
LOCATION:Tokyo
CATEGORIES:ACIM-Related Event,Guest Event
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DTSTART;TZID=America/New_York:20180223T190000
DTEND;TZID=America/New_York:20180223T203000
DTSTAMP:20260409T001232
CREATED:20180127T021648Z
LAST-MODIFIED:20180127T021954Z
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SUMMARY:A Talk on Dreams
DESCRIPTION:Embodying a dream life. \nAn approach towards working with dreams \nIn this talk\, international speaker and dream worker Machiel Klerk will explore a shamanic approach towards working with dreams. In this approach to dream work\, you will learn to get in touch with your own genius\, or guiding spirit. You will learn some practical tips on how to build and nurture a living relationship with your genius and to embody this genius in your day to day life. This will potentially lead to a more meaningful and fulfilling life. This approach to dream work has roots in Jung’s Red Book journey. \nCOST:\n$10 online and $15 at the door.\nSign up – purchase here below with the cart or sign up here: https://embodyingdreams.brownpapertickets.com \nMichael will also be giving a Saturday Morning Workshop on Feb 24\, 2018 from 9 am – 12 pm at CRS. In this three-hour workshop you will deepen your knowledge and experience of dream work. If you want you can bring in your own dreams. You will learn some techniques for working with your dreams. This will be fun\, soulful and practical.\nCOST:\n$45 online and $50 at the door\nSign up here: https://embodyingdreams.brownpapertickets.com \nPurchase both Friday evening and Saturday workshop for $50. https://embodyingdreams.brownpapertickets.com \nMachiel will also do individual dream work and divinations while in NYC (Feb 16-26). To schedule a session visit www.machielklerk.com or contact machiel@machielklerk.com \nAbout the Speaker  \nMachiel Klerk is a licensed mental health therapist\, dream worker\, international speaker\, gifted diviner and social entrepreneur. He followed a course at the Jung Institute in Zurich\, Switzerland\, and has a Master’s degree from Pacifica Graduate Institute in Santa Barbara\, California USA. He has finished an additional three year training in Embodied Imagination (dreamwork) by Robert Bosnak. Machiel has published articles on depth psychology and released a CD on dreams. He was mentioned one of the 100 most influential cultural figures in Utah. He gives workshops and lectures in Europe\, North America and Africa. Machiel is also the founding president of the Jung Society of Utah and of the premier online educational depth psychology organization Jung Platform. \nPlease visit www.jungplatform.com for more information. \n 
URL:https://crsny.org/event/a-talk-on-dreams/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180224T090000
DTEND;TZID=America/New_York:20180224T120000
DTSTAMP:20260409T001232
CREATED:20180127T021919Z
LAST-MODIFIED:20180127T022238Z
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SUMMARY:Embodying a Dream Life Workshop
DESCRIPTION:Embodying a dream life. \nAn approach towards working with dreams \nIn this three-hour workshop you will deepen your knowledge and experience of dream work. If you want you can bring in your own dreams. You will learn some techniques for working with your dreams. This will be fun\, soulful and practical.\nCOST:\n$45 online and $50 at the door\nSign up here: https://embodyingdreams.brownpapertickets.com \nMichael will also be giving a short evening talk on Feb 23\, 2018. In this talk\, international speaker and dream worker Machiel Klerk will explore a shamanic approach towards working with dreams. In this approach to dream work\, you will learn to get in touch with your own genius\, or guiding spirit. You will learn some practical tips on how to build and nurture a living relationship with your genius and to embody this genius in your day to day life. This will potentially lead to a more meaningful and fulfilling life. This approach to dream work has roots in Jung’s Red Book journey. \nCOST:\n$10 online and $15 at the door.\nSign up – purchase here below with the cart or sign up here: https://embodyingdreams.brownpapertickets.com \nPurchase both Friday evening and Saturday workshop for $50. https://embodyingdreams.brownpapertickets.com \nMachiel will also do individual dream work and divinations while in NYC (Feb 16-26). To schedule a session visit www.machielklerk.com or contact machiel@machielklerk.com \nAbout the Speaker  \nMachiel Klerk is a licensed mental health therapist\, dream worker\, international speaker\, gifted diviner and social entrepreneur. He followed a course at the Jung Institute in Zurich\, Switzerland\, and has a Master’s degree from Pacifica Graduate Institute in Santa Barbara\, California USA. He has finished an additional three year training in Embodied Imagination (dreamwork) by Robert Bosnak. Machiel has published articles on depth psychology and released a CD on dreams. He was mentioned one of the 100 most influential cultural figures in Utah. He gives workshops and lectures in Europe\, North America and Africa. Machiel is also the founding president of the Jung Society of Utah and of the premier online educational depth psychology organization Jung Platform. \nPlease visit www.jungplatform.com for more information. \n 
URL:https://crsny.org/event/a-talk-on-dreams-2/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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DTEND;TZID=America/New_York:20180224T173000
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LAST-MODIFIED:20180111T231043Z
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SUMMARY:The Heart of the Healing Drum & Medicine Sounds
DESCRIPTION:Please bring your drum\, rattle and ocarina if you own one.\nSome will be provided for class use. \nOpen yourself up to a deep level of bonding & unfold the medicine between you and your drum and the sounds of healing. Begin with an the initiation of your drum into the healing world of Indigenous Medicine. Medicine people connect to their drums in a deeper level\, and they are healing tools and connecting with the waves of our voice they intertwining with the voice of the drum. \nIn this workshop we will play with the rattle and ocarina. Learning to play different sounds\, rhythms accompanied with overtones. Learn how voice also carries itself through the drum & rattle. Experience how vibration can move through the bodies energy fields\, how blockages are removed and how we can restore\, align\, and awaken the 5 bodies. We have a tool that can extract energies no longer needed in the body and bring more fluidity to our blood and DNA. \nInspirations to take with you: \n* Initiation of your Healing Drum\n* Different ways to play the drum and other instruments\n* Rhythms of enchantment\, experimenting with different rhythms for use of medicine journey & healing\n* Use of toning and vocal harmonizing incorporating the drums heartbeat\n* Power songs\, chants & overtones\n* Finding the intervals of sound-wave & silence\n* Playing with Call backs within a drum circle\n* Working with the DNA system within the body\n*Alignment and clearing the chakras\n* Using the drum as an extraction tool to remove energy blockages \nAs Medicine people our greatest connection is the one with our drum\, rattle\, ocarina and our voice used through power songs. \nCost: $150\nTo Register: Contact Irma at starspiritwoman@gmail.com \n\n\n\nTESTIMONIALS:\n\n\n\n\n\n\n“I have deep gratitude that I was able to bond with my medicine drum under Irma StarSpirit Woman’s guidance. It was a delicious experience to bless and feed the spirit of my drum\, and learn how to connect in rhythm with it. I found I took to the drum quite easily\, and the light singing I began to channel became easy for me. I also found that I loved to move with my drum. I am so excited to bond with it\, and am looking forward to deepening my connection with it in service to Mother Gaia. It was really fun to learn different rhythms and melodies\, and to use my voice. It was a very visceral experience. Thank you\, Irma!” ~M.A.~ \n“Within a beautiful circle\, guided by Irma Star Spirit\, I learned to drum\, not with my hands but with my heart and all of my being!  Irma’s love of teaching from her heart and her wisdom had me and group drumming in divine harmony – singing and dancing\, releasing light and love – healing ourselves and each other. Her drum workshop is a path to fully immersing one’s self into the Cosmic essence that flows within all and each of us.”–U.D.M.
URL:https://crsny.org/event/heart-healing-drum-medicine-sounds/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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