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DTSTART;TZID=America/New_York:20191208T133000
DTEND;TZID=America/New_York:20191208T160000
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SUMMARY:Miracles in Manhattan with Dr. Jon Mundy:  Remembering God
DESCRIPTION:CRS presents Miracles in Manhattan\, lectures on the teachings of A Course in Miracles (ACIM) and related texts and topics by Jon Mundy\, Ph.D. and occasional guest lecturers\, hosted by CRS Founder Yasuko Kasaki. \nThe December lecture topic is Remembering God. \n“The miracles is the only device at our immediate disposal for controlling time. Only revelation transcends it\, having nothing to do with time at all.”\n— ACIM T-1.i Miracle Principle 48 \n~ $25 per person with advanced purchase online\, by phone (212-677-8621) or at CRS until the day before the lecture~\n~ $30 per person at the door ~\nAs long as space is available\, “No one is ever turned away who cannot pay.” Contribute what you can. \nThe lectures are usual held on the 2nd Sunday of the month (but are sometimes re-scheduled to avoid holidays). \nAlthough we would\, of course\, prefer to share with you in class\, Miracles in Manhattan classes are now also being offered via life-streaming (technology allowing) for those who cannot attend the class in-person. The day of the class\, go to our YouTube Channel:\nhttps://www.youtube.com/channel/UCwxH3nWSMFDGA1SiR9kAbeg\nand choose the live-streaming button. If it’s not there\, it means there are technical difficulties\, but it should still be posted here about a week later. \nDr. Jon Mundy is an author\, lecturer\, the publisher of Miracles magazine\, and the Executive Director of All Faiths Seminary International in New York City. He met Dr. Helen Schucman\, the scribe for A Course in Miracles\, in 1973. Helen introduced Jon to the Course and served as his mentor and guide till she became ill in 1980. He is the author of Living A Course in Miracles\, which is now available in eight languages. After Return to Love by Marianne Williamson\, it is currently the best-selling book based on the teaching of A Course in Miracles. He taught courses in Philosophy and Religion from 1967 to 2008 at the New School University and the State University of New York with a specialization in The History of Mysticism. He is the author of 12 books\, his most recent being A Course in Mysticism and Miracles published by Red Wheel Weiser. drjonmundy.com  www.miraclesmagazine.org \nMiracles in Manhattan host Yasuko Kasaki is an internationally beloved spiritual writer\, counselor\, healer\, lecturer and translator from Tokyo\, Japan. The founder of CRS (Center for Remembering & Sharing)\, the first and only spiritual center devoted to the teaching and practice of A Course in Miracles (ACIM) in New York City\, she is widely recognized as the person most responsible for the spread of ACIM throughout Japan. She has taught and worked with thousands of people from around the world to help resolve their mental and physical issues and witness miracles. She is the author of 16 books in Japanese about ACIM\, as well as numerous novels\, short stories\, essays and collections of photographs. Her translations of the ACIM Workbook and books by ACIM writers Jon Mundy\, Gabrielle Bernstein and David Hoffmeister and others have also been published in Japan. Meditation and communication with Holy Spirit form the foundation of her classes. yasukokasaki.com
URL:https://crsny.org/event/miracles-in-manhattan-191208/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents,Miracles in Manhattan
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DTSTART;TZID=America/New_York:20191209T193000
DTEND;TZID=America/New_York:20191209T210000
DTSTAMP:20190508T003946Z
CREATED:20190508T003631Z
LAST-MODIFIED:20190508T003946Z
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SUMMARY:A Course in Miracles Monday Classes
DESCRIPTION:Mondays 7:30 – 9 pm\nTaught by Yasuko Kasaki\, assisted by Christopher Pelham \nWednesdays 8 – 9:30 pm\nTaught by Christopher Pelham \nKnow your life purpose and the meaning of your current situation clearly. Communicate with your Inner Teacher. Heal yourself and others. \nThese ongoing classes focus on mind training designed to help you to experience the lessons and loving wisdom of ACIM. Each class contains some lecture from the ACIM Textbook\, some discussion and Q&A\, and typically 10 – 20 minutes of meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. \nIt is OK to attend without having studied the Course\, but we highly encourage you begin reading the Text and\, especially\, to begin the workbook lessons if you can! This course is meant to be experienced rather than simply talked about. You can find the text and lessons online. \nStudents of all experience levels and backgrounds are welcome!
URL:https://crsny.org/event/a-course-in-miracles-monday-classes/2019-12-09/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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DTSTART;TZID=America/New_York:20191210T120000
DTEND;TZID=America/New_York:20191210T130000
DTSTAMP:20200731T185808Z
CREATED:20191127T021306Z
LAST-MODIFIED:20200731T185808Z
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SUMMARY:ESSENTRICS Gentle Stretch with Betty
DESCRIPTION:Essentrics is a full-body stretching and toning workout that’s great for most levels. This class builds strength\, flexibility and range of motion while releasing stress. \nEssentrics is also known as “Classical Stretch\,” the #1 fitness show on American Public Television. It is a full-body\, dynamic stretching workout that safely shapes and rebalances the body. Essentrics conditions not only our muscles but also bones and joints. This unique stretching-in-motion program rapidly creates a long\, lean and strong physique with immediate changes to posture. Essentrics’ simple circular movements condition our joints\, while their pacing and sequencing build and strengthen connections between the body and the brain. \nEccentric vs. Concentric Training\nThe name Essentrics came from eccentric training\, a technique that strengthens muscles in stretched / lengthened positions. This contrasts with typical concentric technique such as lifting weights\, which shortens our muscles and stiffens our joints. Essentrics stretches and tones at the same time\, balancing strength and flexibility. It also builds greater force for the same energy spent\, and muscles recover faster. For these reasons eccentric training has been popular among athletes\, dancers\, seniors\, and people healing from ailments and injuries. It is also increasingly popular among people who simply desire a lean\, sculpted and balanced body. \nDynamic vs. Static Stretch\nInstead of holding poses Essentrics stretches while staying in motion. It therefore not only conditions our muscles but also lubricates our joints. In addition\, the movements embody neuromuscular techniques that improve coordination as well as muscle control. Compared to static stretches\, dynamic eccentric training has proven to be far more effective in boosting range of motion\, agility\, and reducing injuries in sports and daily life. It is therefore wonderful for both athletes and non. \nStructure:\nWarm up\nStanding full-body movements using large\, rotational\, trademark exercises\nFloor work or barre work (using chairs) \nAll classes are capped at 12 people.\nUnlike most group classes Betty knows your specific needs before you arrive and is ready to cue you accordingly. \nYOU MUST REGISTER IN ADVANCE. \nAbout the Instructor\nBetty is one of a few Essentrics instructors in the US who is fully certified at Level 4. (Only Level 4 instructors qualify to train athletes and design Essentrics routines.) She is also a Personal Trainer certified by the prestigious NASM\, placing her in a unique position to apply the Essentrics program to assist clients in a wide variety of settings. \nThroughout her training Betty has taken the initiative to attend all levels of optional Essentrics Teachers’ Workshops. She is also Red Cross-certified for First Aid\, CPR\, and AED.
URL:https://crsny.org/event/essentrics-gentle-stretch-with-betty/2019-12-10/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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DTSTART;TZID=America/New_York:20191210T190000
DTEND;TZID=America/New_York:20191210T200000
DTSTAMP:20190508T014105Z
CREATED:20190508T014105Z
LAST-MODIFIED:20190508T014105Z
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SUMMARY:Kundalini Workshop
DESCRIPTION:Ananda Mandala is a Chakra clearing meditation designed to raise Kundalini energy. This guided meditation involves vigorous (Pranayama) breathing techniques. \nDiksha is an energy transfer that works by activating Kundalini energy. This creates a gradual shift in consciousness\, freeing you from the suffering created by the mind\, balancing the body’s natural healing energies and attuning the brain to higher levels of awareness. Diksha does not belong to any religion or belief. It is a universal energy that can be received by anyone. \nANANDA MANDALA to be followed by DIKSHA. \n*Please arrive promptly at 7 pm so as not to inconvenience other participants. If you arrive after the first process has started you will have to wait until it is completed to join. \n$10 suggested donation\nPay directly to the instructor\, Kenneth Compton
URL:https://crsny.org/event/kundalini-workshop/2019-12-10/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20191211
DTEND;VALUE=DATE:20191212
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
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SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2019-12-11/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20191211T180000
DTEND;TZID=America/New_York:20191211T200000
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CREATED:20190508T013554Z
LAST-MODIFIED:20200731T185119Z
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SUMMARY:ASCA — Adult Survivors of Child Abuse Support Group
DESCRIPTION:ASCA New York City is a support group for adult survivors of child abuse. We meet weekly to give one another emotional support and an opportunity for expression of feelings\, thoughts\, memories\, hopes\, insights\, and education on the subject of child abuse. \nOur meetings follow the Adult Survivors of Child Abuse (ASCA) program as designed by the Morris Center in San Francisco. The format is similar to that of 12-step programs with some significant differences. Similarities include directed readings\, short and long shares\, absence of cross-talk\, and mutual support. Differences include the replacement of the 12 steps with a list of 21 steps that are more relevant to survivors of child abuse. For more information on our meeting format\, visit the ASCA website. \nWhat Is the Basic Meeting Format? \nOpening Comments by Co-Secretaries\, Readings\nPresenter (maximum 15 minutes)\nFeedback to Presenter (10 minutes)\nShares (maximum 5 minutes each)\nClosure Comments\nAnnouncements & Closing \nWhat Do I Have to Do at Meetings? \nYou do not have to do anything. You do not have to introduce yourself and do not have to speak. You can just sit and listen if you like. This is a no pressure situation. We try to keep the atmosphere easy going and friendly. \nHow Many People Attend Meetings? \nWe average 20+ people per meeting. \nWhat Types of Child Abuse Do You Discuss? \nWe discuss the whole gamut of forms of abuse including incest\, sexual abuse by non-relatives\, violence\, emotional and verbal abuse\, and neglect. \nWhat Is the Demographic Background of Meeting Participants? \nWe have people of many races\, religions\, ethnic backgrounds\, and life style choices. We have both men and women\, most meetings with a 50-50 split by gender. Our participants cover the adult age range. \nCan I Join? \nWe welcome any person who is recovering from child abuse except for those who are currently perpetrating abuse on others (See note 6 below.). \nOur Meetings are classified as Open drop-in. This means that a newcomer to the ASCA meeting is always welcomed into the group. Participants come when they want. There is no set commitment to attending ASCA meetings and no requirement to participate. If you like\, you can just get comfortable in your chair and watch. \nTo ensure cooperation and safety in our meeting\, we observe the following guidelines: \nPlease arrive on time and remain until the conclusion of the meeting. Latecomers will be asked to wait outside so that speakers who are sharing are not interrupted. There are two opportunities for entry – 1) just prior to the main presenter about 10 minutes into the meeting\, and 2) just prior to the share period approximately 35 minutes into the meeting. No one will be allowed in after this last time.\nASCA meetings are exclusively for survivors of physical\, sexual\, or emotional childhood abuse. \nThis is an anonymous meeting. Only first names are used.\nWhat you hear today is told in confidence and should not be repeated outside this meeting. \nWe ask that no one attend our meeting under the influence of alcohol or drugs\, unless the medication is prescribed by a physician. \nASCA meetings are not intended for survivors who are currently perpetrating abuse on others. Talking about past or present perpetrator type behavior is not permissible. \nLanguage that is considered derogatory concerning race\, gender\, ethnicity\, religion\, sexual orientation or other minority status is unacceptable in our meeting. \nBy participating in this meeting we all agree to abide by the spirit of ASCA\, our guidelines and any interventions by the Co-Secretaries. \nFor more info\, visit the ASCA New York web site:\nhttp://sites.google.com/site/ascanewyork/
URL:https://crsny.org/event/asca-adult-survivors-of-child-abuse-support-group/2019-12-11/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191211T190000
DTEND;TZID=America/New_York:20191211T200000
DTSTAMP:20190816T173634Z
CREATED:20190816T173558Z
LAST-MODIFIED:20190816T173634Z
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SUMMARY:Chakra Balancing Meditation
DESCRIPTION:As a group\, we tone the sacred sounds of each chakra 7 times\, creating an energetic flow that loosens and removes blockages and releases negative energy stored within. The sound of the toning creates a vibrational reaction within the body\, which causes stillness and relaxation. We begin with a breathing exercise\, followed by toning\, and ending with an open circle to share the experience and/or ask questions. This is a meditation\, and a self-healing practice. Chakra balancing meditation is excellent for the beginner and the experienced.  \n We all have seven main chakras that sit along the center of the spinal column. The body is a vehicle of consciousness\, and the chakras are where consciousness and matter (the physical body) meet. Together the seven chakras form a profound formula for wholeness that integrates mind\, body and spirit. Making sure they are balanced is essential to our daily and long term lives. They house the consciousness around our survival and safety\, emotions\, sexulaity\, creativity\, self-esteem\, imagination\, our knowingness\, our ability to love and be loved. Emotions such as fear\, stress\, shame\, guilt\, grief\, lies and the ego all block the chakras creating an imbalanced system. Having an imbalanced chakra system can result in physical symptoms in their corresponding body parts and organs.  \nRSVP by email \nJoshua Dorfman is a metaphysical teacher and healer who uses his clairvoyant and empathic abilities to support others looking for more balance and deep spiritual healing. Born extrasensory\, he always had a gift enabling him to know things beyond the physical\, like feeling the energy of a person\, or situation\, knowing people’s true intentions and when something bad was going to happen. As he grew\, he came across various mentors who passed onto him\, great spiritual wisdom. For many years\, Joshua has been self taught\, guided by an “inner voice” toward books and information around the subject of energy healing\, psychic ability and the power of sound\, to name a few. READ MORE >>
URL:https://crsny.org/event/chakra-balancing-meditation-4/2019-12-11/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191212
DTEND;VALUE=DATE:20191213
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
UID:10011041-1576108800-1576195199@crsny.org
SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2019-12-12/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20191212T190000
DTEND;TZID=America/New_York:20191212T203000
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CREATED:20191113T222928Z
LAST-MODIFIED:20191114T001438Z
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SUMMARY:Kalika Moonchild Lunar Alchemy: Monthly Transformations
DESCRIPTION:Full Moon Yoga\nKalika Moonchild Presents Lunar Alchemy: Monthly Transformations\, a gathering hosted by Jenna Devine. Our monthly workshop is a fusion of Kundalini Yoga\, Full Moon Ritual\, Sound Meditation and Alchemical work that empowers personal growth and transformation. Join us as we gather in the Full Moon to release what no longer serves us on our paths to living our fullest lives. \nAbout the Instructor Jenna Devine\n“It always seems impossible\, until it is done.” – Nelson Mandela. My “impossible” was balance\, spiritual wellness and aligned life purpose. Through Kundalini Yoga\,  Archetypal Initiatory work\, Sound Meditation\, a lifelong deep connection to the cycles of nature and the moon\, I made my impossible more doable. Integrating these varied paths to create a unique experience\, I have decided it is time to help you with your impossible. The power of group energy accelerates personal transformation in a magical way. Join me in my lifelong quest of transcendence\, new levels of perception and self empowerment. \nThrough my brand\, Kalika Moonchild\, I am creating community experiences\, jewelry\, apparel and apothecary collections\, donating a portion of profits to support those who inspire us to change the world. Currently funding amfAR where the top research priority is the pursuit of a cure for HIV/AIDS. \nwww.kalikamoonchild.com \n 
URL:https://crsny.org/event/kalika-moonchild-lunar-alchemy-monthly-transformations/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20191213
DTEND;VALUE=DATE:20191214
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
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SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2019-12-13/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191213T200000
DTEND;TZID=America/New_York:20191213T213000
DTSTAMP:20200120T203807Z
CREATED:20190413T005723Z
LAST-MODIFIED:20200120T203807Z
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SUMMARY:ZERO GRASSES: Workshop & Concert by Vocalist/Multi-Instrumentalist/Composer Jen Shyu
DESCRIPTION:CRS (Center for Remembering & Sharing) presents CROSSING BOUNDARIES Concert Series Vol. 11: ZERO GRASSES\, curated\, created and performed by Steinway Artist\, Guggenheim Fellow and USA Fellow JEN SHYU (photo by Caterina Di Perri). \nThis powerful autobiographical work arose out of an intense period of self-reflection following the sudden death of JEN SHYU’s father and a visit to a fertility clinic. Effortlessly weaving together music\, monologue and video projection\, SHYU traces the threads of her life to explore the painful terrain of expectation\, ambition\, longing and love. \nCommissioned by John Zorn and premiered Oct 30 at National Sawdust\, ZERO GRASSES reunites SHYU with Romanian director Alexandru Mihail\, who also directed her acclaimed one-woman show Nine Doors\, which premiered at National Sawdust in 2017 and was reprised at last year’s Resonant Bodies Festival. The piano for this concert is being provided with generous support by Steinway. \nPrior to the concert\, starting at 6:30 pm\, Jen will lead a short participatory Intermedia Workshop for the audience. The performance itself will begin at 8 pm. The workshop is open to all artists and art lovers alike. Everyone will be writing\, singing\, moving\, acting\, and improvising\, so please try to wear comfy clothes and shoes\, and feel free to bring any instruments or just bring yourselves. \nIn honor of Jen’s father\, and in partnership with WEARTH\, for every ticket sold to this performance\, a tree will be planted in the Tsu Pin Shyu | 徐澤濱 Forest in a conserved forest in Saskatchewan\, Canada. \n \nComposition\, vocals\, piano\, sound design\, Japanese biwa\, Taiwanese moon lute\, dance: Jen Shyu\nDirector: Alexandru Mihail\nSet and Projection Design: Kristen Robinson and Kate Campbell\nCostume Design: Elizabeth Caitlin Ward\nLighting Design: Solomon Weisbard\nKeynote Operator: Neil Beckmann\nMedia Production: Kinetic Expression LLC \nThis is the eighth and final concert in the series during 2019 and will take place on December 13\, 2019 at 8 pm at CRS. \nTickets are $25 in advance $30 at the door. Students and seniors with valid ID can purchase tickets for $20 at the door. Tickets are available online at crsny.org\, by phone (212-677-8621)\, and at CRS. \nMORE ABOUT ZERO GRASSES \nZERO GRASSES premiered at NATIONAL SAWDUST on Oct 30\, 2019 as part of John Zorn’s Stone Commissioning Series. \n“The title and seed of ZERO GRASSES came from my ongoing collaboration and conversations with Garin Nugroho\, the great Indonesian filmmaker and stage director\, who directed my first solo theatrical work\, Solo Rites: Seven Breaths. In light of Seven Breaths and Nine Doors\, we began to discuss the number zero and its power as a metaphor for loss and disconnection\, as in the deterioration of humans’ ability to communicate with nature\, to read the signs of nature\, which is something I was already wanting to manifest artistically. So when John Zorn asked me to create a new work on October 30\, 2019\, for his series at National Sawdust\, it seemed like the perfect opportunity to realize this vision. \n“Zero Grasses is dedicated to my dearest father\, Tsu Pin Shyu | 徐澤濱 (January 19\, 1941 – April 2\, 2019)\, who passed away unexpectedly in his sleep in his favorite chair during a nap while I was on a research fellowship in Japan. I was informed via email from the local sheriff who arrived with 911 whom Mom called when she couldn’t wake up Dad. Before I left for Japan February of 2019\, Zero Grasses was rooted in environmental concerns and an unforeseen ending of a long-term relationship when I turned 40. After rushing to Texas to take care of my mother and in the following months processing Dad’s death\, I worked intensely with director Alexandru Mihail on shaping Zero Grasses. Its themes expanded to include legacy\, family\, race\, sexuality\, fertility vs. barrenness in land and in our bodies\, technology’s effect on our connection with nature and to each other\, our own conflicting ambitions\, and an investigation of life when Mom handed me my childhood diaries from a shelf in Dad’s closet when we were cleaning it out and deciding what to keep of his and what to give away. In performing this work\, I am constantly reminded that it was Dad who inspired me to live life as I envision it. Zero Grasses is an hommage to all those who shape our lives in changing the world around us.” \n— Jen Shyu \nWatch the music video for one of the songs from the show\, “Life As You Envision”:\n \nABOUT THE ARTIST \nGuggenheim Fellow\, USA Fellow\, Doris Duke Artist\, Fulbright scholar\, multilingual vocalist-composer-instrumentalist-dancer JEN SHYU is “one of the most creative vocalists in contemporary improvised music” (The Nation). Born in Peoria\, Illinois\, to Taiwanese and East Timorese immigrants\, she was the first female and vocalist as bandleader on Pi Recordings\, now having produced seven albums. A Stanford University graduate\, she speaks 10 languages and has performed at Carnegie Hall\, Lincoln Center\, BAM\, Metropolitan Museum of Art\, etc. Her acclaimed album “Song of Silver Geese” (Pi 2017) was among NY Times’ “Best Albums of 2017.” \nShyu has won commissions and support from NYSCA/NYFA Artist Fellowship\, Doris Duke Charitable Foundation\, MAP Fund\, US-Japan Creative Artists Fellowship from Japan-US Friendship Commission and National Endowment for the Arts\, Jerome Foundation\, Chamber Music America’s New Jazz Works\, Exploring the Metropolis\, New Music USA\, Jazz Gallery\, and Roulette\, as well as fellowships from the Fulbright Scholar Program\, Civitella Ranieri Foundation\, Asian Cultural Council\, Hermitage Artist Retreat\, Yaddo\, MacDowell Colony\, Korean Ministry of Foreign Affairs and Korean Ministry of Sports\, Culture\, and Tourism. \nShe premiered ZERO GRASSES October 30\, 2019\, at National Sawdust on John Zorn’s Commissioning Series. She’s touring her solo work Nine Doors–one of NY Times’ “5 Standout Shows” (2018)–on her 50-state +DC tour of creativity workshops in rural towns across America\, promoting cross cultural / generational exchange. Jen Shyu is a Steinway Artist. \njenshyu.com \nABOUT CROSSING BOUNDARIES \nNow in its second year\, CROSSING BOUNDARIES is a performance series devoted to creating unforgettable live art experiences that dissolve boundaries between performers and audiences\, traditional and new music\, and the local and the global\, bringing people together and promoting the awareness that we each possess a limitless creativity inside us.  \nThe 2019 season of CROSSING BOUNDARIES is made possible in part with public funds from Creative Engagement\, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and administered by LMCC. LMCC empowers artists by providing them with networks\, resources\, and support\, to create vibrant\, sustainable communities in Manhattan and beyond. \n  \n 
URL:https://crsny.org/event/crossing-boundaries-concert-series-vol-11-zero-grasses/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,Crossing Boundaries,CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191214
DTEND;VALUE=DATE:20191215
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
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SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2019-12-14/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191214T170000
DTEND;TZID=America/New_York:20191214T210000
DTSTAMP:20191204T225037Z
CREATED:20191103T215952Z
LAST-MODIFIED:20191204T225037Z
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SUMMARY:CRS Holiday Concert & Party
DESCRIPTION:
URL:https://crsny.org/event/crs-holiday-party/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,Concert,CRS Presents
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END:VCALENDAR