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DTSTART;VALUE=DATE:20191222
DTEND;VALUE=DATE:20191223
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
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SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2019-12-22/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191223
DTEND;VALUE=DATE:20191224
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
UID:10011052-1577059200-1577145599@crsny.org
SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2019-12-23/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2019/11/eco_luxe_web_size.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191223T193000
DTEND;TZID=America/New_York:20191223T210000
DTSTAMP:20190508T003946Z
CREATED:20190508T003631Z
LAST-MODIFIED:20190508T003946Z
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SUMMARY:A Course in Miracles Monday Classes
DESCRIPTION:Mondays 7:30 – 9 pm\nTaught by Yasuko Kasaki\, assisted by Christopher Pelham \nWednesdays 8 – 9:30 pm\nTaught by Christopher Pelham \nKnow your life purpose and the meaning of your current situation clearly. Communicate with your Inner Teacher. Heal yourself and others. \nThese ongoing classes focus on mind training designed to help you to experience the lessons and loving wisdom of ACIM. Each class contains some lecture from the ACIM Textbook\, some discussion and Q&A\, and typically 10 – 20 minutes of meditation\, creative visualization and/or spiritual reading practice in order to experience mind change. \nOur primary goal in these classes is for each student to learn to listen to the guidance of Holy Spirit and live his/her life with certainty and peace. Slowly\, you will re-train your eyes to see the world around you without judgment. You will learn to communicate with your holy spirit. \nIt is OK to attend without having studied the Course\, but we highly encourage you begin reading the Text and\, especially\, to begin the workbook lessons if you can! This course is meant to be experienced rather than simply talked about. You can find the text and lessons online. \nStudents of all experience levels and backgrounds are welcome!
URL:https://crsny.org/event/a-course-in-miracles-monday-classes/2019-12-23/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191224
DTEND;VALUE=DATE:20191225
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
UID:10011053-1577145600-1577231999@crsny.org
SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2019-12-24/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191224T120000
DTEND;TZID=America/New_York:20191224T130000
DTSTAMP:20200731T185808Z
CREATED:20191127T021306Z
LAST-MODIFIED:20200731T185808Z
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SUMMARY:ESSENTRICS Gentle Stretch with Betty
DESCRIPTION:Essentrics is a full-body stretching and toning workout that’s great for most levels. This class builds strength\, flexibility and range of motion while releasing stress. \nEssentrics is also known as “Classical Stretch\,” the #1 fitness show on American Public Television. It is a full-body\, dynamic stretching workout that safely shapes and rebalances the body. Essentrics conditions not only our muscles but also bones and joints. This unique stretching-in-motion program rapidly creates a long\, lean and strong physique with immediate changes to posture. Essentrics’ simple circular movements condition our joints\, while their pacing and sequencing build and strengthen connections between the body and the brain. \nEccentric vs. Concentric Training\nThe name Essentrics came from eccentric training\, a technique that strengthens muscles in stretched / lengthened positions. This contrasts with typical concentric technique such as lifting weights\, which shortens our muscles and stiffens our joints. Essentrics stretches and tones at the same time\, balancing strength and flexibility. It also builds greater force for the same energy spent\, and muscles recover faster. For these reasons eccentric training has been popular among athletes\, dancers\, seniors\, and people healing from ailments and injuries. It is also increasingly popular among people who simply desire a lean\, sculpted and balanced body. \nDynamic vs. Static Stretch\nInstead of holding poses Essentrics stretches while staying in motion. It therefore not only conditions our muscles but also lubricates our joints. In addition\, the movements embody neuromuscular techniques that improve coordination as well as muscle control. Compared to static stretches\, dynamic eccentric training has proven to be far more effective in boosting range of motion\, agility\, and reducing injuries in sports and daily life. It is therefore wonderful for both athletes and non. \nStructure:\nWarm up\nStanding full-body movements using large\, rotational\, trademark exercises\nFloor work or barre work (using chairs) \nAll classes are capped at 12 people.\nUnlike most group classes Betty knows your specific needs before you arrive and is ready to cue you accordingly. \nYOU MUST REGISTER IN ADVANCE. \nAbout the Instructor\nBetty is one of a few Essentrics instructors in the US who is fully certified at Level 4. (Only Level 4 instructors qualify to train athletes and design Essentrics routines.) She is also a Personal Trainer certified by the prestigious NASM\, placing her in a unique position to apply the Essentrics program to assist clients in a wide variety of settings. \nThroughout her training Betty has taken the initiative to attend all levels of optional Essentrics Teachers’ Workshops. She is also Red Cross-certified for First Aid\, CPR\, and AED.
URL:https://crsny.org/event/essentrics-gentle-stretch-with-betty/2019-12-24/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2017/01/Betty-Ng.jpeg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191224T190000
DTEND;TZID=America/New_York:20191224T200000
DTSTAMP:20190508T014105Z
CREATED:20190508T014105Z
LAST-MODIFIED:20190508T014105Z
UID:10010921-1577214000-1577217600@crsny.org
SUMMARY:Kundalini Workshop
DESCRIPTION:Ananda Mandala is a Chakra clearing meditation designed to raise Kundalini energy. This guided meditation involves vigorous (Pranayama) breathing techniques. \nDiksha is an energy transfer that works by activating Kundalini energy. This creates a gradual shift in consciousness\, freeing you from the suffering created by the mind\, balancing the body’s natural healing energies and attuning the brain to higher levels of awareness. Diksha does not belong to any religion or belief. It is a universal energy that can be received by anyone. \nANANDA MANDALA to be followed by DIKSHA. \n*Please arrive promptly at 7 pm so as not to inconvenience other participants. If you arrive after the first process has started you will have to wait until it is completed to join. \n$10 suggested donation\nPay directly to the instructor\, Kenneth Compton
URL:https://crsny.org/event/kundalini-workshop/2019-12-24/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191225
DTEND;VALUE=DATE:20191226
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
UID:10011054-1577232000-1577318399@crsny.org
SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2019-12-25/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191225T180000
DTEND;TZID=America/New_York:20191225T200000
DTSTAMP:20200731T185119Z
CREATED:20190508T013554Z
LAST-MODIFIED:20200731T185119Z
UID:10010876-1577296800-1577304000@crsny.org
SUMMARY:ASCA — Adult Survivors of Child Abuse Support Group
DESCRIPTION:ASCA New York City is a support group for adult survivors of child abuse. We meet weekly to give one another emotional support and an opportunity for expression of feelings\, thoughts\, memories\, hopes\, insights\, and education on the subject of child abuse. \nOur meetings follow the Adult Survivors of Child Abuse (ASCA) program as designed by the Morris Center in San Francisco. The format is similar to that of 12-step programs with some significant differences. Similarities include directed readings\, short and long shares\, absence of cross-talk\, and mutual support. Differences include the replacement of the 12 steps with a list of 21 steps that are more relevant to survivors of child abuse. For more information on our meeting format\, visit the ASCA website. \nWhat Is the Basic Meeting Format? \nOpening Comments by Co-Secretaries\, Readings\nPresenter (maximum 15 minutes)\nFeedback to Presenter (10 minutes)\nShares (maximum 5 minutes each)\nClosure Comments\nAnnouncements & Closing \nWhat Do I Have to Do at Meetings? \nYou do not have to do anything. You do not have to introduce yourself and do not have to speak. You can just sit and listen if you like. This is a no pressure situation. We try to keep the atmosphere easy going and friendly. \nHow Many People Attend Meetings? \nWe average 20+ people per meeting. \nWhat Types of Child Abuse Do You Discuss? \nWe discuss the whole gamut of forms of abuse including incest\, sexual abuse by non-relatives\, violence\, emotional and verbal abuse\, and neglect. \nWhat Is the Demographic Background of Meeting Participants? \nWe have people of many races\, religions\, ethnic backgrounds\, and life style choices. We have both men and women\, most meetings with a 50-50 split by gender. Our participants cover the adult age range. \nCan I Join? \nWe welcome any person who is recovering from child abuse except for those who are currently perpetrating abuse on others (See note 6 below.). \nOur Meetings are classified as Open drop-in. This means that a newcomer to the ASCA meeting is always welcomed into the group. Participants come when they want. There is no set commitment to attending ASCA meetings and no requirement to participate. If you like\, you can just get comfortable in your chair and watch. \nTo ensure cooperation and safety in our meeting\, we observe the following guidelines: \nPlease arrive on time and remain until the conclusion of the meeting. Latecomers will be asked to wait outside so that speakers who are sharing are not interrupted. There are two opportunities for entry – 1) just prior to the main presenter about 10 minutes into the meeting\, and 2) just prior to the share period approximately 35 minutes into the meeting. No one will be allowed in after this last time.\nASCA meetings are exclusively for survivors of physical\, sexual\, or emotional childhood abuse. \nThis is an anonymous meeting. Only first names are used.\nWhat you hear today is told in confidence and should not be repeated outside this meeting. \nWe ask that no one attend our meeting under the influence of alcohol or drugs\, unless the medication is prescribed by a physician. \nASCA meetings are not intended for survivors who are currently perpetrating abuse on others. Talking about past or present perpetrator type behavior is not permissible. \nLanguage that is considered derogatory concerning race\, gender\, ethnicity\, religion\, sexual orientation or other minority status is unacceptable in our meeting. \nBy participating in this meeting we all agree to abide by the spirit of ASCA\, our guidelines and any interventions by the Co-Secretaries. \nFor more info\, visit the ASCA New York web site:\nhttp://sites.google.com/site/ascanewyork/
URL:https://crsny.org/event/asca-adult-survivors-of-child-abuse-support-group/2019-12-25/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20191226
DTEND;VALUE=DATE:20191227
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
UID:10011055-1577318400-1577404799@crsny.org
SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2019-12-26/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191227
DTEND;VALUE=DATE:20191228
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
UID:10011056-1577404800-1577491199@crsny.org
SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2019-12-27/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191228
DTEND;VALUE=DATE:20191229
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
UID:10011057-1577491200-1577577599@crsny.org
SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2019-12-28/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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