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DTSTART;VALUE=DATE:20200119
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CREATED:20191117T152419Z
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SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2020-01-19/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20200119T190000
DTEND;TZID=America/New_York:20200119T210000
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CREATED:20200116T184506Z
LAST-MODIFIED:20200116T184548Z
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SUMMARY:Access Clarity Ceremony
DESCRIPTION:Upgrade your breathing\,\nupgrade your life. \nImmediate session results include:\n• clear thinking\n• heightened creativity\n• lowered anxiety & depression\n• release of physical tension \nWhy do we do this?\nWe are all told breathing is automatic. Unfortunately\, when we are stressed\, anxious\, depressed or heartbroken our breathing takes a hit. When this happens\, our reactivity throws us out of harmony. Like a guitar string plucked out of tune. \nWhat happens?\nIn the session everyone lays on a yoga mat. Some music is played. We breathe together in a guided pattern. That’s it. That’s all that happens on the outside. What happens on the inside is a whole other story! Natural coherence in the mind and body are restored. The inward journey can be physical\, emotional\, mental and spiritual depending on the person. At the end Rahul will guide the group back home to reintegrate with the body. Once grounded\, everyone circles up to share our adventures\, insights and clarity. \nWhere does it happen?\nWe meet each Sunday at The Center for Remembering in NYC. Mats and blankets are provided. Feel free to bring your own stuff to create a cozy coocoon. \nWho is the facilitator?\nRahul Panchal is a Master Breathwork Facilitator and Founder of Clarity Breath\, initiated at Babaji’s ashram in the Himalayas\, trained in Qi Gong at a healing center in Thailand. He then went through deep spiritual initiation living with the Huni Kuin tribe in the Amazon Rainforest. He lives in service to humbly share his gifts with you. \nWhat are the lasting effects?\nThrough this practice\, achieving the growth\, ease\, alignment and happiness you want to create will become crystal clear. Your focus will sharpen naturally and the clarity to bring your gifts out into the world will clearly manifest. At our core we are all beings of light\, love and joy. Through breath\, it’s possible to move through anything that’s pulled us off center. Once done\, we can rise up full of childlike wonder and excitement\, ready to play with life again.
URL:https://crsny.org/event/access-clarity-ceremony/2020-01-19/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200120
DTEND;VALUE=DATE:20200121
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
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SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2020-01-20/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200121
DTEND;VALUE=DATE:20200122
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
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SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2020-01-21/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20200121T120000
DTEND;TZID=America/New_York:20200121T130000
DTSTAMP:20200731T185808Z
CREATED:20191127T021306Z
LAST-MODIFIED:20200731T185808Z
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SUMMARY:ESSENTRICS Gentle Stretch with Betty
DESCRIPTION:Essentrics is a full-body stretching and toning workout that’s great for most levels. This class builds strength\, flexibility and range of motion while releasing stress. \nEssentrics is also known as “Classical Stretch\,” the #1 fitness show on American Public Television. It is a full-body\, dynamic stretching workout that safely shapes and rebalances the body. Essentrics conditions not only our muscles but also bones and joints. This unique stretching-in-motion program rapidly creates a long\, lean and strong physique with immediate changes to posture. Essentrics’ simple circular movements condition our joints\, while their pacing and sequencing build and strengthen connections between the body and the brain. \nEccentric vs. Concentric Training\nThe name Essentrics came from eccentric training\, a technique that strengthens muscles in stretched / lengthened positions. This contrasts with typical concentric technique such as lifting weights\, which shortens our muscles and stiffens our joints. Essentrics stretches and tones at the same time\, balancing strength and flexibility. It also builds greater force for the same energy spent\, and muscles recover faster. For these reasons eccentric training has been popular among athletes\, dancers\, seniors\, and people healing from ailments and injuries. It is also increasingly popular among people who simply desire a lean\, sculpted and balanced body. \nDynamic vs. Static Stretch\nInstead of holding poses Essentrics stretches while staying in motion. It therefore not only conditions our muscles but also lubricates our joints. In addition\, the movements embody neuromuscular techniques that improve coordination as well as muscle control. Compared to static stretches\, dynamic eccentric training has proven to be far more effective in boosting range of motion\, agility\, and reducing injuries in sports and daily life. It is therefore wonderful for both athletes and non. \nStructure:\nWarm up\nStanding full-body movements using large\, rotational\, trademark exercises\nFloor work or barre work (using chairs) \nAll classes are capped at 12 people.\nUnlike most group classes Betty knows your specific needs before you arrive and is ready to cue you accordingly. \nYOU MUST REGISTER IN ADVANCE. \nAbout the Instructor\nBetty is one of a few Essentrics instructors in the US who is fully certified at Level 4. (Only Level 4 instructors qualify to train athletes and design Essentrics routines.) She is also a Personal Trainer certified by the prestigious NASM\, placing her in a unique position to apply the Essentrics program to assist clients in a wide variety of settings. \nThroughout her training Betty has taken the initiative to attend all levels of optional Essentrics Teachers’ Workshops. She is also Red Cross-certified for First Aid\, CPR\, and AED.
URL:https://crsny.org/event/essentrics-gentle-stretch-with-betty/2020-01-21/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200121T183000
DTEND;TZID=America/New_York:20200121T190000
DTSTAMP:20200731T190207Z
CREATED:20200122T013246Z
LAST-MODIFIED:20200731T190207Z
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SUMMARY:Guided Meditations Inspired by A Course in Miracles
DESCRIPTION:Given by Yasuko Kasaki\n(and by Makiko Mizuta and Christopher Pelham when she is away each March\, July\, and Nov)\nTuesdays from 6:30 – 7 pm\nFree\nhttp://www.meetup.com/ACIM-meditation/ \nPlease join us in the sharing of miracles. Here\, your mind can come to rest and you can remember true peace. No experience with meditation is required\, and everyone is welcome. We ask only that you make it your intention to sit still\, quiet in body and mind\, and to listen to; receive and follow my instruction to the best of your ability. You will learn to meditate as you practice. Please arrive for Meditation before 6:30 pm as we don’t allow latecomers to enter. \nEach week we will share with you a different inspirational message from Holy Spirit. This may take the form of creative visualization exercises\, or instruction about the nature and purpose of meditation\, or about our true nature and relationship to ourselves\, to one another\, and to the world. In a sense\, this is both a meditation practice and a meditation class. \n\nSome students have been coming regularly for a number of years. Others drop in and out as they have time or need. Some come to learn and grow\, others more so simply to calm down\, to take time out from the frenetic pace of their busy lives. If you are new and feeling uncertain or shaky\, do not hesitate to introduce yourself to some of the other students\, to ask questions before or after. Try to observe and emulate the stillness and concentration of others around you whom you sense are most grounded. Soon\, you\, in turn\, may provide inspiration and guidance for others. \nWhile the principles are based on A Course in Miracles (ACIM)\, it does not matter if you are unfamiliar with ACIM or are not prepared to study it outside of this meditation. You can still take from this practice some very practical\, effective lessons\, tools\, and experiences that can enable you to lead a more peaceful\, purposeful\, fulfilling and loving life.
URL:https://crsny.org/event/guided-meditations-inspired-by-a-course-in-miracles-2/2020-01-21/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:ACIM-Related Event,CRS Presents
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END:VEVENT
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DTSTART;VALUE=DATE:20200122
DTEND;VALUE=DATE:20200123
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
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UID:10011082-1579651200-1579737599@crsny.org
SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2020-01-22/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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DTSTART;TZID=America/New_York:20200122T180000
DTEND;TZID=America/New_York:20200122T200000
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CREATED:20190508T013554Z
LAST-MODIFIED:20200731T185119Z
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SUMMARY:ASCA — Adult Survivors of Child Abuse Support Group
DESCRIPTION:ASCA New York City is a support group for adult survivors of child abuse. We meet weekly to give one another emotional support and an opportunity for expression of feelings\, thoughts\, memories\, hopes\, insights\, and education on the subject of child abuse. \nOur meetings follow the Adult Survivors of Child Abuse (ASCA) program as designed by the Morris Center in San Francisco. The format is similar to that of 12-step programs with some significant differences. Similarities include directed readings\, short and long shares\, absence of cross-talk\, and mutual support. Differences include the replacement of the 12 steps with a list of 21 steps that are more relevant to survivors of child abuse. For more information on our meeting format\, visit the ASCA website. \nWhat Is the Basic Meeting Format? \nOpening Comments by Co-Secretaries\, Readings\nPresenter (maximum 15 minutes)\nFeedback to Presenter (10 minutes)\nShares (maximum 5 minutes each)\nClosure Comments\nAnnouncements & Closing \nWhat Do I Have to Do at Meetings? \nYou do not have to do anything. You do not have to introduce yourself and do not have to speak. You can just sit and listen if you like. This is a no pressure situation. We try to keep the atmosphere easy going and friendly. \nHow Many People Attend Meetings? \nWe average 20+ people per meeting. \nWhat Types of Child Abuse Do You Discuss? \nWe discuss the whole gamut of forms of abuse including incest\, sexual abuse by non-relatives\, violence\, emotional and verbal abuse\, and neglect. \nWhat Is the Demographic Background of Meeting Participants? \nWe have people of many races\, religions\, ethnic backgrounds\, and life style choices. We have both men and women\, most meetings with a 50-50 split by gender. Our participants cover the adult age range. \nCan I Join? \nWe welcome any person who is recovering from child abuse except for those who are currently perpetrating abuse on others (See note 6 below.). \nOur Meetings are classified as Open drop-in. This means that a newcomer to the ASCA meeting is always welcomed into the group. Participants come when they want. There is no set commitment to attending ASCA meetings and no requirement to participate. If you like\, you can just get comfortable in your chair and watch. \nTo ensure cooperation and safety in our meeting\, we observe the following guidelines: \nPlease arrive on time and remain until the conclusion of the meeting. Latecomers will be asked to wait outside so that speakers who are sharing are not interrupted. There are two opportunities for entry – 1) just prior to the main presenter about 10 minutes into the meeting\, and 2) just prior to the share period approximately 35 minutes into the meeting. No one will be allowed in after this last time.\nASCA meetings are exclusively for survivors of physical\, sexual\, or emotional childhood abuse. \nThis is an anonymous meeting. Only first names are used.\nWhat you hear today is told in confidence and should not be repeated outside this meeting. \nWe ask that no one attend our meeting under the influence of alcohol or drugs\, unless the medication is prescribed by a physician. \nASCA meetings are not intended for survivors who are currently perpetrating abuse on others. Talking about past or present perpetrator type behavior is not permissible. \nLanguage that is considered derogatory concerning race\, gender\, ethnicity\, religion\, sexual orientation or other minority status is unacceptable in our meeting. \nBy participating in this meeting we all agree to abide by the spirit of ASCA\, our guidelines and any interventions by the Co-Secretaries. \nFor more info\, visit the ASCA New York web site:\nhttp://sites.google.com/site/ascanewyork/
URL:https://crsny.org/event/asca-adult-survivors-of-child-abuse-support-group/2020-01-22/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
GEO:40.733158;-73.992729
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200123
DTEND;VALUE=DATE:20200124
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
UID:10011083-1579737600-1579823999@crsny.org
SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2020-01-23/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200123T191500
DTEND;TZID=America/New_York:20200123T204500
DTSTAMP:20200109T205147Z
CREATED:20200109T205003Z
LAST-MODIFIED:20200109T205147Z
UID:10006732-1579806900-1579812300@crsny.org
SUMMARY:Kabbalistic Sound Bath Immersion
DESCRIPTION:Together\, we will experience the resonance and transcendent impact of MediSounds®\, a powerful sound meditation system based on the use of our own voices vocalizing tones that impact our physical\, psychological and spiritual beings. MediSounds aids in reducing anxiety\, alleviating depression by enabling a connection to a greater reality. \nWe will discuss how healing and integration can be approached simply\, using the power of our own vocalizations dedicated to produce a profound meditative state. \nMost of all we will join together as a group and community\, something which we all could use more of in this day and age. \n7PM arrival for the 7:15-8:45 program. The program will begin promptly at 7:15. \nYou can come without reserving but it would be great if you could RSVP to thegreatoctave@gmail.com\nWe are asking for a $20 suggested donation to help defray the costs for producing the event\, but it is open to all even if you cannot afford to make a contribution. \nThese MediSounds® events will be sponsored by the Great Octave Foundation\, a not for profit organization dedicated to promoting the use of MediSounds as a pathway to awakened consciousness. \nWarm wishes!!\nShulamit \nSUPPORTED BY THE GREAT OCTAVE FOUNDATION\nwww.GreatOctave.com
URL:https://crsny.org/event/kabbalistic-sound-bath-immersion/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Guest Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200124
DTEND;VALUE=DATE:20200125
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
UID:10011084-1579824000-1579910399@crsny.org
SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2020-01-24/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200125
DTEND;VALUE=DATE:20200126
DTSTAMP:20200309T185935Z
CREATED:20191117T152419Z
LAST-MODIFIED:20200309T185935Z
UID:10011085-1579910400-1579996799@crsny.org
SUMMARY:Exhibition:  Matters — Works on Silk by Aomi Kikuchi
DESCRIPTION:CRS presents MATTERS\, an exhibition of nine works by the award-winning Brooklyn-based artist AOMI KIKUCHI. Best known for her exquisite Yuzen silk kimono dyeing and work with other delicate fabrics\, which have been exhibited in galleries and museums all over the world\, KIKUCHI here depicts frogs on triple-layered silk organza in a variety of natural settings as well as among human-made objects. \nTo maintain the softness and ‘unreliability’ of the gauze\, she refrains from sewing or tightly stretching it. The fragility and insubstantiality of the images echo the impermanence and insubstantiality of the physical world. The elements of nature\, while ever changing\, evoke a sense of peace which contrasts with the insatiable temptations evoked by the depicted consumer goods. Kikuchi’s work invites us to meditate on this ephemerality and discover that its acceptance brings a sense of inner peace. \nThe exhibition will be on view from December 11\, 2019 – February 4\, 2020. The public is invited to meet the artist at the CRS Holiday Celebration on Saturday\, December 14\, 2019. \nMedium: Triple-layered silk organza\, Acid Dye\, Pigment\nKikuchi dyed three layered pieces of silk organza simultaneously with acid dyes and pigments after drawing outlines with a gold color Sumi ink. She then steamed them to fix colors\, pressed them\, and separated them to be framed. \nMethod: Kikuchi’s original method based on Japanese Yuzen Kimono Dye\nKikuchi uses special brushes made for Yuzen Kimono dye to make beautiful gradations. The size of the brush varies from 3mm to 15cm. She innovated Yuzen kimono dye techniques to establish her original method with layered fabrics and without rice glue lines as water resistance. Instead of glue resistance\, she manipulates dye liquid to prevent it from spreading outside of her hand-drawn gold Sumi outline.\nHer method makes it possible to dye larger and layered fabrics. \nARTIST STATEMENT \nMy work often uses creatures as a motif to express the heart of Buddha’s benevolence that human beings and all creatures are equally important. \nFrogs in particular are special to me. I lived with the frog named “Bell” for several years. Bell eats a small larva twice a week\, but otherwise he/she always sits like a Zen monk and does not move. Unlike us\, he/she didn’t lie down or extend his/her legs. Bell ended his/her life and no more exists. \nHumans have various desires\, and if they are not fulfilled\, they suffer. If they are fulfilled\, they will be obsessed with new desires and will not be satisfied. \nA jellyfish drifts in the waves and lives a life just to get food. We sometimes stop and look at the simple way of life in the aquarium and think its life is even enviable. \nGoldfish were bred by humans to appear more beautiful. The desire to see beautiful things gave goldfish bigger eyes\, fins and a fuller stomach than necessary. Human desires also afflict goldfish. \nThe message of my work is that the only way for us to live a mindful life is through understanding that desire creates pain\, and there is nothing in the world that will never change and nothing that will last forever. \nABOUT AOMI KIKUCHI \nAomi Kikuchi is a creator of innovative fine arts inspired by Buddha’s philosophy and concepts of impermanence\, insubstantiality\, and suffering in our lives. She started her career as a fashion designer and worked for more than 25 years as a professional Yuzen silk kimono dyer. While she has a strong obsession with silk fabrics\, she also works with other materials that have a femininity and fragility such as fiber\, goose down\, and cotton flower. Her artistic practice has been expanding from two-dimensional work to include installations\, sculpture\, and film. She received her BFA from Kyoto University of Art and Design and her MFA from Pratt Institute. Her works have been exhibited all over the world\, including this year at the Yukyung Museum in South Korea\, in the 35th Anniversary Pratt in Venice show at the Steuben Gallery at Pratt Institute\, and at the Wajun-Kaikan Gallery in the famous Chion-in Temple in Kyoto\, Japan\, among many others. \naomikikuchi.com\ninstagram.com/aomikikuchi
URL:https://crsny.org/event/exhibition-matters-workss-by-aomi-kikuchi/2020-01-25/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://crsny.org/wp-content/uploads/2019/11/eco_luxe_web_size.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200125T160000
DTEND;TZID=America/New_York:20200125T171500
DTSTAMP:20200115T194011Z
CREATED:20200104T161134Z
LAST-MODIFIED:20200115T194011Z
UID:10011159-1579968000-1579972500@crsny.org
SUMMARY:Four Seasons in New York — Gems of Japanese Music Vol. 17
DESCRIPTION:CRS (Center for Remembering and Sharing) invites you to discover traditional Japanese music by the acclaimed koto and shamisen player Yoko Reikano Kimura offered together with an exclusive taste of beautiful Japanese seasonal confectionary prepared by mochi Rin. This will be the second concert of the 2019-2020 season of Four Seasons in New York — Gems of Japanese Music. The winter concert will be held on Saturday\, January 25\, 2020 at CRS. \nTickets are $30 (general) and $20 (students) include wagashi (Japanese confectionary).\nSeating is limited and advanced purchase (online\, by phone 212-677-8621\, or in person at CRS) is strongly encouraged. \nProgram\nNe no Hi no Asobi (by Taiga Yamaki Ⅱ）＊New Year’s song\nKyorai for solo shamisen (by Seiho Kineya) \n“…Yoko Reikano Kimura\, playing the shamisen and singing\, is superb….” — New York Times\n“…Kimura’s voice was rich and full-bodied ….” — KCMETROPLIS\n“…Under Kimura’s practiced hand\, there were also occasional dramatic and explosive passages. – Koto Concerto: Genji” — The NEWS GAZZETE \nAbout Four Seasons in New York – Gems of Japanese Music\nNew York’s music scene reflects the diverse and vibrant culture of the city. Kimura\, together with CRS (Center for Remembering and Sharing)\, began this concert series in the fall of 2015. As a Japanese instrumentalist\, she hopes to introduce the brilliance of traditional Japanese music\, which is still being passed on to future generations after many centuries. Starting with the 2018-19 season\, the series has featured contemporary pieces composed by living composers as well. Since the first concert\, about 40 works from the classical repertoire have been introduced in the concert series. Please come and experience the sounds of koto and shamisen and enjoy the taste of the four seasons here in New York! \nThis concert series is supported by Mar Creation\, Inc. \nAbout past performances: https://www.yokoreikanokimura.com/projects/fourseasons/ \nYOKO REIKANO KIMURA is a distinguished virtuoso of Japanese koto\, shamisen performer and singer in both traditional and contemporary music. Kimura has concertized in about 20 countries around the world based in New York and Japan. Following her studies at the Tokyo University of the Arts\, she studied at Institute of Traditional Japanese Music\, an affiliate of Senzoku Gakuen College of Music in Japan. Kimura was awarded a scholarship from the Agency of Cultural Affairs of Japan. Her teachers include Kono Kameyama\, Akiko Nishigata and Senko Yamabiko\, a Living National Treasure. Awards include the First prize at the prestigious 10th Kenjun Memorial National Koto Competition and the First prize at the 4th Great Wall International Music Competition. Kimura performed at the Kabuki-za in Tokyo\, accompanying Danjuro Ichikawa XII. Her performances have been broadcasted on NHK-FM’s Hogaku no Hitotoki\, NPR’s Performance Today and WKCR. As a koto soloist\, Kimura has performed Daron Hagen’s Koto Concerto: Genji with the Wintergreen Music Festival Orchestra conducted by Mei-Ann Chen and several string quartets. As a shamisen soloist\, she performed Kin’ichi Nakanoshima’s Shamisen Concerto at the National Olympic Memorial Youth Center. \nHer performances have been featured at many opera and theater works\, such as Michi Wiancko’s Murasaki’s Moon at Metropolitan Museum\, Piestro Mascagni’s Iris by American Symphony Orchestra\, Basil Twist’s Dogugaeshi\, Yasuko Yokoshi’s Bell and many others.\n \nKimura is a founder of Duo YUMENO\, with cellist Hikaru Tamaki. The duo received the Kyoto Aoyama Barock Saal Award in 2015\, and featured at Chamber Music America’s 2016 National Conference\, and performed at the John F. Kennedy Center in 2017. In 2019\, the duo had its ten-year anniversary recital at Carnegie Hall.\nWebsite: yokoreikanokimura.com | duoyumeno.com \nmochi Rin creates bite-sized mochi desserts made with organic bean paste\, seasonal fruits and flowers produced in NY. She presents a new type of mochi that doesn’t quite exist in Japan by infusing New York’s locally-produced ingredients with Japan’s popular traditional desserts —the stuffed mochi rounds\, such as daifuku and sakura-mochi — and mixing in rin\, the element of restrained grace. Website: rin-nyc.com | https://www.instagram.com/rin_nyc
URL:https://crsny.org/event/four-seasons-in-new-york-gems-of-japanese-music-vol-17/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:Concert,CRS Presents,Gems of Japanese Music
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GEO:40.733158;-73.992729
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