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DTSTART;TZID=America/New_York:20250427T150000
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DTSTAMP:20260511T074044
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SUMMARY:CRS at La Mama Moves! Dance Festival: Please Cry by Megumi Eda
DESCRIPTION:CRS (Center for Remembering & Sharing) is honored to participate once again in the La Mama Moves! Dance Festival. This year we co-present the US premiere of Please Cry\, a solo dance/theatre work created and performed by Berlin-based artist Megumi Eda with original music by Reiko Yamada and lighting by Clifton Taylor. Performances take place at The Club at La Mama on April 25 and 26 at 7:30 pm and on April 27 at 3 pm on a shared program with Alexis Chartrand & Nic Gareiss. \n“One day\, I discovered a photograph revealing that my grandmother had been a military nurse for Japan during World War II. Later\, I watched a documentary about a woman who\, like her\, had served in the war\, sharing long-buried trauma. Had my grandmother endured something similar? I don’t really know…” — Megumi Eda \nPlease Cry is a deeply personal solo performance blending dance\, live video\, and music to explore intergenerational trauma\, resilience\, and the lingering impact of war. Inspired by the silence surrounding Megumi’s grandmother’s past\, the piece expresses how unspoken histories echo across generations. Through movement\, Megumi seeks to embody these inherited emotions\, giving form to what words cannot express. War’s trauma is never just history—it lingers\, passed down like an unbroken chain. \nThe 80th anniversary of the end of WWII is fast approaching. The number of people who experienced the war personally is dwindling. Their memories are passing into history. We at CRS choose to share this powerful meditation on the multigenerational traumas of war so that those who have not known war can better relate and\, hopefully\, choose to stand for peace. \nThe Club\n74 East 4th Street\, 2nd floor\nNew York\, NY 10003 \nTickets:\nAdults: $30\nStudents/Seniors: $25\nFirst 10 tickets are $10 (limit 2 per person)\nTicket link: https://www.lamama.org/chartrand-gareiss-megumi-eda/ \nThe premiere of Please Cry in 2022 was co-produced by Megumi Eda and DOCK ART\, funded by the Senate Department for Culture and Europe\, and supported by Tir Danza. https://www.tirdanza.it/megumi-eda/ The NY production is made possible by a travel grant from CRS. \n“Beautiful ballerinas are often caught in their own beauty. They definitely don’t know how to mug. But Megumi can morph in a flash from small boy to impossibly regal diva to a small squirrel chewing on a nut.” — Laurie Anderson \n Megumi Eda is a dancer and filmmaker creating multimedia works at the intersection of theater\, dance\, and film. She began her career at 17 with the Hamburg Ballet\, later joining the Dutch National Ballet and Rambert Dance Company. In 2004\, she moved to New York as a founding member of Armitage Gone! Dance\, collaborating on over a dozen new works and winning the Bessie Award that year. Her long-term collaboration with Yoshiko Chuma has led to innovative performance projects. Now based in Berlin\, she focuses on exploring Multi-Generational War Trauma\, Women’s Rights\, and Institutional Abuse in the Dance World through works like fish άɪ lens (2025)\, Please Cry (2022)\, and DIVINE (2023) with Yuko Kaseki. \nhttps://megumieda.com \n La MaMa Moves! Dance Festival continues to support La MaMa’s commitment to presenting diverse performance styles that challenge audience’s perception of dance by featuring performance/installations\, experimental film screenings & public symposiums which address dance artists’ engagement with the current political climate\, as well as honoring diasporic histories and legacy\, ancestral inspirations and inter-generational dialogue. \nhttps://www.lamama.org/la-mama-moves-2025/ \n 
URL:https://crsny.org/event/la-mama-moves-dance-festival-please-cry-by-megumi-eda/2025-04-27/
LOCATION:La Mama Etc.\, 74 East 4th Street\, 2nd floor\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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DTSTART;TZID=America/New_York:20240601T140000
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SUMMARY:Stop Calling Them Dangerous: Love Story Palestine vol. 10
DESCRIPTION:La MaMa Moves! Dance Festival & CRS present Stop Calling Them Dangerous: Love Story Palestine vol. 10 with Ryuji Yamaguchi. “Love Story Palestine” is about war\, and borders\, centered around Palestine\, and from the viewpoint of Ryuji Yamaguchi — dance artist and educator based in Jordan for the past 16 years. The performance features stories and images of numerous Palestinians\, including those from Gaza\, whom Yamaguchi has lived alongside. \nDoors open at 1:45pm. No admission after 2:20pm. Admission is $10 – $30 at the door. \nStatement: We refute the idea of an immigration travel ban — America is a nation of immigrants. We want the participants and our audience to see the other parts of the world in a new light. This is about sharing experiences — sharing experiences of other lives and other worlds. And through our sharing\, explore what can and can’t be felt through our varied cultural and historical differences. \n*Acknowledgement: Yoshiko’s experience in Palestine with dancer and activist Noora Baker (one of the leading dancers and directors of the El-Funoun Palestinian Popular Dance Troupe company in Ramallah\, Palestine) has been a substantial inspiration for this project.   \nLa MaMa Moves! Dance Festival continues to support La MaMa’s commitment to presenting diverse performance styles that challenge audience’s perception of dance by featuring performance/installations\, experimental film screenings & public symposiums which address dance artists’ engagement with the current political climate\, as well as honoring diasporic histories and legacy\, ancestral inspirations and inter-generational dialogue. \nRyuji Yamaguchi first came to King’s Academy in Jordan in 2007 as the dance program coordinator. In 2022\, he was appointed dean of residential life. Born in Nagoya\, Japan\, He grew up in Japan and the USA. He received his B.A. in East Asian studies from Harvard University and a M.A. in educational leadership at Columbia University. His dance activities have spanned the Middle East\, Europe\, Japan and the United States\, and he has performed in works by such choreographers as Yoshiko Chuma\, Douglas Dunn\, Brenda Divelbliss and Christopher Williams. Mr. Yamaguchi has collaborated with numerous Jordanian and Palestinian artists\, and has invited over 40 Japanese and American artists to Jordan. As a core member of Yoshiko Chuma & The School of Hard Knocks (SOHK)\, Yamaguchi has created over 10 SOHK productions in Jordan and Palestine since 2007. In 2013\, he founded Jordan Youth Dance Exchange. \nYoshiko Chuma (conceptual artist\, choreographer/artistic director of The School of Hard Knocks) has been a firebrand in the post-modern dance scene of New York City since the 1980s\, has been consistently producing thought-provoking work that is neither dance nor theater nor film nor any other pre-determined category. She is an artist on her own journey. A path that has taken her to over 40 “out of the way” countries and collected over 2000 artists\, thinkers and collaborators of every genre since establishing her company The School of Hard Knocks in New York City in 1980. \nFounded by the Japanese writer/lecturer/healer Yasuko Kasaki and artist Christopher Pelham in 2004\, CRS (Center for Remembering & Sharing) offers arts and cultural programming as well as spiritual mind-training rooted in the non-dualistic teachings of A Course in Miracles (ACIM)\, which reminds us that we are limitless spiritual beings and encourages us to remember our true nature by committing to a practice of deep\, non-judgmental inquiry. CRS produces the Crossing Boundaries and Paradise Laboratory concert series conceived by gamin\, publishes the web magazine only love.art\, offers grants to artists\, and is an ongoing funder of Mutual Mentorship for Musicians (M3).
URL:https://crsny.org/event/stop-calling-them-dangerous-love-story-palestine-vol-10/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
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SUMMARY:Stop Calling Them Dangerous: Cinema Has Power vol. 9
DESCRIPTION:La MaMa Moves! Dance Festival & CRS present Stop Calling Them Dangerous: Cinema Has Power vol. 9 with Sarah Möller. This program will celebrate the artistic legacy and profound influence of the intermedia artist and composer Phill Niblock (1933-2024\, USA)\, who was an artist whose fifty-year career spans minimalist and experimental music\, film and photography. The foundation for avant-garde music based in New York with a branch in Ghent. Niblock’s signature sound is filled with microtones of instrumental timbres that generate many other tones in the performance space. On January 8\, 2024\, at the age of 90\, Phill Niblock bid farewell to the world. We invite the audience to join us for a curated selection of his films\, to celebrate his legacy and the profound influence and deep inspiration he had on the artistic landscape. The event will be moderated by Yoshiko Chuma with Sarah Möller\, Christopher McIntyre and David Gearey. \nDoors open at 1:45pm. No admission after 2:20pm. Admission is $10 – $30 at the door. \nLa MaMa Moves! Dance Festival continues to support La MaMa’s commitment to presenting diverse performance styles that challenge audience’s perception of dance by featuring performance/installations\, experimental film screenings & public symposiums which address dance artists’ engagement with the current political climate\, as well as honoring diasporic histories and legacy\, ancestral inspirations and inter-generational dialogue. \nSarah Möller\, one of the artistic directors of the Berlin dance film festival POOL – MOVEMENT ART FILM. Since 2016\, under the name SHINE – NEW YORK TRACES\, the festival has been featuring films from the New York dance and experimental film scene of the 60s\, 70s\, and 80s. \nSarah Möller is an artist-curator based in Berlin. She is one of the co-directors of the international dance film festival POOL – MOVEMENT ART FILM. Especially interested in the various ways of interweaving cinematic and physical movement\, she regularly offers workshops and training in the field. Additionally\, she has been invited as a film programmer\, lecturer\, and jury member for several international dance film festivals and exhibitions. In 2021\, she founded the Shine Collection which represents 16-mm films by artist Yoshiko Chuma created between 1979 and 1983. \nwww.sarahmoeller.de\n‍www.shine-collection.de\n‍www.pool-festival.de\n‍www.shine-collection.de \nYoshiko Chuma (conceptual artist\, choreographer/artistic director of The School of Hard Knocks) has been a firebrand in the post-modern dance scene of New York City since the 1980s\, has been consistently producing thought-provoking work that is neither dance nor theater nor film nor any other predetermined category. She is an artist on her own journey. A path that has taken her to over 40 “out of the way” countries and collected over 2000 artists\, thinkers and collaborators of every genre since establishing her company The School of Hard Knocks in New York City in 1980. \nMovement played a pivotal role in the visual work of the intermedia artist and composer Phill Niblock. His films are characterized by textures of rhythms\, pulsations\, vibrant imagery\, and masterful play with light and time. Niblock’s work with numerous choreographers and dancers\, including Elaine Summers\, Yvonne Rainer\, Steve Paxton and Becky Arnold\, Meredith Monk\, Ann Danoff\, Barbara Dilley\, and Dana Reitz\, showcased his dedication to exploring the intersection of movement\, visual expression\, and music. On January 8\, 2024\, at the age of 90\, Phill Niblock bid farewell to the world. We invite the audience to join us for a curated selection of his films\, to celebrate his legacy and the profound influence and deep inspiration he had on the artistic landscape.  The event is initiated by Yoshiko Chuma\, Conceptual Artist\, Choreographer\, and Director of The School of Hard Knocks\, and curated by Sarah Möller\, artistic co-director of the Berlin dance film festival POOL – MOVEMENT ART FILM.Since 2016\, under the name SHINE – NEW YORK TRACES\, the festival has been featuring films from the New York dance and experimental film scene of the 60s\, 70s\, and 80s. www.pool-festival.de \nPhill Niblock (1933-2024\, USA) was an artist whose fifty-year career spans minimalist and experimental music\, film and photography. Since 1985\, he has served as director of Experimental Intermedia\, a foundation for avant-garde music based in New York with a branch in Ghent\, and curator of the foundation’s record label XI. Known for his thick\, loud drones of music\, Niblock’s signature sound is filled with microtones of instrumental timbres that generate many other tones in the performance space. In 2013\, his diverse artistic career was the subject of a retrospective realised in partnership between Circuit (Contemporary Art Centre Lausanne) and Musée de l’Elysée. The following year Niblock was honored with the prestigious Foundation for Contemporary Arts John Cage Award.‍ \nwww.phillniblock.com\nwww.experimentalintermedia.org \nTHE PROGRAM \nThe Magic Sun (1966-68) – 17 minutes\nFilmed by Phill Niblock\, with members of the Sun Ra Arkestra\, music by Sun ra and Arkestra.\nFilmed with a high contrast Black and White 16mm film\, transferred to video. \nTrio Film (1968) – 14 minutes\nA film by Yvonne Rainer\, Cinematography by Phill Niblock\, Performance by Becky Arnold and Steve Paxton.\nBlack and white 16mm film transferred to video\, no sound. \nAnnie (1968) – 8 minutes\nA film by Phill Niblock. A portrait of the dancer Ann Danoff\, with a sound collage sound track.\nColor 16mm film\, transferred to video. \nMax (1966 – 68) – 7 minutes\nFilmed by Phill Niblock\, edited by Dave Gearey. An image collage film / portrait of Max Neuhaus\, with a collage sound track by Max Neuhaus.\nBlack and White 16mm film\, transferred to video. \n3 Locations (1974) – 7 minutes\nFilm by Phill Niblock\, dance by Dana Reitz.\n3 Locations\, 3 perspectives\, 3 intensities – Dana Reitz explores three different environments: brick patio (jumping)\, hillside (crawling/rolling) and tree trunk (balancing).\nColor 16mm film\, transferred to video\, no sound. \nTerrace Of Unintelligibility (1985) – 20 minutes\nFilmed by Phill Niblock. Composition\, Performance and Lighting Design by Arthur Russell.\nRecorded at Experimental Intermedia Foundation September 22\, and October 27\, 1985. \nNote: The opening and closing credits of the film Max contain a strobe effect. \nMore details: \nhttps://pool-festival.de/2024/05/14/cinema-has-power-phill-niblock\nhttps://www.lamama.org/shows/cinema-has-power-vol-9
URL:https://crsny.org/event/stop-calling-them-dangerous-cinema-has-power-vol-9/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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SUMMARY:Stop Calling Them Dangerous #5: Cinema Has Power
DESCRIPTION:La MaMa Moves! in partnership with Movement Research\nand Pool Shine – “New York Traces”\, MOVEMENT ART FILM Festival Berlin\n\nFeaturing Yvonne Rainer\nOrganized by Yoshiko Chuma\nModerated by Wendy Perron\nA panel featuring a conversation on cinemas power and a film screening including works by groundbreaking artist Yvonne Rainer. The panel is organized by choreographer and instigator Yoshiko Chuma and will be moderated by choreographer\, dance scholar\, and author Wendy Perron. There will be surprise dance-filmmakers who will be attending. The screening is co-curated by POOL – Movement Art Film Festival Berlin. \nPhoto credit: Still of “Trio Film” by Yvonne Rainer\, 1968\, Camera: Phill Niblock. With the courtesy of Video Data Bank. \nSpace is limited. RSVP is highly recommended:\nhttps://web.ovationtix.com/trs/pe.c/11238804
URL:https://crsny.org/event/stop-calling-them-dangerous-5/
LOCATION:CRS (Center for Remembering & Sharing)\, 41 E 11th St 11th Fl\, New York\, NY\, 10003\, United States
CATEGORIES:CRS Presents
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